Aquarius Records: Search Results for Title: Crossing The River
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album cover GUNTER, BERNHARD Crossing the River (Night Music) (Trente Oiseaux) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Byram once asked the rhetorical question, "What self-respecting composer doesn't have their oevre divided into three periods?" While Mr. Abbott was describing one of the many successes from the late period of Morton Feldman, Bernhard Gunter is a composer who hasn't had a long enough career to break into three distinct periods. However, I would postulate that with the trilogy of "Time, Dreaming Itself," "Then, Silence," and "Crossing The River (Night Music)," Gunter has created enough stylistic differences from his earliest recordings to warrant the claim that he has entered the second period of his life's work.
Where albums like "Un Peu De Neige Salie," and "Details Agrandis" situated barely audible pin pricks of piercing sounds against fields of Promethean silences, that aforementioned trilogy finds Gunter increasing the volume to far more perceptible levels and filling lengthy spaces with fluid passages of gradually building / decaying tonalities. He has proudly exclaimed all of his influences (Xenakis, Rothko, Feldman, Nono, and Bill Viola) through his work, and these pieces clearly show how great an influence Feldman especially has been upon his electro-acoustic minimalism. Gunter has quite literally been extending the slow motion aesthetics of Morton Feldman out of the chamber ensemble and into the language of electronic abstraction.
Gunter still maintains that all of his compositions are the manipulation of everyday sounds, yet these processed elements hold richly complex sonorous qualities that are more in common with oboes, cellos, and church organs than radiator pipes or rustled cutlery.
The problems with the argument that Gunter has entered his second period are obvious: his changes aren't terribly radical in scope, and may merely give evidence to his aesthetic malleability, he hasn't made any grand existential changes in his life that could warrant a profound change in aesthetic; and, of course, Gunter hasn't made such a proclamation.
Regardless of this silly romp into semantics, Gunter has produced his best record to date in "Crossing The River (Night Music)." Thank you for your patience.
RealAudio clip:
"Crossing The River (Night Music)"

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