Aquarius Records: Search Results for Title: Ikon
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album cover ORGANUM Ikon (Robot / Siren) cd 14.98
It is quite plausible to propose that Organum is one of the many logical extentions of '60s minimalism. After all, Organum's David Jackman has maintained a longstanding friendship with AMM (whose Eddie Prevost joined Organum for a couple of records) and wrote several scores for Cornelius Cardew's Scratch Orchestra in the late '60s. Yet, Jackman has always resisted all critical categorizations of his work. During a rare interview, Jackman offered the observation that the '80s found Organum lumped in with the Industrial culture, and later in the '90s, his outfit found strange bedfellows in the Ambient revival. Despite this critical pigeonholing, the Organum sound has remained incredibly consistant. This is a re-release of the long out of print album "Ikon" which was originally released as a cassette in 1985, and later as an LP in 1987. Clocking in at under 17 minutes, "Ikon" is a mere sliver of temporal dronology in comparison to the massive compositions from LaMonte Young, Charlemagne Palestine, or even Terry Riley.
Sonically, this stands as maybe the finest work from Organum. The extended screech of bowed cymbals fits perfectly with non-verbal deep vocal chants and the hovering wisps of a flute to create a timeless and ancient sounding music. As soon as Organum sastisfactorily meets the requirements for the drone supreme with complex interlocking timbres from various tones and abrasions, Jackman orders everything to cease. The shortened program of these beautiful sounds appears as a let down at first, but Jackman's fleeting constructions say everything that needs to be said with all of economy of a three minute pop song. If you disagree, the digital format will work in your advantage as you can simply repeat this album indefinitely for extended listens. Regardless, this is highly recommended!!!
RealAudio clip:
"Crawl"
RealAudio clip: "The Slaughter"

V/A Ikon Records Story (Frantic) 2cd 26.00
'60s garage rock from Sacramento label Ikon.

album cover MAJOR STARS Synoptikon (Important) cd 14.98

MPEG Stream:
"The Ravager"
MPEG Stream: "Pocket"

album cover MAJOR STARS Synoptikon (Twisted Village) lp 14.98

album cover URGEHAL Ikonoklast (Season Of Mist) cd 14.98
It's been ages since we reviewed a record by Norwegian black metal horde Urgehal, but since we've been flipping out over Urgehal side project Angst Skvadron, we figured it was definitely time to check back in with the grim black mothership.
For those of you who missed out on our raving about Angst Skvadron, the twisted black industrial avant prog black metal side project of Urgehal member Trondr Nefas, take a second, read the review, check out the side project, probably buy one, then come back here, so we can rave about this record too.
Urgehal is not nearly as abstract or out there as Angst Skvadron, but someone capable of that sort of weirdness, well, you gotta think those twisted thoughts and messed up musical ideas must seep into their day job, and they do for sure, albeit subtly.
The sound is total third wave classic Norwegian black metal, epic, majestic, buzzing blasting, with hints of classic thrash, some old school eighties metal, but make no mistake, this is grim, frosty, kvlt shit. Opener "Stesolid Self-Destruction To Damnation" is everything we want in black metal, frantic insectoid rigging, blasting drums, convoluted and complex, but, the vocals are seriously twisted, not shrieked, more a sort of demonic croak, and there are wild guitar leads all over the place, adds a little weirdness, without detracting from the grim core. The second track is a woozy, almost waltzy blackened dirge, with more sick vox, and some killer riffing, not to mention all sorts of haunting ominous atmosphere, until the song explodes again into a monstrous burst of crushing blasting heaviness, with some throbbing rumbling bass, which is definitely a rarity in black metal.
And so it goes, a fucking beast of a black metal record, just twisted enough to make it special, but not overtly weird or fucked up.
The final track is the gem here, super melodic, with all sorts of lush layered guitars, arpeggiated melodies, a seasick tempo, and a cool final movement wherein buzzing soaring riffage is draped over haunting reverbed piano, super creepy, but really beautiful too, until the riffs drop out, leaving just the piano, to play the record out.
MPEG Stream:
"Stesolid Self-destruction To Damnation"
MPEG Stream: "Dodelagt"
MPEG Stream: "Cut Their Tongue Shut Their prayers"

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