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IMPORTANT (Please read to avoid confusion):
Some items below may be tagged with a bold, red, all-caps "out of print/unavailable" notice. This does NOT mean that all other items not so tagged are, in fact, in stock -- or for that matter, in print and available, though there's a good chance they are. Some folks get confused on this point, and we can see why, so please read this for further clarification and other important before-you-order information. Unlike some mailorder websites, we don't have an electronic inventory system linked to our site, so you can't be sure of what we actually have or don't have in stock at any given moment without asking us -- please email our mailorder department for availability status -- or better yet, just go ahead and place your order using our shopping cart function and we'll get back to you with the status of each item. If you have general non-mailorder questions, email the store.


album cover KRADDY Truth Has No Path (Refiner) cd 10.98
Kraddy's shadowy, sinewy, jagged electronic sounds bring to mind the deeply textured tracks of many late-'90s IDM artists. It's odd, we've not seen many releases of this ilk in some time... many of the artists who were part of the IDM flurry a few years ago (with the exception of the aforementioned Plaid) have fallen silent as of late. That said, one of the notable differences between 'then' and 'now' is Kraddy's surprisingly basic programmed beats, as opposed to the considerably more complex ones of earlier artists. If you've a been seeking a lengthy late night listenin' album filled with prickly shards jutting out of thick droning swells, you're ready to roll!
MPEG Stream: "8 Electrodes"
MPEG Stream: "Looking In Windows"

KRAFTWELT Electric Dimension (Hypnotic) cd 14.98
"Dedicated to Ralf & Florian" it says, and though it seems like this should sound like a Kraftwerk tribute/ripoff, actually what you get is quite fine dancey electronica more in the vein of something like James Bong.

KRAFTWERK 1 (Germanofon) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Restocks of the first two Kraftwerk records, the ones with traffic-cone covers. Both are electronic masterpieces, melodic Krautrock classics, and while far more challenging than the popular later Kraftwerk albums, all the more lovely.

KRAFTWERK 2 (Germanofon) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Restocks of the first two Kraftwerk records, the ones with traffic-cone covers. Both are electronic masterpieces, melodic Krautrock classics, and while far more challenging than the popular later Kraftwerk albums, all the more lovely.

album cover KRAFTWERK And The Electronic Revolution (Sexy Intellectual) dvd 21.00
It goes without saying that Kraftwerk is one of the most influential groups in pop music history, their influence having touched pretty much every style of music to come since. In the wake of the psychedelic explosion of the late '60s and early '70s, the group's obsessively precise music set them apart from everything else. In a sea of guitar based rock bands, the strange, machine like rhythms and pioneering use of synthesizers made clear to the world that their was nothing remotely rock n' roll about Kraftwerk's approach to music. The albums produced during their classic period (generally recognized from 1974's Autobahn to 1980's Computer World) still sound without precedent, coming across as emotionally detached, yet extremely melodic and melancholy. Of course, nobody could have just created that sound out of thin air, and before venturing into such revolutionary territory, Kraftwerk evolved from the exceptionally fertile experimental German music scene of the early 1970s. Band leaders Ralf Hutter and Florian Schneider established an aesthetic that separated Kraftwerk from their contemporaries, creating a mystique that remains to this day.
This well researched documentary takes a deservedly scholarly approach to Dusseldorf's legendary Man Machine, charting their path from the pre-Kraftwerk group, Organisation, to their implosion in the mid 1980s. Despite percussionist Karl Bartos being the only member of Kraftwerk open to interview, well informed journalists and key figures from the German scene are able to shed as much light as we'll probably ever see, given the group's notorious standoffishness.
The downside to this film is its lack of actual Kraftwerk performances (check out YouTube for some truly remarkable footage), and at 180 minutes, it may be a bit much for the casual observer. Krautrock obsessives, however, will find much to love.

KRAFTWERK Autobahn (Kling Klang) cd 32.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

album cover KRAFTWERK Autobahn (Kling Klang / Astralwerks) cd 17.98
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork, with simple but bold slip covers housing the actual cds. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
Autobahn was originally released in 1974, and it was in most cases the band's introduction to the rest of the world with the surprise hit single of the title track, edited down significantly for airplay. It was also the point where Kraftwerk began to combine a classic pop approach with their intense Teutonic experimentation (which remains considerable here). What was seen by some people in the mid-1970s as somewhat of a novelty (which is total bullshit, but it was the '70s...), however, laid the foundation for one of the most innovative music groups to ever exist. Clocking in at almost 23 minutes, "Autobahn" may be one of the most evocative songs ever, especially considering how minimal it really is. Synthesizers give you the impression of traveling throughout Germany by car, through many different environments and observational states, as the vocal melody classically apes the Beach Boys "Fun, Fun, Fun". The song also marked the beginning of the band's reliance on vocoders and drum machines, which would from this point forward would play an integral role in defining Kraftwerk. The other songs here retain many of the sonic qualities of earlier Kraftwerk, but it's now plainly apparent where things are heading: Pop Immortality!
Oh, and a note to vinyl obsessives, these reissues will be coming out in that format next month, we're told!
MPEG Stream: "Autobahn (excerpt 1)"
MPEG Stream: "Autobahn (excerpt 2)"
MPEG Stream: "Kometenmelodie 1"

album cover KRAFTWERK Autobahn (Kling Klang / Mute) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Now reissued on vinyl too!
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork, with simple but bold slip covers housing the actual cds. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
Autobahn was originally released in 1974, and it was in most cases the band's introduction to the rest of the world with the surprise hit single of the title track, edited down significantly for airplay. It was also the point where Kraftwerk began to combine a classic pop approach with their intense Teutonic experimentation (which remains considerable here). What was seen by some people in the mid-1970s as somewhat of a novelty (which is total bullshit, but it was the '70s...), however, laid the foundation for one of the most innovative music groups to ever exist. Clocking in at almost 23 minutes, "Autobahn" may be one of the most evocative songs ever, especially considering how minimal it really is. Synthesizers give you the impression of traveling throughout Germany by car, through many different environments and observational states, as the vocal melody classically apes the Beach Boys "Fun, Fun, Fun". The song also marked the beginning of the band's reliance on vocoders and drum machines, which would from this point forward would play an integral role in defining Kraftwerk. The other songs here retain many of the sonic qualities of earlier Kraftwerk, but it's now plainly apparent where things are heading: Pop Immortality!
MPEG Stream: "Autobahn (excerpt 1)"
MPEG Stream: "Autobahn (excerpt 2)"
MPEG Stream: "Kometenmelodie 1"

KRAFTWERK Computer World (Elektra) cd 10.98

KRAFTWERK Die Mensch-Maschine (EMI) cd 24.00
German import of the original Man Machine album, with lyrics in German. That's why the lofty price.

KRAFTWERK Expo Remix (Kling Klang) cd 10.98
The requisite remix single of Kraftwerk's comeback last year's single features Orbital, Francois K, DJ Rolando, and Underground Resistance. Maybe if you really dig UR records, this would do it for you.

album cover KRAFTWERK Minimum-Maximum - Live (Astralwerks) 2cd 21.00
If you witnessed a Kraftwerk performance during their 2004 worldwide tour, you may want this 2-disc live recording as a token reminder of your experience. Especially if you attended a show in Warszawa, Ljubljana, Riga, Moskwa, Paris, Berlin, London, Budapest, San Francisco, Tokyo or Tallinn -- the cities from which these virtually perfect live performances are culled. The first eight songs from disc one are absolutely incredible live recordings, most notably "The Man-Machine", "Planet Of Visions", and "Vitamin". The clarity and bombacity of its sound is impressive. Would you pay the extra money it would cost if this came with an implantable chip that would project their video at one meter in front of you while walking around listening? Hmmm, I would. Unfortunately, this is not available. Simply listening to this, however, will help you to recall your live Kraftwerk experience.
Speaking personally, I attended their concert in Amsterdam. At the Heineken Arena. So imagine how many people fit into an "arena". Now imagine, of all those people, about 50 are women. The remaining thousands, all men. And not just regular Dutch dudes out to see a show, but men outfitted in one of two styles of dress: 1. in affected Kraftwerk/Sprockets ensemble -- black leather pants with combat boots and a black turtleneck, or 2. in Classic Man-Machine Kraftwerk -- black suit with sharp red tie. Oh how I wished I had my little minidv cam for filming Kraftwerk Parking Lot. No matter how fascinating the crowd was, the show was somehow even better. From the three 30 meter x 30 meter video panels displaying their minimal but powerfully effective video accompaniment (much of which is available to view on their website), to the actual robots backlit behind a scrim, then exposed and moving, to the mind-blowing clarity and depth of sound (which is hard to do right in a large space like that) the aural and visual orchestration reeked of utter Kraftwerkian perfection.
And of course, if you did NOT get a chance to see them last year, here's your chance to pick up an incredible aural document of some of their best performances from all over the world!
MPEG Stream: "The Man-Machine"
MPEG Stream: "Planet Of Visions"
MPEG Stream: "Vitamin"

album cover KRAFTWERK Radio-Activity (Kling Klang / Astralwerks) cd 17.98
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork, with simple but bold slip covers housing the actual cds. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
1975's Radio-Activity is the first album where Kraftwerk REALLY became Kraftwerk as history knows them. It introduced their classic lineup and did away all acoustic instrumentation (believe it or not, there were actually some guitars on Autobahn), and is the perfect precursor to Trans Europe Express, arguably their finest moment. Like all Kraftwerk albums, this one is highly conceptual, with a dual emphasis on radio-activity from a scientific standpoint AND the emergence of the new(ish) culture based around the radio. How Kraftwerkian of them. Even with its moments of darkness, Radio-Activity may also be one of Kraftwerk's most "fun" albums, with the joyful pop propulsion of "Airwaves" and the playful minimalism of "Antenna". Then there is the title track, a masterpiece of slowly brooding German melancholy if there ever was one. This is the album where the boys truly found themselves able to consolidate their more experimental tendencies into a solidly pop format, resulting in some of the most imaginative and original music, well, EVER. It's strange that as the group became more poppy, they also became weirder and developed a sound that was pretty much unprecedented. But hey, that's how Kraftwerk does things.
Oh, and a note to vinyl obsessives, these reissues will be coming out in that format next month, we're told!
MPEG Stream: "Radio-Activity"
MPEG Stream: "Airwaves"
MPEG Stream: "Antenna"

album cover KRAFTWERK Radio-Activity (Capitol) lp 12.98
This 1975 follow-up to their internationally successful Autobahn LP pays tribute to the mechanical catalyst that helped create that success, the radio and the power of broadcast communications. While more obtuse and less successful than its predecessor, the songs on Radio-Activity utilize more concrete forms than ever before with sounds of static, Geiger counters, oscillators and Cage-ian moments of silence to recreate the sense of radio transmission. This also marks the first time Kraftwerk recorded vocals in English and made use of robotic voices that would come to the forefront in subsequent releases.

album cover KRAFTWERK Radio-Activity (Kling Klang / Astralwerks) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Now reissued on vinyl too!
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
1975's Radio-Activity is the first album where Kraftwerk REALLY became Kraftwerk as history knows them. It introduced their classic lineup and did away all acoustic instrumentation (believe it or not, there were actually some guitars on Autobahn), and is the perfect precursor to Trans Europe Express, arguably their finest moment. Like all Kraftwerk albums, this one is highly conceptual, with a dual emphasis on radio-activity from a scientific standpoint AND the emergence of the new(ish) culture based around the radio. How Kraftwerkian of them. Even with its moments of darkness, Radio-Activity may also be one of Kraftwerk's most "fun" albums, with the joyful pop propulsion of "Airwaves" and the playful minimalism of "Transistor". Then there is the title track, a masterpiece of slowly brooding German melancholy if there ever was one. This is the album where the boys truly found themselves able to consolidate their more experimental tendencies into a solidly pop format, resulting in some of the most imaginative and original music, well, EVER. It's strange that as the group became more poppy, they also became weirder and developed a sound that was pretty much unprecedented. But hey, that's how Kraftwerk does things.
MPEG Stream: "Radio-Activity"
MPEG Stream: "Airwaves"
MPEG Stream: "Antenna"

KRAFTWERK Ralf And Florian (Germanofon) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

KRAFTWERK Somewhere In Europe lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Two live sets of Kraftwerk captured with reasonably fine fidelity, one from a 1976 show in Paris (performing tracks from Ralf & Florian and Autobahn) and the other from a 1981 show in Utrecht (performing tracks from Computer World and Man Machine).

album cover KRAFTWERK The Man Machine (Capitol) lp 12.98
Taking Cues from the Russian Constructivist movement for its cover, 1978's The Man Machine was the most removed album to that date from Kraftwerk's krautrock origins. Taking on the form of automatons, the music is cold, and mechanical pop about robots, models, and urbanization that opened up the floodgates for new wave and electro. It is also one of the best and most realized albums in their evolving career.

album cover KRAFTWERK The Man-Machine (Kling Klang / Astralwerks) cd 17.98
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork, with simple but bold slip covers housing the actual cds. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
The Man-Machine was originally released in 1978, a year after the artistic and commercial triumph of Trans-Europe Express. Obviously there was a lot to live up to following TEE, and Kraftwerk had little difficulty doing so. The Man Machine is likewise a genre-defining masterpiece, containing at least two of their most well known songs with "The Robots" and "The Model". It also features one of their strangely overlooked songs, the too-awesome-for-words "Spacelab". The cold, mechanical approach Kraftwerk had been striving for is perfected on this record, also expertly conveyed from a visual standpoint on the cover, where the group appears all angular and unsmiling in their matching red shirt/black tie getup. It's pretty crazy to imagine the reaction this must have received right in the middle of the punk explosion. As the rest of the world reveled in sloppy, wide-eyed rock n' roll, Kraftwerk became more precise and jettisoned the most recognizable traces of human emotion usually reserved for the pop market. Still, though the most noteworthy traits here bring to mind a glum, dystopian future, like on the title track and the ominous "Metropolis", there is also a good deal of humor and an implied human warmth, as Kraftwerk themselves, more than anything, take the role of detached observers in a world that defines itself more and more through technological progress. Sound familiar?
Oh, and a note to vinyl obsessives, these reissues will be coming out in that format next month, we're told!
MPEG Stream: "Spacelab"
MPEG Stream: "Metropolis"
MPEG Stream: "Neon Lights"

album cover KRAFTWERK The Man-Machine (Kling Klang / Astralwerks) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Now reissued on vinyl too!
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
The Man-Machine was originally released in 1978, a year after the artistic and commercial triumph of Trans-Europe Express. Obviously there was a lot to live up to following TEE, and Kraftwerk had little difficulty doing so. The Man Machine is likewise a genre-defining masterpiece, containing at least two of their most well known songs with "The Robots" and "The Model". It also features one of their strangely overlooked songs, the too-awesome-for-words "Spacelab". The cold, mechanical approach Kraftwerk had been striving for is perfected on this record, also expertly conveyed from a visual standpoint on the cover, where the group appears all angular and unsmiling in their matching red shirt/black tie getup. It's pretty crazy to imagine the reaction this must have received right in the middle of the punk explosion. As the rest of the world reveled in sloppy, wide-eyed rock n' roll, Kraftwerk became more precise and jettisoned the most recognizable traces of human emotion usually reserved for the pop market. Still, though the most noteworthy traits here bring to mind a glum, dystopian future, like on the title track and the ominous "Metropolis", there is also a good deal of humor and an implied human warmth, as Kraftwerk themselves, more than anything, take the role of detached observers in a world that defines itself more and more through technological progress. Sound familiar?
MPEG Stream: "Spacelab"
MPEG Stream: "Metropolis"
MPEG Stream: "Neon Lights"

album cover KRAFTWERK Tour De France Soundtracks (Astralwerks) cd 17.98
They should've left well enough alone. They should've left well enough alone. They should've left well enough alone... but alas, they did not. Now that we've gotten that out of our system... The major disappointment with this new Kraftwerk is not that it's a poor album. Let us stress, that is NOT the case at all. Actually it sounds remarkably like the work of many many fine current electronic artists (or rather, *they* sound just like Kraftwerk!), and THAT is the major point of contention here. Tour De France Soundtracks simply doesn't sound like the work of great sonic revolutionaries. Arguably they reached the pinnacle of their innovations with Computer World -- making astounding, ground-breaking music that sounded unlike ANYTHING at the time nor many years to follow. Granted it took a very long time, but over the years Ralf, Florian and co. spent devoted to cycling the globe, it seems the world finally caught up to Kraftwerk.
MPEG Stream: "Chrono"

album cover KRAFTWERK Trans Europe Express (Kling Klang / Astralwerks) cd 17.98
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork, with simple but bold slip covers housing the actual cds. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
Arguably, Kraftwerk's best recording, Trans-Europe Express from 1977 marries the Kosmiche minimalism of the Ralf and Florian record with the technological sublime sound of Autobahn while at the same time foreshadowing the robotic dance pop of The Man-Machine and Computer World. We also see for the first time, the image of the band as a uniform commodity dealing with post-modern themes of surface, reflection, repetition and reproduction that would thoroughly dominate their later output.
MPEG Stream: "Europe Endless"
MPEG Stream: "Showroom Dummies"
MPEG Stream: "Trans Europe Express"

album cover KRAFTWERK Trans Europe Express (Kling Klang / Astralwerks) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Now reissued on vinyl too!
It's about time. Dusseldorf's most famous export, the Godfathers of electronic pop music, Kraftwerk, finally see their classic albums remastered and reissued for the 21st century (although, unfortunately, not yet their EARLIEST classics, the ones with the traffic cone covers). Given the group's notoriety for demanding nothing but absolute perfection, you can safely bet that these sound AMAZING after years of tireless mixing and mastering in Kling-Klang studios. That's probably the main selling point here, as Kraftwerk was never really a "bonus material" kind of band, and there is none of that here; if it was released, it pretty much meant it was labored upon until being deemed suitable for public exposure. These reissues have also got some pretty fancy expanded artwork. Of course, if you don't already have these albums in some form or another, you should probably do yourself a favor and purchase every single one of them immediately.
Arguably, Kraftwerk's best recording, Trans-Europe Express from 1977 marries the Kosmiche minimalism of the Ralf and Florian record with the technological sublime sound of Autobahn while at the same time foreshadowing the robotic dance pop of The Man-Machine and Computer World. We also see for the first time, the image of the band as a uniform commodity dealing with post-modern themes of surface, reflection, repetition and reproduction that would thoroughly dominate their later output.
MPEG Stream: "Europe Endless"
MPEG Stream: "Showroom Dummies"
MPEG Stream: "Trans Europe Express"

album cover KRALLICE Dimensional Bleedthrough (Profound Lore) cd 13.98
Nice. Black Metal supergroup Krallice return with record #2, and much like the first self-titled album, Dimensional Bleedthrough is full of nonstop, dizzying musical virtuosity that will send your jaw dropping to the floor. This stuff sounds IMPOSSIBLE to play, which for most mortals, it would be. But Krallice count among its ranks avant indie-metal guitar gods Mick Barr (Crom Tech, Orthelm, Ocrilim, etc.) and Colin Marston (known usually for his bass duties in groups like Dysrhythmia and Behold the Arctopus), as well as the hot-shit drumming skills of Lev Weinstein and the burly basslines of Nick McMaster. It's cool to hear what many people would have written off as a side project really take off into new territory where the music is allowed to shine through instead of hiding behind a facade of what black metal should be. In the end, Krallice effortlessly lay waste to so much of the black metal out there these days. The complexity of these songs is pretty unbelievable, but luckily things remain very musical throughout. The songs are forceful but super melodic and catchy, and listening to Krallice is like taking off on a mind altering journey. The vocals here are great and classically black metal, and anyone familiar with Barr's high pitched shrieking days in Crom Tech might be a bit surprised to hear him passing the test with flying colors. Soundwise, Krallice adhere to the template perfected by groups like Weakling and Wolves In The Throne Room, but they definitely put their own unique spin on things. Things get a bit proggy here and there, but not in a bad or dorky way at all. This is really the sound of dudes who know their way around their instruments like few others, and they have combined their talents to deliver hands down one of the most impressive metal records this year.
MPEG Stream: "Dimensional Bleedthrough"
MPEG Stream: "Autochthon"

album cover KRALLICE Dimensional Bleedthrough (Gilead Media) 2lp 22.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Hey! Now on vinyl!!
Nice. Black Metal supergroup Krallice return with record #2, and much like the first self-titled album, Dimensional Bleedthrough is full of nonstop, dizzying musical virtuosity that will send your jaw dropping to the floor. This stuff sounds IMPOSSIBLE to play, which for most mortals, it would be. But Krallice count among its ranks avant indie-metal guitar gods Mick Barr (Crom Tech, Orthelm, Ocrilim, etc.) and Colin Marston (known usually for his bass duties in groups like Dysrhythmia and Behold the Arctopus), as well as the hot-shit drumming skills of Lev Weinstein and the burly basslines of Nick McMaster. It's cool to hear what many people would have written off as a side project really take off into new territory where the music is allowed to shine through instead of hiding behind a facade of what black metal should be. In the end, Krallice effortlessly lay waste to so much of the black metal out there these days. The complexity of these songs is pretty unbelievable, but luckily things remain very musical throughout. The songs are forceful but super melodic and catchy, and listening to Krallice is like taking off on a mind altering journey. The vocals here are great and classically black metal, and anyone familiar with Barr's high pitched shrieking days in Crom Tech might be a bit surprised to hear him passing the test with flying colors. Soundwise, Krallice adhere to the template perfected by groups like Weakling and Wolves In The Throne Room, but they definitely put their own unique spin on things. Things get a bit proggy here and there, but not in a bad or dorky way at all. This is really the sound of dudes who know their way around their instruments like few others, and they have combined their talents to deliver hands down one of the most impressive metal records of 2009.
Gatefold double vinyl via Gilead Media, the cd version released last year was on Profound Lore.
MPEG Stream: "Dimensional Bleedthrough"
MPEG Stream: "Autochthon"

album cover KRALLICE Diotima (Profound Lore) cd 13.98
Thee latest blast of confusional sonic chaos from this sort-of black metal supergroup, featuring avant outsider axeman Mick Barr (Orthrelm, Ocrilim, etc.) and bass shredder Colin Marsten (Behold The Arctopus, Dysrhythmia, etc.) is Krallice album number three, the follow up to the awesomely titled Dimensional Bleedthrough, and it's pretty much another opus of epic, soaring and majestic, yet convoluted and confusional black metal as only these guys can play it. There are moments, where you might, MIGHT think this could be some other black metal band, but those moments pass, and before long, when the band lock into their blazing blasting fury. As with the other records, the real surprise is how melodic Krallice can be, judging from the pedigree, one might be forgiven for assuming this would be incredibly difficult, and it is, in some ways, but it's also weirdly catchy, a pretty good mix of classic black metalisms, and the player's obtuse and obviously idiosyncratic take on the genre. The sound this time around actually seems a lot cleaner, and arrangements a bit more straight ahead, and the melodies much more pronounced, and it definitely suits them, but just when we begin to think that, the song we're listening to will fracture into some impossible tangle, or some super tripped out sort-of guitar lead, before slipping right back into more soaring buzzing melodic black metal. Which is just fine with us. Be sure to check out the epic closer, which is maybe the most melodic thing they've done, with some impossible hooks, and some subtle poppiness, all woven into the buzzing and blasting, almost like Krallice channeling Alcest AND some sort of epic post rock!
MPEG Stream: "Inhume"
MPEG Stream: "The Clearing"

album cover KRALLICE Diotima (Gilead Media) 2lp 25.00
NOW ON VINYL, destined for the turntables of all appreciators of leftfield black metal genius. Here's what we said about the Profound Lore cd version from earlier this year:
Thee latest blast of confusional sonic chaos from this sort-of black metal supergroup, featuring avant outsider axeman Mick Barr (Orthrelm, Ocrilim, etc.) and bass shredder Colin Marsten (Behold The Arctopus, Dysrhythmia, etc.) is Krallice album number three, the follow up to the awesomely titled Dimensional Bleedthrough, and it's pretty much another opus of epic, soaring and majestic, yet convoluted and confusional black metal as only these guys can play it. There are moments, where you might, MIGHT think this could be some other black metal band, but those moments pass, and before long, when the band lock into their blazing blasting fury. As with the other records, the real surprise is how melodic Krallice can be, judging from the pedigree, one might be forgiven for assuming this would be incredibly difficult, and it is, in some ways, but it's also weirdly catchy, a pretty good mix of classic black metalisms, and the player's obtuse and obviously idiosyncratic take on the genre. The sound this time around actually seems a lot cleaner, and arrangements a bit more straight ahead, and the melodies much more pronounced, and it definitely suits them, but just when we begin to think that, the song we're listening to will fracture into some impossible tangle, or some super tripped out sort-of guitar lead, before slipping right back into more soaring buzzing melodic black metal. Which is just fine with us. Be sure to check out the epic closer, which is maybe the most melodic thing they've done, with some impossible hooks, and some subtle poppiness, all woven into the buzzing and blasting, almost like Krallice channeling Alcest AND some sort of epic post rock!
MPEG Stream: "Inhume"
MPEG Stream: "The Clearing"

KRALLICE Orphan Of Sickness (From The Nursery) 12" 25.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

album cover KRALLICE s/t (Profound Lore) cd 13.98
It has come to this. Just as we somehow suspected. And desired. Underground guitar maestro Mick Barr, he of such monomaniacal hypershred mosquito-like guitar and drums (or drum machine) bands as Orthrelm, Octis, and Ocrilm, has finally unleashed the bona fide black metal album that we always knew he probably wanted to do. And should do. After all, in our review of the last Ocrilm album, Annwn, released earlier this year on Hydra Head, we'd said that not only did Barr's guitar buzz remind us of black metal music, but that if it were a black metal album it would be one of the best (and most fucked up, too) of the year.
So, now Barr and equally tech-y cohorts guitarist/bassist Colin Marston (that's right, of mathy mindbogglers Behold...The Arctopus!) and drummer Lev Weinstein (Bloody Panda) have started the utterly blackened Krallice, releasing their self-titled debut on the respected Profound Lore label. And the rest of the USBM scene should take notice, these guys mean business. Sure, anybody with a MySpace page can have a black metal band, make a cool unreadable, thorny logo (like Krallice's) and come up with song titles like "Wretched Wisdom", "Timehusk", "Energy Chasms", and "Forgiveness In Rot" (as Krallice have done) but probably not that many can actually back up all those black metal signifiers so seriously with their MUSIC, music of such sheer power and perfection that we find here. Wintry winds are blowing here (i.e. it's not hot air), as majestic melodies ride the crests of tsunami-sized waves of distorted, buzzing guitar. The six mesmerizingly lengthy tracks found on this Krallice disc are quite technically complex, and buzzingly relentless, much as you'd expect from Barr and Co. It's a blasting blizzard, with raging vokills and hyperspeed drumming but most importantly, shreddingly gorgeous guitar leads, densely woven, that build and build always to new forbidden plateaus of melancholic, misanthropic triumph. Imagine maybe the epick grimnity of Weakling or Wolves In The Throne Room, already badass in the guitar department, with an extra dosage of divebombing fretboard squiggle, interstellar energies continually released in the form of six string shred... yes, Krallice certainly "bring it" as it were, and should appeal to both fans of Barr's previous quasi-metallic, mathy mindfucks as well as those looking for quality USBM, advanced structures or not. (Although, in regards to neo-classical shred, they haven't quite unthroned the true Yngwie's of USBM, the late lamented Windham Hell.)
MPEG Stream: "Wretched Wisdom"
MPEG Stream: "Energy Chasms"

album cover KRALLICE s/t (Gilead Media / Profound Lore) 2lp 22.00
NOW ON (GATEFOLD) VINYL!
It has come to this. Just as we somehow suspected. And desired. Underground guitar maestro Mick Barr, he of such monomaniacal hypershred mosquito-like guitar and drums (or drum machine) bands as Orthrelm, Octis, and Ocrilm, has finally unleashed the bona fide black metal album that we always knew he probably wanted to do. And should do. After all, in our review of the last Ocrilm album, Annwn, released earlier this year on Hydra Head, we'd said that not only did Barr's guitar buzz remind us of black metal music, but that if it were a black metal album it would be one of the best (and most fucked up, too) of the year.
So, now Barr and equally tech-y cohorts guitarist/bassist Colin Marston (that's right, of mathy mindbogglers Behold...The Arctopus!) and drummer Lev Weinstein (Bloody Panda) have started the utterly blackened Krallice, releasing their self-titled debut on the respected Profound Lore label. And the rest of the USBM scene should take notice, these guys mean business. Sure, anybody with a MySpace page can have a black metal band, make a cool unreadable, thorny logo (like Krallice's) and come up with song titles like "Wretched Wisdom", "Timehusk", "Energy Chasms", and "Forgiveness In Rot" (as Krallice have done) but probably not that many can actually back up all those black metal signifiers so seriously with their MUSIC, music of such sheer power and perfection that we find here. Wintry winds are blowing here (i.e. it's not hot air), as majestic melodies ride the crests of tsunami-sized waves of distorted, buzzing guitar. The six mesmerizingly lengthy tracks found on this Krallice record are quite technically complex, and buzzingly relentless, much as you'd expect from Barr and Co. It's a blasting blizzard, with raging vokills and hyperspeed drumming but most importantly, shreddingly gorgeous guitar leads, densely woven, that build and build always to new forbidden plateaus of melancholic, misanthropic triumph. Imagine maybe the epick grimnity of Weakling or Wolves In The Throne Room, already badass in the guitar department, with an extra dosage of divebombing fretboard squiggle, interstellar energies continually released in the form of six string shred... yes, Krallice certainly "bring it" as it were, and should appeal to both fans of Barr's previous quasi-metallic, mathy mindfucks as well as those looking for quality USBM, advanced structures or not. (Although, in regards to neo-classical shred, they haven't quite unthroned the true Yngwie's of USBM, the late lamented Windham Hell.)
MPEG Stream: "Wretched Wisdom"
MPEG Stream: "Energy Chasms"

album cover KRALLICE Years Past Matter (self-released) cd 14.98
That pesky 'dimensional bleedthrough' thing has happened once again, with the buzzing, super-teched out sounds of whatever weird astral plane wherein Krallice dwell making it all the way to our humble ears here on Earth, causing much headbanging and more mindboggling. Yes, indeed it's the fourth album of epick black metal shreddness from this NYC unit, which features the inhuman guitar chops of both Mick Barr (Orthrelm, Octis, Ocrilim, Oldest, Crom-Tech, etc.) and Colin Marston (Dysrhythmia, BeholdÉThe Arctopus, Infidel?/Castro!, etc.).
Once again, if you want blasting majesty and grim complexityÉ you got it!! Just press play and give yourself up to the numbing force of these intense exercises in extremity, an hour's worth of Krallice's controlling chaos.
All we can say is, for this precise (and it is precise) style of black metal - music that's as difficult to play as most black metal logos are to read - at this point Krallice have nothing left to prove. And very little competition.
We've currently got the digipack cd version, self-released by the band this time rather than on Profound Lore like the three previous (on account of how PL's release schedule was a bit backed up), with the double vinyl version on Gilead Media on the way to us sometime in October 2012, maybe.
MPEG Stream: "IIIIIII"
MPEG Stream: "IIIIIIII"
MPEG Stream: "IIIIIIIIIIII"

album cover KRALLICE Years Past Matter (Gildead Media) 2lp 25.00
NOW ON VINYL!!!
That pesky 'dimensional bleedthrough' thing has happened once again, with the buzzing, super-teched out sounds of whatever weird astral plane wherein Krallice dwell making it all the way to our humble ears here on Earth, causing much headbanging and more mindboggling. Yes, indeed it's the fourth album of epick black metal shreddness from this NYC unit, which features the inhuman guitar chops of both Mick Barr (Orthrelm, Octis, Ocrilim, Oldest, Crom-Tech, etc.) and Colin Marston (Dysrhythmia, BeholdÉThe Arctopus, Infidel?/Castro!, etc.).
Once again, if you want blasting majesty and grim complexityÉ you got it!! Just press play and give yourself up to the numbing force of these intense exercises in extremity, an hour's worth of Krallice's controlling chaos.
All we can say is, for this precise (and it is precise) style of black metal - music that's as difficult to play as most black metal logos are to read - at this point Krallice have nothing left to prove. And very little competition.
MPEG Stream: "IIIIIII"
MPEG Stream: "IIIIIIII"
MPEG Stream: "IIIIIIIIIIII"

KRASNER, LEE, & JACKSON POLLOCK Two Dialogues (Soo) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Pollock and Krasner were a couple, they lived in a house on Long Island and made paintings we hang in museums. This is a recording of them talking with William Wright (1950) and Marc Miller (1982), respectively. And you know it's got a nice cover.

album cover KRAUS Supreme Commander (Moniker) lp 15.98
Another weird and wonderful release from Moniker records, who have recently supplied us with not one, but two aQ Records Of The Week, the weirdo warped electronic downer pop of Jealousy, and the recent sci-fi synth outing from Stacian. Somehow, even though this sounds nothing like either of those, it fits alongside them pretty perfectly. We know next to nothing about Kraus, other than they're from New Zealand, and that this is a fantastically confusional collection of low fidelity, retro-futuristic sci-fi-scapes, slipping easily from murky, stumbling, analog synth dirgery, to woozy outsider space folk, and whatever fucked up stops lay in between.
The opener sounds like Amps For Christ, if he was obsessed with the sixties vision of outer space and the future, it's raw, and garage-y, primitive and spaced out, it's the musical equivalent to some cheesy Z-move epic with aliens and monsters, heavy on the reverb, and some ridiculous drum programming, something like the Shaggs crossed with Joe Meek. Whatever it is, it's awesome. And it only gets weirder. The second track, takes harp like guitar strum, dreamy and woozy, and wreathed in in a warped squiggle of insectoid buzz from some primitive analog synth, a dizzying abstract psych folk space ballad maybe? Who knows? We just know we LOVE it.
From there on out, it's like some wild ride through the cosmos, or at least through the cosmos as envisioned by a teenaged mad scientist who built a lifesize replica of the cosmos out of paper mache, and dressed his pets up like aliens, and offered the neighborhood kids tours of this 'other world'. THIS is the soundtrack, grinding buzzing melodies, over woozy warbly basslines, swirling malfunctioning electronics, warped swells, lazer blast blurts, totally inept drum stumble, the occasional burst of seriously fierce, super distorted fuzz guitar, plenty of percolating electronics and random percussion, detuned guitars, scrapes and hum, hiss and whir. Some tracks sound like drug addled, brain damaged surf rock, or caveman garage stomp, but with a twisted futuristic bent, while other tracks are straight up kitchen sink, weirdo mad scientist electronic experiments, all seemingly recording on a busted old tape deck, giving the proceedings a very Faxed Head like productions, constant warble and pitch shifts, drop outs, bleep and blurts. Some tracks coalesce into practically being real songs, but before they can become proper songs, it's as if something malfunctioned, machine failure, or brainmelt, either way, it seems the song implodes, and splinters, and is gloriously transformed into a fantastically demented slab of warped musical whatthefuck radness.
Another shoulda / coulda been Record Of The Week! You know what that means...
MPEG Stream: "Praeludium"
MPEG Stream: "Summer Is Icumen In"
MPEG Stream: "Guinea Coin Blues"
MPEG Stream: "Bath Tube"
MPEG Stream: "Speed Queen"

KRAUS, SHARON Right Wantonly A-Mumming (Bo'Weavil) cd 17.98
Traditional Seasonal FolkTunes from British banjo chanteuse.

album cover KRAUS, SHARRON Beautiful Twisted (Camera Obscura) cd 15.98
Folk music from Oxford, England's Sharron Kraus, possesser of an airy yet resonant voice, accompanied by banjo, fiddle, mandolin, and an occasional whistle which gives the entire record an authentic old-timey, Renaissance Faire sheen. If you can handle the "oooh butterfly man" chorus in the first track ("Peacock's Daughter"), you'll like the rest of it. Think Shirley Collins, Anne Briggs, maybe even a little Sandy Denny.
RealAudio clip: "The Peacock's Wing"
RealAudio clip: "Beautiful Twisted"

KRAUSE, BERNIE Green Meadow Stream (Miramar) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Unlike the Douglas Quin recording of Antarctica for Miramar, Bernie Krause's field recording "Green Meadow Stream" is a willfully self-evident production, documenting the chorus of chirping birds along a burbling brook in the distance. These recordings were made in the Lincoln meadow near Yuba Pass in the High Sierras, before that meadow was clear cut and yet to recover. Quite a nice recording.

KRAUSE, BERNIE Kalimantaan : Heaven Before Time (Miramar) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
For "Kalimantaan," it appears that Bernie Krause has added a bit of post-production to his field recordings made in Borneo (whose ancient name is the title of the disc), but there's nothing that detracts from the recordings natural beauty, just a touch of reverb and narratively minded editing. The first track is dedicated to the sounds at dawn, starting out with a haunting choral duet for Gibbons, before being quelled by a cloudburst to quiet the variety of insects and birds that form the white noise ambience of the rainforest. The second track focuses on the heat of the late afternoon with more monkeys (orangutans and proboscis monkeys) hooting behind the polyphony of tree frogs, before rain falls again on the forest. This is a truly magnificent field recording!

KRAUSE, BERNIE Notes From the Wild (Ellipsis Arts) book + cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Bernie Krause has had a broad ranging history in audio and music - having played with the folk group The Weavers as Seeger's replacement, studying music at Mills and collaborating with Paul Beaver in the sixties to produce several oscillator heavy electronic records. In the last 25 years, however, he's devoted his life to recording animals and insects around the world. This release represents a sort of best of collection of Krause's recordings, plus a very handsomely printed 95 page hard cover book - on recycled paper - of essays and journal writings by Krause.

KRAUSE, BERNIE Rainstorm In Borneo (Miramar) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

KRAUSE, BERNIE Zimbabwe : Gardens Of Eden (Miramar) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Another well-rounded recording of pure natural sounds by Bernie Krause. This time he's attempted to track down the site of natural echo reflection where a troupe of baboons have situated themselves to bounce echoes of their barks off of a 300 foot granite sheer face. While's never actually found that specific site, Krause was able to get solid recordings of those baboons as well as the serene dawn chorus of the forests innumerable birds.

KRAUSE, D./A. MOORE/P. BLEGVAD Camera cd 18.98
In other words, Slapp Happy. "Camera" originated as an opera comissioned for TV, broadcast 1993. Singer Dagmar Krause stars "as a lone individual figure struggling against a nightmare of bureaucratic intrusion." With The Balanescu Quartet among other additional musicians. (Caveat: it's pretty mediocre, we'd recommended it primarily to Slapp Happy completists.)

KRAUSS, ALISON Forget About It (Rounder) cd 15.98
Angel-voiced bluegrass singer with her most accessible album to date.

KRAUTH, PHIL Cold Morning (TeenBeat) cd 12.98
Smart Cory Brown says: 'Speaking of Unrest, Phil Krauth's Cold Morning is a bit of a surprise. I'd heard good things about it, but had no idea exactly what elements he'd brought to later Unrest. Y'see, I always figured Unrest (or Stereolab) could do a great version of the Association's "Windy." Then they broke up and Air Miami abandoned the '60's almost completely for the '80's. But Mr. Krauth goes on to write the lost Association demos (none of that flaccid production). I'm waiting for the "Love Is All Around" or "That Girl" b-side.'

KRAUTH, PHIL Cold Morning (TeenBeat) lp 8.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Smart Cory Brown says: 'Speaking of Unrest, Phil Krauth's Cold Morning is a bit of a surprise. I'd heard good things about it, but had no idea exactly what elements he'd brought to later Unrest. Y'see, I always figured Unrest (or Stereolab) could do a great version of the Association's "Windy." Then they broke up and Air Miami abandoned the '60's almost completely for the '80's. But Mr. Krauth goes on to write the lost Association demos (none of that flaccid production). I'm waiting for the "Love Is All Around" or "That Girl" b-side.'

album cover KRAZY BALDHEAD The B-Suite (Ed Banger) cd 16.98
Some of our favorite tracks on the most recent Ed Banger compilation of tripped out psychedelic dancefloor electro synth weirdness came from the awesomely monicker'd Krazy Baldhead, a Frenchman who just might give Justice and the like a run for their francs.
The B-Suite is in fact a nearly 50 minute continuous jam/mix, that takes everything we like about Justice, Ed Banger, the current breed of weirdo electro synth shit, and stirs it up into a massive outer space dance party.
Synths everywhere, that's a give, they buzz and how, and rumble, they get chopped up into throbs and pulses, the get layered into dense walls of sound, they get wrapped around beats, BIG block rockin' beats, skittery laid back beats, housey beats, hip hoppy beats... It's all about the beats and the synths, and they get all tangled up and mashed up and smeared and blurred into pounding late night grooves, druggy sci-fi cinematic slow jams, stuttery chunks of hiccupping hip hop, thumping space aged electro house, whatever the fuck Baldhead can come up with, he's called Krazy for a reason.
Rappers pop up here and there, flowing over stripped down abstract hip hop or woozy groovy future funk, but those brief bits are surrounded on all sides by the aforementioned array of constantly colliding and swerving and shimmering synths, and the non stop avalanche of unlikely beatsmithery.
Insane and insanely catchy robotic electro from another planet, beamed down here in order to melt down dancefloors, soak the populace with sweat, and generally get the party started, even if said party is some next level, futuristic, intergalactic, alien synth shit. Awesome.
Anyone into Justice, Ed Banger records, metal house, and all that sort of far out dancefloor synth damage, this is for YOU.
MPEG Stream: "1st Movement Part. 1"
MPEG Stream: "1st Movement Part. 2"
MPEG Stream: "3rd Movement Part. 1"
MPEG Stream: "4th Movement Part. 3"

album cover KREAMY LECRIC SANTA 1980-2007 Retrospective II (Digestive Systems) 7" 5.00

album cover KREAMY LECTRIC SANTA Operation Spacetime Cynderblock: Tour Riddles Of The Spheres (Starcleaner) lp 12.98

KREATORS No Contest (Bomb) cd 15.98
Production, mixes, and all scratches by G-squared. New on Bomb Hip Hop!

KREBS, PETE Bitter Sweet Valentines (Cavity Search) cd 10.98
New six song ep from Mr Krebs. This time out Pete chooses a stripped down format much more akin to pal Elliott Smith's early recordings of solo guitar and voice. Notable exception is the rocking final track.

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