Aquarius Records: Search Results for Artist: Om
search by:
view shopping cart

home
staff
audio clips
newest arrivals
about the store
art / photo exhibits
catalog / list archive

A B C D E F G H I J K L M N O
P Q R S T U V W X Y Z Other

20th century composers
compilation / split
country/folk/blues
country/folk/blues ("no depression")
dvd / video / film
electronic
exotica / novelty
experimental
finland
found sounds, field recordings, oddities
hip hop
hip hop (turntablism)
hiphop
hiphop (turntablism)
international
international (africa)
international (asia)
international (central / south america)
international (cuba)
international (europe)
international (french pop)
international (latin american psych/tropicalia)
international (middle east)
japan
japan (noise/free/psych)
japan (pop)
jazz
local
metal
metal (black metal)
metal (stoner rock)
metal (stoner/doom)
print
reggae/dub
rock/pop
rock/pop ('60s psych/garage)
rock/pop (goth/industrial/darkwave)
rock/pop (krautrock)
rock/pop (prog rock)
rock/pop (punk/hardcore)
soul/funk
soundtracks
spoken word & comedy

Records of the Week
Alison's Favorites
Allan's Favorites
Andee's Favorites
Andrew's Favorites
Antaeus's Favorites
Ashley's Favorites
Byram's Favorites
Cameron's Favorites
Christine's Favorites
Cup's Favorites
Frank's Favorites
Irwin's Favorites
Jenny's Favorites
Jim's Favorites
Jon's Favorites
Kerry's Favorites
Lauren's Favorites
Matt's Favorites
Michael's Favorites
Nick's Favorites
Pam's Favorites
Sally's Favorites
Scott's Favorites



IMPORTANT (Please read to avoid confusion):
Some items below may be tagged with a bold, red, all-caps "out of print/unavailable" notice. This does NOT mean that all other items not so tagged are, in fact, in stock -- or for that matter, in print and available, though there's a good chance they are. Some folks get confused on this point, and we can see why, so please read this for further clarification and other important before-you-order information. Unlike some mailorder websites, we don't have an electronic inventory system linked to our site, so you can't be sure of what we actually have or don't have in stock at any given moment without asking us -- please email our mailorder department for availability status -- or better yet, just go ahead and place your order using our shopping cart function and we'll get back to you with the status of each item. If you have general non-mailorder questions, email the store.


album cover OM Conference Live (Important) lp 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Second live record from this post-Sleep duo, this one a live recreation of their 2006 Conference Of The Birds album, recorded live in New York last year, giving most people their first earful of new drummer Emil Amos, courtesy of epic post rockers the Grails, replacing long time Om drummer Chris Hakius, who was also in Sleep with Om bassist and vocalist Al Cisneros.
The drum switch is pretty dramatic, where Hakius was a bruiser, who pounded his kit, Amos is much more refined and restrained, jazzier for sure, his parts busier and skittery than the Hakius' Conference originals.
"At Giza" is a low slow rumble, mantra like and haunting, doomy for sure, but more abstract than crushing, the bass rubbery and almost clean, unfurling slow motion grooves, the drums a stripped down shuffle, the vocals reverbed and clean and way up in the mix, everything hushed and hypnotic. It's not until nearly 3/4 of the way through that the distortion kicks in and the band let loose, and that Sleep pedigree becomes apparent. And while in some ways, Amos's drumming makes the sound less obviously 'heavy', it also pushed it in new, almost proggy directions, adding more complexity and counterpoint, and things get seriously frenzied and frenetic, with a distinctly Ruins-worthy coda.
The flip side, "Flight Of The Eagle", is not that far removed from the original, minus the slightly different drumming style, the sound is still plenty sludgy, droney, groovy, druggy, hypnotic and HEAVY.
Thick diecut jackets, the printed inside sleeve visible through the diecut, pressed on ultra heavy vinyl. And yeah, most definitely limited.

album cover OM Conference Of The Birds (Holy Mountain) cd 14.98
OM....OM... OM . . . O M . . . .
Their debut last year, Variations On A Theme, was heralded by many as the second coming of Sabbathy stoner/doom legends Sleep. No surprise, considering that Om consists of two thirds of Sleep, and pretty much sounds like two thirds of Sleep too. Same low-end bass (Al Cisneros), thundering drums (Chris Hakius), and druggy, chant-like vocals (Al again, stepping up to the mic). All that's missing is the guitar (Sleep guitarist Matt Pike is busy with High On Fire right now). We gave that album the thumbs up, won over by the psychedelic trance-like heaviness of their jams and their mantrically soothing yet (to us) unintentionally amusing singing, which made us giggle 'cause it just never let up, delivering endless deadpan lyrics of cosmic hippy nonsense in a zoned-out monotone. We don't want to say it was so bad it was good, 'cause it really wasn't bad, but there was some of that kind of bad/good alchemy going on. And we ended up lovin' it.
And of course, the resemblance to old faves Sleep helped too.
Now Al and Chris are back with the second Om opus. It's simultaneously a heckuva lot like their debut but even better somehow. Productionwise, yes. And also perhaps 'cause while the two-piece line-up on Variations sounded like Sleep without the guitar, and maybe (heck, definitely) would have been even better with a guitarist, now they've made that lack of guitar seem more the ways things should be, by getting more and more hushed and spacious and mimimal here, thereby making it seem like just bass and drums is enough, not like something's missing. They've made a virtue out of a necessity, realizing that by really adopting a "less is more" aesthetic they'd be playing to their strength. And it works. Listen to it straight through (you'll want to... it's two tracks, about 33 minutes) and you'll find it quite floatational, even without chemical assistance. This riff-repetitive spaceout drone dirge drug is all you need. And Al's lyrics remain occultic, obtuse and slightly absurd, giving this the effect of a hypnosis tape meant to help build your vocabulary (along with heightening your conciousness). He uses such everyday words as "clesiast", "epison", "aurican", "tunnement", and "agurate". It's heavy rock that requires a heavy dictionary to decipher!
So if you liked the first OM, you'll love this. And if you weren't sure before, definitely check this one out. As with their first album, file with Sleep's Jerusalem, Electric Wizard's Supercoven, and UFOmammut's Godlike Snake.
OM....OM... OM . . . O M . . . .
MPEG Stream:
"At Giza"
MPEG Stream: "Flight Of The Eagle"

album cover OM Conference Of The Birds (Holy Mountain) lp 15.98
OM....OM... OM . . . O M . . . .
Their debut last year, Variations On A Theme, was heralded by many as the second coming of Sabbathy stoner/doom legends Sleep. No surprise, considering that Om consists of two thirds of Sleep, and pretty much sounds like two thirds of Sleep too. Same low-end bass (Al Cisneros), thundering drums (Chris Hakius), and druggy, chant-like vocals (Al again, stepping up to the mic). All that's missing is the guitar (Sleep guitarist Matt Pike is busy with High On Fire right now). We gave that album the thumbs up, won over by the psychedelic trance-like heaviness of their jams and their mantrically soothing yet (to us) unintentionally amusing singing, which made us giggle 'cause it just never let up, delivering endless deadpan lyrics of cosmic hippy nonsense in a zoned-out monotone. We don't want to say it was so bad it was good, 'cause it really wasn't bad, but there was some of that kind of bad/good alchemy going on. And we ended up lovin' it.
And of course, the resemblance to old faves Sleep helped too.
Now Al and Chris are back with the second Om opus. It's simultaneously a heckuva lot like their debut but even better somehow. Productionwise, yes. And also perhaps 'cause while the two-piece line-up on Variations sounded like Sleep without the guitar, and maybe (heck, definitely) would have been even better with a guitarist, now they've made that lack of guitar seem more the ways things should be, by getting more and more hushed and spacious and mimimal here, thereby making it seem like just bass and drums is enough, not like something's missing. They've made a virtue out of a necessity, realizing that by really adopting a "less is more" aesthetic they'd be playing to their strength. And it works. Listen to it straight through (you'll want to... it's two tracks, about 33 minutes) and you'll find it quite floatational, even without chemical assistance. This riff-repetitive spaceout drone dirge drug is all you need. And Al's lyrics remain occultic, obtuse and slightly absurd, giving this the effect of a hypnosis tape meant to help build your vocabulary (along with heightening your conciousness). He uses such everyday words as "clesiast", "epison", "aurican", "tunnement", and "agurate". It's heavy rock that requires a heavy dictionary to decipher!
So if you liked the first OM, you'll love this. And if you weren't sure before, definitely check this one out. As with their first album, file with Sleep's Jerusalem, Electric Wizard's Supercoven, and UFOmammut's Godlike Snake.
OM....OM... OM . . . O M . . . .
MPEG Stream:
"At Giza"
MPEG Stream: "Flight Of The Eagle"

album cover OM Conference Of The Birds (Japanese edition) (Leaf Hound) cd 24.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We just scored a handful of copies of the Japanese import edition of the most recent release from psych-drone-trance lords Om, which features a BONUS TRACK not on the domestic version, but which can be found on the ULTRA limited split Six Organs Of Admittance / Om 7" on Holy Mountain that comes out next week (7/11/06)!! Here's what we had to say about Conference Of The Birds first time around:
OM....OM... OM . . . O M . . . .
Their debut last year, Variations On A Theme, was heralded by many as the second coming of Sabbathy stoner/doom legends Sleep. No surprise, considering that Om consists of two thirds of Sleep, and pretty much sounds like two thirds of Sleep too. Same low-end bass (Al Cisneros), thundering drums (Chris Hakius), and druggy, chant-like vocals (Al again, stepping up to the mic). All that's missing is the guitar (Sleep guitarist Matt Pike is busy with High On Fire right now). We gave that album the thumbs up, won over by the psychedelic trance-like heaviness of their jams and their mantrically soothing yet (to us) unintentionally amusing singing, which made us giggle 'cause it just never let up, delivering endless deadpan lyrics of cosmic hippy nonsense in a zoned-out monotone. We don't want to say it was so bad it was good, 'cause it really wasn't bad, but there was some of that kind of bad/good alchemy going on. And we ended up lovin' it.
And of course, the resemblance to old faves Sleep helped too.
Now Al and Chris are back with the second Om opus. It's simultaneously a heckuva lot like their debut but even better somehow. Productionwise, yes. And also perhaps 'cause while the two-piece line-up on Variations sounded like Sleep without the guitar, and maybe (heck, definitely) would have been even better with a guitarist, now they've made that lack of guitar seem more the ways things should be, by getting more and more hushed and spacious and mimimal here, thereby making it seem like just bass and drums is enough, not like something's missing. They've made a virtue out of a necessity, realizing that by really adopting a "less is more" aesthetic they'd be playing to their strength. And it works. Listen to it straight through (you'll want to... it's two tracks, about 33 minutes) and you'll find it quite floatational, even without chemical assistance. This riff-repetitive spaceout drone dirge drug is all you need. And Al's lyrics remain occultic, obtuse and slightly absurd, giving this the effect of a hypnosis tape meant to help build your vocabulary (along with heightening your conciousness). He uses such everyday words as "clesiast", "epison", "aurican", "tunnement", and "agurate". It's heavy rock that requires a heavy dictionary to decipher!
So if you liked the first OM, you'll love this. And if you weren't sure before, definitely check this one out. As with their first album, file with Sleep's Jerusalem, Electric Wizard's Supercoven, and UFOmammut's Godlike Snake.
OM....OM... OM . . . O M . . . .
MPEG Stream:
"At Giza"
MPEG Stream: "Flight Of The Eagle"

album cover OM God Is Good (Drag City) cd 14.98
Here it is, the first post-Chris Hakius Om studio record. And there sure has been a lot of whining. "How could Al Cisneros continue when half the group (Om being a duo) left?" "The new guy doesn't hit as hard," "It's on Drag City," blah blah blah. Fuck all that. If people cannot understand that music should be about progression and taking new risks, then they should stick to the old records and leave it at that. That said, there will be no mistaking this for anyone other than Om. The template hasn't changed drastically, but new drummer Emil Amos (who also pounds the skins for Grails and has a kick ass project of his own, Holy Sons) has certainly brought something new and fresh to the table. His drumming is more meditative, less pounding than Hakius' style and at times a little, ahem, "jazzy", and it honestly suits the direction Om had been heading in perfectly. And when the band does kick into its trademark fuzzed out monolithic jams, the changes come off as more dynamic and drastic. So, if you loved what Om has done before, chances are God Is Good will not disappoint.
The album kicks off with "Thebes," a 19 minute monster that begins life as a subdued sitar drone. The band jams it out for a while with clean bass and focused drumming, and of course, Al's amazing and totally out there stoner lyrics, before switching gears into the musical theme they have been exploring since, uh, Variations On A Theme. The best part is how it recalls the foundation from which Om was born while still showing the progression they have made since Amos' arrival. And it's fucking perfect. With Steve Albini once again at the recording console, you can safely bet that it sounds incredible, spacious yet controlled, with every nuance of Om's minimal but super amplified approach coming out nice and clear. Following an epic fadeout comes the second song, "Meditation Is The Practice Of Death", which is carried forward by a snaky, Middle Eastern styled bass groove as Amos provides some awesome drum work heavy on the cymbals and toms. The droniness just feels so great, with Al's monotone voice maintaining its steadiness over production that seems to show off a heavy dub influence. Probably weren't expecting that the first time you heard these guys, were you? But it actually makes total sense. Towards the end, there is a killer FLUTE solo, and its awesomeness should be enough to silence any of the non believers out there. This is still Om, but believe it or not, they are taking things into new realms, which is made even clearer on the next track, a two part song called "Cremation Ghat". Perhaps the fastest and busiest Om song to date, the song begins with a highly focused cyclical bass groove and percussion accented by hand claps playing out over a steady pound and a serpentine vocal chant. It's actually a bit reminiscent of Circle, but then Part II goes into a slow burning groove with the same sitar loop from "Thebes" entering the picture over more Middle Eastern inspired melodies. The album ends as it began, with the sitar loop urging you to press play once again. This is seriously great stuff.
So yeah, God Is Good is good, and we can only wonder where Om will venture after this. Luckily, it will probably still include 19 minute songs, thundering bass, hypnotic drumming, and totally stoned shamanic incantations, so really what's to complain about?
MPEG Stream:
"Thebes"
MPEG Stream: "Meditation Is The Practice Of Death"
MPEG Stream: "Cremation Ghat I"

album cover OM God Is Good (Drag City) lp 17.98
Here it is, the first post-Chris Hakius Om studio record. And there sure has been a lot of whining. "How could Al Cisneros continue when half the group (Om being a duo) left?" "The new guy doesn't hit as hard," "It's on Drag City," blah blah blah. Fuck all that. If people cannot understand that music should be about progression and taking new risks, then they should stick to the old records and leave it at that. That said, there will be no mistaking this for anyone other than Om. The template hasn't changed drastically, but new drummer Emil Amos (who also pounds the skins for Grails and has a kick ass project of his own, Holy Sons) has certainly brought something new and fresh to the table. His drumming is more meditative, less pounding than Hakius' style and at times a little, ahem, "jazzy", and it honestly suits the direction Om had been heading in perfectly. And when the band does kick into its trademark fuzzed out monolithic jams, the changes come off as more dynamic and drastic. So, if you loved what Om has done before, chances are God Is Good will not disappoint.
The album kicks off with "Thebes," a 19 minute monster that begins life as a subdued sitar drone. The band jams it out for a while with clean bass and focused drumming, and of course, Al's amazing and totally out there stoner lyrics, before switching gears into the musical theme they have been exploring since, uh, Variations On A Theme. The best part is how it recalls the foundation from which Om was born while still showing the progression they have made since Amos' arrival. And it's fucking perfect. With Steve Albini once again at the recording console, you can safely bet that it sounds incredible, spacious yet controlled, with every nuance of Om's minimal but super amplified approach coming out nice and clear. Following an epic fadeout comes the second song, "Meditation Is The Practice Of Death", which is carried forward by a snaky, Middle Eastern styled bass groove as Amos provides some awesome drum work heavy on the cymbals and toms. The droniness just feels so great, with Al's monotone voice maintaining its steadiness over production that seems to show off a heavy dub influence. Probably weren't expecting that the first time you heard these guys, were you? But it actually makes total sense. Towards the end, there is a killer FLUTE solo, and its awesomeness should be enough to silence any of the non believers out there. This is still Om, but believe it or not, they are taking things into new realms, which is made even clearer on the next track, a two part song called "Cremation Ghat". Perhaps the fastest and busiest Om song to date, the song begins with a highly focused cyclical bass groove and percussion accented by hand claps playing out over a steady pound and a serpentine vocal chant. It's actually a bit reminiscent of Circle, but then Part II goes into a slow burning groove with the same sitar loop from "Thebes" entering the picture over more Middle Eastern inspired melodies. The album ends as it began, with the sitar loop urging you to press play once again. This is seriously great stuff.
So yeah, God Is Good is good, and we can only wonder where Om will venture after this. Luckily, it will probably still include 19 minute songs, thundering bass, hypnotic drumming, and totally stoned shamanic incantations, so really what's to complain about?
MPEG Stream:
"Thebes"
MPEG Stream: "Meditation Is The Practice Of Death"
MPEG Stream: "Cremation Ghat I"

album cover OM Live at Jerusalem (Southern Lord) lp 24.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
People have been dying for this one. Two epic sidelong tracks, recorded live in the Holy Land, from one of the world's heaviest duos, thee mighty Om. And in fact, this lp is the final recording of the original duo, with drummer Chris Haikus, who has since left the band to be replaced by the drummer from the Grails.
And a fitting swansong it is, as these two tracks are monsters, one from Conference Of The Birds, one from Pilgrimage, and as you might expect, the sound is massive, the bass churning and throbbing, the drums relentless and pounding, the duo locking into trancelike grooves, hypnotic and mesmerizing, and of course so so so heavy. What else do you need to know. It's Om, two tracks, each taking up a whole side, pressed on super thick vinyl, in super deluxe sleeves, and of course EXTREMELY LIMITED, only 3100 copies made (each one numbered), we got 25 and there's a good chance we won't be able to get more. You have been warned.

album cover OM Pilgrimage (Southern Lord) cd 15.98
The mighty return of the transcendental RIFF! The third Om record! By now the methods and purpose of their ultra heavy music of the spheres is clear. The music on this album, much like the first two, is stripped to its essence. Bass and drums churning out super hypnotic heaviness and repetitive chant-like vocals creating a cyclical whorl of trance-rock divinity.
With a lot of new releases from bands we love, change in sound and development of style is important, Om seem to operate with different principles than the average rock and roll outfit. The consistency of their sound lends itself to the eternal nature of the music, as if all three of their records are really just movements in some expansive, cosmic symphony. Within Om's canon, change is felt like the passing of time without the aid of a clock or calendar, existing in the infinite void. And what an ass kicking void it is! The riffs and rhythms on Pilgrimage are certainly just as good as those on either of their previous releases, which means amazingly heavy and heady slabs of stoned out ROCK!
The record starts off with the title track, which is an expansive slow burner. Mesmeric and spiritual, soft spoken vocals and a propulsive tom and tambourine beat. The riffs on this track, as well as the bulk of Om's material, have a certain eastern quality, like some strange Sabbath-raga meld, and they go on forever and ever, taking the listener on some sort of mystic celestial voyage. By track two, "Unitive Knowledge Of The Godhead", the fuzzed out bass distortion kicks in, and the sound gets HEAVY! This Sleep-like heavitude continues into the 11 plus minute "Bhima's Theme", by which point in the album the listener is more than likely completely transfixed, eyes a-glaze with the eternal riff burned into their brain. The last song on the album is "Pilgrimage (Reprise)", which makes for a very circular experience, like when listening to the album all the way through, time disintegrates and 32 minutes seems like a split second or a week or an eternity! Heavy, mannnn...
Possibly one of the most distinctive things about Pilgrimage is the recording itself. This album sounds fucking great! We mean, for a band that just consists of bass guitar and drums, you could not pick a better engineer than Mr. Steve Albini, whose forte has always been the rhythm section, and he completely nailed the sound! It's warm and cavernous, and completely swallows the listener whole.
So, if you are in tune with the amaranthine vibes of Om's two previous records, you will most certainly appreciate this one as a continuation on the path towards the essence of musical anima mundi!
RIFF TO ETERNITY!
MPEG Stream:
"Pilgrimage"
MPEG Stream: "Bhima's Theme"

album cover OM Pilgrimage (Southern Lord) lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
NOW AVAILABLE ON (LIMITED, BLACK) VINYL!!
The mighty return of the transcendental RIFF! The third Om record! By now the methods and purpose of their ultra heavy music of the spheres is clear. The music on this album, much like the first two, is stripped to its essence. Bass and drums churning out super hypnotic heaviness and repetitive chant-like vocals creating a cyclical whorl of trance-rock divinity.
With a lot of new releases from bands we love, change in sound and development of style is important, Om seem to operate with different principles than the average rock and roll outfit. The consistency of their sound lends itself to the eternal nature of the music, as if all three of their records are really just movements in some expansive, cosmic symphony. Within Om's canon, change is felt like the passing of time without the aid of a clock or calendar, existing in the infinite void. And what an ass kicking void it is! The riffs and rhythms on Pilgrimage are certainly just as good as those on either of their previous releases, which means amazingly heavy and heady slabs of stoned out ROCK!
The record starts off with the title track, which is an expansive slow burner. Mesmeric and spiritual, soft spoken vocals and a propulsive tom and tambourine beat. The riffs on this track, as well as the bulk of Om's material, have a certain eastern quality, like some strange Sabbath-raga meld, and they go on forever and ever, taking the listener on some sort of mystic celestial voyage. By track two, "Unitive Knowledge Of The Godhead", the fuzzed out bass distortion kicks in, and the sound gets HEAVY! This Sleep-like heavitude continues into the 11 plus minute "Bhima's Theme", by which point in the album the listener is more than likely completely transfixed, eyes a-glaze with the eternal riff burned into their brain. The last song on the album is "Pilgrimage (Reprise)", which makes for a very circular experience, like when listening to the album all the way through, time disintegrates and 32 minutes seems like a split second or a week or an eternity! Heavy, mannnn...
Possibly one of the most distinctive things about Pilgrimage is the recording itself. This album sounds fucking great! We mean, for a band that just consists of bass guitar and drums, you could not pick a better engineer than Mr. Steve Albini, whose forte has always been the rhythm section, and he completely nailed the sound! It's warm and cavernous, and completely swallows the listener whole.
So, if you are in tune with the amaranthine vibes of Om's two previous records, you will most certainly appreciate this one as a continuation on the path towards the essence of musical anima mundi!
RIFF TO ETERNITY!
MPEG Stream:
"Pilgrimage"
MPEG Stream: "Bhima's Theme"

album cover OM Variations On A Theme (Holy Mountain) cd 14.98
Have you been missing Sleep? No, not your forty winks, we mean the mighty stoner metal behemoth that was San Jose's Sabbath n' sweet leaf worshippers Sleep. The endlessly repetitive riffs, the swinging molasses sludge jams, the massive, mantric starscapes of drugged-out space rock drone and dirge? Yeah, we've been missing Sleep too. They broke up after their magnum opus, the one-hour/one-song album Jerusalem (aka Dopesmoker), members eventally resurfacing in The Sabians and High On Fire. And now Om, the closest thing to the Jerusalem of olde! So if High On Fire's loud and speedy Motorheaded heaviness hasn't quite been giving you that same Sleepy feeling, then here's -another- post-Sleep outfit that might just do the trick.
First get rid of the guitars ('cause this is just Sleep's rhythm section, bassist Al Cisneros and drummer Chris Hakius). All they really need is a drum kit, a bass guitar and about 10,000 watts of amplification. Then set the controls for the heart of the sun, and ride all the way there seemingly on a single churning, hypnotic mesmerizing riff, stretched over three long tracks. A super distorted, fuzzed out magic carpet ride into oblivion. The main difference between Sleep and Om (besides the lack of guitar) are the vocals by Al Cisneros. Lots of vocals. And not screaming or growly, we're talking clean, chanting, trance-like vocals, WAY up in the mix. Well, they do sound a bit like the singing in Sleep, just way more prominent. It may be the single thing that keeps folks from getting into Om. But the vocals definitely grow on you, and the laconic sort of slurry sing song-y delivery just further enhances Om's druggy mesmerism. Al's stiffly delivered, endless nasal incantations are in fact now being imitated by the staffers here at Aquarius in our everyday conversations. They definitely give the whole thing a definite Hawkwind / Pink Floyd vibe, which is a VERY good thing. This is most definitely not 'metal', although metalheads will probably dig it. Electric Wizard fans especially! This is relentlessly riff heavy, ultra repetitive, simple, spaced out, hippy drug rock of the highest order. Musically it almost sounds like a Lightning Bolt record played at 16rpm, that effortless bass / drum interplay slowed down to a loping lumber, a slow motion slither, a creepy crawl. Head nodding music for head bangers. A swirling, fuzzy, spacy, mesmerizing, drone rock trip! No wonder ol' Julian Cope wrote it up as a record of the month on his great Head Heritage website...
MPEG Stream:
"Kapila's Theme"
MPEG Stream: "Annapurna"

album cover OM Variations On A Theme (Holy Mountain) lp 15.98
Now available on vinyl! We know a lot of you have been waitin' for it...
Have you been missing Sleep? No, not your forty winks, we mean the mighty stoner metal behemoth that was San Jose's Sabbath n' sweet leaf worshippers Sleep. The endlessly repetitive riffs, the swinging molasses sludge jams, the massive, mantric starscapes of drugged-out space rock drone and dirge? Yeah, we've been missing Sleep too. They broke up after their magnum opus, the one-hour/one-song album Jerusalem (aka Dopesmoker), members eventally resurfacing in The Sabians and High On Fire. And now Om, the closest thing to the Jerusalem of olde! So if High On Fire's loud and speedy Motorheaded heaviness hasn't quite been giving you that same Sleepy feeling, then here's -another- post-Sleep outfit that might just do the trick.
First get rid of the guitars ('cause this is just Sleep's rhythm section, bassist Al Cisneros and drummer Chris Hakius). All they really need is a drum kit, a bass guitar and about 10,000 watts of amplification. Then set the controls for the heart of the sun, and ride all the way there seemingly on a single churning, hypnotic mesmerizing riff, stretched over three long tracks. A super distorted, fuzzed out magic carpet ride into oblivion. The main difference between Sleep and Om (besides the lack of guitar) are the vocals by Al Cisneros. Lots of vocals. And not screaming or growly, we're talking clean, chanting, trance-like vocals, WAY up in the mix. Well, they do sound a bit like the singing in Sleep, just way more prominent. It may be the single thing that keeps folks from getting into Om. But the vocals definitely grow on you, and the laconic sort of slurry sing song-y delivery just further enhances Om's druggy mesmerism. Al's stiffly delivered, endless nasal incantations are in fact now being imitated by the staffers here at Aquarius in our everyday conversations. They definitely give the whole thing a definite Hawkwind / Pink Floyd vibe, which is a VERY good thing. This is most definitely not 'metal', although metalheads will probably dig it. Electric Wizard fans especially! This is relentlessly riff heavy, ultra repetitive, simple, spaced out, hippy drug rock of the highest order. Musically it almost sounds like a Lightning Bolt record played at 16rpm, that effortless bass / drum interplay slowed down to a loping lumber, a slow motion slither, a creepy crawl. Head nodding music for head bangers. A swirling, fuzzy, spacy, mesmerizing, drone rock trip! No wonder ol' Julian Cope wrote it up as a record of the month on his great Head Heritage website...
MPEG Stream:
"Kapila's Theme"
MPEG Stream: "Annapurna"

album cover OM Variations On A Theme (clear vinyl) (Holy Mountain) lp 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
NOW ON CLEAR VINYL! When the first pressing of vinyl sold out, Holy Mountain decided to repress on clear wax. Nice. Here's our review of the music, which remains available on cd too:
Have you been missing Sleep? No, not your forty winks, we mean the mighty stoner metal behemoth that was San Jose's Sabbath n' sweet leaf worshippers Sleep. The endlessly repetitive riffs, the swinging molasses sludge jams, the massive, mantric starscapes of drugged-out space rock drone and dirge? Yeah, we've been missing Sleep too. They broke up after their magnum opus, the one-hour/one-song album Jerusalem (aka Dopesmoker), members eventally resurfacing in The Sabians and High On Fire. And now Om, the closest thing to the Jerusalem of olde! So if High On Fire's loud and speedy Motorheaded heaviness hasn't quite been giving you that same Sleepy feeling, then here's -another- post-Sleep outfit that might just do the trick.
First get rid of the guitars ('cause this is just Sleep's rhythm section, bassist Al Cisneros and drummer Chris Hakius). All they really need is a drum kit, a bass guitar and about 10,000 watts of amplification. Then set the controls for the heart of the sun, and ride all the way there seemingly on a single churning, hypnotic mesmerizing riff, stretched over three long tracks. A super distorted, fuzzed out magic carpet ride into oblivion. The main difference between Sleep and Om (besides the lack of guitar) are the vocals by Al Cisneros. Lots of vocals. And not screaming or growly, we're talking clean, chanting, trance-like vocals, WAY up in the mix. Well, they do sound a bit like the singing in Sleep, just way more prominent. It may be the single thing that keeps folks from getting into Om. But the vocals definitely grow on you, and the laconic sort of slurry sing song-y delivery just further enhances Om's druggy mesmerism. Al's stiffly delivered, endless nasal incantations are in fact now being imitated by the staffers here at Aquarius in our everyday conversations. They definitely give the whole thing a definite Hawkwind / Pink Floyd vibe, which is a VERY good thing. This is most definitely not 'metal', although metalheads will probably dig it. Electric Wizard fans especially! This is relentlessly riff heavy, ultra repetitive, simple, spaced out, hippy drug rock of the highest order. Musically it almost sounds like a Lightning Bolt record played at 16rpm, that effortless bass / drum interplay slowed down to a loping lumber, a slow motion slither, a creepy crawl. Head nodding music for head bangers. A swirling, fuzzy, spacy, mesmerizing, drone rock trip! No wonder ol' Julian Cope wrote it up as a record of the month on his great Head Heritage website...
MPEG Stream:
"Kapila's Theme"
MPEG Stream: "Annapurna"

album cover OM / CURRENT 93 Inerrant Rays Of Infallible Sun (Blackship Shrinebuilder) (Durtro Jnana) cd ep 10.98
Previously only on 10" vinyl via Neurot, now finally available to compact disc users! David Tibet is an obsessive man, amassing a huge collection of books, records, paintings, and ephemera from his favorite artists, religious leaders, and cultural icons; and he often incorporates bits and pieces from that collection into the apocalyptic hymns of his band Current 93. A couple years ago, Tibet found himself awestruck by Om's first album Variations On A Theme and approached the stoned-metal mesmerists about working together. Through their correspondence, Om's bassist Al Cisneros found himself a contributor to the Current 93 opus Black Ships Ate The Sky, and then the two projects decided to produce this split release. What you get from Om is exactly what you would expect: heavy-as-fuck bass lines, lumbering drum propulsion, and tranced-out vocal incantations very much along the psychedelic vein of Sabbath and the druggy side of Hawkwind. Normally Tibet outsources the guitar work on his Current 93 records to the likes of Ben Chasny, Michael Cashmore, or Tony Wakeford, but here he's picked up the guitar, the bass, and a ton of distortion to match what Om does on the other side. He proves that he too can muster a heavy doom-drone riff laced with caustic waves of distortion and feedback. Of course, his revelatory vocals emerge from the cyclical riffs as does a caterwaul of droning bagpipes.
MPEG Stream:
OM "Rays Of The Sun / To The Shrinebuilder"
MPEG Stream: CURRENT 93 "Inerrant Infallible (Black Ship At Nineveh Or Edom)"

album cover OM / CURRENT 93 Inerrant Rays of Infallible Sun (Blackship Shrinebuilder) (Neurot) 10" 12.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
David Tibet is an obsessive man, amassing a huge collection of books, records, paintings, and ephemera from his favorite artists, religious leaders, and cultural icons; and he often incorporates bits and pieces from that collection into the apocalyptic hymns of his band Current 93. A couple years ago, Tibet found himself awestruck by Om's first album Variations On A Theme and approached the stoned-metal mesmerists about working together. Through their correspondence, Om's bassist Al Cisneros found himself a contributor to the Current 93 opus Black Ships Ate The Sky, and then the two projects decided to produce this split 10". What you get from Om is exactly what you would expect: heavy-as-fuck bass lines, lumbering drum propulsion, and tranced-out vocal incantations very much along the psychedelic vein of Sabbath and the druggy side of Hawkwind. Normally Tibet sources out the guitar work on his Current 93 records to the likes of Ben Chasny, Michael Cashmore, or Tony Wakeford, but here he's picked up the guitar, the bass, and a ton of distortion to match what Om does on the other side. He proves that he too can muster a heavy doom-drone riff laced with caustic waves of distortion and feedback. Of course, his revelatory vocals emerge from the cyclical riffs as does a caterwaul of droning bagpipes. There have been a couple of different pressings of this single; and what we have is the domestic, blue translucent vinyl version.

album cover OM / SIX ORGANS OF ADMITTANCE split (Holy Mountain) 7" 5.50
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
FINALLY THE REPRESS IS HERE! These split singles went out of print in a flash soon after we first reviewed 'em on list 244. But more were promised, and now at last they're here, for now...
Most of you have already smashed the add to cart button to bits before even getting to reading the review, so we'll keep this brief. A monumental match up of modern psychedelic masters from the NorCal locale. On one side is the mighty post-Sleep behemoth known as Om, a bass and drums duo who churn out extended sludge mantras, and on this track it's no different. A super fuzzed out doomy plod and groove. When we first threw this one, we accidentally had it on 45 and it sounded pretty dang killer and super blown out and weird, until the vocals came in and went all doom chipmunk on us. But at 33 it was even slower and heavier and dirgier just the way it was meant to be. Note: the track on this 7" is the bonus track from the Japanese version of Conference Of The Birds that we listed recently, so a few of you may already have this song! On the other side we have Ben Chasny and his Six Organs Of Admittance, who seem to be upping their own personal dirge quotient in order to compete with the sheer heaviness of Om. There is still some lilting folk, but it's buried beneath wild squalls of psych guitar freakout that sounds VERY Japanese (High Rise, Mainliner, Fushitsusha).
Definitely essential.

PRITCHARD, MARK & OM'MAS KEITH Wind It Up (Hyperdub) 12" 14.98

album cover STELLAR OM SOURCE Trilogy Select (Olde English Spelling Bee) lp 17.98
Stellar Om Source is a one woman sci-fi space-synth, cosmic (or kosmische?) sonic starship piloted by Christelle Gualdi, a fusion of droned out minimal krautrock, raw private press na•ve electronic experimentation, Carpenter/Goblin influenced retro soundtrack synthscapes, and percolating analog atmospherics, all woven into lush landscapes of low-grade futuristic synthdrone kraut drift mystery.
Culled from three long out of print cd-r's: Ocean Woman, Alliance and Crusader, Trilogy Select gathers up a handpicked greatest hits, and assembles them into something resembling a proper album, a woozy, amorphous drift through dark starlit skies, through vast crumbling futuristic cities, evoking the landscapes of low budget late night science fiction B movies, blocky shapes and neon colors split into jagged sine waves and square waves, kinda like Tron meets Logan's Run scored by John Carpenter as performed by Oneohtrix Point Never (who collaborates on one of the tracks here!). Totally mesmerizing and spaced out, the tracks slip from hushed droney blur to cascades of Riley like repetition, soft cacophonies of layered synth swirl, to sun blasted upper register ur-drone bliss, hazy ethereal new age shimmer, to muted textural thrum, always infused with some sort of dark pathos, and dramatic tension, all very cinematic and atmospheric, hypnotic and totally mesmerizing.
Absolutely essential psychedelic space synth drone music for anyone into Oneohtrix Point Never, Emeralds, Dylan Ettinger, Caboladies, Pulse Emitter, Innercity and other like minded sonic cosmonauts...
Comes with a download coupon as well!
MPEG Stream:
"Fantazia"
MPEG Stream: "Red Green Blue"
MPEG Stream: "Alpine Architecture"
MPEG Stream: "Zones Under Influence"

album cover A, DOMINIQUE Auguri (Lithium) cd 18.98
Monsieur Dominique A est un chanteur francais fantastique et nous aimons beaucoup la musique qu'il fait. How's that? Seriously Dominique A has a beautiful, distinct voice and on Auguri it is positively enveloping. His Remue album left many breathless and his others have pretty much the same effect.

A, DOMINIQUE Remue (Lithium) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Still more awesome French pop from the Lithium label. Dark, shambling minor key laments with spoken/sung French vocals. Shimmering guitars, muted trumpets and skittering drums. (We also have three of his other records, all of them great.)

A KOMBI Music To Drive By (Dual Plover) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
As featured in the latest Bananafish magazine, this Australian artist created this cd using only the sounds made by a Volkswagen.

album cover ABOMINABLE IRON SLOTH, THE s/t (Goodfellow) cd 15.98
Probably the best thing about Abominable Iron Sloth is they sound EXACTLY how a band called Abominable Iron Sloth should sound. Simple, plodding, groovy, down tuned, crushing and heavy heavy heavy. Stripped down blown out caveman riffs over pounding doom drum thud and super harsh shrieked vocals. Chugging and churning and completely crushingly mesmerizing. A mid tempo dirge metal owing much to folks like High On Fire, Karp, Melvins, Floor, Cavity, Crowbar and Eyehategod while giving it their own particular slothlike spin. Plus we're suckers for goofy song titles: "Hats Made Of Veal And That New Car Scent", "A Hot Pink Shell Of My Former Self", "Parasite Hilton And Other Flaws Inherent To Wealth" and of course "A Distant Pond From The Rivers Of Human Limelight."
Features ex-members of Dead And Gone metalcore legends Willhaven.
MPEG Stream:
"Hats Made Of Veal And That New Car Scent"
MPEG Stream: "A Hot Pink Shell Of My Former Self"

ABRIL & MARCELLO GIOMBINI, ANTON GARCIA ...4..3..2..1...MORTE (GDM) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The soundtrack to this 'lost classic' soft core space movie is separated into 2 different movements, sort of. The tracks entitled 'Seli' of which there are 5, are cheesy and hippy shimmery vocal workouts ala many sixties/seventies low budget fantasy films. But the tracks entitled '4.3.2.1...Morte! (seq 1-10)" of which there are 10 (obviously) are the reasons to pick this up. Haunting (but still hippy) and chilling and spooky and goofy sounds of love and space and terror and romance and space again. Weird. Definitely not essential, but if you like this sort of thing, it's definitely a keeper.
RealAudio clip:
"Seli (Main Title)"
RealAudio clip: "4.3.2.1...MORTE! (Seq.3)"

ABRIL & MARCELLO GIOMBINI, ANTON GARCIA ...4..3..2..1...MORTE (GDM) lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The soundtrack to this 'lost classic' soft core space movie is separated into 2 different movements, sort of. The tracks entitled 'Seli' of which there are 5, are cheesy and hippy shimmery vocal workouts ala many sixties/seventies low budget fantasy films. But the tracks entitled '4.3.2.1...Morte! (seq 1-10)" of which there are 10 (obviously) are the reasons to pick this up. Haunting (but still hippy) and chilling and spooky and goofy sounds of love and space and terror and romance and space again. Weird. Definitely not essential, but if you like this sort of thing, it's definitely a keeper.

album cover ACEYALONE (ACCOMPANIED BY RJD2) Magnificent City (Decon) cd 14.98

album cover ACID MOTHERS TEMPLE FAMILY COMPILATION Do Whatever You Want (Earworm) 3cd 24.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Here's that long-rumored Acid Mothers Temple THREE cd set, at last! Is it the Acid Mothers Temple & The Melting Paraiso U.F.O. release to end all Acid Mothers Temple & The Melting Paraiso U.F.O. releases? Not likely -- I mean, I'm sure there'll be another one before the month is out! -- but it IS one of the more desirable entries in these freaks' prolific output so far.
Furthering their status as a Grateful Dead for Japanophiles and krautrock nerds, this set kicks off with disc one's SIXTY MINUTE version of the AMT standard "Pink Lady Lemonade" (which appeared on their debut cd, as well as on the Live In Occident LP, and is now a staple of their live set). This new studio version, recorded in London, is yet another variant of the "Pink Lady Lemonade" template: it starts off with lots of spacey guitar and synth, sci-fi effects, and lovely bliss-out vocals from Cotton Casino. At about the half-way mark, after a jazzy interlude, the song gets a bit noisier, and dronier. But the mild feedback eventually gives way to a restatement of the song's initial theme, as everything comes full-circle to a mellow & pretty close at the end of the hour. Nice, but not a patch on their previous epic, the much heavier 40-minute "La Novia".
Disc two is where the "Family Compilation" part of the title comes in. The eighteen tracks found here are from a variety of artists, some featuring members of AMT, some simply being things AMT leader Kawabata Makoto liked enough to release on AMT's limited edition cd-r label, including two bands from the USA: San Diego's psychedelic indie-rockers Maquiladora, and Philly's female acid-folkie Fursaxa. Others include: the "mood cosmic sound unit" Pardons featuring AMTers Cotton Casino and Higahi Hiroshi, Kawabata's "shamanic acid-folk trio" Floating Flower, the acoustic, improvisational and not entirely serious Zoffy duo of Kawabata and Atsushi Tsuyama, the driving fuzz-punk of the Cosmic Riders (several original AMT members), the French solo guitar/vocal "acid chanson" of Frederic ... plus Father Moo & The Black Sheep, Seikazoku, Ueh, Alien Social Dance Party, Nipponianippon, The Wild Riders, and several more -- too many to describe. It all flows quite nicely -- there's no duds -- and all the selections, with or without members of AMT performing, definitely share the AMT acid-kraut-freak-pysch vibe. It's the best sort of compilation in two ways: 1) it's a "complete" listen, and 2) you'll probably want to hear more from all the artists on it (which may actually be a frustation 'cause it's going to be hard to find much else from some of 'em).
Disc three continues the compilation, but consists entirely of tracks featuring Kawabata Makoto projects or collaborations, including a Space Machine cut (Kawabata with Yamazaki "Masonna" Maso). Also: Kawabata solo, Uchu, Shogo-nari, Tsurubami, Kawabata with Miyamoto Naoaki, and an AMT track. With the big K on every track, this disc is somewhat more guitar-oriented than disc 2, tending towards darker, heavier, dronier, scarier stuff (disc 2 being a bit more "fun" and/or "folky", to generalize). On both discs two and three, quite a few of the tracks are unreleased or at least remixed, so even if you've managed to obsessively collect the various AMT-issued limited-edition cd-rs and so forth, you won't have all of these. And if you are such a collector, you'll be first in line to buy this anyway! And for most people, this will be your first and onl

Showing results 1 through 25 of 1363.

View the Next 25 Items | top of page