(Last Visible Dog) cd 11.98

DIE HAUT AND NICK CAVE Burnin' the Ice (Hit Thing) cd + dvd 15.98
I (Andee) don't know too much about the super complex and convoluted history of eighties post punk / industrial / whatever music (Einsterzende Neubauten, Die Haut, Birthday Party, Lydia Lunch, etc.) but I do know how totally blown away I was the first time I heard this record (that was just about 2 weeks ago). Hey, sorry! In the early eighties I was busy beginning my rapid descent into metalheaddom! Anyway, this is Die Haut's 1983 debut full length, only now finally getting the deluxe reissue treatment 20 years later, and man has it withstood the test of time remarkably well. Perhaps most well known for Nick Cave's guest vocals (although guest vocalists on other Die Haut albums have included Kim Gordon, Lydia Lunch, Deborah Harry, Blixa Bargeld and loads more), Burnin' The Ice is a chaotic, jagged slab of swampy propulsive gloom rock. Acidic dual guitar melodies slither and intertwine over pounding heavily reverbed drums and throbbing distorted bass. Cave's wailing testifying is the perfect match for Die Haut's intensely bleak sludgescapes.
A dark and desolate mix of punk, surf, sludge and gloom. Think Joy Division, the Bad Seeds, Gun Club, Birthday Party and the like. Actually, a much more apt, but way more obscure comparison would be the late great Lubricated Goat (one of Allan and Andee's favorite bands). Not just because they are Australians like Mr. Cave, but because they too trafficked in the sludgy, driving darkness that Die Haut got so right on Burnin' The Ice. In fact now that I've finally heard this record, I'm a little suspicious that Lubricated Goat owe more than a passing nod to the band that was doin' the Lubricated Goat thing at least 4 years before they were. Burnin' The Ice is a relentless musical death march, blighted and austere, grim and funereal, and so so good. Includes a bonus DVD of a live show recorded in 1982!
MPEG Stream: "Stow-A-Way"
MPEG Stream: "Truck Love"

DMBQ (DYNAMITE MASTERS BLUES QUARTET) Esoteric Black Hair ( Fake Chapter) cd-r ep 5.98
From Japan...DMBQ!! (Formerly known as the Dynamite Masters Blues Quartet.) Damn, did you see these guys (and gal) play last year?? If not, don't miss 'em this time, they're gonna be touring the West Coast this month (June '04). If you DID see 'em last time, of course you'll be at their shows again this time too. One of the ultimate over-the-top rock experiences... a spectacle of backbends, stagedives, sweat, awesome polyester outfits, and let's not forget heavy psych-rock chops!! An AWESOME live band -- they had rock moves I've never seen before. Are DMBQ tongue in cheek fantasy? Or totally sincere love of rock n' roll overload? Probably both. It's a blend of Hendrix and Blue Cheer played with the attitude of Guitar Wolf or the Jon Spencer Blues Explosion. What The Darkness would be if they were Japanese and inspired by '70s acid riff-rock instead of '80s hair metal, perhaps. I've been a BIG fan of this band for a long time, and was always super frustrated not to be able to get any of their recent cd output to sell here at Aquarius. They're on a major label in Japan, and it's just impossible to get their discs for any reasonable price. But now, we've got this, their first and only domestic US release, a thirty minute cd-r compiling a selection of choice cuts from some of their Japanese albums. There's seven songs here, each crazier and heavier and more rockin' than the last. If you liked Boris' Heavy Rocks or Akuma No Uta albums, you'll like this!! (And Acid Mothers Temple, you'd better get out of the way.) It's too bad we can't get their 'actual' albums, but for now this will have to do, and it makes for a nice, budget priced sampler/intro to the band's brand of bellbottomed insanity. I bet some smart label will pick 'em up and we'll have more domestically released DMBQ to look forward to soon. So get this, and don't miss their shows, if you've got a rock bone in your body. They'll be debuting a new drummer on this tour (China-Mana from Shonen Knife) and tell us in an email about playing with her: "It is VERY fun! We can show you more crazy show surely. I feel we could get more EVIL musical power through her...! We are very excited." So are we!
NB. if you got the cd-r 'bootleg' that DMBQ was selling at their shows last year, be aware that Esoteric Black Hair is an *entirely* different disc.
MPEG Stream: "Smoker"
MPEG Stream: "Fellows"
MPEG Stream: "Are You Satisfied?"

HATEBEAK / LONGMONT POTION CASTLE Split (Reptilian) cd 3.50
It had to happen. And of course, the minute we heard that it actually had happened, we knew we had to have it. A death metal band... with a PARROT on lead vocals!!! How completely and stupidly brilliant! We love it! And so will you. The music is furious and blasting death metal, grinding riffs, pounding drums and crushing bass. Only, the usual cookie monster grunts are replaced by the evil squawks of Waldo the parrot. And Waldo does a pretty decent job, offering lots of unintelligable grunts and growls and other birdlike vocalisations. Our pal Brian at WFMU tried to get Hatebeak to perform on his show, but apparently Waldo can't really handle loud sounds (death metal included) and records his 'vocals' separately, so Hatebeak will sadly remain a studio only project. The artwork is pretty inspired as well. They appropriate Judas Priest's Screaming For Vengeance metallic bird cover, change Hatebreed's logo just a litle bit (and include a little bird-hatching-from-an-egg graphic) and title their side of the split Beak Of Putrefaction (a play on Carcass' Reek Of Putrefaction). Awesome! And there's a rumoured upcoming split with a band called Caninus fronted by a dog! We kid you not.
The other side of the split comes courtesy of AQ fave crank calling phenom Longmont Potion Castle, who instead of his usual phone prank schtick, offers up two "metal interludes", all instrumental blasts of blazing noodly metal! The perfect compliment to Hatebeak. And he's also sampled at the beginning of the Hatebeak side. Maybe the best split 7" of all time (at least until that Hatebeak / Caninus split)!

LESS Cover, Protective, Individual (Firecode Core) cd 14.98
This is strange indeed. The last Less record (reviewed 2+ years ago) was a blast of MTV ready prog-gloom post-metal, equal parts Tool, Rage Against The Machine and Nine Inch Nails with strange and wonderful math rock filligree a la Don Caballero. We predicted that in a couple years we'd probably be seeing them all over MTV if there was any justice in this world. So you can imagine how surprised we were when we first threw this, the new Less record, on. A completely different beast altogether. Well, not completely. First off, there's not a distorted guitar to be found. Anywhere. And all traces of pounding percussion have been replaced by skittery brushwork and delicate whispery shuffles. The riffs remain, still sort of doomy and heavy, but slowed down, played on a steel string guitar, giving them a sort of backwoods mystery and acoustic urgency. This may be stripped down and acoustic, but it's definitely not wimpy. This is dark and heavy and groovy, grim and sinister, creepy and crawly. Slightly distorted/reverbed vocals wail minor key laments over dirgy minor key doomscapes, vocals slithering between the riffs, tense and intense. Lots of ambient murk, backwoods twang, and sinister groove. Think Sixteen Horsepower crossed with Deadboy And the Elephantmen, or Woven Hand mixed with Agents Of Oblivion, or an even darker, creepier version of Alice In Chains' acoustic record Sap. Recommended.
MPEG Stream: "Starvation"
MPEG Stream: "Our Sin"

NARROWS Alligator (Wantage / Tapes) cd 11.98
There's something about Bellingham Washington. Not sure what it is. But bands from there seem to always be really really strange sounding. But strange in this completely undefinable way. It's like they have the same influences as the rest of us, listen to the same music, but when it comes time to get down and rock, what comes out is totally twisted and unique. There's the Reeks And Wrecks, whose twisted take on indie rock comes out sounding more like a New Orleans funeral march, and now the Narrows, who seem to be rooted in early nineties math rock / slowcore a la Codeine, Seam and stuff like that, but somehow the sound they produce is a chugging, metallic, emotionally supercharged blast of minimal minor key moodiness. Hard to explain just why this stuff resonates so intensely but it does. Could be that the band used to be faster, but a horrific tour accident/injury and months of songwriting on pain killers morphed them into this chugging super dynamic behemoth, or again, it could just be Bellingham. Seriously, this band is so good they actually got Andee to leave the house and go to a show! Ask anybody who knows Andee, that's a major accomplishment.
Alligator is a reissue of the Narrows' first two releases, Days Are Numbered from 2000, and Six Ten from 2001. Seven tracks, the shortest clocking in at a fairly substantial 7 minutes, the longest a massive 17 minutes. All the songs are total epics, with moody stretched out verses, mumbled vocals, loping rhythms, and fuzzed out melancholy melodies -- and then crushing pummelling pounding choruses, massive distorted slabs of heartbreaking intensity with wailed anguished vocals. This is the kind of stuff you wish you had back in your good old mixtape days to let that girl/guy know just how completely fucked up and miserable they made you feel. So fucking great.
The 2lp version comes in an amazing gatefold with a pop up alligator and liner notes!
MPEG Stream: "Does It Sting Your Eyes?"
MPEG Stream: "October's Problem"

NARROWS The Skull At Life Size (Wantage / Tapes) cd 7.98
The Skull At Life Size is a massive thirty minute epic that live, is often stretched out even further to fill up the Narrows' entire set. A churning slow motion dirge, spare and hypnotic, dark and miserable. The bass and guitar float eerily through a haze of minor key overtones and above a sparse skeletal framework of simple drumming. Occasionally, the intensity builds into a massive wave of furious chaos, all crashing cymbals, roaring distorted guitar, and keening heartfelt wails belting out a ridiculously catchy (and unlikely) hook, before the whole thing dissipates and settles back down into its original lugubrious crawl. So completely amazing. The Narrows are one of those groups who can do so much with so little. Guitar, bass and drums, one or two parts, and the results are sublime. It's all about shadings and subtleties. A perfect economy of composition and performance. Minimal and perfect.
MPEG Stream: "The Skull At Life Size"

SAGOR & SWING Orgelplaneten (Hapna) cd 16.98
The AQ-fave instrumental electric organ and drums duo Sagor & Swing return! These Swedes' previous disc Allt Hanger Samman was a big hit here, especially among those of us (like Byram and Allan) for whom the dulcet tones of the Hammond organ are a siren song. This new disc, Orgelplaneten (not to be confused with their 2nd album Orgelfarger), is actually a bit different from Sagor & Swing's earlier recordings. The line up of course is still the same -- Eric Malmberg on organ and Ulf Moeller on drums -- but the mesmeric mellow folky aspect of their sound is played down (though not gone entirely), and their more uptempo rockin' side is played up. This album is jazzier, punchier, louder. It seems that they've left the dreamy Swedish forests and headed for the bright lights of the big city. It's a playful, brassy, swinging affair that reminds us a bit of Finnish Casio-hipsters Aavikko. And it still reminds us, even more than before in fact, of '60s Hammond n' drums combo Hansson & Karlsson, whom we already knew were Sagor & Swing's biggest inspiration. This is very Hansson & Karlsson indeed! Total retro-cool. So, while other Sagor & Swing cds might be a good soundtrack for an intimate dinner, this one's meant for a real party. Recommended.
MPEG Stream: "Idiom"
MPEG Stream: "Aventyr I Alperna"

SALVATORE Tempo (Racing Junior) cd 14.98
About time we listed this -- we had limited quantities of the import version of this but now the latest from this Norwegian sensation has gotten a domestic US release. Yay we say 'cause Salvatore is a solid AQ fave. Like Finland's Circle, they're a sort of instrumental, psychedelic post-rock band who do a lot with repetition, riding the motorik Neu! krautrock rhythm into the 21st century. Indeed, the easiest description we can muster of their recent output is Circle + Tortoise = Salvatore. Take a listen and do the math yourself. Super pretty, super hypnotic stuff. Recorded in 2002 in Chicago by none other than Tortoise's John McEntire, Tempo follows on from Salvatore's previous album Fresh with more airy, dubby grooves. Supposedly they're done a live recording with ex-Can vocalist Damo Suzuki on the mic, which makes a lot of sense! Hope to hear that some (future) day... While we wish that Salvatore's first two, darker/heavier albums were still available, the "poppier" style of Fresh and now Tempo is quite enjoyable too.
MPEG Stream: "Easy"
MPEG Stream: "Tempo"

V/A Love, Peace & Poetry: Mexican Psychedelic Music (Shadoks Music ) cd 14.98
Any disc that opens with Los Dug Dug's doing their super catchy and fuzzed-out "Lost In My World" is all right by us! The rest of the cd is pretty great too. This new installment in the always-cool Love, Peace & Poetry series of comps -- which bring us an international array of wonderous '60s and '70s psych songs you might never otherwise encounter -- proves that things were shaking south of the border way back when, in the realm of rock n' roll. The strength of the Mexican psych rock scene was hinted at by an earlier volume in this series, Latin American Psychedelic Music, which is where we found out about Dug Dug's in the first place.
While the USA had Woodstock (and Altamont), Mexico had 1971's Avandaro Music Festival, and several of the bands featured here performed at that event -- and were then banned from playing regular clubs because of government repression. Bummed out by politics and driven undergound, these bands let loose with tons of fuzz (and some melody). These 17 tracks mostly date from about 1970-72, with a few late '60s entries. You'll experience punky garage numbers, some hippy blues workouts, lots of acid rock dementia, and even some lighter, folk-rock efforts -- all sorts of psychedelic era indulgence indeed. The bands: Dug Dug's, The Kaleidoscope, El Tarro De Mostaza, La Vida, The Flying Karpets, The Spiders, Tocho Pilatos, Three Souls In My Mind, Grupo Ciruela, Los Ovnis, The Survival, Nahuatl, La Fachada De Piedra, La Libre Expreession, Ernan Roch, Renaissnace, and La Revolution De Emiliano Zapata. As with the rest of this series, unrelated-to-the-music beach bunny cover photos by Bunny Yeager, informative-about-the-music liner notes by Stan Denski.
MPEG Stream: DUG DUG'S "Lost In My World"
MPEG Stream: EL TARRO DE MOSTAZA "El Ruido Del Silencio "

BOREDOMS Pop Tatari (Very Friendly) cd 14.98
1993's Pop Tatari has always been one of my favorites, following up their astonishing Soul Discharge and Wow2 releases (and thereby the third Boredoms record I ever heard, one that was eagerly anticipated as I recall...I believe I mail-ordered an import copy from Japan when it came out). And it was very nearly as good as Soul Discharge. It's classic Boredoms at their best, mashing up genres from punk to funk to reggae to metal to noise -- there's references in the songtitles to both the Ramones and the Grateful Dead (and to themselves, of course). Yet Pop Tatari is far from a chaotic mess. Applied listening to this record will really reveal that there's a method to their madness. It's kinda like the same way if you saw them play live more than once, you'd realize that their seemingly improvised, acrobatic, spazzed-out stage act was actually carefully, amazingly choreographed! Mayhem that's totally retarded and totally advanced at the same time. Yamamoto's guitar skronk is lashed to the massive groove of the band's two drummers, while the crashing waves of distorted riffola that anchor many of these 18 tracks are surfed by the unique, extreme vocals of Eye and cohorts. Every detour into whatever sort of weirdness is perfectly timed, these ADD arrangements are the work of pros. Definitely a Boredoms album not to be without, my personal pick of the three Very Friendly reissues (though all are worthy). Very Friendly has reinstated the original song titles and tracklist that were altered for the US edition.
MPEG Stream: "I Am Cola"
MPEG Stream: "Poy (Mockin' Fuzz 1)"

AGATA Spike (Tzadik) cd 16.98
What would you expect a solo album from the phenomenal guitar player for Japanese art-spazz-punks Melt Banana to sound like? Probably a diverse and demented exercise in guitar-based creativity...and that's what you get. Spike features 25 instrumental tracks, mostly miniatures ranging from mere seconds to a minute or two in length, though the disc ends with a ten minute live epic. It's a wild array of scraping drones and squealling chaos, sounding more like video game gunfire in parts than anything resembling conventional "guitar playing". Yet despite all the effects and electronics at play, there's for sure some guitar strings and fingers in there too. Although for the most part on the harsher side of the musical spectrum, this disc is not without beauty. If you're already a Melt Banana fan, you'll find this quite listenable and attention-span friendly. Imagine Fred Frith vs. Buckethead... Agata seems particularily fond of extreme stereo panning, so we'd recommend headphones if you're brave!
MPEG Stream: "Ice Diver"
MPEG Stream: "Pinger"
MPEG Stream: "Armillary Sphere"
MPEG Stream: "E C C O Feedback"

AKIMBO Elephantine (Dopamine / Amalagate) cd 12.98
Those of you in need of some serious sonic sludge, some pummelling crushing metallic dirge, and who have maybe also been missing the Neurosis of old, should stop right here. Imagine Neurosis' Enemy Of The Sun or Souls At Zero filtered through hardcore kids in the Northwest, and augmented with furiously complex black metallisms, insane start/stop time signatures and shrieking metalcore crunch. Sound good? That's 'cause it is good. Really good.
MPEG Stream: "Golem "
MPEG Stream: "Delilah"

ANIMAL COLLECTIVE Sung Tongs (Fat Cat) cd 14.98
The mysteriously eccentric Animal Collective have returned bearing / baring their Sung Tongs. They continue along their quirky, meandering rough-hewn path, yet on this album they seem ever so slightly more focused and (dare we say?) accessible than on previous recorded endeavors. However, that's not to say that they're not plenty 'out there'. This 'Collective is definitely not for everybody. It just sounds as though they've set aside their eclectic genre palette (psych, jazz, prog, noise, etc) for the time being, keeping their sound for the most part within the mossy folk realm. Perhaps they've spent a stretch of time deep in the woods far from civilization? This does make for a much less haphazard, much less disarming listen than those of past A.C. releases. That said, odd details still punctuate the songs like cackling laughter, whooping vocalizations, textural ambient noises -- hazily drifting in and out of lucidity. Furthermore, as if to not fully alienate those who dug their Here Comes the Indian and Spirit They're Gone, Spirit They've Vanished / Danse Manatee releases, they end on a more characteristically strange note with the trippy track "Whaddit I Done".
MPEG Stream: "Kids On Holiday"
MPEG Stream: "Whaddit I Done"

MONSTER MAGNET Monolithic Baby! (SPV) cd 17.98
Bigger! Dumber! Sillier! Better than ever! Who else could we be talking about but Monster Magnet! It's time for the return of the modern gods of spaced out sexed up cock rock. Heavy and trippy and druggy and catchy, Monster Magnet are the perfect mix of Hawkwind, Black Sabbath, Kiss, and Spinal Tap. What started out as a "satanic drug thing you wouldn't understand" has turned into the catchiest, silliest, most enjoyable band you're likely to see on MTV. While this may not be as subversively sludgy as their brilliant early classic Spine Of God, or as perfectly polished as the more recent Power Trip, it's still pretty fucking great. Frontman Dave Wyndorf spits an endless flow of sexual non sequiters and boastful proclamations, tales of outerspace exploration, sexual escapades (often coincidentally occurring in space), rocking, sex, and... well... even more rocking and more sex! Massive slabs of perfect sludgy stoner space rock with HUGE guitars, classic riffs and hooks galore keep all Wyndorf's silliness grounded -just- this side of Kiss-like buffoonery. But Monster Magnet wear it well. Really well. They may have begun life as an underground drug metal cult, but this is where they always knew they'd end up, in a space-ready tour bus, cruising the galaxy looking for new worlds to rock and new babes to bed. And if you need to know just how anticipated this record was around these parts, Andee will count this as his THIRD copy of Monolithic Baby! purchased, having bought the import lp, and then the import cd and now this (as this version has two extra tracks not on the import) and his housemate Josh is also on number three, having bought an import cd version, then the import version with the DVD, and now this domestic version. Was it worth it? Andee and Josh both say "Hell yeah!" Comes with a DVD containing two videos (one involving lots of scantily clad ladies, and one involving a computer generated space ship hurtling through the void), two live tracks and an interview.
MPEG Stream: "Radiation Day"
MPEG Stream: "Unbroken (Hotel Baby)"

OCS 2 (Narnack) cd 14.98
Record number two from SF scene kingpin John Dwyer's (Coach Whips, Zeigenbock Kopf, Hospitals, ex-Pink And Brown, ex-Burmese etc.) solo bedroom project OCS. The first OCS record released on tUMULt a couple years back (and still available!) was a big ol' double disc collection split right down the middle, one disc of sweet acoustic musings, and one disc of ear splitting noisy chaos. Well, for record number two Dwyer's abrasive Mr. Hyde is tucked safely away, and we are presented with his sweeter, gentler Dr. Jeckyll. 2 is a ramshackle collection of stumbling, sloppy Appalachia, Sentridoh-ish introspective mumbling jangle, and rickety 4-track folk. Dreamy and sleepy, rambling and sun dappled. Tape hiss, and amplifier buzz, snippets of found sound, and buried-in-the-mix sing-songy vocals augment ragged meandering ragas, droning acoustic dirges, and all manner of indie-rock/bedroom-folk detritus.
MPEG Stream: "Mike D"
MPEG Stream: "Banjo Sold For Rent"
MPEG Stream: "Killed Yourself"

SONIC FLOWER Heavy Sonic & Flower Groove (Leaf Hound) cd 13.98
A super fuzzed out, drug addled psychedelic 25 minute blast of flower power stoner rock from Japan. Huge riffs that groove and slither like the best sun baked stoner rock you've heard (Kyuss, Nebula, Fu Manchu). Not super original, but who cares when it's this groovy and this heavy and this rocking. All instrumental, so there's no vocals to muck up the works. Features members of serial killer obsessed Japanese stoner-sludge lords Church of Misery. One of those rare metal records that everybody here at AQ seems to dig.
MPEG Stream: "Cosmic Highway"
MPEG Stream: "Black Sunshine"