V/A Heat & Birds: Jewelled Antler Compilation #2 (Jewelled Antler) cd-r 9.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
"Heat & Birds" is the second 'friends and family' compilation to emerge from the Jewelled Antler collective, offering an overview not only of the numerous activities that are constantly evolving within the collective but also of like-minded artists from across the globe. Common to Jewelled Antler sound is a magical wistfulness, which seeps through every sound within the label and draws metaphors to half-dreamt memories, impossible lands that only exist in the imagination, or the simple awe of nature. While the core members (Glenn Donaldson, Loren Chasse, Rob Reger, and Steven R. Smith) are present, they've presented themselves in a variety of unique monikers and projects: such as Hala Strana (an uncredited pseudonym for Steven R. Smith, recreating a manic Hungarian folk instrumental with his trademarked production style of layered sounds building repeated riffs up to bittersweet crescendos), Of (an enigmatic project of evocative etherialism by Loren Chasse), and The Floating Birthday Children (the duo of Donaldson and Kerry McLaughlin offering pensive folk meanderings). Other, better-known Jewelled Antler projects, The Blithe Sons & Daughters, Thuja, and Franciscan Hobbies, also make appearances.
Of the non-JA projects, "Heat & Birds" also features the Finnish avant-improv-rock bands Kemialliset Ystavat, the medieval sounding Markus, and the elusive Avarus. Also, the San Francisco band Golden Hotel have produced another brilliant, drugged-out folk song, but do they remember recording it? And, there's some wonderful field recordings by AQ's own Byram Abbott of the birds in rehabilitation at Fort Cronkite just north of San Francisco. I could go on, but why spoil the mysteries? "Heat & Birds" is a great collection from a great organization. Recommended.
RealAudio clip: FLOATING BIRTHDAY CHILDREN "Swan On A Black Lake"
RealAudio clip: OF "Aerial Cisterns"
RealAudio clip: GOLDEN HOTEL "The Blame"

V/A Heavy Metal Killers (Earache) cd 15.98
Earache, as befits their name, has always been a label known for "extreme" music, whether it be grindcore, death metal, or even gabber. This compilation, though, highlights a different sort of extreme, new bands who are hard and heavy but also melodic, with lo and behold actual singing. These outfits ARE extreme - extremely retro that is. And (as far as we're concerned) extremely cool. Heavy Metal Killers, whose cover art seems to be a nod to that of Iron Maiden's Killers, collects tracks from Castle Donnington worthy youngsters who hark back to the glory days of the NWOBHM in the late '70s, early '80s. And thus it has more in common with classic NWOBHM era comps like Metal For Muthas than it does such previous Earache anthologies like Grindcrusher and Hellspawn. And despite the NWOBHMishness, these bands hail from all over the planet, from Finland to Mexico.
Between Allan and Andee at Aquarius, we possess albums by a goodly portion of this disc's lineup, but the rest are totally new to us too. (Which brings up another subject, perhaps to be addressed in a future AQ-blog post, about all the cool records Allan and Andee order for themselves that we somewhat inexplicably never review for our website or even stock in the store!). We already know and love Cast Iron, Cauldron (who should get an award for their track's title, "Chained Up In Chains"!), Portrait, and Enforcer (whose full-length from which their track here is taken is also reviewed this list, actually), but thanks to this comp are glad to be introduced to a slew of other denim-and-leather clad, true metal torchbearers.
As with all comps, some tracks we like better'n others, but actually these Heavy Metal Killers ARE all pretty killer. We'll just mention a couple highlights, like the opening salvo from Holland's Powervice, boasting perhaps the best dual guitar harmony motif on the whole disc, damn it's catchy. Then there's the Mercyful Fate-ish mastery of Sweden's Portrait, complete with King Diamond style falsetto. And we got a kick out of the unabashed Sunset Strip style pop panache of LA's White Wizzard. Other acts here include Ram, H.O.D., Celtic Legacy, Alltehniko, Voltax, In Solitude, and Crowning Glory. Only a few of the tracks are exclusives, most appearing also on these band's albums (upcoming or otherwise) but it's not like you probably have 'em do you??? Though hopefully we soon will, we know for sure we'll be looking out for more by a bunch of 'em.
Cool that this scene is getting big enough for Earache to jump on the bandwagon. Our only complaints? This comp shoulda had San Francisco's Space Vacation on it too! And Finland's Solitaire. And... well, hopefully there's a volume II in store!
MPEG Stream: POWERVICE "Behold The Hand Of Glory"
MPEG Stream: RAM "Sudden Impact"
MPEG Stream: WHITE WIZZARD "High Speed GTO"

V/A Held Hostage: LCR RSD Compilation (Learning Curve) lp 14.98
Originally intended to be a Record Store Day release, this killer compilation from the Learning Curve label made it to aQ just under the wire, but seems to have maybe not made it anywhere else in time. So for those of you who couldn't make it to aQ on the big day, and love themselves some knuckle dragging, head banging, pig fuck noise rock crush, well then this here comp is for YOU. No doubt, a bunch of the names will be familiar to long time aQ-ers, Hex Machine (whose new record is reviewed on this week's list), Seawhores, Dead (whose new lp we reviewed here recently), Gay Witch Abortion (whose new record can also be found elsewhere on this week's list), but there's a bunch of new to us outfits, most with awesome names: Cars & Trucks, Decoupler, Bang The Favorite Raver and Spilling Fingernails And Blood Sap, and looks like there's even some sort of mega noise rock jam credited to Gay Whores Skoal Power, which we can only assume is a bunch of those bands crammed together.
Pretty much every track here rules, and anyone who dug the golden age of Amphetamine Reptile will be like a pig in musical shit, some highlights include the Seawhores track, which is SO goddamn good. Forgot how great these guys are/were, didn't even realize they were still a band, but hearing their track makes me pray to Satan they still are. A tangled churn of progged out noise rock heaviness, the sounds distorted and doused in FX, rhythmic and trippy, locking into almost looped sounding hypnorock jams, one second, sounding almost new wave the next, the sounds all blown out and in the red. There NEEDS to be a new record by these guys for sure.
Gay Witch Abortion never fail us, and their weird, distorto dirge here manages to fuse some obtuse poppiness to some crumbling dirginess, a weird little sludge pop doom nugget that will have you wanting to pick up their full length for sure. Cars & Trucks were an awesome surprise, total nineties heavy rock radness, REAL singing, hooks galore, melodies, harmonies, but plenty of tripped out weirdness. They're the kind of heavy that could actually be popular. Pushes all our heavy rock buttons, and makes us definitely want to hear more.
Decoupler are cool too, sounding like a super caffeinated, progged out Torche maybe, catchy, but frantic and frenetic. Spilling Fingernails And Blood Sap are the most metal here, channeling some Today Is The Day for sure. And Bang The Favorite Raver is some sort of pisstake, sounding like Missing Persons. And that final megajam, not the heaviness we were maybe expecting, instead some super noisy psychedelic collage, feedback, and grinding buzz, buried vocals, buried melodies, buried drums, warped samples, voices and screams, bits from the radio, all beneath a swirl of hazy druggy noisiness.
So cool. Such a killer collection, the rare compilation that actually leaves you wanting to hunt down more music from pretty much almost all the artists. Includes a download too!
MPEG Stream: SEAWHORES "Be Careful What You Teach Me"
MPEG Stream: CARS & TRUCKS "Bloody Revenge"
MPEG Stream: DECOUPLER "Hammerhead"
MPEG Stream: SPILLING FINGERNAILS AND BLOOD SAP "Nerves"

V/A Here's To Old England! (Artpop!) cd 16.98
Or rather, should the title should be "Here's To Old Edward!"? 'Cause this compilation celebrates the many musical faces of one Mr. Edward Ball which first surfaced back in the '70s and have frequently popped up through the past couple decades. Perhaps, you're familiar with his music on his own as a solo artist or in Teenage Filmstars (one of Andee's favorite bands of all time, rivalling My Bloody Valentine for sheer warped glorious guitar overload, there's even a quote on the front of the disc where MBV's Kevin Shields refers to Ball as "a modernist musical alcheemist"!), The Times, O Level, Boo Radleys and Television Personalities -- this comp draws from the first four. Lots of distinctly Brit references such as re-enactments of the intro dialogue to the wonderfully cryptic television series The Prisoner in the song "I Helped Patrick McGoohan Escape" or a rendition of New Order's "Blue Monday" sung in French ("Lundi Bleu") or nods to different cities such as "Manchester", "Cloud Over Liverpool" and "This Is London". Groovy and trippy and jangly, very Beatles-esque bright and sunny power pop with occasional hazy clouds of shoegazer-ness and trippy psychedelia. But it's the Teenage Filmstars tracks that will kick your ass. Unfortunately we've been unable to get any of ther albums for a while. So for now, this sampler will have to do. It's within the TF tracks that the strummy psychedelic Beatles-esque pop of Ball's other outfits gets cranked up a notch, doused in liquid LSD and set aflame. Backwards drums, funhouse mirror guitars, distorted vocals, all twisted and tangled into massive MBV meets Jesus And Mary Chain mayhemic pileup. Just give a listen to the sound sample for "Physical Graffiti". Woah. And while the rest of the tracks don't pack quite the same wallop, it's all really cool hazy Brit-psych-pop of the highest order.
BTW: Really funny quote on the sticker: Noel Gallagher from Oasis: "Edward Ball is the second best songwriter in Britain today." Ha ha.
MPEG Stream: "Pressure"
MPEG Stream: "I Helped Patrick McGoohan Escape"
MPEG Stream: "Physical Graffiti"

V/A Hey Punk...Get Riddim! (Victory World) cd 15.98
There's always been some sort of bond between punk rock and reggae: The Clash, Bad Brains, Fugazi, At The Drive In...whether it be in sound or simply in spirit. So Victory (home to some of the most essential NY hardcore of the past 10 years) has put their money where there mouth is by putting out this here compilation of dancehall/reggae/dub specifically as a primer for you young punks, who have yet to discover the joys of Sizzla, Tenor Saw, Sugar Minott, Lee Scatch Perry, Black Uhuru, Yellowman, Beenie Man and the like. Definitely not for those of you who are already immersed in the Trojan sound and the 100%-500% Dynamite collections, but not a bad place to start for the newbies.

V/A High All The Time Vol. 1 (Past & Present) cd 17.98
We've said it before and we'll say it again. It never ceases to amaze us how there can be such an endless supply of killer '60s garage-psych songs to fill up compilation after compilation. Sure, once in a while there's some overlap, but really, it's incredible how many obscure bands managed to release a completely charming 7" single or two and then vanished - but their music lives on, thanks to comps like this one! The appropriately named High All The Time features a whole bunch of turned-on, drugged-out sounds circa 1966-69, all of it fuzzy and freaky and sometimes beautifully melodic.
14 tracks, 11 bands, mostly from the US of A, though two bands are Dutch and one Swedish (The Shakers, doing "Who Will Buy (These Wonderful Evils)", a classic acid-guitar drenched track we know from another comp that took that for its title. But that Shakers song is the only thing here we'd heard before.
Opening the proceedings, Mammoth takes a Kinks "You Really Got Me" type riff and fuzzes it up big time, hinting at Blue Cheer style heaviness. Then, getting even freakier, The Hobbit tosses some musique concrete sound FX into their exotic "Author's Message". Next up, Dragonfly's "Celestial Dream" is indeed pretty dreamy, coming from a band who wore wild dragonfly-wing facepaint.... so, we won't describe all the tracks, but suffice to say they're all quite groovy, and varied, and definitely high all the time, yeah! No bummers here. Bad trips, yes, well, there's The Darelyck's track "Bad Trip", a propulsive sorta-rockabilly garage beat number with the vocalist mainly chanting "It was a bad trip, it was a bad trip" over and over, way cool... From start to finish, this is comp is our idea of a good trip. And the finish is a strong one, tracks 13 and 14 being both sides of The Beautiful Daze's "City Jungle Parts 1 & 2", with Part 2 being a particularly dense, droning, throbbing piece of work.
This compact disc edition (the comp itself is a reissue, apparently originally released on LP back in the late '70s or '80s we'd guess) includes in its booklet what meager information they were able to dig up about each band, with discographical information and sometimes graphics from the original 45's.
MPEG Stream: MAMMOTH "The Mammoth"
MPEG Stream: THE TOWER "Slow Motion Mind"
MPEG Stream: THE BUZZARDS "Burned"

V/A High All The Time Vol. 1 (Past & Present) lp 24.00
Also now reissued on 180 gram vinyl, limited, numbered, with liner notes insert included.
We've said it before and we'll say it again. It never ceases to amaze us how there can be such an endless supply of killer '60s garage-psych songs to fill up compilation after compilation. Sure, once in a while there's some overlap, but really, it's incredible how many obscure bands managed to release a completely charming 7" single or two and then vanished - but their music lives on, thanks to comps like this one! The appropriately named High All The Time features a whole bunch of turned-on, drugged-out sounds circa 1966-69, all of it fuzzy and freaky and sometimes beautifully melodic.
14 tracks, 11 bands, mostly from the US of A, though two bands are Dutch and one Swedish (The Shakers, doing "Who Will Buy (These Wonderful Evils)", a classic acid-guitar drenched track we know from another comp that took that for its title. But that Shakers song is the only thing here we'd heard before.
Opening the proceedings, Mammoth takes a Kinks "You Really Got Me" type riff and fuzzes it up big time, hinting at Blue Cheer style heaviness. Then, getting even freakier, The Hobbit tosses some musique concrete sound FX into their exotic "Author's Message". Next up, Dragonfly's "Celestial Dream" is indeed pretty dreamy, coming from a band who wore wild dragonfly-wing facepaint.... so, we won't describe all the tracks, but suffice to say they're all quite groovy, and varied, and definitely high all the time, yeah! No bummers here. Bad trips, yes, well, there's The Darelyck's track "Bad Trip", a propulsive sorta-rockabilly garage beat number with the vocalist mainly chanting "It was a bad trip, it was a bad trip" over and over, way cool... From start to finish, this is comp is our idea of a good trip. And the finish is a strong one, tracks 13 and 14 being both sides of The Beautiful Daze's "City Jungle Parts 1 & 2", with Part 2 being a particularly dense, droning, throbbing piece of work.
This edition (the comp itself is a reissue, apparently originally released on LP back in the late '70s or '80s we'd guess) includes liner notes providing what meager information they were able to dig up about each band...
MPEG Stream: MAMMOTH "The Mammoth"
MPEG Stream: THE TOWER "Slow Motion Mind"
MPEG Stream: THE BUZZARDS "Burned"

V/A High All The Time Vol. 2 (Past & Present) cd 17.98
Naturally, this is the sequel to the excellent '60 fuzz psych compilation High All The Time Vol. 1. We reviewed that last year, it was a pretty darn killer comp indeed, and so is this follow-up! There's 14 cuts from 14 bands, from garages all across the US of A, circa 1966-'74. Like Vol. 1, this is the place to go for savage fuzz romps -and- trippy psychedelic excursions. And as before, it's all obscure stuff. The only artist we'd heard of before is J.D. Blackfoot, one of the few acts here who managed to release a long-player, most of the rest of 'em having but one rare 7" single to their name. However, the A-side (or sometimes B-side, let's hear it for B-sides!) to that single was often enough of a recorded legacy to earn 'em a pool of drool from record collectors and garage psych connoisseurs for ever and ever. Listen in, you can hear why.
This starts off plenty fierce with the aforementioned J.D. Blackfoot's gruffly-sung "Epitaph For A Head". Classic & wild! That's followed by "Time Out To Fly" by Magical Mist, almost as fuzzy but a bit more dreamily moody as befits their name, reminding us of the Electric Prunes by the end of the tune. But even the most melancholic and melodic cuts here tend to erupt eventually into at least one white hot blast of acid guitar soloing excess, if not totally freaking out into full-on scuzz stomp. Other highlights include the lovely "Sad Now" by Solid Ground, and a not-so-folky rendition of "If I Were A Carpenter" by Grant's Blueboys, among others. Another cool cover here is Chesmann Square's "Circles", originally by The Who. The line up also includes: American ZOO, Thundering Heard, ESB, Thorinshield, Odyssey, Ocelot, Jordan, World Column, and Catfish Knight & The Blue Express.
The glossy cd booklet contains brief (sometimes very brief!) liner notes and discographical information for each act, with vintage photos and 45 labels in some cases too. Yep, just what we were hoping for when we realized that Volume 1 of course implied a Volume 2... By the way, we've reached the point in time where we're seeing reissues of reissues, apparently both volumes came out on vinyl in the early '90s but now's the first time they've appeared on cd.
MPEG Stream: J.D. BLACKFOOT "Epitaph For A Head"
MPEG Stream: ESB "Mushroom People"
MPEG Stream: CATFISH KNIGHT & THE BLUE EXPRESS "Deathwise"

V/A High Noon (Bear Family Records) cd 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The subtitle: "25 Artists, One Song". Yes, here's 27 versions of the theme song from the classic Gary Cooper western recorded in the '50s and '60s. Among them, versions by Tex Ritter (three of 'em, all different), Frankie Laine, Chet Atkins, Ferrante & Teicher, Henry Mancini, Ray Conniff, and Faron Young. Some are sad, some are swinging, and each one is different. Getting more obscure, there's even German and Danish versions collected here. In the tradition of those crazy, obsessive "La Paloma" compilations, this is a fascinating study in creative variations -- regardless of what you think of the original song itself. "Do not forsake me, oh my darling..."

V/A High School Reunion - A Tribute To Those Great 80's Films (American Laundromat) cd 13.98
Aaaah, reunions are always a weird mish mash of emotions, the warm fuzzies and the uh-oh discomforts, aren't they? Lots of faces are fondly familiar while others don't register at all in your memory banks. Such is the totally case with High School Reunion -- A Tribute To Those Great 80's Films with both the selection of songs and the artists covering them. Some familiar notables are Matthew Sweet (American Girl"), Frank Black ("Repo Man"), Blake Babies' John Strohm ("Somebody's Baby"), Kristin Hersh ("Wave Of Mutilation"), and the odd fresh-faced presence of the Dresden Dolls ("Pretty In Pink"). Of course for whatever reason (a link to a warm memory, a personal turning point, a soft spot for the actual movie, or simply the fact that it was just a great song), so many of these songs are so near and dear to the teenage hearts in each of us... as are the '80s flicks from which they came. Fast Times At Ridgemont High, Pretty In Pink, The Breakfast Club, Some Kind Of Wonderful, Valley Girl, Repo Man, Sixteen Candles, Weird Science, Pump Up The Volume, Say Anything, and Ferris Bueller's Day Off. Ah yes, we remember them all so well. It's a pleasure when the cover kicks as much butt as (or betters) the original, but extra painful when some band does a so-so (or worse) version. Fortunately few if any of the twenty tracks fall into the latter category, and most offer at least a respectful if unchallenging take on the oldie. A nostalgia'n'irony super-size extra cheese full meal deal!
MPEG Stream: DRESDEN DOLLS "Pretty In Pink"
MPEG Stream: UNDERDOG "I Melt With You"
MPEG Stream: BLACK, FRANK "Repo Man"

V/A Hilarity & Despair (Sebastian Speaks) lp 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Not sure if this is exactly 'hilarious' as the title implies, but it sure is creepy, and unsettling, and at times very very annoying. But in that way we can never seem to get enough of. Hilarity & Despair is a collection of found, lost and purloined answering machine tapes, an uncomfortably voyeuristic glimpse into the private telephone lives of random strangers. Hints of unseemly behavior, small town scandal, infidelity and marital strife abound, often so extreme it's funny, but more often so intense it makes you feel kind of, well, dirty. Plenty of pissed off moms and girlfriends, many calling back over and over and over, increasingly upset with each call, some apologetic boyfriends, slurring drunks, lots of drama, but there are a handful of phone calls that are just plain FUCKED UP: unexplainable weirdness, strange voices, indecipherable messages, unexplained sounds, completely irrational rants, and those are the calls that make this an essential addition to the ever growing 'what the fuck' section of your collection.

V/A Hip City : Tales from the Funky Side of Town (Harmless) cd 19.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
You know how everyone thinks they can be a DJ now, right? Maybe one of the unlooked-for benefits of this trend is that there are that many more people sifting through dusty ole record bins in dusty ole record stores worldwide, searching for the good breaks to sample and scratch. And perhaps that explains the sudden number of recent, very tasteful, well-done compilations that have graced the shelves here at Aquarius, comps filled with original source material utilized during or created for the breakbeat era's heyday (mid to late '70s). And hey, now that these amazing tracks are collected in one place on cd or vinyl, we can listen to them in the safety of our own living rooms -- instead of having to brave yuppies and cigarette smoke and $6 drinks to hear perfectly good tunes mangled by DJs of mediocre skills.
"Hip City" is straight up funhouse funky black music from '67 to '77. Rare and previously underrecognized tracks from James Brown, Junior Walker and the All Stars, Hank Ballard, and the many lesser-knowns that the UK label Harmless is so good at finding. Dig it.
RealAudio clip: WILLIE & THE MIGHTY MAGNIFICENTS "The Funky Eight Corners"
RealAudio clip: HANK BALLARD "How You Gonna Get Respect (When You Haven't Cut Your Process Yet)"

V/A Hip Hop Remix (Batty Bombaclaat) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We only have a limited quantity of these little gems, so be forewarned. Even before we started becoming inundated with "mash ups" and the compilations featuring them -- The Best Bootlegs In The World Ever, 2 Many DJ's, not to mention DJ Rupture's excellent mixes -- we were able to pick up, quite briefly, 7" releases which featured ragga dancehall a capellas remixed over the hot hip hop rhythms of the day. The labels printing these -- RMC, Special Remix & Killa -- printed short runs, and often the best mixes were long gone before we could even write about them. Those singles are long out of print and the labels that released them have all vaporized as well, but the folk(s) at Batty Bombaclaat have preserved some of the best for a brief second time around for the rest of us stuck in the digital realm. In all, nineteen tracks on this cd-r, each one amazing in its own way. For starters, the two genres -- hip hop and dancehall -- are taylor made for a good mash up. Hip hop's formation owes much to Jamaican DJ's and sound systems that supported them. In turn early Jamaican artists owe much of their inspiration to the early soul and R&B that was imported to the island at the early ages of the sound system. In recent years with the maturation of raggamuffin dancehall, and Jamaican artists cameoing on American hip hop artists' albums, the lines between hip hop and dancehall have been further blurred. Ward 21's first full length is a classic example of hip hop influenced dancehall, and Soul Jazz's excellent compilation Nice Up The Dance further illustrated the connections between the genres. The singles compiled on this anthology are more blunt than that, but the results are no less wonderful. Some, Like Lexxus' "Bounce A Gal" (which uses Missy Elliott's "Get Ur Freak On" as its rhythm) are great in their complete contrast to the original hit. When Missy's track came out it was impossible not to hear it 5 times a day; and of course, the rhythm was recycled many times by many artists from Timbaland himself to Kid 606. The great thing about the Lexxus mix is that Lexxus's voice is so anti-thetical to Missy's. He sounds like an insane person with a bad head cold who snuck into the studio. Other tracks, like Sizzla's "Never Want To Heard A Dem", best the originals. Mixed over M.O.P.'s "Ante Up", Sizzla's vocals turn an otherwise mediocre track into a fucking blood spittingly amazing one. The rhythm is so fucking great it would have been such a disappointment to let it get relegated to the dust bin of history with M.O.P.'s uninspired vocals on it. Along with the aforementioned Jamaican vocalists, included here are many of our favorites like Elephant Man, Capleton, Bounty Killer, Beenie Man, Merciless, Raegan, Danny English and more. Plus all the best hip hop rhythms of the cusp of the millennium are represented here: "Independent Women", "Ugly", Who's That Girl", "One Minute Man", "Can't Deny It", "I'm A Thug" and more. No rhythm tracks are repeated, for what it's worth, so there's no feeling of redundancy with this comp and it makes it a nice party mix to play. As an interesting twist, the disc closes with an inverted remix featuring Sensational's "Livin' It Up" over Beenie Man's "Who Am I". We're not sure where that one came from. As a final note, the original sources from which these tracks were culled, though most likely pressed in the U.S., were done in the Jamaican style: fast and dirty. In other words, there's lots of clicks and pops -- which the producers of this disc elected to preserve -- to increase that sense of authenticity while you listen. On cd-r, with covers nicely printed on vellum and card stock. Highly recommended!
MPEG Stream: SIZZLA "Never Want To Heard A Dem"
MPEG Stream: CAPLETON "Bun It Down"
MPEG Stream: SENSATIONAL "Livin' It Up"

V/A Hip Hop Tribute To Iron Maiden (Tribute Sounds) cd 13.98
Worst thing we've ever heard. Almost not even funny. Ok it's a little funny. But definitely not what we were hoping for. What were we hoping for? Good question...

V/A Hiss (Touch) cd 16.98
New sampler from one of our favorite labels, Touch, this time round a sampler of wares previously released. This is the perfect chance for those who are unfamiliar with this truly great label's output to become acquainted. Among the cuts found here are tracks by Evan Parker vs Disinformation, an excerpt from the Santa Pod cd (recordings of the Santa Pod drag car raceway in England), another from the "Runaway Train" lp (radio transmissions between the operator of an out of control train and the home office), I Saw It All Happen... (recordings of a life support system), EVP (Electronic Voice Phenomena) specialist Raymond Cass describing his contact with alien voices, Daren Seymour & Mark Van Hoen (of Scala and Locust), and much more.

V/A History Of Hip Hop Radio Vol.1 (NYC 1986-1991) (Hip Hop Slam) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This one is for the bigtime old school hip-hop enthusiasts. Without a doubt radio played a huge role in boosting the NY hip-hop scene since the early 80's. This collection of NY hip-hop radio clips will make you feel like you are back in the Bronx in '88 staying up late and listening to Special K and Teddy Tedd on the fm dial to get your latest fix of what's new and hot in the hip-hop world. There are 27 tracks on here ranging from 49 seconds to over 8 minutes that are all snippets from various broadcasts of legendary hip-hop radio in NY from '86-'91. A piece of hip-hop and radio history.
MPEG Stream: "Mr. Magic on Magic 106FM WHBI"
MPEG Stream: "Chuck Chillout Gets mean on the Turntables KISS 98.7fm"

V/A Ho!: Roady Music from Vietnam (Trikont) cd 17.98
We can not tell you how psyched we are to have this back in stock. We've been listening to this like crazy. We had almost forgotten how totally far out and mind blowing this collection was. Since we first carried this years ago, there have been tons of diverse and eclectic collections of musics from all over the world, psych rock compilations (Love, Peace & Poetry, Thai Beat A Go Go, etc.), the Sublime Frequencies series, and loads more, but as good as those are, they can't hold a candle to Ho!: Roady Music From Vietnam! So completely fascinating and fun, wild and so so weird! Everytime this gets played in the store, customers and employees alike have to check to see what the heck it is we're listening to!
Ho! is an amazing collection of pieces from Vietnamese street musicians. The folks that travelled to Vietnam and recorded these pieces gave themselves the tongue-in-cheek name Nuoc Mam Dirndl'n, evidence of their humor in the light of collecting the sort of music they suspect the Vietnamese government would perhaps NOT appreciate as a representation of Vietnam. Ho! ranges from raucous, percussion-heavy funeral songs played at midnight by 'young people provided with drugs' to traditional material played on the one-stringed dan bau to melodramatic love songs favored by the son of the owner of the hotel the folks stayed at. There's even a 'tasteful schmaltzy song' which is what the Vietnamese record-store saleswoman played for them when they asked for some traditional Vietnamese music! Check out the following excerpt from the fascinating liner notes, and, like us, marvel at the freshness inherent in the refusal to adopt the omniscient voice-of-authority tone taken by so many ethno-compilers: "We are stunned by the Vietnamese 'Lebensgefuhl' actually corresponding to our western idea of 'subculture': lively, anarchic, loud, dense, hearty; the people are living working, eating, sleeping, and holding their funeral ceremonies between house and street. We don't know yet if there is any subculture in Vietnam; if there is e.g. (organized) political counterforces to the one-party regime -- nobody talks about politics (with us) -- maybe there is no need for it, because everybody can do whatever he/she wants: though street trading is prohibited everybody does it -- under the hardly vigilant eyes of the law -- raids are very rare, then the stands are carried away quickly and when the mischief is gone it goes on... What matters is that people LOVE TO SING which, like in our part of the world, hide in gloomy basements and play till the ears/souls are ringing: every band in Vietnam needs a license for its existence, for every gig, every song. And because there is no basements in Vietnam, people like to use the karaoke machines in their homes, bars and special karaoke houses. Saigon's street musicians are rather despised by the yuppies of Vietnam: 'shit music.' The yuppies prefer Sting and western style in general." Highly highly highly recommended!
MPEG Stream: DAN BAU VIETNAM "Rider In The Sky"
MPEG Stream: DEAD MEN'S ORCHESTRA "Totencombo"
MPEG Stream: EO SINH + NAMH HAO "VC Love Song"
MPEG Stream: THU HIEN "Hoa Cau Vuon Trau"

V/A Hollerin' (Rounder) cd 16.98
Truly amazing and strange collection recorded in Spivey's Corner, North Carolina in 1975 & 1976 during the annual "Hollerin'" contest. Developed out of a need for communication over long distances long before walkie talkies were invented, Hollerers soon developed their own unique hollers for various emergency situations. This disk contains some of the most advanced developments in Hollerin' and as such has some of the most amazing sounds you'll ever hear coming out of a human throat at high volumes.

V/A Holy Mackerel (Ace) cd 16.98
Comp of Little Richard soundalikes!

V/A Homage To Neu! (Cleopatra) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Krautrock legends get their props with this comp, featuring Michael Rother (ex-Neu!), James Plotkin, Autechre, Legendary Pink Dots, Dead Voices On Air, and others...but no Stereolab! What?

V/A Home Schooled: The ABCs Of Kid Soul (Numero Group) cd 17.98
Oh man is this making us drool! Take two of the things we love most in the world: old school soul and little kids making their own music and bring them together and you have one of our new favorite compilations! The latest from the always righteous Numero Group is a collection of obscure kid groups from the early '70s who were whipping up some amazing soul and proving that there were way more new kids on the block belting out infectious songs then just the Jackson 5.
The Numero Group has done their homework with this one, digging through a forgotten history so rich and plentiful and just waiting for it's moment in the spotlight. Besides Jr & His Soulettes, the great Oklahoma brother and sister outfit we gushed about a few lists back, most of these kids of the '70s were completely unknown to us. Names like Patrizia & Jimmy, Otis The 3rd, or Cindy & The Playmates were never household names beyond their parents' house but damn did the kids on this compilation have some talent and crazy charm. The packaging and captivating liner notes accompany priceless photos of many of these kids in super soul action. Of course there is something novel, endearing and super cute about little kids making their own music but what makes this comp so great is that it all sounds so good! Vintage soul in lots of shapes and sizes from rambunctious stompers to silky serenades, these kids were dialed into the spirit of soul in a way that still sounds so pleasing to our ears.
MPEG Stream: MAN CHILD SINGERS "Right On"
MPEG Stream: TRIADS "If You're Looking For Love"
MPEG Stream: PATRIZIA & JIMMY "Trust Your Child Pt.1"

V/A Home Schooled: The ABCs of Kid Soul (Numero Group) 2lp 19.98
Now on Vinyl!!!
Oh man is this making us drool! Take two of the things we love most in the world: old school soul and little kids making their own music and bring them together and you have one of our new favorite compilations! The latest from the always righteous Numero Group is a collection of obscure kid groups from the early '70s who were whipping up some amazing soul and proving that there were way more new kids on the block belting out infectious songs then just the Jackson 5.
The Numero Group has done their homework with this one, digging through a forgotten history so rich and plentiful and just waiting for it's moment in the spotlight. Besides Jr & His Soulettes, the great Oklahoma brother and sister outfit we gushed about a few lists back, most of these kids of the '70s were completely unknown to us. Names like Patrizia & Jimmy, Otis The 3rd, or Cindy & The Playmates were never household names beyond their parents' house but damn did the kids on this compilation have some talent and crazy charm. The packaging and captivating liner notes accompany priceless photos of many of these kids in super soul action. Of course there is something novel, endearing and super cute about little kids making their own music but what makes this comp so great is that it all sounds so good! Vintage soul in lots of shapes and sizes from rambunctious stompers to silky serenades, these kids were dialed into the spirit of soul in a way that still sounds so pleasing to our ears.
MPEG Stream: MAN CHILD SINGERS "Right On"
MPEG Stream: TRIADS "If You're Looking For Love"
MPEG Stream: PATRIZIA & JIMMY "Trust Your Child Pt.1"

V/A Honeymoon: The Key Love Songs of My Life By Cam (Chronowax) cd 17.98
This one's for the lovers. DJ Cam compiles songs that reflect his vision of 'happines, love and harmony' (-gag-). Anyway, features Grover Washington, Phat Kat, Coldcut, DJ Matsuoko, Bahamadia, Mr. Scruff, Henry Mancini and more.

V/A Horse Meat Disco (Strut) 2cd 14.98
With the amazing resurgence and appreciation of the Disco era in the last several years this collection really serves as a kind of holy grail of the true sounds and soul of disco's heyday, as curated and mixed by one of the best disco minded DJ Collectives around, Horse Meat Disco out of the UK. They host legendary parties that channel that original free spirit of old school queer disco parties while manning the decks with some of the best and often most obscure disco gems from the golden era. Luckily Horse Meat Disco has made its way into the states and even to San Francisco, playing at parties with local kindred spirits Honey Sound System.
This two disc set is pretty much essential disco listening, having true disco diggers do the hard work for you and then you just get to sit back (or better yet shake your thang!) to the great jams they have unearthed. The first disc is a continuous mix which gives you a pretty good idea of what going to a Horse Meat Disco party would feel like, then the second disc gives you the songs in their original incarnation. There are some folks we know and love on here as well as many that are totally new to us. And even of the folks we DID know , most of the tracks aren't the total obvious ones we had heard before. Karen Young, Larry Levan, Tamiko Jones, Gino Soccio, Fern Kinney, etc. The impassioned liner notes (including a great piece written by Daniel Wang), give further proof to the lasting legacy and inspiration in these soulful disco sounds.
MPEG Stream: KAREN YOUNG "Deetour (Party Mix)"
MPEG Stream: SMOKEY ROBINSON "And I Don't Love You (Larry Levan Instrumental Dub)"
MPEG Stream: THE KIDS "Hupendi Muziki Wangu? (You Don't Like My Music?)"
MPEG Stream: TAMIKO JONES "Let It Flow"

V/A Horse Meat Disco (Strut) 2lp 24.00
Now on Vinyl!
With the amazing resurgence and appreciation of the Disco era in the last several years this collection really serves as a kind of holy grail of the true sounds and soul of disco's heyday, as curated and mixed by one of the best disco minded DJ Collectives around, Horse Meat Disco out of the UK. They host legendary parties that channel that original free spirit of old school queer disco parties while manning the decks with some of the best and often most obscure disco gems from the golden era. Luckily Horse Meat Disco has made its way into the states and even to San Francisco, playing at parties with local kindred spirits Honey Sound System.
This two disc set is pretty much essential disco listening, having true disco diggers do the hard work for you and then you just get to sit back (or better yet shake your thang!) to the great jams they have unearthed. The first disc is a continuous mix which gives you a pretty good idea of what going to a Horse Meat Disco party would feel like, then the second disc gives you the songs in their original incarnation. There are some folks we know and love on here as well as many that are totally new to us. And even of the folks we DID know , most of the tracks aren't the total obvious ones we had heard before. Karen Young, Larry Levan, Tamiko Jones, Gino Soccio, Fern Kinney, etc. The impassioned liner notes (including a great piece written by Daniel Wang), give further proof to the lasting legacy and inspiration in these soulful disco sounds.
MPEG Stream: KAREN YOUNG "Deetour (Party Mix)"
MPEG Stream: SMOKEY ROBINSON "And I Don't Love You (Larry Levan Instrumental Dub)"
MPEG Stream: THE KIDS "Hupendi Muziki Wangu? (You Don't Like My Music?)"
MPEG Stream: TAMIKO JONES "Let It Flow"

V/A Horse Meat Disco 2 (Strut) cd 14.98
Horse Meat Disco have proven to be not only some of the best dance / disco DJ's on the planet but also such awesome ambassadors of preserving and celebrating the spirit and soul of classic disco for a whole new generation. Their compilation and mix from last year was one of our favorite collections of dance jams we'd heard in ages and with this second volume they continue to show that there is an endless vault of rare disco gems to be excavated and revisited, and we're so stoked they are putting their love and appreciation of that time, and sound, and making these awesome compilations.
This time out it's a collection of tracks by so many folks that have slipped under even the most disco loving of the AQ staff's radar as well as a few people we know and love (Stephanie Mills, Madleen Kane, Scherrie Payne). But damn what a rad schooling in so many unsung heroes of disco past as we've been moving with big wide smiles on our face to tracks by folks like First Love, Bravo, Electra, Nightfall, etc. If luck had been a little different for some of those artist's their names and songs would be as well known as folks like Gloria Gaynor, Thelma Houston, Gwen Guthrie, Donna Summer, Evelyn "Champagne" King, Labelle, Anita Ward, etc. Horse Meat Disco understands that true disco spirit is so much about the pure emotional energy that was bringing people together on dance floors in total bliss and unity, and it translates in the awesome parties they throw in the UK and with these compilations they have put together. Everytime we play this in the store it's awesome to see how everyone shopping immediately starts tapping their feet and getting in such a good mood. This is impossible music to feel dour while listening to, and as much as we love bleak and brooding sounds around here, we also know that it's important to also have the good stuff to go to when you want to get in a fun, physical dance state of mind, and when you do, it don't get much better then this. So awesome!
MPEG Stream: FIRST LOVE "Don't Say Goodnight"
MPEG Stream: LEONORE O'MALLEY "First Be A Woman"
MPEG Stream: STEPHANIE MILLS "You Can Get Over"
MPEG Stream: ELECTRA FEAT. TARA BUTLER "Feels Good (Carrots And Beets)"

V/A Horse Meat Disco II (Strut) 2lp 23.00
Now available on vinyl!
Horse Meat Disco have proven to be not only some of the best dance / disco DJ's on the planet but also such awesome ambassadors of preserving and celebrating the spirit and soul of classic disco for a whole new generation. Their compilation and mix from last year was one of our favorite collections of dance jams we'd heard in ages and with this second volume they continue to show that there is an endless vault of rare disco gems to be excavated and revisited, and we're so stoked they are putting their love and appreciation of that time, and sound, and making these awesome compilations.
This time out it's a collection of tracks by so many folks that have slipped under even the most disco loving of the AQ staff's radar as well as a few people we know and love (Stephanie Mills, Madleen Kane, Scherrie Payne). But damn what a rad schooling in so many unsung heroes of disco past as we've been moving with big wide smiles on our face to tracks by folks like First Love, Bravo, Electra, Nightfall, etc. If luck had been a little different for some of those artist's their names and songs would be as well known as folks like Gloria Gaynor, Thelma Houston, Gwen Guthrie, Donna Summer, Evelyn "Champagne" King, Labelle, Anita Ward, etc. Horse Meat Disco understands that true disco spirit is so much about the pure emotional energy that was bringing people together on dance floors in total bliss and unity, and it translates in the awesome parties they throw in the UK and with these compilations they have put together. Everytime we play this in the store it's awesome to see how everyone shopping immediately starts tapping their feet and getting in such a good mood. This is impossible music to feel dour while listening to, and as much as we love bleak and brooding sounds around here, we also know that it's important to also have the good stuff to go to when you want to get in a fun, physical dance state of mind, and when you do, it don't get much better then this. So awesome!
MPEG Stream: FIRST LOVE "Don't Say Goodnight"
MPEG Stream: LEONORE O'MALLEY "First Be A Woman"
MPEG Stream: STEPHANIE MILLS "You Can Get Over"
MPEG Stream: ELECTRA FEAT. TARA BUTLER "Feels Good (Carrots And Beets)"

V/A Horse Meat Disco III (Strut) 2cd 16.98
Third thrilling blast of disco/house greatness curated and mixed by the Horse Meat Disco crew out of the UK. These boys know their vintage disco and house, so we always look forward to their compilations to get turned on to so much obscure vintage gay discotheque glory, as well as getting to hear some of our favorites in a mix of dance floor bliss.
This time out the the Horse Meat crew tag team a mix on each of discs / records here. What makes this edition of this series unique is how they really span many generations of dance music with seamless ease. From Sylvester to Dimitri From Paris, Two Tons O' Fun to Todd Terje edits. And it's on this collection that the Horse Meat crew really show the transition from disco into the beginnings of house. These are the sounds blasting at the best San Francisco steamy, sketchy and sassy gay discos. Claudja Barry blasting at Tubesteak Connection at Aunt Charlies in the Tenderloin, Tambi moving all kinds of hot messes at a Honey Soundsystem party. As fun as those parties are, we still wish we could get to the UK sometime to experience one of the Horse Meat Disco parties in the flesh. We know their taste and brilliant mixing makes for an epic night of dancefloor bliss. It really is the kind of dance music that makes you throw out any negative or stale energy you might have, and allow yourself to get moved into a sweaty blissed out euphoria.
MPEG Stream: CLAUDJA BARRY "Sweet Dynamite (Todd Terje Edit)"
MPEG Stream: SYLVESTER "Stars"
MPEG Stream: ELAINE & ELLEN "You Made Me Do It AGain"
MPEG Stream: IDRIS MUHAMMAD "For Your Love (Disco Mix)"

V/A Horse Meat Disco III (Strut) 2lp 28.00
Third thrilling blast of disco/house greatness curated and mixed by the Horse Meat Disco crew out of the UK. These boys know their vintage disco and house, so we always look forward to their compilations to get turned on to so much obscure vintage gay discotheque glory, as well as getting to hear some of our favorites in a mix of dance floor bliss.
This time out the the Horse Meat crew tag team a mix on each of discs / records here. What makes this edition of this series unique is how they really span many generations of dance music with seamless ease. From Sylvester to Dimitri From Paris, Two Tons O' Fun to Todd Terje edits. And it's on this collection that the Horse Meat crew really show the transition from disco into the beginnings of house. These are the sounds blasting at the best San Francisco steamy, sketchy and sassy gay discos. Claudja Barry blasting at Tubesteak Connection at Aunt Charlies in the Tenderloin, Tambi moving all kinds of hot messes at a Honey Soundsystem party. As fun as those parties are, we still wish we could get to the UK sometime to experience one of the Horse Meat Disco parties in the flesh. We know their taste and brilliant mixing makes for an epic night of dancefloor bliss. It really is the kind of dance music that makes you throw out any negative or stale energy you might have, and allow yourself to get moved into a sweaty blissed out euphoria.
MPEG Stream: CLAUDJA BARRY "Sweet Dynamite (Todd Terje Edit)"
MPEG Stream: SYLVESTER "Stars"
MPEG Stream: ELAINE & ELLEN "You Made Me Do It AGain"
MPEG Stream: IDRIS MUHAMMAD "For Your Love (Disco Mix)"

V/A Hot Shit: Sonic Mook Experiment (Blast First) cd 17.98
Cool sampler of noisy experimental skronky ultra-hip or soon-to-be-hip electro-punk-noise rock from all over the place. Most of this stuff is previously released, so this is definitely better as an intro for the uninitiated. But there is lots of new names and new noise to discover for thos in search of buried rock treasure. Erase Errata, The Yeay Yeah Yeahs, !!!, Radio 4, Pink Grease, Whitey, Chrome Hoof, Queens Of Noize, Ex-Models, Part Chimp, Bane Overlord, Disastronaut (best name ever?) and lots more!
MPEG Stream: DISASTRONAUT "Coming To Get You"
MPEG Stream: BANE OVERLORD "Climbing Up The Walls"
MPEG Stream: PINK GREASE "Shake"

V/A How Low Can You Go? (Dust-To-Digital) 3cd 58.00
We hadn't been able to get these for a while, but recently managed to get a few back in, just in case you missed it the first time around...
Dust-To-Digital is quickly becoming one of the most important reissue labels going, and most definitely one of the most impressive, with every one of their releases, most extravagant box sets, a marvel not only of musical archaeology, but of ingenious design and impeccable selection.
How Low Can You Go is not actually brand new. It's a little over a year old, but it's one we've been meaning to list for ages, and are finally getting around to it. As the title alludes to, the focus of this three disc set, is the low end, the oft overlooked bass player, the band member who typically hangs in the back, but who holds everything together. For the purpose of this particular compilation, it's the string bass players, those who wielded the upright bass, an instrument that helped define the sound of jazz and dance bands in the early twentieth century.
Like all Dust-To-Digital releases, there's a huge book, with plenty of information, on the development of the string bass, its roots in 15th century Western European music, and how it supplanted the TUBA as low end provider of choice. It's a fascinating story, but it's the music that really tells the story. The focus is mostly on jazz, big band, ragtime, with brief forays into other sounds like gospel and bluegrass, but it's all fantastic, the hiss of old 78's wrapped lovingly around festive jazzy joints, folky funereal twang and soaring spirituals, smokey rhythm and blues and bustling big band jams.
Two discs packed with mostly recordings from New York City, while the third disc focuses almost exclusively on William Manuel Johnson, a ragtime and jazz pioneer, and master of the string bass. There's plenty of text on his life and musical exploits, which is great reading, but like the other two discs, the music speaks volumes, and will most likely have you wanting more.
Three discs in printed sleeves, a 100 page perfect bound book, with tons of essays and liner notes, notes on each track and every performer, a whole section just on William Johnson, tons of amazing photos, reproductions of old lp and 78 sleeves, newspaper ads and articles and lots more, all housed in a hardback book sized cardboard box.
MPEG Stream: BOBBIE LEECAN'S NEED-MORE BAND "Wash-Board Cut Out"
MPEG Stream: CHARLES PIERCE AND HIS ORCHESTRA "China Boy"
MPEG Stream: JIMMIE RODGERS "Waiting For A Train"
MPEG Stream: FLETCHER HENDERSON AND HIS ORCHESTRA "Chinatown, My Chinatown"

V/A How Many Bands Does It Take To Screw Up A Blondie Tribute? (Sympathy For The Record Industry) cd 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We were quite surprised by how rocking these renditions of classic (and already perfect) Blondie tunes were. Tough sounding girl vocals and chunky guitar sounds amke this sort of great. Bands from all over the place: North Carolina, Japan, L.A., Detroit, Canada, Italy. (most of which we've never heard of): Oh and the art work is an awesome cutey pie watercolor painting.
RealAudio clip: SQUATWEILER "Call Me"
RealAudio clip: THE EXCESSORIES "In The Flesh"

V/A How To Destroy The Universe (Mobilization) cd 4.98
There's another festival goin' on right now here in festival-healthy SF... and L.A., San Diego, Portland, Seattle, Vancouver, and Calgary too. It's the How To Destroy The Universe Festival of extreme art and music featuring performances by artists such as Blixa Bargeld, The Living Jarboe, and F-SPACE. In case you aren't able to attend, the organizers (Mobilization Records) didn't want you to completely miss out so they've released this compilation of recordings by select participants - the abovementioned as well as Savage Republic, Soriah, The Centimeters, The Sixteens and Black Ice. Come to think of it, for those of you who are attending, this'll make a cool nicely priced souvenir, won't it?
MPEG Stream: LIVING JARBOE, THE "This Is Life"
MPEG Stream: SAVAGE REPUBLIC "Mobilization"

V/A Human Breakdown of Absurdity: MSR Madness Vol. 3 (Carnage Press) cd 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The series that started with the classic "Beat of the Traps" lp continues, with dozens more examples of "amateur lyrics ground through the song poem mill". Rodd Keith fans will weep with joy.

V/A Human Element - The World's First Human Beatbox Compilation (108 ) cd 14.98

V/A Hustle! Reggae Disco (Soul Jazz) cd 21.00
The latest Soul Jazz comp gives us eight reggae covers of disco hits originally by the likes of Sugarhill Gang, Chaka Khan, Diana Ross, Michael Jackson and others. While not as essential as the string of great Soul Jazz reggae comps (like the Studio One and Dynamite collections), there are a couple nice tracks here. The Blood Sister's rendition of "Ring My Bell" is the highlight, featuring dubbed out drums and bass and sweet vocals that get the echo treatment toward the end of the track. Latisha's soulfull take on "I'm Every Woman" seems more earthy and convincing than Chaka Khan's (or, uh, Whitney Houston's) version; the darker, richer sound somehow provides a more complex angle on femininity despite the same lyrics. The main stumbling point is Xanadu and Sweet Lady's extremely faithful cover of "Rapper's Delight." It's not like it's bad -- it sounds a lot like Sugarhill Gang's version but with female vocals -- but it's not particularly "reggaefied," and no new angle is provided, it's just a cover of a hit song that probably went over pretty well on the dance floor. Other tracks do give their targeted hits a reggae makeover, which is usually something of an improvement, but nothing super amazing. Hustle! also lacks the extensive, insightful liner notes of other Soul Jazz releases. Maybe that's because "reggae covers of disco hits" is about the extent of what you need to know.
RealAudio clip: BLOOD SISTERS "Ring My Bell"
RealAudio clip: LATISHA "I'm Every Woman"

V/A Hustle! Reggae Disco (Soul Jazz) 2lp 24.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The latest Soul Jazz comp gives us eight reggae covers of disco hits originally by the likes of Sugarhill Gang, Chaka Khan, Diana Ross, Michael Jackson and others. While not as essential as the string of great Soul Jazz reggae comps (like the Studio One and Dynamite collections), there are a couple nice tracks here. The Blood Sister's rendition of "Ring My Bell" is the highlight, featuring dubbed out drums and bass and sweet vocals that get the echo treatment toward the end of the track. Latisha's soulfull take on "I'm Every Woman" seems more earthy and convincing than Chaka Khan's (or, uh,Whitney Houston's) version; the darker, richer sound somehow provides a more complex angle on femininity despite the same lyrics. The main stumbling point is Xanadu and Sweet Lady's extremely faithful cover of "Rapper's Delight." It's not like it's bad -- it sounds a lot like Sugarhill Gang's version but with female vocals -- but it's not particularly "reggaefied," and no new angle is provided, it's just a cover of a hit song that probably went over pretty well on the dance floor. Other tracks do give their targeted hits a reggae makeover, which is usually something of an improvement, but nothing super amazing. Hustle! also lacks the extensive, insightful liner notes of other Soul Jazz releases. Maybe that's because "reggae covers of disco hits" is about the extent of what you need to know.

V/A Hyphy Hitz (TVT) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Living in the Bay Area, we've obviously been hearing all about Hyphy for about a year now, a distinctly Bay Area sound, not all that dissimilar to Crunk or the chopped and screwed sound of the Dirty South, but with a vibe that was distinctly, well Hyphy (a mix of hyper and fly btw). A sound that supposedly just sort of sprouted up in the beginning of 2006. We'd heard tracks by all the main movers in the scene, Keak Da Sneak, Mac Dre, E-40, and while we dug it, it didn't really sound all that different from the Bay Area hip hop we'd been hearing for years, and it sort of smacked of the great hype machine, coming up with a catch phrase to make something old and tired sound new and fresh again. But maybe we weren't hearing the right tracks, cuz we got our hands on this comp, featuring all the best Hyphy bangers from the first year, and HOLEEEEEEEEE SHIT, is this stuff amazing. Fucked up and funny, funky and fun and so totally over the top. Absolutely irresistible. In fact we sold one to a customer, who called us from his car ten minutes later FREAKING OUT about how great it was, and how every track was so good, he'd skip to the next one, expecting it to be a dud, only to discover it was even better. We had the exact same experience. We listened to a few minutes of each track, constantly skipping forward, not believing that every track could be that fucking great. But they were, and they are!
We've been freaking out about grime for ages, a killer UK hybrid of hip hop and jungle (Dizzee Rascal, Lady Sovereign, Wiley...), we can't get enough of that grimey sound, so fucked up with killer beats and weird loops, and some of the funniest freaked out flows we've ever heard, dense and tongue twisting. With our new found love of grime, we had been lamenting the sad state of US hip hop, the same beats, the same boring gangster rap, the same glossy MTV stuff, but damn if these tracks don't push the exact same buttons that grime does, sounding fresh and thrilling all over again.
But what does Hyphy actually sound like? It's kind of hard to pinpoint, it may be about location as much as sound, the scene as much as the music, but most of the tracks have some common elements. Synths for one. Lots of synths, thick and fuzzy, often the main hook is just a massive buzzing synth melody over a shuffling laid back rhythm. And the rhythms, they don't bang and pound as much as sort of slink. And the rapping, some seriously strange flows, from marble mouthed mumbles, to urgent whispers to Lil' Jon style hollerin' but it's not just the delivery, it's the actual words, a confusional mix of Hyphy slang that has you scratching your head as often as laughing out loud. Check out "I Got Grapes", the main lyric being a wailed "I got graaaaaaaaaaaaaaaaaaaapes" over a super stripped down beat. Or "Yadadamean" where the main hook is a strangely affected "Yadadamean" repeated over a weirdly epic cinematic synth line. WTF?!? So amazing.
I wish we could describe it more explicitly, but you just gotta hear it. If you're anything like us, you'll be grabbed in the first 30 seconds and won't be able to stop. Normally we're pretty skeptical of 'hits' collections like this, but it's hard to argue with a comp this jam packed with stunners, and we're not about to. Did you dig the B'more Music comp? The Science Faction: Grime comp? The Rio Baile Funk comps? The Warrior Dubz comp? The Razor X Productions comp? Well, you just might have a new favorite. THE dance party record of the year. Whether you're slow rolling with the top down, cranking it through the headphones, or bumpin' and sweatin' up the dancefloor, this disc is THE ONE.
MPEG Stream: THE A'Z "Yadadamean"
MPEG Stream: MESSY MARV "Get On My Hype"
MPEG Stream: NUMP "I Got Grapes"
MPEG Stream: THE TEAM "Hyphy Juice"

V/A I Am A Photographer (Plain) cd 14.98
Now available on cd! (No, nobody told us it would be.) A tribute to Antonioni's 1966 classic film "Blow-Up". Features a wide range of contributors including Matmos, Sun City Girls, Starfuckers, Dean Roberts, Richard Youngs, Arthur Doyle, Loren Mazzacane Connors, William Parker, Amy Denio, Dorgon, Mushroom and Birdsong's Air Force. Everything from free jazz to electronics to free rock is represented. Cool.
RealAudio clip: MATMOS "Despite Its Aesthetic Advances, In Its Policing of the Sexuality of Public Space Antonioni's Film Perpetuates Misogyny and Homophobia"
RealAudio clip: SUN CITY GIRLS "Rolled-Up Collar"
RealAudio clip: DAWSON PRATER "Walking Around"

V/A I Am A Photographer (Plain) 2lp 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
A tribute to Antonioni's 1966 classic film "Blow-Up". Features a wide range of contributors including Matmos, Sun City Girls, Starfuckers, Dean Roberts, Richard Youngs, Arthur Doyle (!), Loren Mazzacane Connors, William Parker, Amy Denio, Dorgon, Mushroom and Birdsong's Air Force. Vinyl only.

V/A I Am Sam (OST) (V2) cd 17.98
The soundtrack to this Sean Penn / Michelle Pfeiffer tearjerker is comprised entirely of Beatles covers, and I'm sorry to say that it's pretty dire, except for the wonderfully earnest Rufus Wainwright rendition of "Across the Universe". Wainwright's voice just does not lie! Aimee Mann and Michael Penn romantically croon "Two of Us", and Paul Westerberg wails "Nowhere Man, and those're pretty good. But the rest of this stinks, including Grandaddy's version of "Revolution" and Nick Cave's embarrassing "Let It Be". Sigh. Other perpetrators include Eddie Vedder, Black Crowes, Sheryl Crow, Sarah Maclachlan, Ben Harper, the Wallflowers, Ben Folds, etc.
RealAudio clip: RUFUS WAINWRIGHT "Across the Universe"
RealAudio clip: AIMEE MANN AND MICHAEL PENN "Two of Us"
RealAudio clip: GRANDADDY "Revolution"

V/A I Am The Resurrection: A Tribute To John Fahey (Vanguard) cd 16.98
Paying tribute to one of the greatest musical beings of our lifetime is a pretty hefty challenge but luckily M. Ward, who put together this comp, did a really nice job of bringing together artists who have been greatly influenced by Fahey's guitar playing and legacy. You can hear in the these covers how deeply felt Fahey's music has been to the next generation of musicians who use guitar as their tool of expression. This is one of those rare tributes that doesn't feel like a haphazard hack job. Fahey's music is so spiritual and pure that there is no doubt everyone on here was honored to pay their respects and came through with excellent versions of Fahey originals. With people like Devendra Banhart, Lee Ranaldo, Howe Gelb, Sufjan Stevens, Calexico, Pelt, Cul De Sac, Currituck Co. and more all contributing covers, it's so nice to hear how they each came to a Fahey song with their own aesthetic at hand. Released on Vanguard who put out many of Fahey's classic albums, the packaging is really nice with each artist contributing a blurb about their relationship with Fahey's music. Tribute records aren't usually this thoughtful and well executed and we're so glad that for John Fahey it was done right because he deserves nothing less then excellence in his honor!
MPEG Stream: FRUIT BATS "Death of the Clayton Peacock"
MPEG Stream: PELT "Sunflower River Blues"
MPEG Stream: DEVENDRA BANHART "Sligo River"

V/A I Am Vengeance (OST) (MeteorCity) cd 13.98
The long-awaited "stoner rock/doom metal" soundtrack to the perhaps equally long-awaited psychedelic splatter/gore flick "I Am Vengeance" by low-budget underground director Richard R. Anasky, who, inspired in his filmmaking by both '80s slasher movies *and* '80s doom metal like Witchfinder General, hooked up with Meteor City to put together this soundtrack, featuring the likes of Sheavy, Count Raven, Eternal Elysium, The Quill, Bloodfarmers, Space Probe Taurus, Naevus, Lowrider, Las Cruces, and others. I thought that doom legends Pentagram were supposed to be doing the theme song (it's on their last album), but here it's done by Doomsday Gouvernment (ex-members of Count Raven, who appear all over this comp). Anasky's liner notes seem to indicate that the Pentagram track will appear on a *second* volume of songs from the film to be released by doom label Game Two, but I haven't heard about a release date for that. Anyway, this is a fine comp of mostly-new (or hard-to-find) material by some excellent, if obscure, bands -- almost all of whom seem to have singers vying for the "Sounds Most Like Ozzy Osbourne" award!
RealAudio clip: BLOOD FARMERS "Bullet In My Head"
RealAudio clip: COUNT RAVEN "Scream"

V/A I Belong To This Band: Eighty-Five Years Of Sacred Harp Recordings (Dust-To-Digital) cd 15.98
Initially we were thrown for a puzzlacious loop by the title. Sounds a lot like the Pamela Des Barres autobiography! Then, admittedly not being familiar with the phrase 'Sacred Harp', we also thought the subtitle might be somewhat misleading. We did a little homework though, and found out that it is a traditional choral singing style originating in the Southern states, gospel folksong with a repertory of pre-Civil War vintage. Whew, glad we got it all figured out. Anyways, confusion and definitions aside, the strength of this compilation is something far less complicated. An amazing document of both individual vocalists and congregations singing en masse, it exemplifies the power of the human voice, in concert with spiritual belief. Quite a force to behold, at once both humbling and uplifting. This disc is the aural companion to the documentary film Awake, My Soul, which we're now eager to see, after having spun this numerous times since it showed up here!
The absolutely wonderful Dust-To-Digital label (responsible for the massive, wooden Goodbye, Babylon box set, and the Fonotone one too, among other treats) has again done a great job with the compiling and packaging of these olde timey treasures. The 30-track cd is housed in a handsome cardboard foldy kind of pack, and of course in the cd booklet there's an expert essay on sacred harp singing, as well as individual track notes. As the subtitle indicates, this is a recorded tradition going back 85 years. The earliest recording here dates from 1922, with plenty more from the '20s, '30s, '40s and '50s -- along with several from 2006. We like the timbre of the older recordings best, of course (and the scratchier the recording, the better in our view!), but they're all pretty awesome (an appropriate word to use in this context, in its deepest meaning!). Majestically eerie, moving, and powerful are these songs raised to heaven. As voices overlap and merge, some of these tracks begin to almost sound like some avant-garde 20th century, prog choral piece or something. Others have more of a hillbilly, homey appeal. It's all quite beautiful, and highly recommended!!
MPEG Stream: DENSON'S SACRED HARP SINGERS 1928 "The Christian's Hope"
MPEG Stream: HENAGAR-UNION SACRED HARP CONVENTION 2006 "Antioch"
MPEG Stream: THE ORIGINAL SACRED HARP CHOIR 1922 "The Christian Warfare"

V/A I Don't Feel At Home In This World Anymore 1927-1948 (Mississippi) lp 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
These sold out lickety split the first time around, but for those of you who missed out, the kind folks at Mississippi have repressed it one more time. Not sure how many there are, but these things go fast, rightfully so, cuz they're incredible!
Amazing compilation of lost folk and blues from this relatively new Northwestern label (even though they're called Mississippi), who have tons more killer comps on deck and coming soon. We can hardly wait! But for now, we're perfectly pleased to just dig into this one, a gorgeous chunk of dusty, sepia toned old timey blues, recorded between the years 1927-1948, all of it fantastic. Like a modern day Folkways, Mississippi has gathered up a gorgeous and varied collection of lost music, from campfire fiddles, to tap dance rhythms, to smokey night club joints, to brassy big band, to amazing yodeling, to Latin flavored rhythm and blues, to back porch stomps, to soft and shimmery crooned blues, it's all fantastic, the recordings raw and emotional, immediate, fuzzy and lo-fi, straight from the original 78's. Absolutely essential. The perfect vinyl addendum to your Smithsonian Folkways' Anthology of American Folk Music box set.

V/A I Don't Think The Dirt Belongs To The Grass (Carbon) 3cd 15.98
Killer compilation from this long running label, a triple cd overflowing with some seriously aQ beloved bands:
The Body, Thurston Moore, The North Sea, Dead Machines, Anla Courtis, Antony Milton, Taurpis Tula, Pumice, Neil Campbell (Vibracathedral Orchestra, Astral Social Club), Mike Shiflet, Keith Fullerton Whitman, Crawlspace, Justice Yeldman, Carlos Giffoni just to name a few, and there are tons more, FIFTY artists total. A whole bunch of folks we had never heard before: Aaron Rosenblum, Craig Colorusso, Caustic Solution, Carpentry, Taiwan Death, Rainbeaux, Tinnitusstimulus, Hikka as well as Crush The Junta, who some of us here have dug for a while but who have yet to get reviewed on the list.
The sound is all over the place too, but in a good way, warm metallic buzz, woozy steel string outsider Appalachia, hushed hazy droned out drift, there are occasional blast of noise, but they tend toward the more textural, Carlos Giffoni offers up some blurred synthy squelch, Cock E.S.P. deliver a minute long burst of caustic crunch, which is rife with weird voices, and surprisingly even a bit of melody, there's even some full on garage rocking (Crawlspace), some tripped out exotica (Irene Moon), downtuned lumbering doom (The Body), jangly country (Hinkley), twisted, wrangled guitar abuse (Thurston Moore), but for all of the varied sounds, the overall vibe does lean pretty consistently toward the dark and droney, the layered and atmospheric, much of this sprawling comp has the feel of an album proper, the songs linked sonically, creating these subtly thematic movements, a pretty amazing feat for a 3 disc compilation with 50 sonically disparate bands. This is definitely the sort of thing that should appeal to the aQ-ers into sounds murky and mysterious, haunting and hazy, and fans of all things that buzz and rumble and whir, and we should mention Crush The Junta, whose track here is a fantastically murky chunk of stumbling fuzz drenched dirgery, starting out all chaotic and almost free, before locking into a grimy, crusty churn, that manages to be both heavy and atmospheric, rhythmic and psychedelic.
Definitely recommended. Sweet packaging too, the three discs (real cds, not cd-r's) housed in a dvd case, with a full color cover, and full color printed insert, the whole thing snug in a silk screened and hand sewn cloth bag, and yeah, probably crazy limited too...
MPEG Stream: ANTONY MILTON "A Brief Tenure"
MPEG Stream: NEIL CAMPBELL "Ferment"
MPEG Stream: PUMICE "Starts"
MPEG Stream: THURSTON MOORE "Anal Cry"
MPEG Stream: THE NORTH SEA "Bengali"

V/A I Gotta Be Me (Who Needs Tomorrow Vol.2) (Psychic Circle) cd 17.98

V/A I Love Bollywood (Manteca) cd 14.98

V/A I Love Dubstep (Rinse) 2cd 17.98
Based entirely on how much a record gets played in the store, this double cd dubstep comp is probably just about the most popular record we have in stock these days. No matter who's working, it seems to get played practically nonstop, and every time it's on, we find ourselves going up to see what's playing. EVERY time. Makes perfect sense, this comp is jam packed with THEE JAMS, every single "hit" from the birth of modern dubstep, until NOW. Dubstep obsessives will still probably find tons of stuff here they're missing, especially considering that most of these tracks have never been on cd before now, and newbies, holy shit, you cannot do better than this as an intro to dubstep. Over two hours of stripped down dubbed out beats, every possible permutation of that dubstep warbly bassline, raga like toasting, murky mumbling vocals, fuzzed out synths, some tracks playful and fun, others dark and sinister, so much glorious glorious bass, buzzing and rumbling, throbbing, pulsing, pounding, all beneath skittery beats, and laid back grooves, abstract funk and dark moody ambience. Just have a look at the lineup: Skream, Caspa, Loefah, Benga, Distance, Headhunter, Pinch, Shackleton, Digital Mystikz, The Bug, Kromestar, 2562, Kode 9, Burial and loads more. We've raved about pretty much every dubstep record we've managed to get in, but of all of them, this one is definitely THE one to get. Even if you already have all the other ones, ESPECIALLY if. And if you're a big fan of classic dub, but have yet to check out this modern permutation, you owe it to yourself to give it a try, definitely pushes lots of the same buttons, but ups the lowend bigtime, making it darker, and heavier, much more physical, and WAY bassier, which is never a bad thing.
MPEG Stream: CASPA "Rubber Chicken"
MPEG Stream: LOEFAH "Mud"
MPEG Stream: BENGA "Crunked Up"
MPEG Stream: HEADHUNTER "Descent"
MPEG Stream: PINCH "Punisher"

V/A I Love Guitar Wolf... Very Much (Narnack) cd 12.98
Everyone loves Guitar Wolf!
Lightning Bolt loves Guitar Wolf!
J Mascis + The Fog loves Guitar Wolf!
Jim O'Rourke loves Guitar Wolf!
Puffy Amiyumi loves Guitar Wolf!
Snuff loves Guitar Wolf!
Jon Spencer Blues Explosion loves Guitar Wolf!
Cato Salsa Experience loves Guitar Wolf!
Fast Fourier loves Guitar Wolf!
The Hellsquad loves Guitar Wolf!
The Wildhearts loves Guitar Wolf!
Porch Ghouls loves Guitar Wolf!
Autoramas loves Guitar Wolf!
Total Dork loves Guitar Wolf!
Yes, very much! And they show it in spades on this tribute to the beloved Japanese band! If you've yet to experience the wild wonder that is Guitar Wolf, there's Golden Black which is a rad new best of and rarities collection that Narnack also just released. It completely encapsulates their greatness!
MPEG Stream: LIGHTNING BOLT "Planet Of The Wolves"
MPEG Stream: PUFFY AMIYUMI "Can-Nana Fever"
MPEG Stream: J MASCIS + THE FOG "Cyborg Kids"