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IMPORTANT (Please read to avoid confusion):
Some items below may be tagged with a bold, red, all-caps "out of print/unavailable" notice. This does NOT mean that all other items not so tagged are, in fact, in stock -- or for that matter, in print and available, though there's a good chance they are. Some folks get confused on this point, and we can see why, so please read this for further clarification and other important before-you-order information. Unlike some mailorder websites, we don't have an electronic inventory system linked to our site, so you can't be sure of what we actually have or don't have in stock at any given moment without asking us -- please email our mailorder department for availability status -- or better yet, just go ahead and place your order using our shopping cart function and we'll get back to you with the status of each item. If you have general non-mailorder questions, email the store.


album cover V/A Love, Peace & Poetry: Turkish Psychedelic Music (Shadoks) lp 19.98
We were so excited when we heard that the newest installment in the always-cool Love Peace And Poetry series was going to focus on Turkish Psychedelic music! For a few years now, we've been loving all the '60s and '70s Turkish psych we could lay our hands on (which unfortunately is not as much as we'd like). We've had reissues of such bands as Mogollar, 3 Hur-el, Erkin Koray, Edip Akbayram, and Bulent. So, when we heard about this comp, we were excited -- but also wary of getting TOO excited, faced with the possibilty that this would simply consist of tracks by artists we already know and love, from records we already own, with nothing new and unknown to sate our appetite for more Middle Eastern psych treats. Well, holy halva! We couldn't have been more blown away when we finally got this in. Of the sixteen tracks, only five were by the above mentioned artists, while the rest were by artists totally unknown to us. And on top of that, EVERY track is amazing! From the Eastern-tinged, faux sitar, raga-like sixties garage rock of Selda, to the sunny proggy keyboard heavy folk of Ozdemir Erdogan, to the crooning soulful psych of Alpay, to the almost disco-y wild guitar groove of Hardal, to the strange Ethiopiques meets ska horns of Erkut Tackin. Wow! A lot of killer cuts on this one. We just can't stop playing it. Definitely lives up to the standards set by the two compilations that pretty much first introduced us to the Turkish psych scene, Hava Narghile on Bacchus Archives and (the now out of print) Turkish Delights on Grey Past.
And why do we like Turkish psych so much? Well, Turkey has a long tradition of musical talent to begin with, and being a part of Europe as well as Asia, the whole phenomenon of East-meets-West hybridization (in this case, traditional Anatolian folk and '60s pop beat) makes for some amazing music that couldn't come from anyplace else. Plus, psychedelia as a musical genre has always held a fascination with the East, the exotic... so psych music FROM such lands has a built-in advantage. Just check this out and you'll see.
MPEG Stream: OZDEMIR ERDOGAN VE ORKESTRASI "Uzun Ince Bir Yoldayim"
MPEG Stream: SELDA "Bundan Sonra"
MPEG Stream: ALPAY "Kirpiklerin Ok Ok Eyle"
MPEG Stream: MAZHAR VE FUAT "Sur Efem Atini"

album cover V/A Music! The Berlin Phonogramm-Archiv 1900-2000 (Wergo) 4cd 80.00
Founded in 1900 by Carl Stumpf, The Berlin Phonogramm-Archiv is a repository devoted to archiving the musics of the world before their eventual destruction by encroaching modernization brought about by global capitalism. Case in point is presented on page two of the accompanying booklet: "'Within the foreseeable future there will no longer be any day-long journeys by rowing boat, where twenty men in a canoe stand one behind the other and sing, because otherwise they would not be able to keep in time with the rhythm of the rowing..." (Albert Schweitzer, 1914) "...Because the songs of the members of the boat's crew who tow the boats along the Yangtse will have become silent forever, before these faint magical lines have worn away on the wax cylinder. Only the shrill whistle of the steamboat will be heard, and black smoke will lick away at the gruesome cliffs." So wrote Hedwig Weiss, wife of Friedrich Weiss who worked as a translator in the Sichuan province of China at the beginning of the 20th century. The two of them together took to recording the rowing song of boat crews working on the Yangtse river to preserve their songs. This is just one of the stories on this incredibly impressive four disc collection celebrating the 100th year anniversary of the Archive -- which now has a collection of over 150,000 recordings. Fans of the "Secret Museum" series should take heed, this is the shit! Some of the best recordings by pioneering ethnomusicologists are included here along with very detailed information not only about the music they recorded -- along with transcriptions in many cases -- but the stories behind the people who took to the field to make these recordings. The 100 tracks on this set are divided into four sections: disc one covers the wax cylinder recordings (1893 - 1954), disc two covers monophonic tape recordings (1951 - 1974), disc three covers stereophonic recordings (1967 - 2000) and disc four covers stereophonic, concert -- ie: not field -- recordings (1973 - 1999) and each disc is sequenced in sections by region: Asia, Oceania, Africa, The Americas and Europe. A hefty price tage yes, but well worth it.
RealAudio clip: (ANONYMOUS) NEW GUINEA 1912 "Interlocking Flutes"
RealAudio clip: (ANONYMOUS) CAIRO, EGYPT 1955 "Nubian Song"
RealAudio clip: JEGOG JAYUS "Jayan Tangis"
RealAudio clip: HAI, TRAN QUANG "Flowing Water, Equal Bars, Golden Chains"

album cover V/A Radio Morocco (Sublime Frequencies) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Recorded by SCG man Alan Bishop during a summer 1983 visit to Morocco. Like Radio Java and palestine discs, the material for this 20 year old collection of recordings is taken straight off the radio. But unlike the Radio Palestine recording Morocco is much less attention deficit disorder ridden. Rather than clipping along in ten second and less sound bites, songs are actually allowed to develop and even finish on many a track. Tucked in alongside news reports, commercials and short snippets of Moroccan Serge Gainsbourg impersonations there are some really amazing Moroccan originals. "Radio Fes" features a live recording of a Moroccan orchestra supercharged with organ and electric guitar -- listen for the howls of joy from the back of the hall during the quiet sections. Other tracks feature traditional musicians cranking their sound out via low wattage transmitters and lo-fi equipment to produce a squashed ethno garage sound. There's a huge variety of stuff here and it all mixes well together without sounding too chaotically eclectic. As a bonus for those die hard SCG fans, there's a couple of classics that you may recognize here in their original form. A few more Sublime Frequencies recordings like this and someone will be able to put together a handsome "Roots of the Sun City Girls" comp.
MPEG Stream: RADIO CHECHAOUEN "Radio Chechaouen"
MPEG Stream: RADIO FES "Radio Fes"

album cover V/A Radio Palestine: Sounds of the Eastern Mediterranean (Sublime Frequencies) cd 14.98
Another collection of music, commercials, news reports and noise culled from radio broadcasts recorded by Alan Bishop. The tracks here were captured by Mr. Bishop in 1985 in Egypt and Jerusalem. Of the three radio discs released to date by Sublime Frequencies, this one is the most ADD afflicted. The bulk of the sound samples collected here are less than 30 seconds in length, some of them mere seconds, with most of the edits even seemingly to have been done using the radio dial at the time of their being recorded. That said, there's an abundance of odd music and sounds crammed into the 66 minutes of this disc: BBC news, a Soviet-esque female chorus with piano, romantic instrumentals, hammered dulcimer and drone, chipper singers with orchestral accompaniment, psychedelic electric oud solos, commercials, religious broadcasts, radio noise and more. Sit back and let Alan take control of the remote for an hour.
MPEG Stream: RADIO PALESTINE "Bedoin Sparklers"
MPEG Stream: RADIO PALESTINE "Voice of Peace?"

album cover V/A Rough Guide To Bollywood (Rough Guides) cd 13.98
It seems there's a "Rough Guide" for practically every kind of music from every inch of the world. Sort of like those "Idiot's Guide To..." or "... For Dummies" books which I have to admit are pretty darn helpful and informative, if somewhat insultingly titled. Luckily this compilation series isn't as unfortunately named, but is however less in depth and fulfilling. Certainly it's doesn't proclaim to be more than just an introductory tutorial, but although key figures are included like Asha Bhosle, Udit Narayan and Mohammed Rafi, it really barely skims the surface of this amazing genre. So if you're just looking for a basic sampler history lesson in Indian film music, this might do ya fine, but for those looking to delve a little deeper, don't wait another moment to check out the following titles: Doob Doob O'Rama Volumes 1 and 2, Vijaya Anand's Dance Raja Dance, Bollywood Funk, and The Best Of Asha Bhosle. Although these titles focus a lot more on the "golden age" of Bollywood than the more recent decades, they're much more thorough collections.
RealAudio clip: ASHA BHOSLE AND MOHAMMED RAFI "Chura Liya Hai Tum Ne"
RealAudio clip: UDIT NARAYAN "Jaadu Teri Koi"
RealAudio clip: CHITRA "Kehna Hi Kya"

album cover V/A Soul Messages From Dimona (Numero Group) cd 17.98
Bet you don't have any Black Hebrew soul in your record collection. We sure didn't! But leave it to the folks at the Numero Group to extract this amazing document of the diaspora of black folks from Chicago and Detroit who converted to Judaism and made the pilgrimage to Israel, and more precisely to a city located just west of the Dead Sea called Dimona. When in Israel it was the music and spiritual soul that many of these people brought with them from Chicago and Detroit that would become the soundtracks to their new lives. Musically this is very much in line with the best of spiritual soul and gospel of that era (early '70s) and you can hear the influence of many of their Chicago brethren (Pieces of Peace, The Dells, Earth Wind & Fire). But of course what makes this so cool is the totally unique context that these songs came out of. On a few tracks they even sing some lines in Hebrew and the amazing pictures and in depth liner notes of this very obscure movement and moment in time makes not only for a great record but an even more amazing historical document.
MPEG Stream: TONISTICS "Holding On"
MPEG Stream: SOUL MESSENGERS "Our Lord And Savior"
MPEG Stream: SONS OF THE KINGDOM "Modernazation"

album cover V/A South India: Periya Melam, Chidambaram Temple (Ocora) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This is a nice little recording of temple music from South India. Basically your level of enjoyment of this recording depends on your threshold level for double reed instruments. Like the accordion, banjo and flute, double-reeds -- at least those in the higher octaves -- tend to put people in war camps. And while some may liken their sound to a kazoo or a bee caught in one's sinuses, their sound is truly unlike anything else. In fact, they're about as close as you can get to sounding like a fuzzed out electric guitar without plugging in. Which is why this music rocks so hard I suppose. When two of those nagasvaram get going at once, with their buzzing virtuosic melodic lines weaving together it's easy to see how this could induce ecstatic states in people. That and the fact that the guitarist's ego is replaced with a fear of god for incentive to perform. Periya Melam is the name of the particular ensemble that performs during various religious rituals, rites and festivals. The ensemble -- the instruments of which are considered "equals to the gods" -- used to be much more common throughout temples south of the river Krishna, but has declined in recent years. The instrumentation usually consists of two double reed oboes (nagasvaram and), two double headed drums (tavil) in which one head is played using the fingers and the other with a stick, metal castanets (talam) and a drone instrument (used to be another oboe, but is now commonly a harmonium or even an electronic instrument).
MPEG Stream: "Sabhapatikku"
MPEG Stream: "Va Va Velava"

album cover V/A Turkish Delights (Grey Past) cd 23.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We are all quite excited about the cd release of Turkish Delights comp (though Byram's a bit irked 'cause he bought the original vinyl and now is faced with a cd version that adds 11 extra tracks!). In total, there's 26 tracks here, dating from 1965 to 1971, of some of the best garage psych that we've ever heard -- from Turkey or anywhere else for that matter. The Turkish rock scene appears to have begun in earnest in 1956 when the English instrumental group The Shadows made their impression on Turkish teens. Given that many people in Turkey didn't even speak English, it's pretty impressive how well they assimilated a completely foreign music and excelled in it better than most of their American and British counterparts. Some of the tracks like Mavi Isiklar's "Great Airplane Strike of 1967" (a Paul Revere & the Raiders cover) are spitting images of garage-psych from the occident, but others like Cem Karaca & Apaslar's "Suya Giden Alli Gelin" are unmistakably Eastern. It's these tracks, that combine the rock n' roll structure and instrumentation augmented with Turkish instruments, scales and singing that really kick ass. Those of you that have already picked up the excellent "Hava Narghile" compilation know what we mean, but what was great about that collection is exponentially better on this one! Get it.
Along with the new cd version, we now have more copies of the "Turkish Delights" LP (which was so hard to get when it first came out that we only ever had a handful and were never able to list it). 15 tracks on this baby instead of the 26 on the cd, but what you lose in bonus cuts you gain in, uh, vinyl. And the art looks better, we think.
RealAudio clip: CEM KARACA & APASLAR "Suya Giden Alli Gelin"
RealAudio clip: SELCUK ALAGOZ "Saklan Saklanabilirsen"
RealAudio clip: CAHIT OBEN "Halimem"

V/A Turkish Delights (Grey Past) lp 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We are all quite excited about the cd release of Turkish Delights comp (though Byram's a bit irked 'cause he bought the original vinyl and now is faced with a cd version that adds 11 extra tracks!). In total, there's 26 tracks here, dating from 1965 to 1971, of some of the best garage psych that we've ever heard -- from Turkey or anywhere else for that matter. The Turkish rock scene appears to have begun in earnest in 1956 when the English instrumental group The Shadows made their impression on Turkish teens. Given that many people in Turkey didn't even speak English, it's pretty impressive how well they assimilated a completely foreign music and excelled in it better than most of their American and British counterparts. Some of the tracks like Mavi Isiklar's "Great Airplane Strike of 1967" (a Paul Revere & the Raiders cover) are spitting images of garage-psych from the occident, but others like Cem Karaca & Apaslar's "Suya Giden Alli Gelin" are unmistakably Eastern. It's these tracks, that combine the rock n' roll structure and instrumentation augmented with Turkish instruments, scales and singing that really kick ass. Those of you that have already picked up the excellent "Hava Narghile" compilation know what we mean, but what was great about that collection is exponentially better on this one! Get it.
Along with the new cd version, we now have more copies of the "Turkish Delights" LP (which was so hard to get when it first came out that we only ever had a handful and were never able to list it). 15 tracks on this baby instead of the 26 on the cd, but what you lose in bonus cuts you gain in, uh, vinyl. And the art looks better, we think.

album cover ZECHARIA, ZADIK Kurdish Melodies On Zorna (Bo'Weavil) cd 17.98
This was originally released as a super limited cd-r, and people dug it so much we could barely keep it in stock. Now the fine folks at Bo'Weavil have reissued it as a proper cd, packaged in a gorgeous fold out thick paper sleeves with extensive liner notes and an insert printed with a brief history of Zecharia's life, the whole thing housed in a thick plastic sleeve. Still limited, to 500 copies this time, so not sure how long these will be around. Also included on the reissue are two bonus remix tracks!
Have you ever wondered what it would be like to be in the Middle East, on a hot sweltering day, with the dust, the scorching sun, and all of that history surrounding you on all sides, letting that intensity overwhelm you and opening your ears to a wondrous world of beautiful and mysterious sounds? Well here it is! Recorded in Jerusalem in 1980 and previously only available as a homemade cassette and later as a cd-r until now, this is a whole disc of Zadik Zecharia furiously rocking the zorna, an instrument most of us had never even heard of until now!! Born in a small village in Kurdistan before moving to Israel in 1950, Zecharia has dedicated his life to playing the zorna (a traditional Kurdish instrument somewhat similar to a longer more narrow trumpet or Scottish bagpipe). This record doesn't let up for a single second. The moment it starts Zecharia is taken over by the power of his instrument and the fugue state he must descend into to elicit such amazing passionate sounds. You get the feeling that there is no time to pause, no time to think, no time to even take a breath.
When I (Irwin) had the amazing opportunity to be in the Middle East in 2000, I remember walking through street markets, standing on the border of Syria and Israel, feeling years of charged history, pain, and passion, right there beneath my feet, and all around me. Taking off my headphones I was immediately overtaken by the myriad of sounds baking in the desert heat. Those moments were magic, and it all seemed to come together perfectly, and for just a moment it felt possible to forget about hate, war, religion and politics. This record takes me back to that place more then anything I've ever heard. Like the best snake charmer records, the kind of music that grabs you by the ankles and sweeps you off your feet, this has the same hard hitting intensity, with an underlying energy that feels boundless and endless. If you've been to the store recently you've probably noticed the nonstop construction going on outside. So for hours at a time we've been hearing drilling and pounding and the sounds of asphalt being torn apart. When the Zecharia has been playing in the store, the combination of all that commotion and the wailing zorna has made for one of the most amazing high voltage drone drenched pounding creations we've ever heard. But even on its own, this record has the ability to take your body hostage, every listen literally forcing various parts of your body to break out in uncontrollable movement. The dola drum which accompanies the zorna helps create a simple backbeat that balances Zecharia's fiery melodic frenzies. A musical fire that you never want to see extinguished. Recommended with more exclamation points than we have room to print!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! etc...
MPEG Stream: "One"
MPEG Stream: "Two"

album cover ZECHARIA, ZADIK Kurdish Melodies On Zorna - REMIXES (Something On The Road) cd-r 11.98
About a year ago we were completely floored by the cd release of a cassette recording made in Jerusalem circa 1980 of the intense and trance inducing zorna playing of Zadik Zecharia. His Kurdish Melodies On Zorna had the kind of fire and intensity that appealed not only to Middle Eastern music aficionados, but also noise freaks, drone lovers and experimental music-heads of all stripes. So when we heard that the Israeli label Something On The Road had compiled a remix cd of Zacharia's masterful record we were both intrigued and a little skeptical. We'll be the first to admit that most remix records tend to miss the mark, adding generic beats and kind of killing the original spirit of a work that we love. And the first couple tracks on this collection while ok weren't totally doing it for us but then...oh my god!!! after a few tracks things started to heat up FAST! While most records, especially compilations and remix albums, tend to be top heavy, this is in many ways quite the opposite. Things start off with a nice smoky Planet Mu almost dubstep kind of vibe and then as the record goes on the beats start to diminish in favor of drone and noise and buzz. We love how Something On The Road have such a good sense of continuity, mood and pacing, something most remix records completely ignore. We weren't familiar with most of the Israeli bands and DJ's involved in this record but now we will for sure try to seek out more music by the likes of Nemoi, Gal Tushia and David Ovadia. The one artist we were familiar with was Poochlatz an amazingly bleak and primitive noise project out of Israel who always whip up beautiful and chaotic doom & gloom! We love the tidal wave that erupts as this remix record unfolds. Like the best moments of Muslimgauze, this is Middle Eastern experimental electronica that resonates so strongly and does it's source material proud!
MPEG Stream: NEMOI "Zecharia Remix By Nemoi"
MPEG Stream: GAL TUSHIA "Zecharia Remix by Gal Tushia"
MPEG Stream: POOCHLATZ "Zecharia Remix by Poochlatz"

album cover ZECHARIA, ZADIK Kurdish Melodies Played On Zorna (Something On The Road) cd-r 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This cd-r fast became an all time AQ favorite, and we've been blowing through them like crazy. Finally got a handful more back in stock!
Ever thought of what it would be like to be in the middle east on a hot sweltering day with the dust, scorching sun, and history all around you while the intensity of the surroundings blasted in your ears? Well here it is! Recorded in Jerusalem in 1980 and only released as an independent cassette until now, the sounds of the zorna are rocked so furiously by Zadik Zecharia on this cd filled to overflowing with the relentless sounds of the zorna. Born in a small village in Kurdistan before moving to Israel in 1950, Zecharia has dedicated his life to playing the zorna (a traditional Kurdish instrument somewhat similar to a longer more narrow trumpet or Scottish bagpipe). This record doesn't let up for a single second. The moment it starts Zecharia is taken over by the power of the zorna and the demands that it puts on the player. You get the feeling that there is no time to pause, no time to think, no time to even take a breath. When I (Irwin) had the amazing opportunity to be in the Middle East at the turn of the millennium I remember walking through street markets, standing on the border of Syria and Israel, feeling my feet walk on so much high charged history, pain, and passion. Taking off my headphones to get overtaken by the myriad of sounds baking in the desert heat. Those moments where it all would come together and for just a moment you could be in that place and forget about hate, war, religion and politics. This record takes me back to the place more then anything I've ever heard. Like the best of snake charmer records that have grabbed you by the ankles and swept you off your feet this has that same hard hitting intensity with an undying energy that sounds as if it will never ever let up. If you have been to the store recently you have noticed that right outside there has been some nonstop construction going on in the streets and on the sidewalks. So for hours at a time we are hearing drilling and pounding and the sounds of asphalt being torn apart. When this has been playing in the store the combination of all that commotion has made for one of the most amazing high voltage drone pounding creations we have ever heard. And even on its own, this record has the ability to take you body hostage, as there is no way to listen without various parts of your body breaking out in uncontrollable movement. The dola drum which accompanies the zorna helps give a backbeat which keeps the frenzy of a fire that you never want to be extinguished. Recommended with thousands of exclamation points!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!etc.
MPEG Stream: "One"
MPEG Stream: "Two"

album cover ZECHARIA, ZADIK Kurdish Melodies Played On Zorna - Live At Mondial Hall - 14.12.1987 (Something On The Road) dvd-r 10.98
For anyone who bought the Zadik Zecharia cd (and that's a WHOLE lot of you), an amazing disc of wild and energetic performances on a small traditional Kurdish horn called a zorna, a disc that is STILL played constantly in the store, this dvd-r is absolutely essential. The sound of the zorna is a buzzing high end hypnotic buzz, very much like snake charmer music, and is completely and relentlessly mesmerizing. A sound that is wild and festive and joyous, and that definitely has a primal power, a timeless intensity that transcends mere music, it's a sound that does in fact force your body to bounce and shimmy, dance and shake along. As is evidenced by this dvd-r, a home video recording of a wedding in 1987 that is just a nonstop dance party / zorna jam. It's a little strange to see, it's a little like watching some stranger's home videos, which it basically is. But wow!! If only weddings were this wild and festive in the US. Then again, if only weddings featured a kick ass zorna jam courtesy of Zadik Zecharia (maybe Andee and Heather would have actually gotten married by now). From the moment the bride and groom enter the building, Zecharia is playing a continuous stream of flowing buzzing melody, never stopping, accompanied by a huge thumped drum, and of course the clapping and shouting of the crowd. And that's basically it, a huge crowd of friends and family, dancing wildly, together, separately, in big groups, holding hands, forming huge chains, hands raised in the air, while Zecharia and the drummer, wander from the stage, strolling amongst the crowd and back to the stage again never letting up. In fact there are even some parts where Zecharia plays with one hand so he can use his other to communicate with some of the guests. A few folks whisper in his ear, to which he responds with a nod or a smile, still never letting the music stop. It's 1987 so there are some amazing fashions, wild pantsuits and big hair, which are fun to see, but it's all about Zecharia and his inspiring performance.
Shot on a camcorder 20 years ago, which means the picture quality is not the best, but the sound is fantastic (minus a few drop outs) and if you're anything like us you can't get enough of Zadik Zecharia and his zorna!! So recommended!
MPEG Stream: "One"
MPEG Stream: "Two"

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