Aquarius Records: Search Results for Title: Love'S Secret Domain
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Some items below may be tagged with a bold, red, all-caps "out of print/unavailable" notice. This does NOT mean that all other items not so tagged are, in fact, in stock -- or for that matter, in print and available, though there's a good chance they are. Some folks get confused on this point, and we can see why, so please read this for further clarification and other important before-you-order information. Unlike some mailorder websites, we don't have an electronic inventory system linked to our site, so you can't be sure of what we actually have or don't have in stock at any given moment without asking us -- please email our mailorder department for availability status -- or better yet, just go ahead and place your order using our shopping cart function and we'll get back to you with the status of each item. If you have general non-mailorder questions, email the store.


album cover COIL Love's Secret Domain (Threshold House) cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The re-issue of "Love's Secret Domain" from 1991 is not unlike unearthing a long lost exquisite treasure. Obsessively coveted and revered over the last decade, it re-emerges still sounding fresh and current. Sadly and strangely, this album was often pigeonholed as an industrial-dance record. Sure, it was licensed to the US on Wax Trax and Coil's longstanding association with Industrial Culture (um, they started it) certainly confused idiot rock critics who aimlessly equated industrial with the militant stomp of Front 242. Clearly, "Love's Secret Domain" is an album that stands way above the standard Wax Trax fare of the time.
During the construction of this album, Coil's core duo -- Peter Christopherson and John Balance -- had immersed themselves in the acid house culture of the UK that flourished around The KLF (I don't care what you think of "What Time is Love," The KLF were geniuses in the art of pop subversion), 808 State, and even the early bleep techno from Warp Records. To Coil, the UK rave culture reflected many of their own ideas of transgression through almost pagan rituals of communities uniting around liberating music, sexual exploration, chemical enlightenment, and the release of hidden dark energies from the body and spirit.
"Love's Secret Domain" embodied a near-perfect harmony between the dark, occultish overtones from their previous albums "Scatology" and "Horse Rotovator" and the technological futurism at the heart of rave culture. Within this synthesis, Coil has not just created a handful of singles (although "The Snow" and "Windowpane" off of this album still make great dancefloor fodder), but has articulated the entire album as a sonic narrative. Swelling through the sampledelic abstraction on "Disco Hospital" (recently covered by admitted Coil fans Matmos) and the surreal tension of "Things Happen" (with Annie Anxiety Bandez' obtuse guest vocal appearance), Coil offers "The Snow" as a magnificient techno track, with creepy cut-ups of choral elements, constantly shifting and reforming melody patterns, and an 808 techno pulse. "Windowpane" in turn is far more seductive in its low slung bassline and downtempo pace. The rest of the album continues through a darkened path of hallucinatory electronics, intricate instrumentations, and occasional bursts of subverted pop sentiment. Unlike a lot of electronica records, nothing on "Love's Secret Domain" ever feels like filler.
This is a marvelous record that even after a decade has very few rivals.
RealAudio clip:
"The Snow"
RealAudio clip: "Windowpane"
RealAudio clip: "Love's Secret Domain"

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