Aquarius Records: Search Results for Keyword: Pegataur
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album cover PEGATAUR Eternal Flight (For Once Records) cd 13.98
Drummer Aaron Levin and guitarist Eric Murray, both formerly of tongue-in-cheek (but over-the-top awesome) glam rockers Boyjazz, have banded together as a duo since that band's unfortunate dissolution to create another outlet for their "bow down, we're not worthy" level instrumental talents. Pegataur is the result (the name referring to a Pegasus + Centaur hybrid, a winged man-horse, of course). Their debut cd, Eternal Flight, is quite a treat for anyone who digs rippin', all-instrumental heavy metal. Technical and melodic and riffy - basically, imagine The Fucking Champs as a two-piece. If you like the Champs, you'll like this, maybe that's all we need to say!!
Any of you out there who perhaps found Boyjazz too jokey (you shoulda given them a chance anyway, what an entertaining band they were!), should have less of an issue with this, in fact, Pegataur not only shut up and play but really go off the deep end in terms of seriousness if you delve into their, um, mythology. The packaging, a large circular poster that folds up to hold the cd, inside a plastic sleeve, bears mysterious illustrations of supposed significance within the occult sciences, relating to their own research. We've gotta quote what their press release says about it: "Orbiting around the Pegataur seal are 11 sigils for the tracks and a 12th king sigil to bind and rule the album as a whole. Utilizing techniques employed by such famed Renaissance occultists as Heinrich Cornelius Agrippa von Nettesheim and Dr. John Dee, each song title and corresponding sigil were generated by custom software (written by guitarist Eric Murray) that correlates the musical structure of each track with the many esoteric traditions in which Pegataur is initiated. It is suggested that the neophyte concentrate on each sigil as the song plays while holding the song title firmly in their mind to further their studies." (Hmm, they don't say how you're supposed to do that whilst headbanging.) So, maybe their joking has just gotten even more nerdy and obscure. Or maybe there's something to all of this. Certainly this duo seriously seem to be channeling an unnatural abundance of heavy metal chops and catchiness through each one of these 11 rockin' songs, as if they've got some direct psychic link to a dimension of metallic wonderment and the devil's music just effortlessly, endlessly flows through the Pegataur boys and their instruments like magic.
Pegataur probably could have scored bagfuls of gold pieces (or weed) from The Sword or High On Fire in exchange for some of the best of these riffs and still had plenty of good ones left over. Likewise, their hella tricky metallic mathrock moments would likely garner applause from folks like Electro Quarterstaff and Girth. We've already compared 'em to the Champs, but you could also try to imagine Zebulon Pike, stripped down to one guitar and forced to condense their usual 20+ minute epics into the 3-minute pop song format.
From the pinch harmonic frenzies and chugging changes of "Lesser Bow Of The Herdsman" and "The Weeping Quiver" to the grinding distorted stoner riffage of "Lord Solomon's Eyes" and "Human Appetite" (among the 11, we could mention 'em all) this kicks ass utterly, with no vocals to get in the way, just tons of guitar shred in an indie Van Halen mode that might make Thee Speaking Canaries jealous. No joke!
MPEG Stream:
"The Dual Becoming"
MPEG Stream: "Lesser Bow Of The Herdsman"
MPEG Stream: "Terror Arrow"

album cover ELECTRO QUARTERSTAFF Aykroyd (Willowtip) cd 14.98
All right! We've been waiting for this, at long last a new album of mathy mania from our favorite Manitoban instru-metal nerds, who rip it up like an unholy hybrid of The Fucking Champs and Gorguts.
So, we threw this on as soon as we got it in earlier this week, and as we were listening to it in the store, a dizzying display of complicated instrumental triple-guitar metal pyrotechnics, completely ridiculous stuff, Andee remarked to Matt that THIS must be what it sounds like inside Allan's head all the time. To which Allan says, "I wish!"... And Allan's wish is Electro Quarterstaff's command. All he (or anyone) has to do is strap on some headphones and hit "play", and your brain can start doing somersaults and backflips to the tricky tunes of these tech-metal masters!
Yes, it's a fun ride. Somehow the Electro Quarterstaff boys make their music crazy technical and also utterly rock out at the same time. In fact, on some of the tracks here, we declare EQ may have invented the hitherto unknown subgenre of "technical boogie"!!
The Willowtip label is of course known for uber-technical death grind, bands like Arsis, Capharnaum, Gorod, Necrophagist... serious, brutal stuff, though they do have their "humorous" side (remember, uh, Crotchduster?). Electro Quarterstaff certainly have a quizzical sense of humor, witness song titles like "Waltz Of The Swedish Meatballs" and "Unholy Gravy" (though others are less overtly absurd, to be sure). But that's not why we like 'em so much. Any band can come up with silly song titles, but NOT just any band can play like this, nosiree. Grin-inducing MUSICALLY 'cause it's so damn complex, yet catchy too. Reminds us a bit of An Albatross, but not so spastic and noisy, way more METAL, their hectic shred conversant with classical-sounding melody. In fact, first track "The Wolf Shall Inherit The Moon" is a disarmingly beautiful semi-acoustic piece, setting any unsuspecting listeners up for a shock when frantic next track "McNutty" erupts into their ear-space.
Once again, they've named this after a famous Canadian (Gretzky was their debut). And once again, this cd is graced with really awesome artwork. This 2nd album was worth the five year wait, but we hope EQ don't go back into lengthy hibernation right away... what would be really rad would be to see 'em play live, how 'bout a West Coast tour, guys? We'd be in the front row for that, along with any fans of Scale The Summit, Suzikiton, Pegataur, The Champs, Gorguts, etc.
MPEG Stream:
"Waltz Of The Swedish Meatballs"
MPEG Stream: "Descent By Annihilation Operator"
MPEG Stream: "Stroganoff"

album cover SCALE THE SUMMIT Carving Desert Canyons (Prosthetic) cd 14.98
We were gonna try to review this record without mentioning what this sometimes reminds us of, but hell, we just can't, and if it keeps you from buying it then it's YOUR LOSS. Scale The Summit are some young shredding guitar instrumentalists, who weave epic, soaring jubilant tech metal jams, that drift and shimmer and shred, laced with tons of swirling harmonies, tinkling harmonics, plenty of chug, all surprisingly major key, like the soundtrack to a videogame, or the climax of some action movie, or yeah, a little like Joe Satriani's Surfing With The Alien...there we said it. But take that Satriani sound, tangle it all up with some Fucking Champs shred-ery, get it all mathy here and there, let it sprawl majestically like some sort of Explosions In The Sky album closer, and you've pretty much got Carving Desert Canyons. This is the sound that accompanies a camera dangling from the bottom of a helicopter soaring along the desert floor, the soundtrack to a hipper emo-metal version of Planet Earth, expansive and epic, but plenty metallic and post rocky. We've been listening to this like crazy, it definitely pushes some buttons we never knew we had (or at least hadn't had pushed in a while), but fuck it, everything can't be dour and depressive and buzzy and black, sometimes you need something like StS, all emotionally metallic and triumphant, post rockisms spreading out into wild churning chugfests that in turn eventually explode into mathmetal blowouts, or super melodic shredfests. Definitely for fans of the Fucking Champs, Pegataur, Electro Quarterstaff, Explosions In The Sky, Zebulon Pike, Pelican, and all things postmetal, mathmetal and instru-metal.
MPEG Stream:
"Bloom"
MPEG Stream: "Sargaso Sea"
MPEG Stream: "The Great Plains"

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