FALCONER Northwind - Limited Edition (Metal Blade) 2cd 19.98
Andee hopped off the Falconer longboat/bus here, but Allan's still along for the Viking power metal ride. With their original, best vocalist back on the mic, it's another folky Falconer opus.

FALCONER s/t (Metal Blade) cd 15.98
Mithotyn, AQ's fave "Viking" black metallers after Enslaved, are sadly gone. Their last album, the magnificent (and silly) "Gathered Round The Oaken Table" was the perfect epic Norse sing-a-long disc, merging blackened-folk-metal riffing with cleanly-sung vocal hooks for some of the funnest, heaviest Viking fantasy toonage we've yet heard. But, their record label (Invasion) went under, and we haven't even been able to stock that now unavailable album for many months now. Sad. But, not all is lost. Mithoyn is dead, but long live Falconer! Guitarist and main composer Stefan Weinerhall, together with another ex-Mithotyn man on drums, have recruited a very capable non-black metal vocalist for this new project. The result is something that they're obviously been striving towards for years: Viking-tinged '80s-style power metal, with only echoes of Weinerhall & Co.'s black metal past. The music is easily as heavy as that of their previous band, but with 100% melodic, soaring vocals (not unlike ex-Candlemass singer Messiah's lower register efforts). And the songwriting is even catchier, more "rock n' roll" -- like a combination of Mithotyn and, say, Maiden or Riot. Waaaay better than most current Euro power-metal troupes, 'cause it's actually POWERFUL. Medieval, folky passages, guitar heroics, majestic singing, righteous metal riffery: for this sort of thing nowadays, you can't go wrong with Falconer. Recommended. (And, we still have Mithotyn's 2nd album, "King Of The Distant Forest", which comes from a darker, blacker point in their career, but is equally brilliant.)
RealAudio clip: "Upon The Grave Of Guilt"
RealAudio clip: "Heresy In Disguise"

FALCONER The Sceptre of Deception (Metal Blade) cd 14.98
Falconer's third is another solid power metal album from the medieval-minded Stefan Weinerhall (ex-Mithotyn) and company. And it's really a more ambitious effort than their others, as it's a concept album based on some rather obscure (to us) history, telling a complex and detailed story of political scheming for the Swedish throne circa 1290! As always, we're big fans of Weinerhall's triumpant songwriting and distinctive heavy metal guitar tone, but just a little disappointed that Falconer now has a new singer. Actually, though, he's not too different from the original guy so I'm sure we'll get used to him.
MPEG Stream: "The Coronation"

FALKNER, JASON Bliss Descending (Wreckchord) cd ep 10.98

FALKNER, JASON Can You Still Feel? (Elektra) cd 15.98
Perfect pop material from this ex-Jellyfish member. For fans of Zumpano, Zombies, Beatles.

FALL A Past Gone Mad: The Best Of The Fall 1990 - 2000 (Artful) cd 30.00
"A Past Gone Mad" attempts to encapsulate the most confusing period of The Fall's history, marked by NME's 'reporting' on the turbulence surrounding Mark E Smith's drunken behavior, all of the sacked drummers, and self-destructing live shows. As a good portion of The Fall records from the '90s have escaped our ears, this is a solid (if painfully expensive) compendium of one of the most uncompromising personalities ever.

FALL Samozalracenie (Temple Of Torturous) cd 10.98

FALL OF THE BASTARDS Dusk Of An Ancient Age (Kreation Records) lp 14.98

FALL OF THE GREY WINGED ONE Aeons Of Dreams (Supernal) cd 15.98
This was an unexpected surprise. We ordered a bunch of these just on the strength of it being a new release on Supernal, the label that brought us the mighty Benighted Leams, as well as Meads Of Asphodel, Drudkh, Dark Ages, Hate Forest, we could go on. So we threw this on expecting some sort of demented damaged grim black metal, but instead discovered that this was in fact a colossal slab of hellishly heavy deathdoomdronedirge!
It takes a lot for us to get SUPER excited about another doom dirge record, it's a lot more than just tuning your guitar down and letting it go, and in fact this is not so much the sonic analogue of groups like Sunn 0))) or Noisegate or Earth, instead, FOTGWO takes the same elements and turns them into something much more fierce, much more aggressive, and somehow much heavier.
Three songs, one hour, of crumbling super distorted dronescapes, a suffocating avalanche of slow motion sound, waves of impossibly distorted guitar spread out like a viscous black sea, while huge simple pounding beats drop through the murk occasionally, like empty steel containers being dropped from a crane onto concrete. A dark sort of industrial droneworld, ominous and foreboding. The centerpiece of the record though is the 40+ minute title track, in which the crumbling crush of the opening salvo is pushed to the background, a distant din of swirl and churn, a rough sea of vicious distorted guitar and roiling low end, while in the foreground, abstract melodies are played out by soft swells of clean guitar and what sounds like chimes or bells. So strangely dark and lovely, so beautiful yet pants shittingly frightening. The track wavers between delicate ambient drone and a twisting tangle of low end guitar that sounds like the revving of a million motorcycles slowed waaaaaay down. The final track is a ravaged wasteland of industrial pummel, ominous tolling bells and creepy haunting drifts of mournful melody beneath some of the meanest grinding buzz and reverberating crunch we've ever heard.
Fall Of The Grey Winged One have definitely pushed the whole doomic dirge sound to a completely new level, existing in a dark and dangerous, skull splittingly brutal sonic world, where no others dare to tread.
Strange purple and black, 3-D geometric artwork, that barely hints at the gorgeous malevolence inside.
MPEG Stream: "Hate Me"
MPEG Stream: "Aeons Of Dreams"

FALL OF THE IDOLS The Seance (I Hate Records) cd 16.98
Another plush, ploddering platter for all you doominoids out there... it's the furthering of Fall Of The Idols from Finland, members in good standing of the "Circle Of True Doom" founded by Reverend Bizarre (R.I.P.). A sophomore set consisting of seven downer dirges, slow and slumbersome, lumberingly lethargic - and also quite lovely, if classy, classic doom is yr thing. The Seance is a fine followup to Womb Of The Earth, their previous effort on I Hate Records. As before, the cleanly-sung, sometimes sort of chantlike vocals are a large part of this band's gloomy glory, emboldened by massive, majestic marble riffage and anthemic melody. So deep it is to weep. Imagine a mix betwixt Pentagram and Katatonia, that's the sorrowfully Sabbathy spirit this seance has channelled. The relatively uptempo trudge of track three, "At The Birth Of The Human Shadow", makes it stand out as the rocker of this batch, with the other songs all even more of a smoothly slo-mo, gothic grind taken to an exhausted, exalted extreme. Well done.
MPEG Stream: "Nosophoros"
MPEG Stream: "The Conqueror Worm"

FALL OF THE IDOLS Womb Of The Earth (I Hate Records) cd 16.98
Here's another heavy one from a label that all doom-heads should pay attention to, Sweden's oh-so-positive I Hate Records, who recently brought us the latest from Burning Saviours and Gates Of Slumber, among others. Finland's wonderfully gloomy Fall Of The Idols play slow and lumbering, classic doom with tons of feeling. This debut album of theirs is a downer trip all right, supremely mournful, sunken into depression, like old Candlemass on Quaaludes. It's melancholic and miserable, and somehow melodically peaceful too. The plodding, repetitive guitar riffs and martial drumming (punctuating stretches of spacey quietude), along with the molasses-thick production, help produce this band's hypnotic aura of doom, but what's most crucial are the wretchedly, wrenchingly emotive vocals. The singer reminds us of Pentagram's Bobby Liebling just a bit, but deeper, dronier, and more chant-like, singing of such things as "when heart dies and soul is torn" and "drifting through the blizzard, wondering how lonely you've become"... In addition, the occasional use of acoustic guitars and uptempo attacks of metallic chug, vary the album nicely. But overall, with this one, you're simply doomed, doomed, doomed. For fans of fellow Finns Reverend Bizarre, and also early Cathedral, early Trouble, and maybe even CoC's Blind... A class act.
MPEG Stream: "Sown Are The Seeds Of Doom "
MPEG Stream: "Atonement For The One"

FALL OF TROY, THE Manipulator (Equal Vision) cd 14.98

MPEG Stream: "Cut Down All The Trees And Name The Streets After Them"
MPEG Stream: "The Dark Trail"
MPEG Stream: "Quarter Past"

FALL OUT BOY Folie A Deux (Island) cd 15.98

FALL OUT BOY From Under The Cork Tree (Island) cd 15.98
This crazy gushing review was written LONG before these guys became so ubiquitious, and were still to a certain degree, slightly outside the mainstream, just sayin'...
The one thing we sometimes really miss after having worked in record stores for years, is that momentary thrill of walking into a store and discovering some band you love has a new record! Hardly ever happens anymore. It's our job to know what's coming out and when, so most of the time we know weeks or months before any record comes out. However, I (Andee) recently had that experience with this very record. That little adrenaline thrill that we were missing so much! If you're an avid reader of the AQ list you may have noticed my massive and gushing review of the last Fallout Boy record, and it's constant presence on my top 10 lists, since the last Fallout Boy record, Take This To Your Grave, holds the distinction of being my most listened to record for the last two years. Seriously, we're talking EVERY DAY. No matter what I was obsessing about that week, some black metal record, or some weird drone thing, I'd always go back to FB at some point. So you can imagine how geeked I was to discover they had a new record. The other surprising thing about this record, is that it debuted at number 9 on the Billboard chart. Holy crap! I can't remember the last time one of my favorite new records was on the Billboard chart AT ALL, let alone in the top 10! But hell, as we've said many times before, we definitely can't complain when songs and bands we like start infiltrating the mainstream. That said, this IS a pretty mainstream sounding record. Big indie emo metallic power pop. But the thing is it's great! Heavy and catchy and immediately memorable, but weird enough that it doesn't get old, even after listening to it multiple times every day, like I've been doing for the last two weeks! Even Jason, who works right across from me and who doesn't necessarily like this kind of stuff, has been forced to hear this record every day as well, and decided he dug it almost immediately. Which is definitely saying something. The first FB record was power-pop-punk in metal clothing. Huge chugging guitars wrapped around perfect pop hooks. Hardcore kids into metal but with hearts of pop and top notch songwriting, fun and funny and complex and practically perfect. This new one tones back the metal guitars just a bit, but makes up for it with much more varied songwriting and even catchier songs. Yep. I didn't think it was possible, but the songs on From Under The Cork Tree are indeed even better and catchier than the songs on Take This To Your Grave, which, had you asked me a few months ago I would have declared, in the voice of Ralph Wiggum, to be UN-POSSIBLE! Totally kick ass, melodically complicated heavy power pop, with complex parts, amazing hooks, weird lyrics and funny song titles ("Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued", "Champagne For My Real Friends, Real Pain For My Sham Friends", "I Slept With Fall Out Boy And All I Got Was This Stupid Song Written About Me"). It's always hard for me to describe a record I like this much. I just want to shake people and yell "Buy this record! Don't ask why! These songs are stuck in my head constantly! It's so good! I don't know why exactly, but I have to listen to this ALL the time! You will LOVE this record!" So, that's it I guess. Consider yourself shook!
MPEG Stream: "Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued"
MPEG Stream: "I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me"
MPEG Stream: "Of All The Gin Joints In All The World"

FALL OUT BOY Infinity On High (Island) cd 16.98

MPEG Stream: "Thriller"
MPEG Stream: "The Take Over, The Break's Over"
MPEG Stream: "This Ain't A Scene, It's An Arms Race"

FALL, THE 50,000 Fall Fans Can't Be Wrong: 39 Golden Greats (Beggars Banquet) 2cd 14.98
Yeah, it's another Fall compilation, and let's get the bitching out of the way first. Probably about half of that Totally Wired compilation of The Fall's Rough Trade days is also found on 50,000 Fall Fans. Everybody is going to find something about this compilation (or The Fall in general) to complain about... but complaining *is* the art of The Fall. With The Fall, you get plenty of sarcasm, misanthropy, bile, animosity, and seething cynicism delivered without any inhibition thanks to a drunken buzz that ringleader Mark E. Smith has kept going for a good part of three decades. Nevertheless, this double disc set is as close as you can get to a "greatest hits" album from The Fall. It is a compendium of The Fall's more listenable facets, with a good number of the ramshackled post-punk crashes from the early Rough Trade albums through the self-indulgent bombast of the Beggars Banquet days in the mid-'80s through their recent work which occasionally flirts with the glories of their past work. If you don't own any Fall albums, this is the perfect place to start!
MPEG Stream: "C.R.E.E.P."
MPEG Stream: "Telephone Thing"

FALL, THE Are You Are Missing Winner (Cog Sinister) cd 21.00
Mark E. Smith sounds like a drunken Howard Cosell, as he continues down the sad path of self-parody. Unlike last year's exceptional "The Unutterable", this record confirms that, unless you're helplessly obsessed, you'll never need to buy a new Fall record.
RealAudio clip: "Kick the Can"
RealAudio clip: "The Acute"

FALL, THE Backdrop (Cog Sinister) cd 15.98
Collection of rarities, rehearsals, live recordings and 7"s from The Fall's extensive archives. Some never before released stuff on this. Tracks here span from 1977 to 1989.

FALL, THE Dragnet (Cog Sinister) cd 15.98
Reissue of this classic 1979 Fall album. Their second LP.

FALL, THE Fall Heads Roll (Narnack) cd 14.98
Finally, the new Fall album! Here reviewed by David Katznelson, AQ pal, Birdman head honcho, and full-on Fall fan.
There is a definite Chicken and Egg thing going on here with this new digital slab of brilliance: who came first, The Fall or The Country Teasers? The Fall did, obviously (for those who got that wrong, go to the back of the class), while the Teasers have based an entire career on their shoulders. But the first track on Fall Heads Roll has a slow slow fucked up country bent engaging past Fall nuggets like Repetition with an added cough syrup quality that is very Teasers-esque. The rest of the album twists into a pure guitar-driven riff-tiffic sonic assault. Included in the set is a great high-anxiety cover of The Move's "I Can Hear The Grass Grow". And then there's the question of where the hell does Mark E still get the energy to kick out these jams? Surely, the drugs cannot have the same affect they did 30 years agoÉWHERE IS HIS DORIAN GRAY PAINTING HANGING, waiting to be stabbed to shreds?
Regardless of the answers, Heads Will Roll is one of the strongest Fall records to date, adding to a killer legacy that includes Dragnet, In A Hole, Live At The Witch Trials and of course the recently released The Complete Peel Sessions [reviewed by Dave elsewhere on this list]!
MPEG Stream: "Ride Away"
MPEG Stream: "I Can Hear The Grass Grow"

FALL, THE Fall In A Hole + (Cog Sinister) 2cd 14.98
"Fall In A Hole" is the live album recorded by a young Chris Knox during the band's 1982 New Zealand tour. That means this is vintage Fall, raw and amazing! Includes classic songs such as "Marquis Cha Cha," "The Man Whose Head Expanded" and "Prole Art Threat." The vinyl of this has long been hard to find-- originally 1,500 copies pressed on double vinyl, "Fall in a Hole" never got distributed in the UK because Mark E. "the Fall is me and your grandma on bongos" Smith freaked out that a picture of guitarist Marc Riley (who was booted out of the band right after the tour) was on the cover, leading to a claim that the album was an unauthorized bootleg. The cd version adds a few extra tracks. Warning: the original 4-track reel-to-reel recording definitely sounded, uh, live, and this cd is taken from a vinyl copy as opposed to the original tapes, which spells less-than-ideal fidelity. Still worth having for the snotty, brainy, punk as hell energy documented.

FALL, THE Grotesque (Cog Sinister) cd 15.98
"Grotesque" is the 1980 album by the legendary Manchester art-punk band The Fall, who have always been and will always be fronted by Mark E. Smith. Of course, the snarling half-sung / half-cracked vocals of Mr. Smith are central to "Grotesque," swimming drunkenly in acerbic cynicism and alcoholic bitterness about the ugly state of affairs of English society. Behind Smith, the rest of the band (Craig Scanlon, Marc Riley, and the Hanley brothers) matches the intense vitriol of their vocalist's rantings, with a ramshackle collision of thuggish basslines, scratchy rockabilly guitars, and primitive yet effective percussive grooviness. Though coming out of the Fall's raw, shambolic earlier years, "Grotesque" contains a slight glimmer of the pop accessibility later realized in the Brix Smith years, which might endear this album even to those who are convinced that "This Nation's Saving Grace" and not, say, "Dragnet" is Mark E. & company's pinnacle acheivement.
RealAudio clip: "Pay Your Rates"
RealAudio clip: "New Face In Hell"
RealAudio clip: "The N.W.R.A."

FALL, THE Imperial Wax Solvent (Sanctuary) cd 12.98

FALL, THE It's the New Thing! (Castle / Sanctuary) cd 14.98

FALL, THE Live 1977 (Cog Sinister) cd 15.98
Previously unreleased live set dating way back to 1977. No info on where it was recorded, but probably made somewhere near their home town of Manchester.

FALL, THE Live At The Knitting Factory - L.A. - 14 November 2001 (Hip Priest) cd 13.98

FALL, THE Liverpool 78 (Cog Sinister) cd 15.98
As the title implies, this is a recording of The Fall made in Liverpool in 1978. That was easy. 12 tracks of a very oddly recorded set. Not exactly just lo-fi, because you can distinctly hear Mark E Smith's moaning on each track. And the bass is fairly loud just under him, but the guitars sound like their down the hall, just outside the bathroom door. And the drums? Well, sometimes you can hear them, sometimes you can't... At all. Pretty darn punk rock and historical.
RealAudio clip: "Two Steps Back"

FALL, THE Marshall Suite (Artful) cd 22.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

FALL, THE Marshall Suite (Artful) lp 22.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

FALL, THE Reformation Post T.L.C. (Narnack) cd 14.98
We're sitting on the fence about this one. Fretting about which is worse -- the cd's album cover photo (which features Mr. Smith's latest crop of gawky teen bandmates... ok, that's sort of an exaggeration) or the music contained within! With his admirably (and maddeningly) willful, prolific music career closing in on three decades, does Mark E. Smith get some slack cut with regards to the follow-up to his great 2005 album Fall Heads Roll? That would follow the line of thinking that everyone's bound to have an occasional stinker in a body of work that immense.
Or on the other hand, does he finally get cut off because anyone with his esteemed track record and tough-love'd yet still rabid fans should have better judgment than to release an album this indigestible. Sure The Fall's musical confrontations are seldom a pretty sight, but... this is gawdawful... at least on sober ears. Maybe after we've dulled our senses with a few pints we'll see things differently. Either way, we're sure Mark E. Smith could care less 'bout what we think. File under 'for masochistically diehard fans only'.
MPEG Stream: "Fall Sound"
MPEG Stream: "Insult Song"

FALL, THE Reykjavik [Austusbaejarbio] (Cog Sinister) cd 15.98
This live recording, made in Reykjavik, Iceland in 1983, was voted the best "unofficial" live Fall recording by the Fall's fan club members. Now it's here for you, made official by Cog Sinister and remastered to boot.

FALL, THE The Complete Peel Sessions 1978-2004 (Sanctuary) 6cd 67.00

FALL, THE The Complete Peel Sessions 1978-2004 (Castle / Sanctuary) 6cd 67.00
Besides the Sun City Girls, Guided by Voices (in the nineties) and Elton John (in the early seventies) few artists have been as prolific as The Fall. Legendary radio man/music enthusiast/art supporter John Peel once mused that the only thing he feared about death, was that he would miss the newest Fall release. Point blank: HE LOVED THE FALL. And since his BBC weekly radio show always featured a live recording by a band of his choice, he showed his love by featuring The Fall more than any other band EVER. For over 25 years he had The Fall on his show more than the Undertones, more than T-Rex (and everything Marc Bolan), more than any other band. And what's so interesting about The Fall, is that there are so many different versions of the band within that quarter century, shifts in lineup, sound, outlook, but always remaining obviously and distinctly The Fall: the early years, the Brix years, the post Brix "disco" years, the return to form yearsÉ and yet, with every era, Peel was able to capture a rawness and immediacy that, in a way, defined the band better than any of their recordings. Thus, this relatively inexpensive six CD set with 47 page booklet is a true treasure. Not all the hits are re-recorded here, but each and every version of the band is represented and the sessions scream off of each cd with a freshness that will certainly and permanently convert any non-Fall enthusiast and cause any and all Fall enthusiasts to stay indoors listening for the next month or two. Beware...some of the versions of your favorite Fall songs are blissfully extended and completely twisted and there just may be some songs you have not heard elsewhere. This box set is a must-have item (right up there with the Stooges' Funhouse Box).

FALL, THE The Real New Fall LP, formerly Country On the Click (Narnack) cd 14.98
Well, The Real New Fall LP may still be the most recent recording as of the summer of 2004, although all of the recordings date back to 2003 when this record came out briefly on the British label Action Records. Narnack definitely scored pretty big in signing The Fall to their roster of fiesty art-punk bands such as The Coachwhips, Erase Errata, XBXRX, and Intelligence. Given that the Action release got marginal distribution at best, The Real New Fall LP still qualifies as the real new Fall record... until of course, Mark E. Smith sacks everybody in the band, goes on another two week bender, and finds another group of bright-eyed fanboys to abuse into recording another record. As the recent output from The Fall has been a bit of yawn, The Real New Fall LP is a very welcome return to what The Fall should be: a scaldingly great art-rock band that happens to back the one and only Mark E. Smith. Here, Mack truck guitar riffs battle with overblown organs, low-slung basslines, and jaunty rhythms while Mark E. Smith mumbles about his recent failed attempts at touring the US, his fucked up love affairs, and anything else that pisses him off. Easily the best Fall album in over a decade!
MPEG Stream: "Green Eyed Locoman "
MPEG Stream: "Sparta 2"

FALL, THE The Real New Fall LP, formerly Country On the Click (Narnack) lp 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Well, The Real New Fall LP may still be the most recent recording as of the summer of 2004, although all of the recordings date back to 2003 when this record came out briefly on the British label Action Records. Narnack definitely scored pretty big in signing The Fall to their roster of fiesty art-punk bands such as The Coachwhips, Erase Errata, XBXRX, and Intelligence. Given that the Action release got marginal distribution at best, The Real New Fall LP still qualifies as the real new Fall record... until of course, Mark E. Smith sacks everybody in the band, goes on another two week bender, and finds another group of bright-eyed fanboys to abuse into recording another record. As the recent output from The Fall has been a bit of yawn, The Real New Fall LP is a very welcome return to what The Fall should be: a scaldingly great art-rock band that happens to back the one and only Mark E. Smith. Here, mack truck guitar riffs battle with overblown organs, low-slung basslines, and jaunty rhythms while Mark E. Smith mumbles about his recent failed attempts at touring the US, his fucked up love affairs, and anything else that pisses him off. Easily the best Fall album in over a decade!
MPEG Stream: "Green Eyed Locoman "
MPEG Stream: "Sparta 2"

FALL, THE The Wonderful And Frightening (Beggar's Banquet) 4cd box 27.00

FALL, THE The Wonderful And Frightening (Beggar's Banquet) 4cd box 27.00

FALL, THE The Wonderful And Frightening World Of The Fall (Beggars Banquet) lp 14.98

FALL, THE The Wonderful And Frightening World Of The Fall (Beggars Banquet) lp 14.98

FALL, THE This Nation's Saving Grace (Beggars Banquet) lp 14.98

FALL, THE This Nation's Saving Grace (Beggars Banquet) lp 14.98

FALL, THE Totally Wired (Earmark) 3lp 32.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
A gorgeous triple lp reissue in a nice thick sleeve and on 180 gram virgin vinyl! As we said previously about the double cd version of this that is also currently available, this is an ABSOLUTELY ESSENTIAL collection of cerebral low-brow art punk masterpieces. These tracks are culled from the tumultuous Rough Trade years (1980-83), when every record The Fall put out was a work of total genius. "Totally Wired" has almost every track from the "Palace of Swords Reversed" lp, which compiled their early singles, but includes album tracks from "Grotesque" and "Perverted By Language" as well. This era was the high point of Mark E. Smith's merciless skewering of the english language and English culture, perfectly backed by brilliantly ramshackle pop deconstructions. Single riff mastery, early keyboard dickery, anti-imperialist ranting, time travelling tales, primitively demented but danceable bass lines-- all part of The Fall's impeccable post-punk package. "Totally Wired" is by no means a comprehensive look at The Fall's massive recorded outlook, or even at their early years ("Dragnet" and "Live at the Witch Trials" are two great records from before they were on Rough Trade), but damn if it doesn't have a giant chunk of their very best songs. Mark E. may still drag himself around making mediocre records, but let that not muddy the legacy of The Fall. This stuff is just too fucking amazing!
RealAudio clip: "Rowche Rumble"
RealAudio clip: "Pay Your Rates"

FALL, THE Totally Wired: The Rough Trade Anthology (Castle / BMG) 2cd 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
ABSOLUTELY ESSENTIAL double-disc collection of cerebral low-brow art punk masterpieces. These tracks are culled from the tumultuous Rough Trade years (1980-83), when every record The Fall put out was a work of total genius. "Totally Wired" has almost every track from the "Palace of Swords Reversed" lp, which compiled their early singles, but includes album tracks from "Grotesque" and "Perverted By Language" as well. This era was the high point of Mark E. Smith's merciless skewering of the english language and English culture, perfectly backed by brilliantly ramshackle pop deconstructions. Single riff mastery, early keyboard dickery, anti-imperialist ranting, time travelling tales, primitively demented but danceable bass lines-- all part of The Fall's impeccable post-punk package. "Totally Wired" is by no means a comprehensive look at The Fall's massive recorded outlook, or even at their early years ("Dragnet" and "Live at the Witch Trials" are two great records from before they were on Rough Trade), but damn if it doesn't have a giant chunk of their very best songs. Mark E. may still drag himself around making mediocre records, but let that not muddy the legacy of The Fall. This stuff is just too fucking amazing!
RealAudio clip: "Rowche Rumble"
RealAudio clip: "Pay Your Rates"

FALL, THE Touch Sensitive (Castle / Sanctuary) 5cd 46.00

FALL, THE Unutterable, The (Eagle Records) cd 21.00
"The Unutterable" is the 41st or 43rd album from The Fall, a band that refuses to quit. That unstoppable nature of The Fall is certainly based on Mark E. Smith's assertion that The Fall could be any band (including your grandmother) as long as he's singing. For this incarnation of The Fall, Smith has acquired the most focused outfit around him... which is surprising, considering the latest US tour decimated the ranks of the band. The music is tight, dark, and guitar driven sounding like a better produced version of what you'd expect from the '78 punk sound of Gang of Four, Buzzcocks, and of course The Fall. Smith is still drunk, and sounds just as incomprehensibly cryptic as ever. He's going on and on about Oprah and Libyans, or something. Does content really matter to The Fall anyway?
RealAudio clip: "Sons of Temperance"
RealAudio clip: "Two Librans"

FALLOUT BOY Take This To Your Grave (Fueled By Ramen) cd 12.98
Here Andee gushes about his favorite record of the last couple years, one that he put on his top ten list the last two years (much to Allan's chagrin) even though it came out in 2003, and a record that we have somehow never gotten around to reviewing, until now.
I have no idea how to review this record. I absolutely love it. It is the only record that I have consistantly listened to almost every day, for the last two years. I never get sick of it. I always defend it as a guilty pleasure, sort of sheepsihly admitting to my obsessive love of this record, but the more and more I listen to it, the more I'm not so sure it's a guily pleasure after all. But before you go any further, answer this question: do you love the Posies, the Get Up Kids, Sloan, Weezer, The Stereo, Reggie And The Full Effect? If the answer is yes, continue on, and let me tell you about another record you ABSOLUTELY MUST OWN. If the answer is no, then what the heck is wrong with you??? Seriously... um, no, sorry, in that case, well, there's plenty of other stuff you could be checking out, so you are hereby dismissed. But those of you who did indeed answer yes, and who like your pop of the power variety, and love complex harmonies and unforgettable hooks and kick ass guitars, well, then let me tell you about Fallout Boy.
To my ears, this is the perfect mix of metal and pop. Like a metalcore pop record. The guitars are HUGE and crunchy and super metallic, but they are playing totally catchy melodies, intricate harmonies all over super dynamic start stop arrangements. And the vocals are totally perfect, high and clean and soaring, lots of harmonies there too, very emo sure, but the whole thing is just totally massive, heavy, emotional perfect pop. Easily my favorite 'pop' record since the Stereo. One of our 'pop' customers thought this sounded too "boy", but that's part of the appeal, if by "too boy" he meant TOO METAL. Then maybe it is. It is kind of metal, you can totally tell these guys grew up on metal as well as pop. It's heavy and relentless, and epic and CATCHY AS FUCK. We went and saw Coheed And Cambria a while back, and the whole crowd bounced along and sang along to EVERY song. It was insane. And C&C are pretty proggy and weird, so I can only imagine how nuts kids must go at a Fallout Boy show. Anyway, if you're not sold by now, not sure what else I can do. Listen to the three sound samples. The ultimate metal-pop one-two-three punch. The most perfect three song opening to a record I can remember.
Ahhhh. Ok. I feel a whole lot better. No more guilt at all. I LOVE this record. And I'm gonna go home and listen to it again. And again.
MPEG Stream: ""Tell That Mick He Just Made My List Of Things To Do Today""
MPEG Stream: "Dead On Arrival"
MPEG Stream: "Grand Theft Autumn / Where Is Your Boy"

FALLS OF RAUROS The Light That Dwells In Rotten Wood (Bindrune) cd 12.98
Latest full length (#3) from this US black metal band, who hail from deep in the woods of Maine, and whose lyrical focus seems to be nature, and man's eternal struggle to find his place in it. In fact, according to Encyclopedia Metallium, the band describe their music as "North Appalachian Heathen Black Folk Metal" and firmly believe in "returning the world to a pre-Christian time", and they include a quote in the liner notes from Henry David Thoureau from his The Maine Woods. And sonically, it's probably just what you might imagine, epic and sprawling and melodic, the songs majestic and multi-parted, the guitars buzzy and blackened, but just as likely to unfurl glorious spiraling melodies, to soar and shimmer, the band building their expansive folk metalscapes gradually, the slow build adding a post rock element to the sound that only makes it that much more epic. One thing they do that's super distinctive is occasionally during the folky acoustic bits, is to have the drummer play crazy beats, it's a strange, but very appealing hybrid, flurries of double kick blast beats beneath otherwise darkly contemplative folk music. But the core of their sound is epic black buzz, and these guys definitely are masters, weaving all manner of mournful melody into these gorgeous expanses of minor key black buzz, just check out "Banished" about 4 minutes in, the song shifts and becomes impossibly catchy and melodic, the harmonized leads so perfect, and most of the tracks feature some sort of lead guitar, which definitely adds a super melodic element to the otherwise often quite grim and black proceedings.
For a folk metal band, FoR do seem to keep their metal and folk separate for the most part, leaving the acoustic guitars and folky flutter, for intros and interludes, they do occasionally deftly weave some of that folkiness into their black buzz, but unlike lots of cheesy folk metal bands, FoR make that hybrid just add more power and energy and emotion to the sound, nothing cheesy about it at all. There are definitely shades of Seidr, Drudkh, Agalloch, Wolves In The Throne Room, Wodensthrone and other nature minded black metal hordes, but FoR definitely make this sound their own, an epic powerful melodic sonic majesty that few bands could hope to match. WAY recommended.
MPEG Stream: "Earth's Old Timid Grace"
MPEG Stream: "Banished"
MPEG Stream: "Silence"

FALSE Untitled (Howling Mine / Gilead Media) lp 14.98
First we've heard from this American black metal outfit, and it's a doozy, two 12+ minute tracks of epic, progged out, subtly symphonic, synth laden black buzz, that melds classic old school Scandinavian style BM with more modern post black metalisms, fans of groups like Ash Borer, Fell Voices and even Wolves In The Throne Room will find much to dig here. The first side, "Sleepmaker", is a tangled furious relentless sprawl of black metal, liberally infused with distinctly un-black metal like melodies, giving some of the parts a post rock vibe, but the buzz and blast really never lets up, keeping even the post rockier bits plenty blackened, the sound soaring and epic, slipping easily from gnarled churn to frantic majestic blast and back again. There are LOTS of parts, weird psychedelic mathy workouts, woozy tripped out almost folky interludes, there even seems to be some piano in there (in addition to the swirling synths that seem to subtly underpin the whole record), and some grinding blackened noise rock, but all woven into something definitely black metal, which we would imagine where the band name comes in, beating true grim black metalheads to the punch by already declaring themselves False. But this stuff is anything but...
The second track/side starts out more waltzy, but quickly slips back into a similarly gnarled black expanse, the vibe somehow even more epic than the A side, the haunting descending melodies, the weirdly epic arrangements, all very trance like and mesmerizing, there's also some chugging dirgey doom / sludge (which makes sense as this was released on the label run by Louisiana heavies Thou), but those creeping tarpit crawls quickly splinter into frenzied mathed out black metal tangles, and then sometimes soaring swirling atmospheric post black metal blowouts. Another group to add to the ever expanding pantheon of elite USBM bands pushing the boundaries of the sound, while remaining true to the music's heritage.
180 gram lp, in super thick, super striking jackets, with a cool printed insert with lyrics.
MPEG Stream: "The Key Of Passing Suffering"
MPEG Stream: "Sleepmaker"

FALSINI, FRANCO Cold Nose (Naso Freddo) (Spectrum Spools / Editions Mego) lp 22.00
Spectrum Spools has been killing it lately with a string of amazing unearthed cosmic electronic artifacts. We raved about the recent Robert Turman Flux reissue from 1981 and now they dig deeper back to 1975 for this little known work of Italian kosmiche from Franco Falsini. We know of Falsini through the amazing seventies space prog synth outfit, Sensations' Fix (please someone reissue their records!!!), but this solo outing originally recorded as a soundtrack for an obscure film was completely unknown to us.
Made through a strange bio-electronic process that had us thinking of Masaki Batoh's recent Brain Pulse Music Machine record, Falsini recorded this album while having his brain activity monitored by a mechanism from the Bio-Electronic Meditation Society. Whenever his brain would produce Alpha/Theta waves, he would commit his music to tape. Alpha waves are generally created when defocusing one's attention, creating an alert relaxation found with meditation. Theta waves are produced with deeper meditation and often in periods of REM dream sleep. Composed in three suites, Cold Nose is a spiralling composition of EMS and Moog washes and floating guitar lines that remind us of krautrock legends Michael Rother and Manuel Gottsching, but with a distinct spaced-out Italian prog feel, especially when Falsini breaks out into stratospheric guitar leads over the organically pulsating synth treatments. Gorgeously cinematic, with constantly shifting and shimmering progressions. Beautifully remastered, anyone into the long form take on vintage psychedelic new age music should snag this while they can. If you dug the spacier psych moments of Italian progsters, Picchio Dal Pozzo, then this will be right up your alley!

FAME WHORE A Film by Jon Moritsugu (At An Angle) dvd 21.00
Slowly but surely indie filmmaker Jon Moritsugu's works are being released on dvd, and here is his fifth feature length flick, 1997's Fame Whore. While each of his films is rough-hewn and jawdroppingly outrageous in its own way, Fame Whore is quite possibly his most engaging and entertaining from start to finish. The film tells three tales, the focal characters of which have, in some form or another, one thing in common -- fame. Perhaps most notable is the tennis star character Jody George (as portrayed by Peter Friedrich) who had us in stitches every time he was on screen. In the second of the film's three lead roles is Moritsugu's constant companion (and his films' element of consistency), the chameleon-esque Amy Davis as a beyond-driven business woman. Victor Of Acquitane plays the third lead, a pet shop owner with an imaginary 'friend' who is a giant dog (!). Yes, delusions abound. As always, there's a hip indie music soundtrack, this one features the likes of Emily's Sassy Lime, Dub Narcotic Sound System, Angry Samoans, Barbara Manning and Amy's father Mel Davis!