LLOYD, DALE Akaska For Record (Elevator Bath) picture disc 17.98
Strange that we haven't posted anything about Dale Lloyd in previous lists, but this is a man whose influence should be well known throughout the experimental and sound-art communities. Lloyd runs the And/OAR label, which specializes in environmental soundscaping with a few subsidies that push toward an electronic-pop context. Even so, the last full album from Mr. Lloyd emerged well over five years ago. This album continues in Elevator Bath's very impressive series of picture discs, which began in 2008 with releases of corroded drones from our own Jim Haynes and kosmiche brainmelting from Rick Reed. Lloyd's work is an excellent companion to these two releases. One of the two sides opens with a modulating hiss that harmonizes with a sinewy drone and gets punctured by a series bone-numbing electrical charges for something that could have some unsavory context had it been generated by John Duncan, but then again it could be a field recording of a grain-slew with minor post-production techniques. In fact, each of the pieces on Akasha For Record have this sense that they could be the results of well-situated field recordings like those of Tarab or Eric La Casa, as the smudges and grittiness of these recordings allude to such strategies. Another track shimmers like the vibration of a loose piece of metal on an industrial HVAC, with the timbres generating a surprisingly fluid and beautiful resonance like something Andrew Chalk would actively seek out. There's greater evidence of field recordings on the tracks that do feature the roar of surf and a cold wind intermingled with the softened white noise of sand getting pushed around. Lloyd had devised this album to complement the crackles that get magnified through the picture disc - a medium which notoriously wears heavier than most pressings of vinyl. The album certainly works well with its medium. Beautiful stuff, and super limited to 216 copies.