DESTROYER Trouble In Dreams (Merge) cd 14.98
Chock up another dandy from Destroyer! Love, travel and other projects (New Pornographers, Swan Lake, Hello Blue Roses among others) sure haven't kept Daniel Bejar from his main musical outlet. Unlike many other multi-taskin' music folks these days, with Bejar nothing gets the short end of the stick. You can always count on consistently high caliber pop songcraft, artful arrangements, wryly witty and obtuse lyrics, and that voice -- equal parts Donovan, Marc Bolan, and Cat Stevens. Ultra liltingly sensitive and so darn Canadian-earnest! And it's all stamped with the indelible, unmistakable mark of the Bejar... Free spirited and fantastic!
MPEG Stream: "Foam Hands"
MPEG Stream: "Leopard Of Honor"

CAN Ege Bamyasi (Spoon/Mute) cd 12.98
These two essential krautrock classics from Can (Tago Mago and Ege Bamyasi) have been reissued yet again, nothin' different except they're a little cheaper, always a good thing. Though, whatever you'd pay for 'em (even if they were twice this price!) would be money well spent, these are so good.
Here's our review: Ege Bamyasi! Can's fourth album features their second and most fantastical vocalist, Damo Suzuki. Ege is one of our faves from Can, especially of Allan's, though we think he just envies Suzuki's amazing hair! Let us just say that if you don't own this already, what are you waiting for?? The reissues contain extra liner notes and candid photos that some earlier cd editions lacked. But unless you're totally obsessed with the band and are certain of your ability to appreciate the remastering note-for-note, there's not too much else about these reissues that would require buying 'em again. If you've happy with your older copies, you'd probably do well to just keep them and sleep soundly at night.
But if you don't have a copy of this record at all... well let's say once more, WHAT ARE YOU WAITING FOR?? Can's Ege Bamyasi is absolutely brilliant. Can of course were one of the most important 'krautrock' bands, along with Amon Duul II, Kraftwerk, Cluster, Faust and a few others. With Japanese singer Damo Suzuki at the mic on this he sings some of their best songs, like "Sing Swan Song" and "Vitamin C" and "I'm So Green". Actually EVERY song on here is wonderful. Languid and laidback, yet rhythmically insistent. Mellow and gorgeous and deep. Right on. Fans already know how good this is, everybody else should trust us and pick up one of these, you won't be sorry!
MPEG Stream: "Sing Swan Song"
MPEG Stream: "Vitamin C"

PAAVOHARJU Yha Hamaraa (Fonal) lp 21.00
NOW AVAILABLE ON VINYL!!! Oh how we adore the Finnish label Fonal Records -- home to the likes of Kemialliset Ystavat, Islaja, Kiila and Es. And now, won't you please kindly welcome the newest addition to the Fonal roster, Paavoharju! We can say that that welcoming 'em is not such a difficult thing to do 'cause they sure do make some wonderful music! In fact, Cup (and Jim for that matter) has listened to it almost every day since its arrival. It's true!
Note: We don't want to deny anyone the pristine 'first listen' magic that we experienced. We can attest that it was a sheer delight packed with many surprises, and our fondness has only grown with each listen. So if you want your introductory spin to be 'pure', please be forewarned that this review contains what some might call spoilers... that means stop reading now!
In many ways Paavoharju can be likened to fellow enchanting Finnish artists Lau Nau and Fonal labelmates Islaja, but their finely detailed yet loosely strung music is considerably more melted and collaged and electronic. Listening to Yha Hamaraa is almost like eavesdropping on a dream... or having someone else's heartbreaking memories come back to hazily haunt you. Sounds, voices and melodies drift in and out of focus, occasionally overlapping and seeping into one another. Sometimes it seems like you're listening to a rickety old radio with the dial set between stations so that the sounds somehow magically fit together. Odd faintly familiar elements make their presence felt such as in the ninth song where the male vocal melody brought to mind a twisted folk (and of course very Finnish) version of "Stairway To Heaven". The swooping, trebly female vocals find their own special place between Indian film music singers and the Southeast Asian voices that surface on the similarly (un)structured Sublime Frequencies travelogue field recording compilations. And reference must be made to Bjork as well! Now after having read this far in our review, you might find the very first track with its swell of distorted static-y noise to be somewhat unexpected, disorienting even, but we encourage you to go with it (and with us). Allow the wash of sounds to transport you into Paavoharju's intoxicating world. Completely and utterly breathtaking.
MPEG Stream: "Aamunuringon Tuntuinen"
MPEG Stream: "Vitivalkoinen"
MPEG Stream: "Kuljin Kauas"

MULDROW, GEORGIA ANNE Olesi: Fragments Of The Earth (Stones Throw) cd 14.98
Caught us sorta snoozin' on this one! This release actually came out back in 2006, and Cup heard its strange soulful glory out in Michigan that year. However, its name promptly vanished from her memory banks and we couldn't track it down until now! From the bio provided by Stones Throw Records it sure sounds like Ms Muldrow grew up within close proximity to some cool shit! Her father invented instruments for Eddie Harris and her mother sang with Pharaoh Sanders. Whoa. Initially Olesi: Fragments Of The Earth seems like a disorienting jumbled mess, albeit a really awesome sounding one -- a bunch of different unrelated pieces heaped up precariously into a generous twenty one tracks. All the parts ring familiar on their own in their old R&B, (almost free-) jazz, hip hop and soul ways, but we've never heard them arranged together in quite as unconventional a fashion as this! As the album progresses the sense of disorientation lingers, but her fevered vocal delivery and undulating, loping grooves prove infectious. The album definitely walks the fine line between defiant genius and baked madness. Seriously 'out there', she clearly had a 'vision' for this but it might not be for everyone! A fierce and bizarre debut.
MPEG Stream: "Wrong Way"
MPEG Stream: "Skaw De Beast"

DAISIES OST (Finders Keepers) cd 23.00
Following the rabidly received reissue of the soundtrack for Jaromil Jires' early '70s treasure Valerie And Her Week Of Wonders, the folks at Finders Keepers keep the Czechoslovakian cinema adoration flowing. Here is the freshly reissued soundtrack to Cup's all-time favorite film -- Vera Chytilova's 1966 Czech New Wave masterpiece Daisies (aka Sedmikrasky)! It's an eye-popping work that incorporates an astoundingly broad variety of art styles Dada, absurdist, pop, cut-ups, collage, psychedelia, and so much more... all while delivering a potent commentary on the dark state of the world (which is as valid today as it ever was!). Genuinely radical and so ahead of its time, 'tis the Czech way that beneath a seemingly light-hearted, dreamy and charming exterior, lies a black wit and a mighty subversive heart.
The Daisies soundtrack commences with the insistent, pinched sound of a high-pitched horn and militant snare drum introduction, then just like the two main characters, the music tumbles and frolics and raises a giddy ruckus in a Technicolor kaleidoscope of fleeting melodic vignettes. Along with traditional instrumentation -- brass, woodwinds, strings, vocals, etc -- keep an ear out for the musique concrete scissor snips and a conversation between a typewriter and reedy woodwinds. They are definitely two particular highlights of both the film and soundtrack. Accompanied by processional/funereal march formalities, jazzy escapades, classical choral geysers, dainty minuets, Stalling-esque cartoony themes, and rambunctious surfy shimmy pop, the two female leads kick up their tipsy heels in a supper club effectively disrupting a ragtime flapper dance number, play with their food and toy with stuffily suited elder gentlemen, leave suitors hanging on the telephone, cram themselves gleefully into the tight spaces of a dumbwaiter, and... oh we don't want to give any more away. Must see! Must see! Nevertheless, taken sans the film's visuals, this soundtrack makes for a deliriously delightful, discombobulating listen all on its own! Ultra artful and fun! Feverishly wonderful, and fervently recommended!
MPEG Stream: "Sedmikrasky"
MPEG Stream: "The Juggler"
MPEG Stream: "Man With A Typewriter"

FOETUS (SCRAPING FOETUS OFF THE WHEEL) Nail (Some Bizzare) cd 22.00
Finally reissued on cd! Nail is Foetus' fourth album which was originally released in 1985. Whoa, that's twenty two years ago! So damn criminally underrated and unjustly lumped in with the less stellar, more single-minded 'industrial' artists on the Wax Trax label, the time is right to set the record straight...
Like an orchestral clash of Birthday Party, Swans and Einsturzende Neubauten set in a tawdry cabaret deep in the seediest underbelly of the darkest noir flick imaginable? Close, but better! A one-man symphony, wrecking crew, and/or runaway train, Foetus' music is truly fierce, mean, nihilistic and... absolutely brilliant, black humored and beautiful! Some might say that he works in similarly multi-genre meltdowns, enormous scopes and sprawling ranges as Mr. Bungle or Sleepytime Gorilla Museum, and they'd certainly be correct, but Foetus was doing it all by his lonesome years before those groups. Furthermore, he was an influential wizard behind the scenes too, co-producing early Coil albums, and collaborating with other (in)famous aural beacons Nurse With Wound, Sonic Youth, Marc Almond, The The, Nick Cave, and Lydia Lunch to name just a few. (Re)visit this wonder... a seething, scathing, festering and perversely enticing musical menace. Highly recommended.
Note: Yes, this is a bit of a pricey import, but we haven't heard any word about a domestic reissue.
MPEG Stream: "The Throne Of Agony"
MPEG Stream: "Descent Into The Inferno"
MPEG Stream: "Enter The Exterminator"

HITCHCOCK, ROBYN Eye (Yep Roc) cd 13.98
Let's get straight to the heart of the matter, and it is exactly that! Robyn Hitchcock knows the inner workings of matters of the heart, but he never panders to valentine cliches to get the sentiments across. Nope, time and time again, he comes up with some crazily inventive turn of prose to express an observation of something commonplace. Then he backs his wizened delivery of wry wisdom with an equally quirksome crunchy guitar melodic twist -- a holdover from his Soft Boys days? Often so wonderfully obtuse and cryptic, but also somehow so clear and true! Genius songwriting.
Anyways, this is our longwinded way to let y'all know that we are super pleased as punch that the fine folks at Yep Roc Records have recently reissued three of this venerable troubadour's albums Black Snake Diamond Role, I Often Dream Of Trains and Eye, each complete with hella unreleased bonus tracks. The latter is perhaps our personal fave. If you have one Hitchcock album in your library, make it this one. Plus at the same time, they've released the three albums together in a retrospective box set titled I Wanna Go Backwards which also includes an exclusive pair of additional cdeps of odds'n'ends from 1981-88! Awesome and super recommended.
MPEG Stream: "Cynthia Mask"
MPEG Stream: "Beautiful Girl"

NURSE WITH WOUND Homotopy To Marie (United Jnana) cd 14.98
FINALLY REISSUED!!! Of all of the Nurse With Wound records (and we like a bunch of them!), this is our favorite. Perhaps because this makes the least 'sense,' with a textbook definition of how Surrealism can be accurately applied in an aural context. Within Homotopy To Marie, Steven Stapleton (the proprietor of Nurse With Wound) addresses most of Andre Breton's qualifications of Surrealism as "pure psychic automatism, by which an attempt is made to express, either verbally, in writing or in any other manner, the true functioning of thought. The dictation of thought, in the absence of all control by the reason, excluding any aesthetic or moral preoccupation." In many respects, John Cage took Breton's theories to one possible logical end; but Stapleton wanted to bridge contemporary musical production techniques (musique concrete informed by Industrial culture) with the original Surrealist fascination with Victorian imagery applied to Freudian definitions of fetishism, thus offering a version of Surrealism that fits better with how Breton may have thought Surrealism would sound. References to culture and the world as we know it abound in this record, but in such a convoluted way as to appear perfectly normal next to something that would normally be aurally incongruous. The title itself certainly refers to this. Often utilized within the highly specialized vocabularies of genetics and chemical engineering (you think that *we* get verbose!), a homotopy (as best as I could determine) is the relationship between a specific object and the fundamental characteristics that define the family in which that object belongs. Who Marie could be is perhaps best left between Stapleton and Marie.
Homotopy To Marie is Stapleton's finest audio collage, culled from various studio sessions, found sounds, and unknown media samples. Proceeding along at a stately pace, this album is certainly not a quiet affair, yet each sound within the album is given plenty to hold its unique place with the collage at large. It opens with "I Cannot Feel You as the Dogs are Laughing and I am Blind" -- a close investigation of shards of glass with a gated volume filter on it to accentuate the brittleness and fragmentation of the sound, followed by a period of snoring (presumably from Stapleton) which shifts to various screams, maniacal laughs, and hysterical utterances as if from an asylum. The title track is an amazing collage of a multiple gongs with the tonal rings augmented by occasional backwards masking and manipulated attack. Stapleton's use of the vocal sample is at it's best here with two characters (a shy little girl and a confident woman) intermittently reciting ambiguous phrases "When I woke up I didn't know where I was" answered by "Don't be naive, darling!". The rest of the album is a clutter of non-descript distortion, feedback from guitar buzz, microphones overloaded by megaphones screaming into them, broken by backwards dialogues in Spanish, rag time pianos, and clattering horns finally explode into a whimsical polka but have a weird aura surrounding them like when Hermann Nitsch uses polkas as punctuations to his orchestral drones.
Homotopy To Marie is a confounding album that matches its psychological instability with its dexterity in its composition, that leaves you not with a recognition of sound within an organized context, but the feeling of unidentifiable unease. An absolute masterpiece.
MPEG Stream: "I Cannot Feel You As The Dogs..."
MPEG Stream: "Homotopy To Marie"
MPEG Stream: "Astral Dustbin Dirge"

BALUSTRADE ENSEMBLE Capsules (Dynamophone) cd 13.98
An uncommonly sumptuous array of releases was just presented to us courtesy of the young music label Dynamophone. They've only been around since mid-2006, but already have a bountiful catalog of releases, and many more on the way. We think your ears will welcome them with a warm embrace. Particularly if you've been recently enjoying the aquatic drone releases on the Mystery Sea label, you might wish to check out the seemingly likeminded, but more melodically inclined Dynamophone artists. Really, the label is a treasure trove of shimmering and dewy listening delights. Delve in immediately (also see: Disinterested, Halou, Po, Pornopop, A Lily, Curium, and R/R Coseboom)!
This is the label's new release from Balustrade Ensemble, a group which features Grant Miller (also of the very different Mandible Chatter), singer/songwriter/pianist Liam Singer, and Scott Solter (whose worked with the likes of Singer, Mountain Goats, Spoon and Tarentel). Their intricate (mostly) acoustic (mostly) instrumentals are artfully woven from familiar instruments piano, guitar, cello, and pedal steel, and the less common mellotron, orchestron, claviola, and celeste. Each one seems to glimmer out through Victorian lace curtains yellowed and slightly threadbare from age, through shatters of antique crystal goblets dappled with droplets of deep red, through a flaking, clouded gilt mirror, through deep sea greens and azures. Very cinematic, in fact, the Dynamophone folks beat us to the punch at raising the darkly whimsical filmmakers the Brothers Quay as a point of reference. Very recommended.
MPEG Stream: "Glorianders"
MPEG Stream: "Incarnadine"

MORNING RECORDINGS The Welcome Kinetic (Loose Thread) cd 15.98
Dreamy. Drowsy. Droney. Dulcet. Aww shucks, we have to admit we're a sucker for anything with hammered dulcimer and vibes. Aren't you!? Those round warm tones just feel so right! But this Chicago band's second album has a lot more goin' on with that our ears are snuggling up close to.
They're distinctly 'Chicago' sounding (the city not the band). We knew as soon as we heard a few bars that they were from the Windy City. In fact, fans of gentle jazzy pop with chops breezers Sea And Cake and Archer Prewitt, take note! This might be your new favorite too! Seemingly equally inspired by '70s soft rock (think: 10CC, Bread, Burt Bacharach), '60s exotica (a la Les Baxter, Martin Denny), '90s slowcore (y'know, Low, Ida, Yo La Tengo's Georgia Hubley)... yeah, all the good stuff! Hushed, intimate and sweet, Morning Recordings make it seem like they're playing their music just for you. Have you guessed yet that we're pretty smitten with this album? Well, they push our newfound luv over the top when they let it be known that their roster includes Barry Phipps (of The Coctails) and guest singer Edith Frost -- both longtime aQ faves. We could continue gushing, but let's just say, "Wow, what a dreamboat!" So very very recommended!
MPEG Stream: "In Twilight"
MPEG Stream: "Songs From A Hotel Bar"

ANGER, KENNETH The Films of Kenneth Anger: Volume Two (Fantoma) dvd 27.00
As varied as they can be, Kenneth Anger's films are pretty unmistakable. This Volume Two dvd set is just as stunning as its predecessor. The restorations are immaculate, the soundtrack vibrant. Details pop out that we were never able to distinguish on our old grainy vhs dubs. From the seemingly random assemblage of the Technicolor hued magickal aesthetics as seen in 1969's Invocation Of My Demon Brother (which incorporated pieces of an aborted version of his film Lucifer Rising as well as footage of a staged ritual deeply inspired by Anger's hero Aleister Crowley and featuring a cameo by Anton LaVey and a Moog synth soundtrack by Mick Jagger) to the pastel powder puffed homoerotic hotrod dream of 1965's Kustom Kar Kommandos to the bikers'n'black leather homoerotic motorcycle club dream of 1964's Scorpio Rising (shot like a documentary, it captures the period's dark visceral energies, the cultural and consciousness explosion, the social rebellion -- arguably the beginnings of protopunk); from the fiery Egyptian golden luminescence of 1981's Lucifer Rising (complete with soundtrack composed and recorded by Bobby Beausoliel in his prison cell) to the 1979 version of Rabbit Moon with its unexpectedly well-suited rock song soundtrack (an earlier version appeared on Vol.1)... Really, what's not to drool over? Through Anger's gaze objects, symbols, songs and people are fetishized to an intoxicating state. Even to those without an interest in avantgarde film, a schooling in esoteric knowledge, or an affinity with fringe communities, the images are nothing short of spellbinding, especially taking into consideration the time period in which they were made. The lone disappointment we found was in Anger's commentaries which come across as surprisingly uninspired, often vague and less than informative. Best to let the films speak for themselves -- a delicious visual feast!

ZOMBIES, THE Odessey & Oracle: 30th Anniversary Edition (Big Beat) cd 22.00
Sometimes you just have to pause from the hustle, bustle and general assault of the modern world to refresh your appreciation of something truly exceptional and timeless. So, that said... Everyone! Stop what you're doing this very second, and get your own copy of this album! If you already have it, then get another copy for your best friend! If they already have it, then... well, you get the picture! Its presence is absolutely essential in any/every self respecting music lover's library.
This is not a new release, in fact it is the 30th anniversary edition which came out back in 1998... which means this classic album is pushing forty, and it still delights like a pup! Simply stated, Odessey & Oracle is a rare beautifully plumed pop bird that soars above the crowd. So many of our favorite more recent pop gods were clearly enormously influenced by this band and this album in particular -- Pernice Brothers, Zumpano, The New Pornographers, The Posies, The Shins... the list goes on and on and on. And we could go on and on but why waste breath and time? Highest recommendation, 'nuff said!
This edition also includes a bunch of bonus tracks for the completist (primarily alternate and mono versions). Heck, if you wanna go totally whole hog... may we recommend the Zombie Heaven 4 cd box set? At least two aQuarians own one, and several others are definitely considering it...
MPEG Stream: "Care Of Cell 44"
MPEG Stream: "Changes"
MPEG Stream: "This Will Be Our Year"

YOUNG MARBLE GIANTS Colossal Youth & Collected Works (Domino) 3cd 19.98
Young Marble Giants' minimal masterpiece, Colossal Youth, receives yet another reissue (the fifth or sixth to date)! This one is extra super special because it's a three cd set which compiles ALL of their previously released music! So you not only get the fifteen songs that make up the Colossal Youth album, but also a five song Peel Session from 1980, six songs from their 1981 Testcard EP, three from the Final Day single, sixteen from their 2000 Salad Days album, and their first ever recorded appearance titled "Ode To Booker T" from the 1979 compilation Is The War Over?.
Needless to say, it's a cause for celebration! Absolutely essential listening. This UK trio's existence was ever so fleeting, and they only had one proper album, but what a leftfield classic it is. It sounds *totally unique*, like nothing before and pretty much nothing since. Amid the aggression and edginess of the post-punk movement, YMG emerged as a remarkably stark, understated and utterly engaging wonder. It has made an enormous impact in the many years since its original release in 1980. Seriously, this is one of those classic albums that has influenced tons of musicians (Hole even covered "Credit in the Straight World", but don't hold that against YMG!). It ranks up there with, like, The Velvet Underground's first record, Neu!, the Raincoats, Pere Ubu's Modern Dance, etc., etc.
Their music's simplicity is deceptive. A very hushed, metronome-sounding drum machine ticks out the tireless beat of each song like a friendly clock, and its neutral tone is also reflected in Alison Statton's girlish, earnest, not always pitch-perfect vocals as well as in the muted string strum of Stuart Moxham's electric guitar. Spartan, angular strikes from the same guitar punctuate this steady atmosphere as a frail organ does its wheezing, bleating melodic best and Philip Moxham's rubbery bass line hesitantly bends and bounds. Minimal and no-frills, yes, but somehow there's so much more going on, and so much more expressed than its quietness belies. The songs are tiny and simple and total perfection. Powerful and totally f**king timeless and yes, very highly recommended.
As we mentioned above, we believe this just might be the fifth or sixth edition, and we hope that it's kept available forever and ever and ever!
MPEG Stream: "Brand - New - Life"
MPEG Stream: "Searching For Mr. Right (Peel Session)"

CHESNUTT, VIC North Star Deserter (Constellation) cd 15.98
Vic Chesnutt's collaboration with a number of folks on the Constellation Records roster (aka A Silver Mt. Zion and a list of friends which includes Fugazi's Guy Picciotto and members of Hangedup, Frankie Sparo, Esmerine, The Quavers, and yes, Godspeed You Black Emperor) sounds *exactly* as you would expect... bleak and immensely moving. They keep such perfectly dour company that we wonder what took them so long to make it happen! Flooded with anguish and raw nerves, North Star Deserter is an intense frayed journey, but not without a moment or two of glimmering hope and twisted folly. Chesnutt's lyrics have always been an affecting bruised blend of the absolutely direct and the utterly cryptic. We know they're a perfect match for his own creeping, barren plain plucked guitar accompaniment, but wow, when joined by these additional like-minded vocalists and musicians the results are often times crushingly beautiful. Placed before a landscape of ominous cello drones, electrified string shards, and near-military marching drums, his weathered rasp of a voice resonates anew. The amazing breadth of this album is captured in two songs late in the album -- the thunderous roar of "Debriefing" and the hushed haunted loner "Marathon". Damn. Recommended.
MPEG Stream: "Debriefing"
MPEG Stream: "Marathon"

MIDDLETON, MALCOLM A Brighter Beat (Full Time Hobby) cd 15.98
Gawd, how I love the bitter, sourpuss music of Malcolm Middleton. Why is his beleaguered Scottish grumpiness so damn endearing? Well, for one thing the man's a genius at penning a pop hook even when it's laden with the weight of the whisky'd world. His ol' band Arab Strap may be no more, but fortunately he's still makin' music on his own. This is his third blearily great solo album. Sweetening the proceedings is the presence of female vocalist Jenny Reeve (also of The Reindeer Section) who pretties up Middleton's scruffy loner pad... uhh, we mean music with some creamy pastels and brighter lighting. Still nothing can outshine the overcast woolen greys of Middleton's hopelessly romantic and just plain hopeless universe. Recommended!
MPEG Stream: "Fight Like The Night"
MPEG Stream: "Death Love Depression Love Death"

AQUARIAN, ISIS WITH ELECTRICITY AQUARIAN The Source: The Untold Story Of Father Yod, Ya Ho Wa 13 And The Source Family (Process) book + cd 24.95
An amazing compendium of facts (and some fantasy?) pertaining to the surprisingly under-documented '70s self proclaimed Aquarian tribe The Source Family and their freeflowing psychedelic jam branch Ya Ho Wha 13!
For years our awareness of this group was limited to the obscure recordings of the band (including the extraordinary giant box set God And Hair), and a smattering of vague and sensationalist 'cult' rumors. The members' secret oath and a marked absence of controversy, calamity and crime no doubt kept this group underwraps and off the pages of tabloids. Our fascination grew tenfold a couple of years ago thanks to the compelling dvd documentary "Yahowha 13: Re-visiting Father And The Source Family". It recounts the history of the movement founded by Father Yod (aka Ya Ho Wha, born Jim Baker) through interviews with original members and archive footage. Definitely recommended viewing. Fortunately for those whose interest has been piqued, we now also have this book. Isis Aquarian was one of Father Yod's fourteen 'women' or 'spiritual wives' and the group's appointed record keeper. Hence she was integral to the inner workings of the Source Family and has compiled an enormous archive of photographs, writings, and memorabilia. Her wealth of and deep connection to this knowledge makes for an immensely intimate and informative document. Lively and entertaining too, among other things, the book details living a utopic life in a mansion in the Hollywood Hills and a subsequent move to Hawaii, observing Father's integrated teachings of ancient philosophies and religions (strongly influenced by Yogi Bhajan and the writings of Manly P. Hall), practicing daily pre-dawn meditations and rituals, and eating a strictly vegetarian diet. In fact, the Source Family ran one of the very first and most wildly successful vegetarian / raw health food restaurants which was located on the Sunset Strip (recipes and photos from the restaurant are included!). Nowadays yoga has been mainstreamed into another physical fitness trend -- a glorified stretching if you will, the ancient spiritual teachings lost to the masses -- and terms like 'guru' and 'visionary' are bandied about with abandon, but back in the late '60s and early '70s there was a West Coast consciousness explosion goin' on, and these people lived it!
The bonus cd is a daunting experience unto itself featuring not only a mindblowing Ya Ho Wha 13 live performance at Beverly Hills High in 1974 (obviously not the most pristine recording quality nor anything resembling trained musicianship (we suspect that if any members had any formal schooling, it was tossed to the wind) -- this is a sensory overloaded moment captured in time of opened channels and the cathartic power of music), but also fascinating radio interview segments, enlightening Father Yod lecture snippets, and Source Family chants! Anyone curious about Ya Ho Wha is gonna want the book, we'd think, and this bonus disc pretty much makes it essential, with its several tracks of unreleased Ya Ho Wha jams, freaky stuff to be found nowhere on the infamous God & Hair 13 cd box set...
MPEG Stream: "Beer Recordings (Ya Ho Wha 13)"
MPEG Stream: "KPPC Interview"

POLLOCK, EMMA Watch The Fireworks (4AD) cd 13.98
Many pop fans were severely saddened when those Scottish dreamboats The Delgados sailed off into the sunset in 2005 after ten years and five albums. Well, we can all dry our tears... at least a little bit because Ms Emma Pollock (who was one of the charmingest voices from that band) has emerged with an album that respectfully carries on in her former band's wonderfully sumptuous and poignant pop tradition. On the surface Watch The Fireworks reflects the sound of lemon meringue, dew drops, crushes, and snugglin', but there's more to it than simple sweetness. After you get swept up immediately in the opening number's carousel waltz tempo and Pollock's voice, you'll find songs with a bit more burly energy than that of the Delgados. The backdrop of electric guitar crunch, sturdy bassy organ lines, solidly struck piano keys and insistent drums make for a pleasing counterpart to her sweet singing. It propels each song up-up-up into the super pop stratosphere, burning off any grey clouds and leaving nothing but warm golden sunlight. It's easy to see why it was such a good idea for her to open for the new Pornographers on their latest tour for their album Challengers. if you get a chance to see her, don't miss it! Otherwise, buy this now!
MPEG Stream: "New Land "
MPEG Stream: "Acid Test"
MPEG Stream: "Paper And Glue"

BALROYNIGRESS Shampoo And Champagne (Kning Disk) cd 14.98
Here's another release of exceptional quality and artistry from the Kning Disk label, who have previous brought us fine disks from the disparate likes of James Blackshaw, Jerry Johansson, Steffen Basho-Junghans, Wolf Eyes, Giuseppe Ielasi & Nicola Ratti...
Subtly trippy and strangely entrancing, Balroynigress is an art-folk trio melting in the Swedish sun. We were immediately drawn to main man Erik Joer's withered, slightly druggy male vocals that alternately call to mind early Bowie and Mark Linkous of Sparklehorse. His and female vocalist Elvire Soyez's hushed voices wander tremulously amid the somber, bent and broken melodies woven from acoustic guitars, synths, melodica and piano... occasionally getting their boots stuck in the slushy sludge of the gently growling bass. Despite the album's title which to us suggests fizzy cosmopolitan festivities, the ten songs that comprise this Shampoo And Champagne potion are neither bubbly nor urbane. Ungrounded and seemingly far from city lights, they flow freely between the concrete and the intangible, the conscious and the subconscious, conjuring both the deepest of longings and glimmering hallucinations. We like! May also intrigue the fans of Devendra Banhart or Andrew Douglas Rothbard.
Don't dill-dally though! This is a very limited handmade pressing of 900!
MPEG Stream: "Postlove"
MPEG Stream: "The Landlord's Love Affair"

LONE WOLF AND CUB OST (La-La Land Records) cd 11.98
Fans of samurai flicks and film soundtracks from the '70s, today we celebrate! First, we raise a cheer for Daigoro (aka the "Cub" in the title) -- undisputably the most adorable *and* badass tot to ever grace the silver screen. Yay! Then, we take this cd for a spin. It compiles musical selections from each of the six films which comprised the early '70s manga-based Baby Cart samurai movie series. The music is so eclectic that it's easy to think of composers Hideakira Sakurai and Kunihiko Murai as the Japanese counterparts to multifaceted American film score master David Shire (Taking Of Pelham One Two Three, Saturday Night Fever, The Conversation, etc.), but perhaps even more 'out-there'. Their compositions are certainly as wildly varied and unpredictable in style, and often times wildly incongruous with traditional samurai movie soundtracks. That's not all that surprising though because the series itself was truly one of a kind.
Oftentimes the proceedings are so densely packed that it seems like there are multiple (and very different) soundtracks overlapping one another. Frantic fevered measures gives way to dreamlike and hauntingly atmospheric passages. Traditional Japanese instruments such as koto, taiko drums, and shakuhachi stride serenely into a looming storm of synthesizer driven space prog-iness, unbound brassy jazz and orchestral thunder. Like the violent yet honorable swordsmanship, the music's sweeping, mighty gestures are executed with the utmost of control. This attention grabbing aural madness is strangely fitting for the films' striking imagery of too-red bloody fountains splashing across glinting swords, sand and snow covered expanses, claustrophobic tatami rooms, opulent royal courts... you get the picture? So awesome and recommended!
MPEG Stream: "Main Title"
MPEG Stream: "The Suioryu Swordsmanship"
MPEG Stream: "The Wolf Crosses The Ocean"
MPEG Stream: "Prologue: Shining Waters"
MPEG Stream: "Ending"

PLEASURE FOREVER Bodies Need Rest (Conspiracy) lp 15.98
Over the course of only a few brief years and two albums, these fervent music makers drew an equally fervent following. So many hands were wrung and much despair was expressed when word got out that Pleasure Forever had disbanded a few years ago. Granted the individuals have continued on making stellar music separately as Andrew Douglas Rothbard, Rabbits and Red Sparowes, but... it's just not the same! Which brings us to this posthumous Pleasure Forever release. We welcome it with open arms and eager ears. Bodies Need Rest is comprised of equal parts originals (previously unreleased numbers, rarities and compilation tracks) and cover versions. Throughout these eight tracks which span the band's existence, the trio maintains their trademark piercing focus while perpetually on the verge of spinning wildly out of control. They fuel Black Flag's "The Bars" and The Germs' "Our Way" with their own rage, then just as ably enter irony-free into tender territory with their hazy dream rendition of ABBA's "Honey Honey". Rounding out the for covers is a searing, snaking spell of Alice Cooper's "Black Juju". It's a musical tempest as fierce as it is beautiful. Recommended.
MPEG Stream: "King Cobra In The Guts Of Valhalla"
MPEG Stream: "Honey Honey"

ANDERSON, LAURIE Big Science - 25th Anniversary Edition (Nonesuch) cd 15.98
To commemorate the 25th anniversary of this inimitable New York avant garde artist's landmark album, the fine folks at the Nonesuch label have remastered and reissued it... and it sounds as mysterious and beautiful as it did the first time around! The unforgettable eight minute long single "O Superman" made a surprise showing at number 2 on the U.K. pop charts back in 1981, and the album from which it came left its own indelible mark on many of us here.
The music and spoken word pieces that comprise the album were actually drawn from Anderson's expansive eight hour long performance art stage production United States Live (which was performed over the course of two evenings). Drawing on disparate elements and themes, commentaries and critiques about life in America, Anderson's Big Science is at once bold, imaginative and artful. Dryly humorous and chillingly bleak. Starkly minimal and deeply moving. Playful and cerebral. Thoughtful and thought provoking. Challenging and engaging.
Keep in mind, the short audio samples here really don't do the whole work justice. This album should be experienced in one complete distraction-free listening session. One of Cup's all time favorite albums, she recommends you stop what you are doing right now. Big Science beckons.
Oh yes, and we should mention that this special edition includes the haunting "O Superman" music video and a (unnecessary in our opinion) bonus track "Walk The Dog".
MPEG Stream: "From The Air"
MPEG Stream: "Big Science"

SEBADOH The Freed Man (Domino) cd 14.98
As much as we all love Sebadoh, most of their records predate the aQuarius list, so other than the recent reissue of III, and this one right here, we have never been able to truly sing the praises of one of our favorite indie rock bands of all time. They were one of the few bands who took indie rock and did whatever the fuck they wanted to with it. Bakesale, Bubble And Scrape, Smash Your Head On The Punk Rock, Sebadoh Vs. Helmet, all over the map, but all distinctly Sebadoh. Much of it had to do with the genius popsmithery of Lou Barlow, ground zero for lonely sadboy bedroom folk. A one man lo-fi revolution. But much of it had to do with his choice in collaborators. Specifically, Eric Gaffney, Lou's perfect foil, personally, musically, in every way. Where Lou was introverted and shy, Eric was outspoken and spastic. Where Lou penned soft whispery ballads, Gaffney's songs were disjointed angular folk, or blasts of off kilter acoustic weirdness, together, the two forged the perfect balance between romantic longing and snotty punk rock rebellion. Never was this more evident than on their very first record, The Freed Man. 
Back in the nineties, there was a disc called the Freed Weed (you might remember in our review of III, we pleaded for someone to re-release it) which was the cd version of a record called Weed Forestin', a record written and recorded entirely by Lou, jam packed with classic pop, including a handful of tracks that would be reworked later and turned into classic electric Sebadoh numbers. Well, to fill out the cd, they tacked on a handful of tracks from The Freed Man...
The Freed Weed was our introduction to what would become the whole bedroom folk movement. We didn't know what the hell it was, other than it was like nothing we had ever heard, sad and intense, funny and fucked up, super personal and intimate, with bursts of total what the fuck weirdness scattered throughout and some of the prettiest songs we had ever heard. And we were not looking  for soft folky sadness, we wanted heaviness and noisiness, but these songs were just too good to not fall in love with... We played the shit out of the Weed Forestin' side, the prettier Lou songs.
but later, when we had played it to death, we dug deeper into the more difficult songs from the Freed Man, and discovered a whole new world of deliriously damaged fractured folk...
So here we have the Freed Man in its entirety. With tons of extra songs, alternate versions, all culled from the original recordings... and it's just as amazing, as far out, as sweetly sorrowful as we remember. 
The Freed Man was the 'first' actual Sebadoh release, originally released in 1989, and in the early days, sold for 99 cents in local record stores. It was split pretty evenly between Lou's soft bedroom folk, and Eric's damaged whatthefuck lo-fi freakouts  and raggedy strum and croon, with tons of random shit mixed in, radio soundbites, old records, primitive tape recorder experiments, all sorts of weird found sounds scattered throughout.
The sound now is quite familiar, every kid with an old beat up guitar and a 4 track has taken a stab at the whole lone bedroom troubadour thing, but at the time, this was seriously mindblowing, murky hiss drenched acoustic guitar, gorgeously melancholy, with Lou's sadboy vocals, and lilting melodies, heartfelt, yet slightly tweaked lyrics, bursts of staticky chaos, cool weird tape loops... and the thing is, even after a million imitators, this STILL sounds special and fresh, and yeah, mind blowing. So much so that it's hard to pick out particular songs, the whole thing is so perfectly realized, it's almost like some insane lo-fi, bedroom folk DJ mix, the songs all flow into each other, stumbling over one another, woven together with random sound effects or manipulated tapes... Single songs don't get stuck in your head as much as whole suites, chunks of distinctly different songs that are so inexorably linked, they almost sound like multi part mini epics.
Some of our favorite tracks though: the all time classic emo indie boy anthem "Soulmate", with the legendary line "I'll probably have to have sex with a lot of girls before my soulmate reveals herself to me..." and a chorus to die for, Gaffney doing his best Barlow on "Level Anything", still sad and folky, but with way more buzz and off kilter melody, the super distorted hiss drenched beauty that is Barlow's "Close Enough", Lou's "True Hardcore"  with the spoken intro "this is a complete rip off of every other song i've ever done" which launches into a song that is anything but hardcore, instead a gorgeous slab of lush heavily strummed sadboy folk with a KILLER hook / chorus, "Wrists" another gorgeous off kilter folk dirge from Eric, minor key and rife with lush guitars and killer melodies, "Bolder" which hints at the pop genius that Barlow would blossom into, it's easy to imagine this track fully electrified and super rocking on some later Sebadoh record, "Jealous Evil", yet another classic Barlow track, moody and miserable, with brooding guitars, and subtle but moving melodies, and some gorgeous vocal melodies, same with "Pig" slow burning and melancholy, "Punch In The Nose", and an old track with Lou's sister accompanying him on trumpet, and the record finishes off with a Doc Watson cover that ends up sounding like the Frogs which is a very good thing. It's a mess and a jumble, but it's just so goddamn immediate and personal, weird and wonderful. Eric's songs sound like Lou's only doused in acid and pot and slightly -more- out of tune but they are the perfect balance for Lou's earnestness...
The Freed Man is in no way perfect, there are plenty of tracks that are noisy or fucked up and here and there plain embarrassing, but those only add to the record's charm, and tend to never last more than a minute. There's the super noisy cover of "Yellow Submarine" and the super embarrassing "Lou Rap" complete with goofy childhood recordings, both of which we used to skip, but now, are too much a part of the whole to not enjoy as part of the bigger Sebadoh picture. 
There are of course tons of extras, some awesome rarities, redone tracks from the Freed Weed, unreleased songs, tracks from the amazing and long out of print Magic Ribbons 7" boxset and a handful of splits and singles, includes liner notes by both Eric and Lou, each offering their own take on the early years of the band, with lots of artwork from the original cassette and the Freed Weed cd.
Like the recent reissue of Sebadoh III, The Freed Man is gorgeously packaged, with a huge booklet, tons of art, all housed in a swank slipcase, with the original cover reproduced, but with all the text in metallic silver...
MPEG Stream: "Healthy Sick"
MPEG Stream: "Soulmate"
MPEG Stream: "True Hardcore"
MPEG Stream: "Jealous Evil"
MPEG Stream: "Pig"

OSWALT, PATTON Werewolves And Lollipops (Sub Pop) cd+dvd 14.98
Try some Werewolves And Lollipops on your funny bone! If you share our sense of blackened humor, we're sure you'll find Patton Oswalt's second album to be a perfect fit... especially because this cd of his live stand-up in Austin, TX in December 2006 comes with a dvd of his live stand up in Athens, GA two months earlier (and doin' some other stuff too)! In our opinion his Athens show is not as 'on' as the one in Austin, but nevertheless his Jonathan-Winters-in-miniature, stubbled, disgruntled grimace is just as entertaining to see as it is to hear. While he certainly shares with his buddy David Cross the deep influence of the Bill Hicks and George Carlin school of scathing yet insightful social political humor, he also shares with another fellow stand-up Dave Attell a penchant for liquor'd up, absurdist, saucy bon mots. He deftly juggles all of that while infusing the proceedings with his own ever present pottymouth, comic book geekiness and self deprecation.
This show took place at the Cap City Comedy Club in December 2006, and the only segments here that we recognize from a previous recording are the reworked versions of his Racist Cell Phones and Best Baby In The Universe bits (not that we're complaining... the latter is one of his best). You might recall that the original appeared on his unedited 222 Live & Uncut double cd that was released a few years back by the Chunklet Magazine folks (it didn't appear on the edited version of that show which was titled Feelin' Kinda Patton though). That means for those of you who haven't seen him perform live in the last couple years, you get 21 tracks of previously unheard hilarity. Awesome! Keep your ears peeled for his mention of Brian Dennehy and his explanation of the birds and the bees. Holy shit, it'll have you in wicked stitches. Need we say? Recommended!
MPEG Stream: "Beautiful People And A Bridge Troll"
MPEG Stream: "The Best Baby In The Universe"

PINHAS, RICHARD Iceland (Cuneiform) cd 13.98
Did you know electronic music pioneer and guitarist for the mighty '70s prog rock band Heldon, Richard Pinhas was recently in the Bay Area to play two criminally underpromoted shows? Yes, fortunately the word of mouth reached our ears at the very last minute, and some of us were able to attend this rare event. It was his first time performing in SF and only his second visit to the city in twenty five years. Less than ideal sound and somewhat awkward stage set up aside, Pinhas on guitar, his laptop collaborator Jerome Schmidt and drummer Antoine Paganotti made the most of the situation, holding the small audience rapt for the duration of their performance. Quite possibly the most intimate and casual setting in which he's performed in years. Pinhas' musical path has travelled from early loose rock jams into absolutely tight prog precision and outwards through richly textured atmospheric soundscapes.
Iceland is his third solo album which was released back in 1979. It focuses on the latter two directions, flowing seamlessly from one into the other and back again. The sixth track "The Last Kings Of Thule (Part 2)" highlights the deep influence Robert Fripp's snaking sinewy guitar work has had on Pinhas who slinks his way into far more dystopic territory. While the eighth track titled "Greenland" flows out into an epic expanse of overlapping cyclical synthesizer sequences. The album closes with the twenty four minute long Eno-friendly frosty shimmering dronescape of "Wintermusic". Meditative and beautiful. The album as a whole could be the perfect soundtrack to a winter night's Aurora Borealis. A majestic, hypnotic wonder.
MPEG Stream: "The Last Kings Of Thule (Part 2)"
MPEG Stream: "Greenland"
MPEG Stream: "Wintermusic"

NEUROSIS Given To The Rising (Neurot) 2lp 17.98
NOW ON VINYL!
New albums from old faves come and go, but when you say, there's a new Neurosis, we sit up and pay attention. Like contemporaries the Melvins, they've reached an iconic, utterly influential status at this point in their long career -- and yet still keep making rad, relevant albums that keep pushing their now archetypal sound further. Pioneers who keep on pioneering, getting better and better, even as hordes of other bands copy them and try to keep up. The word on the street was that Given To The Rising was a "return to the heavy" for Neurosis, not like they ever really left. But yes, this is HEAVY. We can't say (like we did about A Sun That Never Sets) that is is a "kinder, gentler" Neurosis. Not at all. The riffs will slay you, the vocals are fierce, yet the scope (musical, emotional) of this disc is impressively broad... The proggy, psychedelic, post-rock and (dare we say) gloom-pop melodic elements that run like a dark thread through their discography are present on these ten tracks, mostly all of epic lengths (as usual). Harrowing power. Depressive beauty. Ritual rumble. Alienated lyrics. Soft-loud dynamics. Droning space-outs. All utterly "owned" by the Neurosis crew. This band just levels everything and everyone in their path!
This is one that will satisfy old school Neurosis fans and yet would be a perfect first-time Neurosis experience too. For instance -- although we can't imagine this is too likely! -- if there are any Jesu fans out there who haven't ever heard Neurosis, do yourself a favor and pick this up pronto!! Arguably their best album since 1999's classic Times Of Grace.
MPEG Stream: "Given To The Rising"
MPEG Stream: "Fear And Sickness"
MPEG Stream: "Water Is Not Enough"

V/A Disco Deutschland Disco (Marina) cd 16.98
Oh how we've adored the Germans' take on various musical styles over the years, and we're not just talking about their obvious kosmiche krautrock brilliance. No, it's German musicmakers' handling of the more unexpected genres that have deepened our love affair tenfold. The hip '60s kitten heeled go-go pop of the In-Kraut compilations? The spaghetti (er, sauerkraut?) westerns of the Wig Wam Weste(r)n Weisse Wolfe collections? Yes and yes! Those two genres are unquestionably more commonly associated with French chanteuses and American cowboys, so the unmistakable German inflections that surface always make for a delightful twist on the familiar.
Now Marina Records, who brought us those In-Kraut comps, takes it (or is it retakes it?) to the dancefloor with this compilation of German disco and funk music circa 1975 thru 1980. They're not messin' around. This is straight-up boogie wonderland business. Awesome.
Some highlights include the 8+ minute Supermax track, a lowdown I'm so sexy unstoppable groover... the Giorgio Moroder studio band Munich Machine's classic "Get On The Funk Train"... and a disco-era hit from In-Kraut alumnus Peter Thomas and his Sound Orchestra... among 15 other mainly killer, glitterball dazzlers. Now, if the weird thing is, this isn't really that weird. Heck disco's even back "in" now. Don't go expecting krautrocky craziness, instead just get yer dancing shoes on and yer ass in gear. Seriously, this has been getting spun in the store by AQ staffers just as much or more than anything else lately, and when it's on we've been getting our work done with just a little more groove.
Includes a 14-page booklet of informative liner notes, with such interestin' tidbits as that Berry Lipman's track "Sex World" was used as the theme song for an American porno film, but originated as an instrumental from the German sci-fi TV series Star Maidens...
MPEG Stream: SUPERMAX "Love Machine"
MPEG Stream: LIPMAN, BERRY "Sex World"
MPEG Stream: PETER THOMAS SOUND ORCHESTRA "Opium"

NEUROSIS Given To The Rising (Neurot) cd 14.98
New albums from old faves come and go, but when you say, there's a new Neurosis, we sit up and pay attention. Like contemporaries the Melvins, they've reached an iconic, utterly influential status at this point in their long career -- and yet still keep making rad, relevant albums that keep pushing their now archetypal sound further. Pioneers who keep on pioneering, getting better and better, even as hordes of other bands copy them and try to keep up. The word on the street was that Given To The Rising was a "return to the heavy" for Neurosis, not like they ever really left. But yes, this is HEAVY. We can't say (like we did about A Sun That Never Sets) that is is a "kinder, gentler" Neurosis. Not at all. The riffs will slay you, the vocals are fierce, yet the scope (musical, emotional) of this disc is impressively broad... The proggy, psychedelic, post-rock and (dare we say) gloom-pop melodic elements that run like a dark thread through their discography are present on these ten tracks, mostly all of epic lengths (as usual). Harrowing power. Depressive beauty. Ritual rumble. Alienated lyrics. Soft-loud dynamics. Droning space-outs. All utterly "owned" by the Neurosis crew. This band just levels everything and everyone in their path!
This is one that will satisfy old school Neurosis fans and yet would be a perfect first-time Neurosis experience too. For instance -- although we can't imagine this is too likely! -- if there are any Jesu fans out there who haven't ever heard Neurosis, do yourself a favor and pick this up pronto!! Arguably their best album since 1999's classic Times Of Grace.
PS while supplies last, we've got a bonus dvd that comes with the cd... oh and also there WILL be a vinyl pressing, but it's not out yet.
MPEG Stream: "Given To The Rising"
MPEG Stream: "Fear And Sickness"
MPEG Stream: "Water Is Not Enough"

DAVIS, BETTY They Say I'm Different (Light In The attic) cd 14.98
Finally this essential slab of raw classic funk get the proper, deluxe, loving reissue treatment it always deserved. Most importantly, unlike some of the previous versions, this is absolutely legit, so all the money goes straight to Ms Davis.
New super fancy digipak packaging with extra photos and liner notes, a huge booklet, and fancy glittery metallic printing. And as if that weren't enough, there's even a bunch of bonus tracks!!For all aficionados of the Funk, here's cause for celebration! The long-awaited cd reissues of these early '70s albums by Betty Davis, ex-wife of Miles (famously, the subject "They Say I'm Different"'s second track, "He Was A Big Freak")! Betty belts out her lowdown lyrics over some super heavy funk grooves, kinda like a rawer version of Lyn Collins backed not by the JBs but by the swampier P-Funk band (or on s/t Sly Stone's kick ass rhythm section!). Betty doesn't hold back and her band does their best to match her attitude. Both records (her third, "Nasty Girl", still awaits an official reissue but should hopefully soon be making the scene) are the quote unquote bomb. The self-titled one is her 1973 debut, and features jams like "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name". Larry Graham's the bassist, and Neal Schon (!) appears on guitar. The follow-up, "They Say I'm Different", continued Betty's Afrodelic party, with guests Buddy Miles and others, and made the list of "100 Records That Set The World On Fire" in The Wire magazine a few years back. Tough, sexy funk classics unearthed, don't miss 'em!
The 4 bonus tracks on They Say I'm Different are previously unreleased rough mixes from the original sessions!
MPEG Stream: "Shoop-B-Doop And Cop Him"
MPEG Stream: "He Was A Big Freak"
MPEG Stream: "Your Mama Wants Ya Back"

DAVIS, BETTY s/t (Light In The Attic) cd 14.98
Finally this essential slab of raw classic funk get the proper, deluxe, loving reissue treatment it always deserved. Most importantly, unlike some of the previous versions, this is absolutely legit, so all the money goes straight to Ms Davis.
New super fancy digipak packaging with extra photos and liner notes, a huge booklet, and fancy glittery metallic printing. And as if that weren't enough, there's even a bunch of bonus tracks!!For all aficionados of the Funk, here's cause for celebration! The long-awaited cd reissues of these early '70s albums by Betty Davis, ex-wife of Miles (famously, the subject "They Say I'm Different"'s second track, "He Was A Big Freak")! Betty belts out her lowdown lyrics over some super heavy funk grooves, kinda like a rawer version of Lyn Collins backed not by the JBs but by the swampier P-Funk band (or on s/t Sly Stone's kick ass rhythm section!). Betty doesn't hold back and her band does their best to match her attitude. Both records (her third, "Nasty Girl", still awaits an official reissue but should hopefully soon be making the scene) are the quote unquote bomb. The self-titled one is her 1973 debut, and features jams like "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name". Larry Graham's the bassist, and Neal Schon (!) appears on guitar. The follow-up, "They Say I'm Different", continued Betty's Afrodelic party, with guests Buddy Miles and others, and made the list of "100 Records That Set The World On Fire" in The Wire magazine a few years back. Tough, sexy funk classics unearthed, don't miss 'em!
The Three bonus tracks here are all unreleased, "Come Take Me", "You Won't See Me In The Morning" and "I Will Take That Ride"!! Ooooh yeah!
MPEG Stream: "Anti Love Song"
MPEG Stream: " Game Is My Middle Name"
MPEG Stream: "Come Take Me"

JODOROWSKY, ALEJANDRO The Films Of Alejandro Jodorowsky: Fando Y Lis, El Topo, The Holy Mountain (Anchor Bay) 4dvd/2cd 49.00
Visionary cult cinephiles get ready to drool! If you were as excited as we were about the recent reissue of Kenneth Anger's early films, then this incredibly packaged and affordable 4dvd+2cd box set of the early films of Chilean theatrical genius Alejandro Jodorowsky will surely make your head explode!!! Fando Y Lis! El Topo!!, HOLY MOUNTAIN!!!! Marvelously restored and beautifully remastered, there is so much amazing material here that has either never been available before, or only available previously as extremely hard to find poor quality transfers from mediocre prints.
AND there's more! This set also includes the absolutely killer SOUNDTRACKS to both El Topo and yes, Holy Mountain!!! The Holy Mountain Soundtrack has never been released before and it so totally kills, and why wouldn't it, Don Cherry is all over it! But more about that in a minute, there's also bonus features, interviews, deleted scenes, audio commentary, a documentary and a short film from 1957 that was presumed lost until it was found early last year.
So for those who may be unfamiliar with Jodorowsky's films, a bit of back story:
Born in Chile and struggling to become an actor, Jodorowsky became fed up with the idea of scripted theatre and moved to Paris to study mime. Working with the great mime, Marcel Marceau while at the same time influenced by the Surrealists, Antonin Artaud's Theatre of Cruelty, Jean Cocteau's mythical fantasias, and the European Art House cinema of Fellini and Bunuel, Jodorowsky relocated to Mexico to form the theatre troupe, The Panic Movement, which would stage early happenings (involving lots of nudity and rotting food) and existentialist plays by Ionesco, Beckett and Fernando Arrabel. It was Arrabel's play, "Fando Y Lis" that would inspire him to move away from the theatre into cinema, but far from any structured or direct form of filmmaking. Jodorowsky wanted to re-interpret Arrabel's play by filming it completely from memory and in a remote and ruggedly extreme locale. Here he would bring together all the soul-baring psyche of experimental theatre, the role-playing excess of costumes, props and pageantry, the ritualistic entanglements of violence and beauty as catalysts of transformation, and most importantly the notion of existence as a journey through all kinds of personal and mystical revelations both sacred and profane. All of these qualities permeate each of the three films here.
Ok, you get the idea. So let's just break it down for you, what you get from this awesome box set:
--Fando Y Lis (1968): Jodorowsky's first full length black and white feature started riots at its premiere at the Acapulco Film Festival and was banned in Mexico due to its violent sexual imagery and ritualistic mocking of church beliefs. Based on Arrabel's play about a pair of dysfunctional lovers (one impotent, the other paralyzed) in a Fellini-esque quest for the spiritual city of Tar.
Extras on this disc include the 1994 French documentary, La Constellation which features interviews with Marcel Marceau, Peter Gabriel (who was inspired by El Topo, when he wrote The Lamb Lies Down On Broadway), and the French sci-fi illustrator, Moebius, who began working with Jodorowsky on the failed attempt to film Frank Herbert's Dune, which sparked Jodorowsky's interest in graphic novels.
--El Topo (1970): The bloody surreal western that spawned the Midnight Movie. Funded by John Lennon and Yoko Ono, this film is like a Sergio Leone film on a serious dose of brown acid.
Extras include an interview with Jodorowsky about the Midnight Movie phenomenon.
--Holy Mountain (1973): The ultimate spiritual quest film. Jodorowsky takes us through every imaginable belief system only to completely shatter our preconceptions about spiritual enlightenment.
Extras include deleted scenes and commentary about Jodorowsky's continuing interest in the Tarot.
--La Cravate (1957): A 35 minute silent film in color based on Thomas Mann's The Transposed Heads about a girl who sells heads and the men who are her customers. This film was presumed lost until its discovery last year in someone's attic in Germany!
--El Topo Soundtrack: 18 tracks composed by Jodorowsky and John Barham inspired by both the soundtrack work of Ennio Morricone and Nino Rota. Full of flutes and droning horns, accordions and organs and twisted Mariachi styles.
--Holy Mountain Soundtrack: 24 tracks composed by Jodorowsky, Don Cherry and Ronald Frangipane. Ranging from spiritual free drones to acid rock to Moroccan desert jams to pensive marches to soft jazz and everywhere in between. There are even themes for each of the nine planetary characters. Such a wild, weird, and wonderful soundtrack and it alone is worth the price of admission.
Phew! So can you guess, that this is totally and absolutely recommended!!!!!!!!!!!!!!!!!!!!
MPEG Stream: "La Catedral De Los Puercos (The Pigs Monastery)"
MPEG Stream: "Vals Fantasma"
MPEG Stream: "Las Flores Nacen En El Barro (Flowers Born In the Mud)"
MPEG Stream: "Trance Mutation"
MPEG Stream: "Psychedelic Weapons"
MPEG Stream: "Baby Snakes"

DINOSAUR JR Beyond (Fat Possum) cd 13.98
Good ol' Dinosaur Jr.! Looks like Dinosaur Jr.! Sounds like Dinosaur Jr.! Yes, regardless of its title the band's first studio album in ten years -- and first with one Mr. Lou Barlow who left the band back in '89 -- doesn't venture far from their trademark sound of old. In fact, we might even attest to it being on par with any one of their most beloved records. Lofty praise, innit? File under: perfect-driving-in-car-record!
Perhaps taking a cue from a classic Mr. Show sketch, despite the infamous animosity amongst band members in the past, Lou, J and Murph use that tension to sing! Indeed they don't necessarily set their differences aside, but instead put that palpable friction to good use, coming together once more to rock as only they can! Bent and broken guitar chords butt into J's unmistakable sodden whimper vocals. Loud, cacophonous rough-housing meet some of the sweetest romantic sentiments often within the same song. Awwwww! Few other bands can alternately snuggle and sock you in the gut... and have you enjoy it. Just check out the lone song that was co-written by Mascis and Barlow (Mascis wrote the other ten). Damn good. Don't know if the guys like each other any more than they used to, but we sure have a soft spot for 'em. Heck, they even brought back their signature colors -- fuchsia and lime!
After so many disappointing reunion records recently (like, say, The Stooges) it's quite something that this one isn't just not-disappointing, but SO GREAT. Wow.
MPEG Stream: "Almost Ready"
MPEG Stream: "Lightning Bulb"

DINOSAUR JR Beyond (Fat Possum) lp 14.98
NOW ON VINYL!!
Good ol' Dinosaur Jr.! Looks like Dinosaur Jr.! Sounds like Dinosaur Jr.! Yes, regardless of its title the band's first studio album in ten years -- and first with one Mr. Lou Barlow who left the band back in '89 -- doesn't venture far from their trademark sound of old. In fact, we might even attest to it being on par with any one of their most beloved records. Lofty praise, innit? File under: perfect-driving-in-car-record!
Perhaps taking a cue from a classic Mr. Show sketch, despite the infamous animosity amongst band members in the past, Lou, J and Murph use that tension to sing! Indeed they don't necessarily set their differences aside, but instead put that palpable friction to good use, coming together once more to rock as only they can! Bent and broken guitar chords butt into J's unmistakable sodden whimper vocals. Loud, cacophonous rough-housing meet some of the sweetest romantic sentiments often within the same song. Awwwww! Few other bands can alternately snuggle and sock you in the gut... and have you enjoy it. Just check out the lone song that was co-written by Mascis and Barlow (Mascis wrote the other ten). Damn good. Don't know if the guys like each other any more than they used to, but we sure have a soft spot for 'em. Heck, they even brought back their signature colors -- fuchsia and lime!
After so many disappointing reunion records recently (like, say, The Stooges) it's quite something that this one isn't just not-disappointing, but SO GREAT. Wow.
MPEG Stream: "Almost Ready"
MPEG Stream: "Lightning Bulb"

TIMONY, M. BAND (MARY) The Shapes We Make (Kill Rock Stars) cd 14.98
Whoa, this first few songs on this new Mary Timony album sounds about as close to her old band Helium as it could possibly get. And in our opinion that is a mighty good thing because although we've appreciated her many solo flights of fancy into fantasylands filled with castles, wizards and unicorns, our hearts still pine for the good ol' college radio solid Helium. On The Shapes We Make, Timony slips easily into each of her different musical guises that she's assumed over the years. Medieval maiden, indie rock firecracker, piano parlor princess, woodland pixie, dissonant axe goddess... yes, she's been all of those and then some. This is one of her best, most well-rounded albums to date! Recommended for old fans and neophytes alike!
MPEG Stream: "Sharpshooter"
MPEG Stream: "Summer's Fawn"

BLONDE REDHEAD 23 (4AD) cd 13.98
While we were listening to this new Blonde Redhead we found ourselves musing about how they'd probably do a really great theme song for a James Bond or David Fincher movie. Dark, brooding and mysterious with a seriously palpable tension, 23 finds the band cementing its place at the meeting point between Sonic Youth and Radiohead. With a production that sounds much more sleek in a modern rock sort of way, there is no denying that despite the new gloss and freshly polished suit of sonic armor there still lies utterly great songs at the core of Blonde Redhead's sound. There are some moments where the band explores some totally new directions, like on the track "Silently" which sounds a lot like Abba covering the Four Seasons' "Too Good To Be True"... which is of course a very good thing! But overall, all the ingredients that made Blonde Redhead such a great band are still present. The swirling melodies, the sensuality, the lush arrangements. So while we still kind of wish Guy Piccoto (Fugazi) had worked his production magic on 23, we still can't help but be in head over heels in love with the sweepingly epic music of this amazing trio.
Comes with a ltd. edition 7" while supplies last!
MPEG Stream: "Silently"
MPEG Stream: "SW"
MPEG Stream: "23"

VALERIE AND HER WEEK OF WONDERS OST (B-Music / Finders Keepers) lp 27.00
Now available on vinyl!
Well, that just does it, doesn't it?! In case their existing catalog, which includes reissues of Selda, Jean-Claude Vannier, Yamasuki Singers, Mustafa Ozkent and Bruno Spoerri, didn't already do it, the Finders Keepers label's decision to release the soundtrack of this awesome early '70s Czech New Wave film (one of Cup's faves) totally confirms that they rule... or at least confirms that they share our taste in music and movies!
Now, we all know that a soundtrack can be an integral, transformative power in a film, no question, but when one can stand alone sans visuals it takes on a whole 'nother life. Needless to say, we're not talking about those recent lazily compiled nostalgia-button pushing collections of familiar pop songs. Seventies films and their soundtracks were a breed all their own. Valerie And Her Week Of Wonders is a perfect example.
A mesmerizing motif-heavy procession of flutes, tinkling bells, harpsichord, organ, and vocal interludes, Lubos Fiser's soundtrack contributes to the establishment and intensification of the nightmare / dream atmospheres of Jaromil Jires' film. At once lulling and unsettling, recurring timorous prepubescent choral incantations are startled by ominous organ exclamations. On its own, the melange of the carnivalesque, music box-y and chamber drones totally captures a distinctly haunting, pixie-dusted delirium.
Sound good? If so, you need this now, and of course see the film as soon as possible (it was recently released on dvd)! Definitely for those who were spellbound by the soundtracks to The Wicker Man (the original movie and not the recent Nicholas Cage remake!) or Suspiria. Yes, three very different works, but all equally affecting. Absolutely recommended!
MPEG Stream: "The Magic Yard"
MPEG Stream: "Brother And Sister"
MPEG Stream: "In Flames"

WARD, M. To Go Home (Merge) cd ep 4.98
M. Ward picked the dandy Daniel Johnston cover out of his last album Post War's song selection to be the title track of this new ep. The song features Neko Case on backing vocals and she reappears on the fourth tune here too -- the splendid cover of Jimmie Dale Gilmore's "Headed For A Fall" which also features the star-studded support of Jim James, Mike Mogis, and Nels Cline. It's one of those songs that you'd hope would never end, but it does and you can't help but press 'play' once more. Two other non-album tracks round out the ep with Howe Gelb also dropping in for "Cosmopolitan Pap". Wonderful!!
MPEG Stream: "Headed For A Fall"
MPEG Stream: "Cosmopolitan Pap"

WILLIAMS, LUCINDA West (Lost Highway) cd 15.98
Oooooh, we sorta feel like exclaiming, "Welcome back Lucinda!" We're gonna be completely frank... we were kinda scared (terrified!) to press 'play' on this one. In our humble opinionification, Lucinda Williams' recent track record has left something to be desired -- veering from over-produced AOR alt-country to live performances of near-hysteric roots rawkin' that blistered the tender ear canals like the coarsest sandpaper...ouch. BUT we did press 'play', and we're so happy that we did! Because West, her eighth album, is excellent! It reminds us why and how much we love her so. Such a stellar Americana songwriter, Williams is truly back in fine form. Few can capture the essence of hard luck and heart-sickness like she can with just her impassioned voice and guitar. Here we get that and so much more courtesy of a new collaboration and production union between her and Hal Willmer. Yes, surprising, refreshing and just darn great.
MPEG Stream: "Are You Alright?"
MPEG Stream: "Learning How To Live"
MPEG Stream: "Come On"

VALERIE AND HER WEEK OF WONDERS OST (B-Music / Finders Keepers) cd 15.98
Well, that just does it, doesn't it?! In case their existing catalog, which includes reissues of Selda, Jean-Claude Vannier, Yamasuki Singers, Mustafa Ozkent and Bruno Spoerri, didn't already do it, the Finders Keepers label's decision to release the soundtrack of this awesome early '70s Czech New Wave film (one of Cup's faves) totally confirms that they rule... or at least confirms that they share our taste in music and movies!
Now, we all know that a soundtrack can be an integral, transformative power in a film, no question, but when one can stand alone sans visuals it takes on a whole 'nother life. Needless to say, we're not talking about those recent lazily compiled nostalgia-button pushing collections of familiar pop songs. Seventies films and their soundtracks were a breed all their own. Valerie And Her Week Of Wonders is a perfect example.
A mesmerizing motif-heavy procession of flutes, tinkling bells, harpsichord, organ, and vocal interludes, Lubos Fiser's soundtrack contributes to the establishment and intensification of the nightmare / dream atmospheres of Jaromil Jires' film. At once lulling and unsettling, recurring timorous prepubescent choral incantations are startled by ominous organ exclamations. On its own, the melange of the carnivalesque, music box-y and chamber drones totally captures a distinctly haunting, pixie-dusted delirium.
Sound good? If so, you need this now, and of course see the film as soon as possible (it was recently released on dvd)! Definitely for those who were spellbound by the soundtracks to The Wicker Man (the original movie and not the recent Nicholas Cage remake!) or Suspiria. Yes, three very different works, but all equally affecting. Absolutely recommended!
MPEG Stream: "The Magic Yard"
MPEG Stream: "Brother And Sister"
MPEG Stream: "In Flames"

ANGER, KENNETH The Films Of Kenneth Anger: Volume One (Fantoma) dvd 24.00
Such a momentous occasion! Renegade American filmmaker and (oc)cult figure Kenneth Anger's early works have finally been released on dvd! Fans and disciples, you need squint through fuzzy faded VHS and 16mm copies no more. The five shorts were meticulously restored by the UCLA Film Archive, and the dvd features crisp, high definition transfers. Anger's films haven't looked this vivid in decades. Stunning! Works include Anger's debut Fireworks (a sailor fantasy / nightmare gay cinema classic from 1947); Puce Moment (a 1949 short which exudes the absolutely giddy glamour of early Hollywood); Rabbit Moon (a mesmerizing black and white dream from 1950) - the original 16-minute long version could easily be imagined as an alternate-universe mime scene from Marcel Carne's 1945 cinematic masterpiece Children Of Paradise; the mystical garden stroll of Eaux D'Artifice (1953); and last but not least Inauguration Of The Pleasure Dome (dripping with garish colors and bizarre bacchanalia, this film from 1954 was Anger's filmic launch point into the rites and mysticism of Aleister Crowley).
The dvd extras include extensive, frank commentary by Anger and rare outtakes from Rabbit's Moon. Indeed, Anger has long been known to go in and tweak his films years after their 'completion' -- changing music, re-editing scenes, adding, subtracting. Ardent, eagle-eyed fans will probably notice a few such cases on this dvd. And if that's not enough for you, there's also a big 48-page book filled with rare photos, stills, storyboard sketches, and an introduction penned by Martin Scorsese.

CYANN & BEN Sweet Beliefs (Ever) cd 15.98
Whoops, we didn't mean to list the import version of this last week, we forgot that the domestic would be here so soon... sorry! Here's it is, same album but much cheaper.
Parisian quartet Cyann & Ben continue their delicate steps through the shadows and glints of sunlight along dewy earthen paths. This music is transportive, shimmering with hushed guitar picking and whispery distant vocals; all embraced by blankets of drone. It's sort of the aural equivalent of being in a half-sleep state while gazing at the sky through draped layers of gauze. Visions shift and melt. It's at once intimate, grand and spacious. So dark yet so blissful. The album progresses at a slow creep, but as it does so, tensions mount with increasingly insistent electric guitar squalls. A stormy peak is reached at the seventh song "Let It Play" at which point all is stripped down to just voice and piano for the next song "Somewhere In The Light Of Time". If you dug Spring and Happy Like An Autumn Tree, this will delight you to no end. Fans of Low, Godspeed You Black Emperor, Mogwai, what are you waiting for? Wonderful!
MPEG Stream: "Words"
MPEG Stream: "Sunny Morning"
MPEG Stream: "Sweet Beliefs"

SWAN LAKE Beast Moans (Jagjaguwar) cd 14.98
If we can holler out an aQ Acid Mothers Temple alert (as we have numerous times over the last few years), then we sure can have an aQ Canada alert too, can't we?! So...
*Super duper Canada alert!*
*Super duper Canada alert!*
*Super duper Canada alert!*
If you dig the ornate poetic eccentricities of bands such as Destroyer and Frog Eyes, as well as the rambunctious playfulness of Wolf Parade and Arcade Fire, you'll get the best of both worlds on this new band's album. Go on, take a dip into this Swan Lake. We think you'll find it quite enjoyable. Our maple leaf sensin' antennae went up when we noticed just how much this band treads curiously along those other bands' peaks and meadows. And it's no wonder that the singing has such a strikingly similar soaring all-or-nothing emotiveness because... Swan Lake is Destroyer's Daniel Bejar, Frog Eyes' Casey Mercer and Wolf Parade's Spencer Krug! Yup, a new Canadian supergroup rears its Beast Moans. Inevitably it sounds as if Destroyer's Daniel Bejar took over vocal duties for Arcade Fire. We're by no means raising protest though 'cause the tuneful racket they raise is a genuine pleasure. Equal parts catchy and cryptic and really really good! Very very recommended!
MPEG Stream: "Widow's Walk"
MPEG Stream: "A Venue Called Rubella"

SWAN LAKE Beast Moans (Jagjaguwar) lp 13.98
If we can holler out an aQ Acid Mothers Temple alert (as we have numerous times over the last few years), then we sure can have an aQ Canada alert too, can't we?! So...
*Super duper Canada alert!*
*Super duper Canada alert!*
*Super duper Canada alert!*
If you dig the ornate poetic eccentricities of bands such as Destroyer and Frog Eyes, as well as the rambunctious playfulness of Wolf Parade and Arcade Fire, you'll get the best of both worlds on this new band's album. Go on, take a dip into this Swan Lake. We think you'll find it quite enjoyable. Our maple leaf sensin' antennae went up when we noticed just how much this band treads curiously along those other bands' peaks and meadows. And it's no wonder that the singing has such a strikingly similar soaring all-or-nothing emotiveness because... Swan Lake is Destroyer's Daniel Bejar, Frog Eyes' Casey Mercer and Wolf Parade's Spencer Krug! Yup, a new Canadian supergroup rears its Beast Moans. Inevitably it sounds as if Destroyer's Daniel Bejar took over vocal duties for Arcade Fire. We're by no means raising protest though 'cause the tuneful racket they raise is a genuine pleasure. Equal parts catchy and cryptic and really really good! Very very recommended!
MPEG Stream: "Widow's Walk"
MPEG Stream: "A Venue Called Rubella"

I'M ALAN PARTRIDGE Series 1 (Warner / BBC America) 2dvd 34.00
A-haaaaaa! Laughing is fun... and healthful too! We're quite partial to a hearty belly laugh now and then. And if you share our sense of humor -- which we're pretty sure many of you do (test questions: did you love the original BBC series The Office more than the US version? Are you becoming dangerously obsessed with Peep Show, the UK's version of Curb Your Enthusiasm?!)-- then you'll be doing lots of it too while watching this dvd which has finally been released domestically!
Stateside awareness of Steve Coogan, the British comic madman of many less than savory personas, has certainly grown significantly in the past year, mostly due to his prominent appearances in hip movies such as Tristram Shandy and Marie Antoinette. That said, this is the one and only Coogan domestic release that truly matters... at least where Cup is concerned. This dvd showcases Coogan at his best, most wickedly funny, most uncomfortable. It's amazing how completely immersed he is in this character. The title is no lie! We're talking about a remarkably fully realized, deceptively complex, alternately despicable and pitiful, genuine wince'n'cringe individual. It oozes from his pores, revealing itself in every word and mannerism, both conscious and unconscious.
The fictional story in a nutshell: Once upon a time, Partridge was a former TV variety show host (his program was called "Knowing Me Knowing You" -- yes, he has a thing for ABBA which in itself equals more brownie points with Cup) and news show The Day Today's sports reporter, but is now a small town early bird radio show DJ living in a motor lodge, and desperately in pursuit of his former 'glory'. Partridge vacillates between helpless, awkward manchild and horseblinder-ed arrogant wanker. But one thing is for sure, all that he does, he does with absolute conviction and determination with his own (distorted to everyone but himself) sense of logic -- regardless of (and oblivious to) the degree to which he may be making an appalling, insensitive ass of himself. His interactions with others, namely the small staff at the Linton Travel Tavern and his dutiful P.A. Lynn, are nothing short of priceless. One of the brilliant-est things about this show is that there's not only plenty of the 'holy shit, that's hilarious!' kind of moments, but also the gradual cumulative squirm that we find somehow ever so perversely irresistible. This is razor sharp, brutally frank, but equally subtle television comedy as only the Brits can do, and they've been doing it for years! Hard to believe that this series originally aired back in '97.
Stateside comedies simply can't touch 'em (and really should stop trying!), and invariably end up coming off as forced, trying too hard for shock value, and ultimately missing all of the key nuances. Really, the only American shows that have come anywhere close to this delicious discomfort are maybe Curb Your Enthusiasm and the ahead-of-the-curve Larry Sanders Show, and the latter's release on dvd got stalled at Season One... yeesh. Actually for those of familiar with the The Office (UK) and The Larry Sanders Show, think of this as the missing link between the two. Oooh! (or should that be "Ewww!") Doesn't that sound good? C'mon now, get "up with a Partridge!"

HOYSTON, JENNY AND WILLIAM WHITMORE Hallways Of Always (Southern) cd 11.98
As if she's not already plenty busy with Erase Errata and Paradise Island, Ms