V/A Guitar Songs: Tanzania, Zaire, and Zambia (Original Music) cd 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE, SO PLEASE DO NOT ORDER IT. SORRY. "More enchanting acoustic-guitar recordings by both adults and children. The recordings by children include blind school students playing home made instruments, and a hell-for-leather cut for high pitched vocals and 'tomato-can banjo'" - John Storm Roberts / Original Music.
V/A Guitar Unlimited (Alchemy) cd 21.00
This is the first in Alchemy's "Guitar" compilations and features tracks by Seiichi Yamamoto (Boredoms, Omoide Hatoba, ROVO), Jojo Hiroshige (Hijokaidan), Sisho, and Kyoichi Tokuyama (Auschwitz).
V/A Guitars of the Golden Triangle: Folk and Pop Music of Myanmar (Burma) Vol. 2 (Sublime Frequencies) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. A complete about face for volume 2 in the Folk And Pop Music of Myanmar (Burma) series of discs. Remember that first one? The manic weirdness was unlike anything we'd heard, nor anything we've heard since. So it's striking that volume 2 is a disc we can at least put in terms we know. What's perhaps most ironic is that the recordings on Guitars Of The Golden Triangle come from a territory of Burma that, while roughly the size of New York State, has been almost completely un-explored by outsiders (Burmese or otherwise). The Golden Triangle (its proper name is the Shan State of Burma) is little known outside its own country, but it is the territory of smugglers, seperatist rebels and some extraordinary opium production. Since it is forbidden for foreigners to visit the Shan State, it's no surprise that its flourishing cottage industry of a music scene would be completely unknown to outsiders. How Mr. Bishop got these tracks is anyone's guess, but as we've seen before the Sublime Frequencies folks have their ways with picking up ripe fruit that others walk straight past. The 21 tracks here, recorded during the early seventies, range between heavy fuzzed out psych -- like something much more likely to have come out in the late sixties -- to sugary crooning pop -- much more akin to its decade. Little is known of most of the artists: for instance the most well represented here -- Saing Saing Maw -- is only known to have been a truck driver originally (shades of Elvis anyone?) and after striking his music career apparently returned to truck driving.
MPEG Stream: SAING SAING MAW "Than Shin Ley Ye Khan"
MPEG Stream: LASHIO THEIN AUNG "You Got What You Got"
V/A GUMMO original soundtrack (London) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Soundtrack to Harmony "Kids" Korine's controversial film "Gummo", featuring much in the way of underground black/noise/death/doom metal sounds, some of them previously unreleased. Some names: Spazz, Absu, Bathory, Burzum, Eyehategod, Brujeria, Sleep, Destroy All Monsters, Namanax and more. Oh yeah, AQ-pal and CMJ metal scribe Ian Christe's Dark Noerd (black metal breakbeat band) appears, and Ian's smart musical aesthetic basically sets the tone for the whole collection. Now the question is, will "Gummo" do for any of these bands what "Kids" did for the Folk Implosion?
V/A Hacienda Classics (Virgin) 3cd 36.00
Thanks in part to the movie "24 Hour Party People" there's been quite a revival in the last few years in curisoity about and reflections of the Manchester party/music scene of the late '80s/'90s. The center of all this dancing, drugging, and going on and on till the break of dawn was none other then the Nightculb Hacienda founded by New Order's Peter Hook. It was within the Hacienda's walls that much of the debauchery, indulgence, and fun/wasted times went down. This 3-disc box set put together by Hook himself compiles the sounds that were blaring out the speakers during its heyday. 808 State, Happy Mondays, Primal Scream, Jaydee, Eric B & Rakim, Candi Staton and of course New Order are just some the groups found on this here collection. For those of you who have been craving th sights and sounds and tastes more tastes of that wonderfully wicked Manchester club-scene then this is a party in a box for you. Sorry no purple pills included.
MPEG Stream: NEW ORDER "Ruined In A Day"
MPEG Stream: 808 STATE "Pacific State"
MPEG Stream: ERIC B. & RAKIM "Juice (instrumental)"
V/A Halana #4 magazine+cd 7.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
V/A Halana v.1,n.3 magazine+cd 7.50
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Worthwhile reading in a nicely designed format. Amiri Barka, John Fahey, David Grubbs, Bernhard Gunter, Alan Licht, Charlemagne Palestine, Motoharu Yoshizawa. CD includes tracks by all these guys. One of our favorite magazines.
V/A Hall Of Mirrors (Emperor Jones) 2cd 13.98
Anyone, ANYONE, who likes their psych all spaced-out and sludgy, with guitars and (especially) effects in full, uh, effect will definitely want to wash their earholes with this excellent new space-rock comp. Compiler Mason Jones (whom you might know as the ex-guitarist of SubArachnoid Space, currently in project called Numinous) knows his stuff and has pulled together tracks from a stellar international cast of rockers who like to freak-out, drone-on, and/or toke-up. Here's who's here: Kinski, Circle, Gravitar, Overhang Party, Tarantula Hawk, Up-Tight, Vocokesh, DMBQ, Bardo Pond, Acid Mothers Temple, Yeti, ST-37, Escapade, Rubble, Abunai!, SubArachnoid Space, Numinous, Farflung, Primordial Undermind, Fuzzhead, Speaker/Cranker, and Transpacific! Whew. As you can see, with Mason in charge, of course the Japanese contingent is well-represented. The tracks on here are mostly live recordings, and, as far as we can tell, all otherwise unreleased (with the exception of the Tarantula Hawk one, which is an edit from their now-out-of-print Live At KFJC cd-r). Pretty much a killer comp, ranging as it does from the groove of Circle to the grind of Gravitar, with some bands doin' stuff closer to stoner rawk, others more on the bliss-drone side of things. Now, I might have tried to put the more rockin' cuts towards the front end of the discs, to avoid disturbing the slumber of those of us who like to doze off listening to the more blissful stuff (or maybe left off one or two cuts) but that's just me. Overall, Hall Of Mirrors is fully droned, stoned, and ET-phoned. Recommended.
MPEG Stream: KINSKI "Teen Center"
MPEG Stream: OVERHANG PARTY "Le Fantome De La Liberte (edit)"
V/A Halleluwah: Festival Of Enthused Arts - Sept. 1-2, 2006 Disjecta, Portland (Yeti) lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Managed to get another handful of these super limited lps, so act fast: Super limited vinyl document of the Halleluwah Festival Of Enthused Arts that took place in September 1-2 of this year curated by the same folks who do the killer yeti magazine. Two sides, one quiet, one loud, a bunch of instantly recognizable names, as well as a bunch of unknowns (at least to us) all of it pretty dang amazing, so much so that we were kicking ourselves for missing the festival. The quiet side features folk legend Michael Hurley, folk legend Vashti Bunyan and Tara Jane O'Neil, as well as White Rainbow, Holysons and Alela Diane. The sound leans mostly toward subtle twang, simple strum, and dreamlike croon, but there are some moments of blissy foggy ambient murmur and some fuzzy murky psychedelic blues. The loud side features Deerhoof, Sir Richard Bishop and Valet (whose cd-r we raved about a few lists back) as well as three weirdly named ensembles: Nudity, Romancing and Yacht. The loud side veers all over the place, from weird psychrock tribal freakouts to blown out angular indie rock buzz to damaged minimal punk rock bounce to fuzzy psychedelic heavy riffed rock jams. The packaging is just as impressive, a thick, plain white sleeve through which are visible strange looking inserts, each printed on super thick semi transparent cloudy plastic, the loud side is red on white with an illustration by Kevin Arrow, the quiet side is white on black, and features an amazing illustration by Unica Zurn, the partner of Hans Bellmer! Wow!!
V/A Hallucinations: Psychedelic Pop Nuggets From the WEA Vaults (Rhino) cd 34.00
V/A Hand/Eye (Hand/Eye) 2cd 19.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. This isn't brand new, but we just managed to get a bunch, and if this isn't just about the perfect compilation for you free-folk, psychedelic, new weird America fans we don't know what is. The track listing should be enough to convince you: Acid Mothers Temple, Kemialliset Ystavat, Amps For Christ, Greg Weeks, Pelt, Martyn Bates, Currituck County, Fursaxa, Dead Raven Choir, Alasdair Roberts, Stone Breath, the Iditarod, Mason Jones, and more!m
MPEG Stream: AMPS FOR CHRIST "False Night On The Road"
MPEG Stream: GREG WEEKS "Night Must Fall"
MPEG Stream: ACID MOTHERS TEMPLE "Le Satyre"
V/A Hanged Man Vol. 1 (Hanged Man) cassette 4.98
This is the debut release from a new Seattle label, specializing in their own murky darkly psychedelic brand of doom / folk / drone / noise, a sampler of various artists on the label as well as likeminded noisemakers from the area, with a few familiar names (Megabats, Demian Johnston and Inh Halentropy), but way more unfamiliar ones (Kristian Garrard, Karnak Temples, Josh Medina, Them,There, Nightjar, Sokai Stiljed, Thunder:Grey:Pilgrim), all of them contributing this sprawling chunk of droning blackness, strange industrial ambience and looped psychedelic mesmer, all the sonically disparate tracks woven into a collection that works almost as well as an album proper. The familiar names first: abstract avant atmospheric (sort of) black metal weirdo Inh Halentropy lays down some John Carpenter style seventies soundtrack wooziness, all muddy and murky, programmed beats and sci-fi swirl over brooding rumbles, and theremin-like high end melodies, a gorgeous creepily atmospheric chunk of lo-fi faux soundtrackery, while Megabats offer up dense swirls of kosmische synth drift, and glimmering ambient dreamdrug haze, all super blissed out and trippy, and noisenik Demian Johnston delivers some blunted blurred soft-noise, all cavernous and industrial, thick swaths of blurred crumble and greyed out crunch, all smeared into slowly undulating blackened dronemusic. The rest of the tape follows suit, super abstract creaking and crumbling mutates into gauzy almost Pop Ambient loopscaping, thick whirring melodies emerge from slow churning sheets of whirring synths and echoe-y shimmer, delicate acoustic guitars drift amidst sitar like buzz, plaintive vocal harmonies and warm lustrous chordal swells, bleak black rumbles roil ominously through clouds of ominous low end thrum, metallic ragas seem to slowly melt into oozing blackened dronefolk, and finally wild tangles of clipped vocals and shards of melody are stretched out, then layered and looped into a druggy dizzy psych-out. Killer stuff for sure, and odds are pretty dang limited as well...
V/A Hard-Headed Woman: A Celebration Of Wanda Jackson (Bloodshot) cd 13.98
Who kicks ass? The true rockin' country maverick Wanda Jackson, that's who!!! And what could be a more fitting tribute than to assemble 21 covers of her songs performed by a crowd of fiery ladies (and some fellers too) cut from the same cloth? The compilation kicks off with a visit from Canada's country sweetheart Ms Carolyn Mark dishin' out a suitably rousing version of one of Jackson's trademark songs "Hot Dog, That Made Him Mad", and the good times just keep on rollin' from there. Also dropping by to tip their hat are many familiar faces from the past and present Bloodshot Records stable as well as some new faces: Neko Case (delivering a rollicking rendition of "Brown-Eyed Handsome Man" with Jon Rauhouse and Joey Burns), Robbie Fulks, Trailer Bride (who completely transform one of Jackson's other musical calling cards "Fujiyama Mama" into a druggy, delirious dirge), Kelly Hogan (aah, as dreamy as ever!), Rosie Flores, Wayne Hancock, Laura Cantrell, Bottle Rockets with Sheri Hurst, Jesse Sykes & The Sweet Hereafter, Nora O'Connor, Candye Kane, Anna Fermin & The Trigger Gospel, Kristi Rose, The Cornell Hurd Band, Jane Baxter Miller, Kim Lenz, Asylum Street Spankers, Gina Lee & The Brisket Boys, Jesse Dayton, and The Ranch Girls & The Ragtime Wranglers (from the Netherlands). Another fine compilation from the Bloodshot ranch.
MPEG Stream: MARK, CAROLYN "Hot Dog, That Made Him Mad"
MPEG Stream: TRAILER BRIDE "Fujiyama Mama"
V/A Harder Shade Of Black (Pressure Sounds) cd 15.98
MPEG Stream: AUGUSTUS PABLO "One Thousand Swords"
MPEG Stream: SANTIC ALL STARS "Hell Boat"
MPEG Stream: HORACE ANDY "Problems"
MPEG Stream: I ROY "Yamaha Ride"
V/A Harder Shade Of Black (Pressure Sounds) lp 14.98
V/A Harmika Yab-Yum: Folk Sounds From Nepal (Sublime Frequencies) cd 14.98
By now maybe you have (or like some of us, maybe you haven't) had enough of the South East Asian pop, folk, field recordings from Sublime Frequencies. Courtesy of Robert Millis (Climax Golden Twins cohort and curator of the Leaf Music Drunks Distant Drums cd) Harmika Yab-Yum takes us on an audio journey through underserved territory. Nestled, nay sandwiched between the geographical and cultural giants of China and India, Nepal's greatest fame lies in its hosting the tallest mountain on our fair planet. It's also the only "official Hindu state in the world" according to the CIA Factbook. On Harmika Yab-Yum Millis elegantly weaves together recordings he made (apparently in 1996) of radio broadcasts, street musicians, religious cermonies, and sermons. About half of the tracks in fact are from radio, though no disc jockey banter is included, which -- whether intentional or not -- gives the recordings an even more of a feel of being totally detached from the influence of the occidental world. By and large the greatest influence on the music here is from India. Tabla percussion, flutes, pump organs, sitars, violins and drones, drones, drones make up the bulk of the instrumentation and to the untrained ear, certainly sound like the dulcet tones of Indian music. The disc starts off with a bang with a track taken from the radio which sounds like feral chanting by some crazed lunatic accompanied by drumming. This is followed by an abrupt segue into a street sermon broadcast over a distant sounding bullhorn, flutes and people talking can be heard over the sermon. For the larger part, such abrupt transitions are not the norm on Harmika Yab-Yum and the grainy, modulating songs recorded off of the airwaves blend nicely with the gritty sounds of daily life on the streets from the clanging bells of a pony train passing by to, chanting monks on Krishna day, to a snake charmer with double reed to the crashing of bands, miscellaneous percussion and other noises for a wedding procession. Very nice.
MPEG Stream: "Radio Nepal 1 / Street Sermon"
MPEG Stream: "Pony Train / Radio Nepal 3"
MPEG Stream: "Radio Nepal 7"
V/A Harmony of the Spheres (Drunken Fish) 2cd 17.98
From Revolver Distribution's blurb: "Originally released by Drunken Fish in November of 1996 as a specially designed triple-LP boxset produced in an edition of 3,000 (which quickly sold out its one and only pressing and has remained unavailable since). Featured are six exclusive, extended tracks (none of which is less than eighteen minutes in length) from this generation's spacerock elite: Bardo Pond, Flying Saucer Attack, Jessamine, Roy Montgomery, Loren Mazzacane-Connors and the Charalambides. Includes a lovely eight-panel foldout booklet. Standup for spacerock, because artrock is dead."
V/A Harpsichord 2000 (9:PM - Indigo) cd 14.98
Who doesn't get a wee bit wistful at the stringy, tinkly sound of the harpsichord? Well, here's 23 songs graced by the presence of the lovely harpsichord. The music of artists such as StereoTotal and Momus welcomes this instrument warmly into its fold. And yes, ever the fellow to throw in a witty bonus, Momus includes his ode to Jeff Koons. Other artists include The Make-Up, The Secret Goldfish, and Cinerama. Decidedly baroque, lounge-y, playful, and fun.
V/A Harry Smith's Anthology of American Folk Music, Volume 4 (Revenant) 2lp 24.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Revenant has once again done a swank job of a reissue. Originally only available on double CD, Revenant has now just reissued the collection in a tri-fold double LP set. Smithsonian Folkways' influential "Anthology of American Folk Music" was a massive three volume set compiled by the eccentric artist and archivist Harry Smith. Originally released in 1952 and reissued on CD in 1997, it stands as a pioneering look into the earliest recordings of awe-inspiring folk music of the '20s and '30s. This fourth volume of the series had been collected around the same time, but had never been released until 2000. Like the CD version, this double LP set is lavishly packaged. It includes a 20 page booklet, a poster and the LPs come pressed on clear vinyl. Like the original Folkways Anthology, this smaller collection features the work of some of our country's most important musical figures from the turn of the 20th century including Lead Belly, The Carter Family, Robert Johnson, The Monroe Brothers, Uncle Dave Macon, the Memphis Jug Band, and many more. It also features in depth narratives on Smith and his work from Greil Marcus, Ed Sanders, John Cohen, Dick Spottswood, and Fahey. Simply outstanding.
MPEG Stream: JOE WILLIAMS' WASHBOARD BLUES SINGERS "Baby Please Don't Go"
MPEG Stream: UNCLE DAVE MACON "Wreck of the Tennessee Gravy Train"
V/A Harry Smith's Anthology of American Folk Music, Volume 4 (Revenant) 2cd + book 32.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Smithsonian / Folkways' influential "Anthology of American Folk Music" was a massive three volume set compiled by the eccentric artist and archivist Harry Smith. Originally released in 1952 and reissued on CD in 1997, it stands as a pioneering look into the earliest recordings of awe-inspiring folk music of the '20s and '30s. However, a fourth volume of the series had been collected around the same time, but had never been released until John Fahey's Revenant label uncovered this gem. Packaged lavishly in a 96 page hardbound book, this double CD set features the work of Lead Belly, The Carter Family, Robert Johnson, Uncle Dave Macon, the Memphis Jug Band, and many more. It also features in depth narratives on Smith and his work from Greil Marcus, Ed Sanders, John Cohen, Dick Spottswood, and Fahey. Simply outstanding.
RealAudio clip: BUKKA WHITE "Parchman Farm Blues"
V/A Hava Narghile (Dionysus / Bacchus Archives) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. BACK IN STOCK!! Been waiting to see more of this old fave for a long time, here they are again at last. If you don't have it, get it!! It's such a good disc, compiled by Gokhan Aya and AQ customer Jay Dobis (who kindly showed Allan around to every record shop on Istiklal street when Allan visited Istanbul last year, thanks Jay!). Here's what we said about it originally: Similar to the [now out of print] Turkish Delights compilation is this great collection of vintage psychedelic rock music from Turkey. With 22 tracks, spanning the years 1966-1975, this collection is a great introduction to the fanatastic, long-lost Middle Eastern acid rock scene. These bands raved it up in Istanbul nighclubs, blending the Western garage-psych rock of the era with Turkish folk influences (electic fuzz saz!), bellydancing beats, and all manner of "exotic" flourishes. Of the 17 artists on here, only a few names were already known to us, mainly from that aforementioned Turkish Delights lp or as the Turkish entries on the fab Love Peace & Poetry: Asian Psychedelic Music compilation. Those would be the amazing Mogollar (two tracks), guitar hero Erkin Koray, Mavi Isiklar, and Baris Manco. And none of their tracks are duplicated between this comp and those other two [and there's no overlap with anything on the more recent Turkish Love, Peace & Poetry volume either]. Of the many cuts on here, everyone will have their own favorites, certainly there's many killer ones. Dionysus' Bacchus Archives imprint has done a colorful job with the packaging, illustrated with promo photos and 7" sleeves. And every track gets a good paragraph of information, so by listening and reading you'll become hip to the history of the whole Turkish psych happenin'. Highly recommended!
MPEG Stream: ERSEN "Sor Kendine"
MPEG Stream: MELIK FARUK SERDAR SAYGUN "Gurbet Acisci"
MPEG Stream: BARIS MANCO & KAYGISIZLAR "Trip (Fairground)"
V/A Havana Cuba, ca. 1957: Rhythms Ands Songs For The Orishas (Smithsonian Folkways) cd 15.98
I gave up on trying to come up with a more succinct description of these two new cds from Smithsonian Folkways of Cuban music when I discovered they have encapsulated the collections better than I ever could: "Recorded in Havana in 1957, the ritual rhythms and songs collected by Lydia Cabrera and Josefina Tarafa feature the bat‡ drums, used by practitioners of Santer’a to salute and summon the gods (orishas). The disc includes a complete cycle of bat‡ salutes to the orishas, called the orś de igbodś, as well as rhythms played during ceremonies to mark the presence of an orisha. With origins in Yoruba religion in West Africa, this disc serves as a hub of Afro-Atlantic music, with ties to related religions in New York, Miami, the Caribbean, and Brazil." As usual with S/F, you get almost as much written information as you do audio. A detailed 24 page booklet of liner notes and track annotations is a valuble accompaniment to this issue.
RealAudio clip: "Obatala / Odudua"
RealAudio clip: "Ibarabo Ago Mo Juba"
V/A He And She (Pet Records) cd 14.98
V/A He's No Good To Me Dead (Game Two) cd 10.98
This disc's compilers have enlisted five suitable bands to make sure this doom-core comp lives up to its subtitle: "74 Minutes Of Extreme Pain." Negative Reaction, Grief, Subsanity, Bongzilla, and Sour Vein all provide some lovely metallic downer dirge.
V/A Health Program (Boy Arm) cd 9.98
This just may be the best compilation ever. How's this for a concept? A bunch of electronic/noise bands make songs out of death metal drums. Just the drums. Brilliant. Maybe. Has the potential to be pretty amazing. So how does it actually fare? Pretty well surprisingly. Most of the bands don't fuck with the beats too much, just sort of do their thing around whatever their chosen blast beat happens to be. So what could have been a stupid mess becomes the weirdest, noisiest, most confounding death metal record ever. Light on the guitars, but heavy on the buzz and glitch and whir and skree and whatever chopped up, processed graaeeerrgggghhhh they could get out of their laptops. Think a death metal V/VM, or Dave Lombardo drumming for Wolf Eyes! AQ pal Lesser is on here, as is Bombadier and Panicsville, but the rest of the participants are new to us. It hardly matters though. The tracks all sort of fit together into a single, epic, demented "death metal" masterpiece.
MPEG Stream: LESSER "The System Of Pathology"
MPEG Stream: SLOPE "The Founding Of Modern Medicine"
MPEG Stream: THE RIB "The Key To Modern Surgery"
V/A Heat & Birds: Jewelled Antler Compilation #2 (Jewelled Antler) cd-r 9.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. "Heat & Birds" is the second 'friends and family' compilation to emerge from the Jewelled Antler collective, offering an overview not only of the numerous activities that are constantly evolving within the collective but also of like-minded artists from across the globe. Common to Jewelled Antler sound is a magical wistfulness, which seeps through every sound within the label and draws metaphors to half-dreamt memories, impossible lands that only exist in the imagination, or the simple awe of nature. While the core members (Glenn Donaldson, Loren Chasse, Rob Reger, and Steven R. Smith) are present, they've presented themselves in a variety of unique monikers and projects: such as Hala Strana (an uncredited pseudonym for Steven R. Smith, recreating a manic Hungarian folk instrumental with his trademarked production style of layered sounds building repeated riffs up to bittersweet crescendos), Of (an enigmatic project of evocative etherialism by Loren Chasse), and The Floating Birthday Children (the duo of Donaldson and Kerry McLaughlin offering pensive folk meanderings). Other, better-known Jewelled Antler projects, The Blithe Sons & Daughters, Thuja, and Franciscan Hobbies, also make appearances. Of the non-JA projects, "Heat & Birds" also features the Finnish avant-improv-rock bands Kemialliset Ystavat, the medieval sounding Markus, and the elusive Avarus. Also, the San Francisco band Golden Hotel have produced another brilliant, drugged-out folk song, but do they remember recording it? And, there's some wonderful field recordings by AQ's own Byram Abbott of the birds in rehabilitation at Fort Cronkite just north of San Francisco. I could go on, but why spoil the mysteries? "Heat & Birds" is a great collection from a great organization. Recommended.
RealAudio clip: FLOATING BIRTHDAY CHILDREN "Swan On A Black Lake"
RealAudio clip: OF "Aerial Cisterns"
RealAudio clip: GOLDEN HOTEL "The Blame"
V/A Heavy Metal Killers (Earache) cd 15.98
Earache, as befits their name, has always been a label known for "extreme" music, whether it be grindcore, death metal, or even gabber. This compilation, though, highlights a different sort of extreme, new bands who are hard and heavy but also melodic, with lo and behold actual singing. These outfits ARE extreme - extremely retro that is. And (as far as we're concerned) extremely cool. Heavy Metal Killers, whose cover art seems to be a nod to that of Iron Maiden's Killers, collects tracks from Castle Donnington worthy youngsters who hark back to the glory days of the NWOBHM in the late '70s, early '80s. And thus it has more in common with classic NWOBHM era comps like Metal For Muthas than it does such previous Earache anthologies like Grindcrusher and Hellspawn. And despite the NWOBHMishness, these bands hail from all over the planet, from Finland to Mexico. Between Allan and Andee at Aquarius, we possess albums by a goodly portion of this disc's lineup, but the rest are totally new to us too. (Which brings up another subject, perhaps to be addressed in a future AQ-blog post, about all the cool records Allan and Andee order for themselves that we somewhat inexplicably never review for our website or even stock in the store!). We already know and love Cast Iron, Cauldron (who should get an award for their track's title, "Chained Up In Chains"!), Portrait, and Enforcer (whose full-length from which their track here is taken is also reviewed this list, actually), but thanks to this comp are glad to be introduced to a slew of other denim-and-leather clad, true metal torchbearers. As with all comps, some tracks we like better'n others, but actually these Heavy Metal Killers ARE all pretty killer. We'll just mention a couple highlights, like the opening salvo from Holland's Powervice, boasting perhaps the best dual guitar harmony motif on the whole disc, damn it's catchy. Then there's the Mercyful Fate-ish mastery of Sweden's Portrait, complete with King Diamond style falsetto. And we got a kick out of the unabashed Sunset Strip style pop panache of LA's White Wizzard. Other acts here include Ram, H.O.D., Celtic Legacy, Alltehniko, Voltax, In Solitude, and Crowning Glory. Only a few of the tracks are exclusives, most appearing also on these band's albums (upcoming or otherwise) but it's not like you probably have 'em do you??? Though hopefully we soon will, we know for sure we'll be looking out for more by a bunch of 'em. Cool that this scene is getting big enough for Earache to jump on the bandwagon. Our only complaints? This comp shoulda had San Francisco's Space Vacation on it too! And Finland's Solitaire. And... well, hopefully there's a volume II in store!
MPEG Stream: POWERVICE "Behold The Hand Of Glory"
MPEG Stream: RAM "Sudden Impact"
MPEG Stream: WHITE WIZZARD "High Speed GTO"
V/A Here's To Old England! (Artpop!) cd 16.98
Or rather, should the title should be "Here's To Old Edward!"? 'Cause this compilation celebrates the many musical faces of one Mr. Edward Ball which first surfaced back in the '70s and have frequently popped up through the past couple decades. Perhaps, you're familiar with his music on his own as a solo artist or in Teenage Filmstars (one of Andee's favorite bands of all time, rivalling My Bloody Valentine for sheer warped glorious guitar overload, there's even a quote on the front of the disc where MBV's Kevin Shields refers to Ball as "a modernist musical alcheemist"!), The Times, O Level, Boo Radleys and Television Personalities -- this comp draws from the first four. Lots of distinctly Brit references such as re-enactments of the intro dialogue to the wonderfully cryptic television series The Prisoner in the song "I Helped Patrick McGoohan Escape" or a rendition of New Order's "Blue Monday" sung in French ("Lundi Bleu") or nods to different cities such as "Manchester", "Cloud Over Liverpool" and "This Is London". Groovy and trippy and jangly, very Beatles-esque bright and sunny power pop with occasional hazy clouds of shoegazer-ness and trippy psychedelia. But it's the Teenage Filmstars tracks that will kick your ass. Unfortunately we've been unable to get any of ther albums for a while. So for now, this sampler will have to do. It's within the TF tracks that the strummy psychedelic Beatles-esque pop of Ball's other outfits gets cranked up a notch, doused in liquid LSD and set aflame. Backwards drums, funhouse mirror guitars, distorted vocals, all twisted and tangled into massive MBV meets Jesus And Mary Chain mayhemic pileup. Just give a listen to the sound sample for "Physical Graffiti". Woah. And while the rest of the tracks don't pack quite the same wallop, it's all really cool hazy Brit-psych-pop of the highest order. BTW: Really funny quote on the sticker: Noel Gallagher from Oasis: "Edward Ball is the second best songwriter in Britain today." Ha ha.
MPEG Stream: "Pressure"
MPEG Stream: "I Helped Patrick McGoohan Escape"
MPEG Stream: "Physical Graffiti"
V/A Hey Punk...Get Riddim! (Victory World) cd 15.98
There's always been some sort of bond between punk rock and reggae: The Clash, Bad Brains, Fugazi, At The Drive In...whether it be in sound or simply in spirit. So Victory (home to some of the most essential NY hardcore of the past 10 years) has put their money where there mouth is by putting out this here compilation of dancehall/reggae/dub specifically as a primer for you young punks, who have yet to discover the joys of Sizzla, Tenor Saw, Sugar Minott, Lee Scatch Perry, Black Uhuru, Yellowman, Beenie Man and the like. Definitely not for those of you who are already immersed in the Trojan sound and the 100%-500% Dynamite collections, but not a bad place to start for the newbies.
V/A High All The Time Vol. 1 (Past & Present) cd 17.98
We've said it before and we'll say it again. It never ceases to amaze us how there can be such an endless supply of killer '60s garage-psych songs to fill up compilation after compilation. Sure, once in a while there's some overlap, but really, it's incredible how many obscure bands managed to release a completely charming 7" single or two and then vanished - but their music lives on, thanks to comps like this one! The appropriately named High All The Time features a whole bunch of turned-on, drugged-out sounds circa 1966-69, all of it fuzzy and freaky and sometimes beautifully melodic. 14 tracks, 11 bands, mostly from the US of A, though two bands are Dutch and one Swedish (The Shakers, doing "Who Will Buy (These Wonderful Evils)", a classic acid-guitar drenched track we know from another comp that took that for its title. But that Shakers song is the only thing here we'd heard before. Opening the proceedings, Mammoth takes a Kinks "You Really Got Me" type riff and fuzzes it up big time, hinting at Blue Cheer style heaviness. Then, getting even freakier, The Hobbit tosses some musique concrete sound FX into their exotic "Author's Message". Next up, Dragonfly's "Celestial Dream" is indeed pretty dreamy, coming from a band who wore wild dragonfly-wing facepaint.... so, we won't describe all the tracks, but suffice to say they're all quite groovy, and varied, and definitely high all the time, yeah! No bummers here. Bad trips, yes, well, there's The Darelyck's track "Bad Trip", a propulsive sorta-rockabilly garage beat number with the vocalist mainly chanting "It was a bad trip, it was a bad trip" over and over, way cool... From start to finish, this is comp is our idea of a good trip. And the finish is a strong one, tracks 13 and 14 being both sides of The Beautiful Daze's "City Jungle Parts 1 & 2", with Part 2 being a particularly dense, droning, throbbing piece of work. This compact disc edition (the comp itself is a reissue, apparently originally released on LP back in the late '70s or '80s we'd guess) includes in its booklet what meager information they were able to dig up about each band, with discographical information and sometimes graphics from the original 45's.
MPEG Stream: MAMMOTH "The Mammoth"
MPEG Stream: THE TOWER "Slow Motion Mind"
MPEG Stream: THE BUZZARDS "Burned"
V/A High All The Time Vol. 1 (Past & Present) lp 24.00
Also now reissued on 180 gram vinyl, limited, numbered, with liner notes insert included. We've said it before and we'll say it again. It never ceases to amaze us how there can be such an endless supply of killer '60s garage-psych songs to fill up compilation after compilation. Sure, once in a while there's some overlap, but really, it's incredible how many obscure bands managed to release a completely charming 7" single or two and then vanished - but their music lives on, thanks to comps like this one! The appropriately named High All The Time features a whole bunch of turned-on, drugged-out sounds circa 1966-69, all of it fuzzy and freaky and sometimes beautifully melodic. 14 tracks, 11 bands, mostly from the US of A, though two bands are Dutch and one Swedish (The Shakers, doing "Who Will Buy (These Wonderful Evils)", a classic acid-guitar drenched track we know from another comp that took that for its title. But that Shakers song is the only thing here we'd heard before. Opening the proceedings, Mammoth takes a Kinks "You Really Got Me" type riff and fuzzes it up big time, hinting at Blue Cheer style heaviness. Then, getting even freakier, The Hobbit tosses some musique concrete sound FX into their exotic "Author's Message". Next up, Dragonfly's "Celestial Dream" is indeed pretty dreamy, coming from a band who wore wild dragonfly-wing facepaint.... so, we won't describe all the tracks, but suffice to say they're all quite groovy, and varied, and definitely high all the time, yeah! No bummers here. Bad trips, yes, well, there's The Darelyck's track "Bad Trip", a propulsive sorta-rockabilly garage beat number with the vocalist mainly chanting "It was a bad trip, it was a bad trip" over and over, way cool... From start to finish, this is comp is our idea of a good trip. And the finish is a strong one, tracks 13 and 14 being both sides of The Beautiful Daze's "City Jungle Parts 1 & 2", with Part 2 being a particularly dense, droning, throbbing piece of work. This edition (the comp itself is a reissue, apparently originally released on LP back in the late '70s or '80s we'd guess) includes liner notes providing what meager information they were able to dig up about each band...
MPEG Stream: MAMMOTH "The Mammoth"
MPEG Stream: THE TOWER "Slow Motion Mind"
MPEG Stream: THE BUZZARDS "Burned"
V/A High All The Time Vol. 2 (Past & Present) cd 17.98
Naturally, this is the sequel to the excellent '60 fuzz psych compilation High All The Time Vol. 1. We reviewed that last year, it was a pretty darn killer comp indeed, and so is this follow-up! There's 14 cuts from 14 bands, from garages all across the US of A, circa 1966-'74. Like Vol. 1, this is the place to go for savage fuzz romps -and- trippy psychedelic excursions. And as before, it's all obscure stuff. The only artist we'd heard of before is J.D. Blackfoot, one of the few acts here who managed to release a long-player, most of the rest of 'em having but one rare 7" single to their name. However, the A-side (or sometimes B-side, let's hear it for B-sides!) to that single was often enough of a recorded legacy to earn 'em a pool of drool from record collectors and garage psych connoisseurs for ever and ever. Listen in, you can hear why. This starts off plenty fierce with the aforementioned J.D. Blackfoot's gruffly-sung "Epitaph For A Head". Classic & wild! That's followed by "Time Out To Fly" by Magical Mist, almost as fuzzy but a bit more dreamily moody as befits their name, reminding us of the Electric Prunes by the end of the tune. But even the most melancholic and melodic cuts here tend to erupt eventually into at least one white hot blast of acid guitar soloing excess, if not totally freaking out into full-on scuzz stomp. Other highlights include the lovely "Sad Now" by Solid Ground, and a not-so-folky rendition of "If I Were A Carpenter" by Grant's Blueboys, among others. Another cool cover here is Chesmann Square's "Circles", originally by The Who. The line up also includes: American ZOO, Thundering Heard, ESB, Thorinshield, Odyssey, Ocelot, Jordan, World Column, and Catfish Knight & The Blue Express. The glossy cd booklet contains brief (sometimes very brief!) liner notes and discographical information for each act, with vintage photos and 45 labels in some cases too. Yep, just what we were hoping for when we realized that Volume 1 of course implied a Volume 2... By the way, we've reached the point in time where we're seeing reissues of reissues, apparently both volumes came out on vinyl in the early '90s but now's the first time they've appeared on cd.
MPEG Stream: J.D. BLACKFOOT "Epitaph For A Head"
MPEG Stream: ESB "Mushroom People"
MPEG Stream: CATFISH KNIGHT & THE BLUE EXPRESS "Deathwise"
V/A High Noon (Bear Family Records) cd 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. The subtitle: "25 Artists, One Song". Yes, here's 27 versions of the theme song from the classic Gary Cooper western recorded in the '50s and '60s. Among them, versions by Tex Ritter (three of 'em, all different), Frankie Laine, Chet Atkins, Ferrante & Teicher, Henry Mancini, Ray Conniff, and Faron Young. Some are sad, some are swinging, and each one is different. Getting more obscure, there's even German and Danish versions collected here. In the tradition of those crazy, obsessive "La Paloma" compilations, this is a fascinating study in creative variations -- regardless of what you think of the original song itself. "Do not forsake me, oh my darling..."
V/A High School Reunion - A Tribute To Those Great 80's Films (American Laundromat) cd 13.98
Aaaah, reunions are always a weird mish mash of emotions, the warm fuzzies and the uh-oh discomforts, aren't they? Lots of faces are fondly familiar while others don't register at all in your memory banks. Such is the totally case with High School Reunion -- A Tribute To Those Great 80's Films with both the selection of songs and the artists covering them. Some familiar notables are Matthew Sweet (American Girl"), Frank Black ("Repo Man"), Blake Babies' John Strohm ("Somebody's Baby"), Kristin Hersh ("Wave Of Mutilation"), and the odd fresh-faced presence of the Dresden Dolls ("Pretty In Pink"). Of course for whatever reason (a link to a warm memory, a personal turning point, a soft spot for the actual movie, or simply the fact that it was just a great song), so many of these songs are so near and dear to the teenage hearts in each of us... as are the '80s flicks from which they came. Fast Times At Ridgemont High, Pretty In Pink, The Breakfast Club, Some Kind Of Wonderful, Valley Girl, Repo Man, Sixteen Candles, Weird Science, Pump Up The Volume, Say Anything, and Ferris Bueller's Day Off. Ah yes, we remember them all so well. It's a pleasure when the cover kicks as much butt as (or betters) the original, but extra painful when some band does a so-so (or worse) version. Fortunately few if any of the twenty tracks fall into the latter category, and most offer at least a respectful if unchallenging take on the oldie. A nostalgia'n'irony super-size extra cheese full meal deal!
MPEG Stream: DRESDEN DOLLS "Pretty In Pink"
MPEG Stream: UNDERDOG "I Melt With You"
MPEG Stream: BLACK, FRANK "Repo Man"
V/A Hilarity & Despair (Sebastian Speaks) lp 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Not sure if this is exactly 'hilarious' as the title implies, but it sure is creepy, and unsettling, and at times very very annoying. But in that way we can never seem to get enough of. Hilarity & Despair is a collection of found, lost and purloined answering machine tapes, an uncomfortably voyeuristic glimpse into the private telephone lives of random strangers. Hints of unseemly behavior, small town scandal, infidelity and marital strife abound, often so extreme it's funny, but more often so intense it makes you feel kind of, well, dirty. Plenty of pissed off moms and girlfriends, many calling back over and over and over, increasingly upset with each call, some apologetic boyfriends, slurring drunks, lots of drama, but there are a handful of phone calls that are just plain FUCKED UP: unexplainable weirdness, strange voices, indecipherable messages, unexplained sounds, completely irrational rants, and those are the calls that make this an essential addition to the ever growing 'what the fuck' section of your collection.
V/A Hip City : Tales from the Funky Side of Town (Harmless) cd 19.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. You know how everyone thinks they can be a DJ now, right? Maybe one of the unlooked-for benefits of this trend is that there are that many more people sifting through dusty ole record bins in dusty ole record stores worldwide, searching for the good breaks to sample and scratch. And perhaps that explains the sudden number of recent, very tasteful, well-done compilations that have graced the shelves here at Aquarius, comps filled with original source material utilized during or created for the breakbeat era's heyday (mid to late '70s). And hey, now that these amazing tracks are collected in one place on cd or vinyl, we can listen to them in the safety of our own living rooms -- instead of having to brave yuppies and cigarette smoke and $6 drinks to hear perfectly good tunes mangled by DJs of mediocre skills. "Hip City" is straight up funhouse funky black music from '67 to '77. Rare and previously underrecognized tracks from James Brown, Junior Walker and the All Stars, Hank Ballard, and the many lesser-knowns that the UK label Harmless is so good at finding. Dig it.
RealAudio clip: WILLIE & THE MIGHTY MAGNIFICENTS "The Funky Eight Corners"
RealAudio clip: HANK BALLARD "How You Gonna Get Respect (When You Haven't Cut Your Process Yet)"
V/A Hip Hop Remix (Batty Bombaclaat) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. We only have a limited quantity of these little gems, so be forewarned. Even before we started becoming inundated with "mash ups" and the compilations featuring them -- The Best Bootlegs In The World Ever, 2 Many DJ's, not to mention DJ Rupture's excellent mixes -- we were able to pick up, quite briefly, 7" releases which featured ragga dancehall a capellas remixed over the hot hip hop rhythms of the day. The labels printing these -- RMC, Special Remix & Killa -- printed short runs, and often the best mixes were long gone before we could even write about them. Those singles are long out of print and the labels that released them have all vaporized as well, but the folk(s) at Batty Bombaclaat have preserved some of the best for a brief second time around for the rest of us stuck in the digital realm. In all, nineteen tracks on this cd-r, each one amazing in its own way. For starters, the two genres -- hip hop and dancehall -- are taylor made for a good mash up. Hip hop's formation owes much to Jamaican DJ's and sound systems that supported them. In turn early Jamaican artists owe much of their inspiration to the early soul and R&B that was imported to the island at the early ages of the sound system. In recent years with the maturation of raggamuffin dancehall, and Jamaican artists cameoing on American hip hop artists' albums, the lines between hip hop and dancehall have been further blurred. Ward 21's first full length is a classic example of hip hop influenced dancehall, and Soul Jazz's excellent compilation Nice Up The Dance further illustrated the connections between the genres. The singles compiled on this anthology are more blunt than that, but the results are no less wonderful. Some, Like Lexxus' "Bounce A Gal" (which uses Missy Elliott's "Get Ur Freak On" as its rhythm) are great in their complete contrast to the original hit. When Missy's track came out it was impossible not to hear it 5 times a day; and of course, the rhythm was recycled many times by many artists from Timbaland himself to Kid 606. The great thing about the Lexxus mix is that Lexxus's voice is so anti-thetical to Missy's. He sounds like an insane person with a bad head cold who snuck into the studio. Other tracks, like Sizzla's "Never Want To Heard A Dem", best the originals. Mixed over M.O.P.'s "Ante Up", Sizzla's vocals turn an otherwise mediocre track into a fucking blood spittingly amazing one. The rhythm is so fucking great it would have been such a disappointment to let it get relegated to the dust bin of history with M.O.P.'s uninspired vocals on it. Along with the aforementioned Jamaican vocalists, included here are many of our favorites like Elephant Man, Capleton, Bounty Killer, Beenie Man, Merciless, Raegan, Danny English and more. Plus all the best hip hop rhythms of the cusp of the millennium are represented here: "Independent Women", "Ugly", Who's That Girl", "One Minute Man", "Can't Deny It", "I'm A Thug" and more. No rhythm tracks are repeated, for what it's worth, so there's no feeling of redundancy with this comp and it makes it a nice party mix to play. As an interesting twist, the disc closes with an inverted remix featuring Sensational's "Livin' It Up" over Beenie Man's "Who Am I". We're not sure where that one came from. As a final note, the original sources from which these tracks were culled, though most likely pressed in the U.S., were done in the Jamaican style: fast and dirty. In other words, there's lots of clicks and pops -- which the producers of this disc elected to preserve -- to increase that sense of authenticity while you listen. On cd-r, with covers nicely printed on vellum and card stock. Highly recommended!
MPEG Stream: SIZZLA "Never Want To Heard A Dem"
MPEG Stream: CAPLETON "Bun It Down"
MPEG Stream: SENSATIONAL "Livin' It Up"
V/A Hip Hop Tribute To Iron Maiden (Tribute Sounds) cd 13.98
Worst thing we've ever heard. Almost not even funny. Ok it's a little funny. But definitely not what we were hoping for. What were we hoping for? Good question...
V/A Hiss (Touch) cd 16.98
New sampler from one of our favorite labels, Touch, this time round a sampler of wares previously released. This is the perfect chance for those who are unfamiliar with this truly great label's output to become acquainted. Among the cuts found here are tracks by Evan Parker vs Disinformation, an excerpt from the Santa Pod cd (recordings of the Santa Pod drag car raceway in England), another from the "Runaway Train" lp (radio transmissions between the operator of an out of control train and the home office), I Saw It All Happen... (recordings of a life support system), EVP (Electronic Voice Phenomena) specialist Raymond Cass describing his contact with alien voices, Daren Seymour & Mark Van Hoen (of Scala and Locust), and much more.
V/A History Of Hip Hop Radio Vol.1 (NYC 1986-1991) (Hip Hop Slam) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. This one is for the bigtime old school hip-hop enthusiasts. Without a doubt radio played a huge role in boosting the NY hip-hop scene since the early 80's. This collection of NY hip-hop radio clips will make you feel like you are back in the Bronx in '88 staying up late and listening to Special K and Teddy Tedd on the fm dial to get your latest fix of what's new and hot in the hip-hop world. There are 27 tracks on here ranging from 49 seconds to over 8 minutes that are all snippets from various broadcasts of legendary hip-hop radio in NY from '86-'91. A piece of hip-hop and radio history.
MPEG Stream: "Mr. Magic on Magic 106FM WHBI"
MPEG Stream: "Chuck Chillout Gets mean on the Turntables KISS 98.7fm"
V/A Ho!: Roady Music from Vietnam (Trikont) cd 17.98
We can not tell you how psyched we are to have this back in stock. We've been listening to this like crazy. We had almost forgotten how totally far out and mind blowing this collection was. Since we first carried this years ago, there have been tons of diverse and eclectic collections of musics from all over the world, psych rock compilations (Love, Peace & Poetry, Thai Beat A Go Go, etc.), the Sublime Frequencies series, and loads more, but as good as those are, they can't hold a candle to Ho!: Roady Music From Vietnam! So completely fascinating and fun, wild and so so weird! Everytime this gets played in the store, customers and employees alike have to check to see what the heck it is we're listening to! Ho! is an amazing collection of pieces from Vietnamese street musicians. The folks that travelled to Vietnam and recorded these pieces gave themselves the tongue-in-cheek name Nuoc Mam Dirndl'n, evidence of their humor in the light of collecting the sort of music they suspect the Vietnamese government would perhaps NOT appreciate as a representation of Vietnam. Ho! ranges from raucous, percussion-heavy funeral songs played at midnight by 'young people provided with drugs' to traditional material played on the one-stringed dan bau to melodramatic love songs favored by the son of the owner of the hotel the folks stayed at. There's even a 'tasteful schmaltzy song' which is what the Vietnamese record-store saleswoman played for them when they asked for some traditional Vietnamese music! Check out the following excerpt from the fascinating liner notes, and, like us, marvel at the freshness inherent in the refusal to adopt the omniscient voice-of-authority tone taken by so many ethno-compilers: "We are stunned by the Vietnamese 'Lebensgefuhl' actually corresponding to our western idea of 'subculture': lively, anarchic, loud, dense, hearty; the people are living working, eating, sleeping, and holding their funeral ceremonies between house and street. We don't know yet if there is any subculture in Vietnam; if there is e.g. (organized) political counterforces to the one-party regime -- nobody talks about politics (with us) -- maybe there is no need for it, because everybody can do whatever he/she wants: though street trading is prohibited everybody does it -- under the hardly vigilant eyes of the law -- raids are very rare, then the stands are carried away quickly and when the mischief is gone it goes on... What matters is that people LOVE TO SING which, like in our part of the world, hide in gloomy basements and play till the ears/souls are ringing: every band in Vietnam needs a license for its existence, for every gig, every song. And because there is no basements in Vietnam, people like to use the karaoke machines in their homes, bars and special karaoke houses. Saigon's street musicians are rather despised by the yuppies of Vietnam: 'shit music.' The yuppies prefer Sting and western style in general." Highly highly highly recommended!
MPEG Stream: DAN BAU VIETNAM "Rider In The Sky"
MPEG Stream: DEAD MEN'S ORCHESTRA "Totencombo"
MPEG Stream: EO SINH + NAMH HAO "VC Love Song"
MPEG Stream: THU HIEN "Hoa Cau Vuon Trau"
V/A Hollerin' (Rounder) cd 16.98
Truly amazing and strange collection recorded in Spivey's Corner, North Carolina in 1975 & 1976 during the annual "Hollerin'" contest. Developed out of a need for communication over long distances long before walkie talkies were invented, Hollerers soon developed their own unique hollers for various emergency situations. This disk contains some of the most advanced developments in Hollerin' and as such has some of the most amazing sounds you'll ever hear coming out of a human throat at high volumes.
V/A Holy Mackerel (Ace) cd 16.98
Comp of Little Richard soundalikes!
V/A Homage To Neu! (Cleopatra) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY. Krautrock legends get their props with this comp, featuring Michael Rother (ex-Neu!), James Plotkin, Autechre, Legendary Pink Dots, Dead Voices On Air, and others...but no Stereolab! What?
V/A Home Schooled: The ABCs Of Kid Soul (Numero Group) cd 17.98
Oh man is this making us drool! Take two of the things we love most in the world: old school soul and little kids making their own music and bring them together and you have one of our new favorite compilations! The latest from the always righteous Numero Group is a collection of obscure kid groups from the early '70s who were whipping up some amazing soul and proving that there were way more new kids on the block belting out infectious songs then just the Jackson 5. The Numero Group has done their homework with this one, digging through a forgotten history so rich and plentiful and just waiting for it's moment in the spotlight. Besides Jr & His Soulettes, the great Oklahoma brother and sister outfit we gushed about a few lists back, most of these kids of the '70s were completely unknown to us. Names like Patrizia & Jimmy, Otis The 3rd, or Cindy & The Playmates were never household names beyond their parents' house but damn did the kids on this compilation have some talent and crazy charm. The packaging and captivating liner notes accompany priceless photos of many of these kids in super soul action. Of course there is something novel, endearing and super cute about little kids making their own music but what makes this comp so great is that it all sounds so good! Vintage soul in lots of shapes and sizes from rambunctious stompers to silky serenades, these kids were dialed into the spirit of soul in a way that still sounds so pleasing to our ears.
MPEG Stream: MAN CHILD SINGERS "Right On"
MPEG Stream: TRIADS "If You're Looking For Love"
MPEG Stream: PATRIZIA & JIMMY "Trust Your Child Pt.1"
V/A Home Schooled: The ABCs of Kid Soul (Numero Group) 2lp 19.98
Now on Vinyl!!! Oh man is this making us drool! Take two of the things we love most in the world: old school soul and little kids making their own music and bring them together and you have one of our new favorite compilations! The latest from the always righteous Numero Group is a collection of obscure kid groups from the early '70s who were whipping up some amazing soul and proving that there were way more new kids on the block belting out infectious songs then just the Jackson 5. The Numero Group has done their homework with this one, digging through a forgotten history so rich and plentiful and just waiting for it's moment in the spotlight. Besides Jr & His Soulettes, the great Oklahoma brother and sister outfit we gushed about a few lists back, most of these kids of the '70s were completely unknown to us. Names like Patrizia & Jimmy, Otis The 3rd, or Cindy & The Playmates were never household names beyond their parents' house but damn did the kids on this compilation have some talent and crazy charm. The packaging and captivating liner notes accompany priceless photos of many of these kids in super soul action. Of course there is something novel, endearing and super cute about little kids making their own music but what makes this comp so great is that it all sounds so good! Vintage soul in lots of shapes and sizes from rambunctious stompers to silky serenades, these kids were dialed into the spirit of soul in a way that still sounds so pleasing to our ears.
MPEG Stream: MAN CHILD SINGERS "Right On"
MPEG Stream: TRIADS "If You're Looking For Love"
MPEG Stream: PATRIZIA & JIMMY "Trust Your Child Pt.1"
V/A Honeymoon: The Key Love Songs of My Life By Cam (Chronowax) cd 17.98
This one's for the lovers. DJ Cam compiles songs that reflect his vision of 'happines, love and harmony' (-gag-). Anyway, features Grover Washington, Phat Kat, Coldcut, DJ Matsuoko, Bahamadia, Mr. Scruff, Henry Mancini and more.
V/A Horse Meat Disco (Strut) 2cd 14.98
With the amazing resurgence and appreciation of the Disco era in the last several years this collection really serves as a kind of holy grail of the true sounds and soul of disco's heyday, as curated and mixed by one of the best disco minded DJ Collectives around, Horse Meat Disco out of the UK. They host legendary parties that channel that original free spirit of old school queer disco parties while manning the decks with some of the best and often most obscure disco gems from the golden era. Luckily Horse Meat Disco has made its way into the states and even to San Francisco, playing at parties with local kindred spirits Honey Sound System. This two disc set is pretty much essential disco listening, having true disco diggers do the hard work for you and then you just get to sit back (or better yet shake your thang!) to the great jams they have unearthed. The first disc is a continuous mix which gives you a pretty good idea of what going to a Horse Meat Disco party would feel like, then the second disc gives you the songs in their original incarnation. There are some folks we know and love on here as well as many that are totally new to us. And even of the folks we DID know , most of the tracks aren't the total obvious ones we had heard before. Karen Young, Larry Levan, Tamiko Jones, Gino Soccio, Fern Kinney, etc. The impassioned liner notes (including a great piece written by Daniel Wang), give further proof to the lasting legacy and inspiration in these soulful disco sounds.
MPEG Stream: KAREN YOUNG "Deetour (Party Mix)"
MPEG Stream: SMOKEY ROBINSON "And I Don't Love You (Larry Levan Instrumental Dub)"
MPEG Stream: THE KIDS "Hupendi Muziki Wangu? (You Don't Like My Music?)"
MPEG Stream: TAMIKO JONES "Let It Flow"
V/A Horse Meat Disco (Strut) 2lp 24.00
Now on Vinyl! With the amazing resurgence and appreciation of the Disco era in the last several years this collection really serves as a kind of holy grail of the true sounds and soul of disco's heyday, as curated and mixed by one of the best disco minded DJ Collectives around, Horse Meat Disco out of the UK. They host legendary parties that channel that original free spirit of old school queer disco parties while manning the decks with some of the best and often most obscure disco gems from the golden era. Luckily Horse Meat Disco has made its way into the states and even to San Francisco, playing at parties with local kindred spirits Honey Sound System. This two disc set is pretty much essential disco listening, having true disco diggers do the hard work for you and then you just get to sit back (or better yet shake your thang!) to the great jams they have unearthed. The first disc is a continuous mix which gives you a pretty good idea of what going to a Horse Meat Disco party would feel like, then the second disc gives you the songs in their original incarnation. There are some folks we know and love on here as well as many that are totally new to us. And even of the folks we DID know , most of the tracks aren't the total obvious ones we had heard before. Karen Young, Larry Levan, Tamiko Jones, Gino Soccio, Fern Kinney, etc. The impassioned liner notes (including a great piece written by Daniel Wang), give further proof to the lasting legacy and inspiration in these soulful disco sounds.
MPEG Stream: KAREN YOUNG "Deetour (Party Mix)"
MPEG Stream: SMOKEY ROBINSON "And I Don't Love You (Larry Levan Instrumental Dub)"
MPEG Stream: THE KIDS "Hupendi Muziki Wangu? (You Don't Like My Music?)"
MPEG Stream: TAMIKO JONES "Let It Flow"
V/A Horse Meat Disco 2 (Strut) cd 14.98
Horse Meat Disco have proven to be not only some of the best dance / disco DJ's on the planet but also such awesome ambassadors of preserving and celebrating the spirit and soul of classic disco for a whole new generation. Their compilation and mix from last year was one of our favorite collections of dance jams we'd heard in ages and with this second volume they continue to show that there is an endless vault of rare disco gems to be excavated and revisited, and we're so stoked they are putting their love and appreciation of that time, and sound, and making these awesome compilations. This time out it's a collection of tracks by so many folks that have slipped under even the most disco loving of the AQ staff's radar as well as a few people we know and love (Stephanie Mills, Madleen Kane, Scherrie Payne). But damn what a rad schooling in so many unsung heroes of disco past as we've been moving with big wide smiles on our face to tracks by folks like First Love, Bravo, Electra, Nightfall, etc. If luck had been a little different for some of those artist's their names and songs would be as well known as folks like Gloria Gaynor, Thelma Houston, Gwen Guthrie, Donna Summer, Evelyn "Champagne" King, Labelle, Anita Ward, etc. Horse Meat Disco understands that true disco spirit is so much about the pure emotional energy that was bringing people together on dance floors in total bliss and unity, and it translates in the awesome parties they throw in the UK and with these compilations they have put together. Everytime we play this in the store it's awesome to see how everyone shopping immediately starts tapping their feet and getting in such a good mood. This is impossible music to feel dour while listening to, and as much as we love bleak and brooding sounds around here, we also know that it's important to also have the good stuff to go to when you want to get in a fun, physical dance state of mind, and when you do, it don't get much better then this. So awesome!
MPEG Stream: FIRST LOVE "Don't Say Goodnight"
MPEG Stream: LEONORE O'MALLEY "First Be A Woman"
MPEG Stream: STEPHANIE MILLS "You Can Get Over"
MPEG Stream: ELECTRA FEAT. TARA BUTLER "Feels Good (Carrots And Beets)"