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IMPORTANT (Please read to avoid confusion):
Some items below may be tagged with a bold, red, all-caps "out of print/unavailable" notice. This does NOT mean that all other items not so tagged are, in fact, in stock -- or for that matter, in print and available, though there's a good chance they are. Some folks get confused on this point, and we can see why, so please read this for further clarification and other important before-you-order information. Unlike some mailorder websites, we don't have an electronic inventory system linked to our site, so you can't be sure of what we actually have or don't have in stock at any given moment without asking us -- please email our mailorder department for availability status -- or better yet, just go ahead and place your order using our shopping cart function and we'll get back to you with the status of each item. If you have general non-mailorder questions, email the store.


album cover GLAZE, BRIAN Green Living (World Famous In SF) lp 11.98
Even though he resides right here in the Bay Area we knew very little about this Brian Glaze character when we first got in this new release of his, but oh damn is that about to change, as this is becoming one of those records that we can't seem to stop listening to. Channeling so many eras of warped pop delight, Brian Glaze has made a record that's as fun as it is smart, and as catchy as it is fulfilling. There is for sure a similar aesthetic and delivery to some of our favorite warped popsmiths like John Maus and Ariel Pink, but Green Living totally has its own thing going on. '50s pop colliding with psychedelic rock that's soaked in new wave electronics. We hear a bit of what The Gris Gris might sound like if they began to pull from more varied influences. Psychedelic disco pop? Deconstructed multigenerational pop genius? We're not sure exactly what to call it but we know that we LOVE IT!
MPEG Stream: "Leader of the Band"
MPEG Stream: "Bad News"
MPEG Stream: "Silver Ashes"

album cover GLISSANDRO 70 s/t (Constellation) cd 16.98
When you think of the Constellation label, warm bouncy and sunny aren't usually words that come to mind. Home to the whole Godspeed You Black Emperor family the label is most usually associated with monumental post rock with some dark flair. Glissandro 70 is a much welcome blast of washed out sunshine for the label. Incorporating blissed out melodies, tasteful lo-fi nods to world rhythms, and an overall cohesive laid back approach that quietly sucks you in. There is something about this record that sounds so totally refreshing. We listed the reissue of Brian Eno and David Byrne's My Life In The Bush Of Ghosts elsewhere on this list as well and this can be added as a great example of a future generation getting so right the seeds planted by that influential recording. There's also an avant pop sensibility that will totally hit the spot for fans of Animal Collective's recent outings as well as Broken Social Scene at their most abstract. The sun has finally reappeared here in SF and this has been the perfect record to hang out with while we soak in the rays.
MPEG Stream: "Something"
MPEG Stream: "End West"

album cover GLITTER PALS Unleash The Compassion (Lovepump United) cd 8.98
What do two guys from Genghis Tron do when they're not spewing metallic electronic grind pop whatthefuck? Well, they sort of do the same thing they always do. Sort of. But they do mix things up a bit by upping the pop ante, toning down the grind, and thus these Pals have come up with a NINE MINUTE burst of bubbly glistening, sludgy dirge pop that hits the spot in a similar way to the recent sludge pop of Torche. But this isn't sludgy or poppy as much as it's freaked out a furious, a poppier take on that sort of Locust / Horse The Band synthgrind. The thing that sets Glitter Pals apart for us, is a really demented use of clean harmony vocals, a moaning chanting weirdness, that Allan thought sounded like the sample from LL Cool J's "Mama Said Knock You Out". Weird and heavy and catchy and totally fucked. And you know from us that means HIGHLY RECOMMENDED!
MPEG Stream: "Thunder Tights"
MPEG Stream: "Unleash The Compassion"

album cover GLITTER WIZARD Black Lotus / Witches Limbo (Sans Escape) 7" 6.50
Heard about this on Tom Lax's Siltblog, which is funny 'cause this band is from right here in our backyard, and are also not exactly shitgaze or whatever other noisy underground rock aesthetic we thought Siltbreeze was all about. Lax mentioned classic heavy psych/metal peeps for the ages like Deep Purple, Hawkwind, and Monster Magnet in his review and yep, all present and accounted for (if inebriated and high as fuck, no surprise) in GW's sound, to some extent. Super stoner retro rockin' here, well with retro sounds but not sounding like any actual old band that's for sure, A-side "Black Lotus" starts off all full of gobblin' space synth soundz, then begins pounding down the riffs like Sleep or something a bit later on, while on the flip, "Witch's Limbo", they keep on rockin', no not like Dokken but more like Danava (w/ all them synths) and Priestess and other current bands creating the past anew. Interestingly, the other tracks we've heard from 'em, on their MySpace, are way more overtly garagey punky, in a ? and the Mysterians, Lyres, mebbe even Stooges style, but here it seems they're heavy metalling it (the magazine and the music) a bit more. So, two cool tunes, and now we're put on notice to go see these glittering wizzes next time they play, we're especially curious to see if they get all glammed up live to go with their name. (AQ staffer Jon has seen 'em and sez they do!)

album cover GLOVE, THE Blue Sunshine (Rhino) 2cd 25.00
Some musical pairings just make perfect sense. Case in point, Siouxsie And The Banshees' Steve Severin and The Cure's Robert Smith. Originally released in 1983, The Glove is getting the same reissue treatment as the early Cure albums which means there is an extra disc which in this case is where the magic is hidden. On the original release there were label/legality issues which kept Smith's voice from appearing on all except two tracks so a last minute singer was needed which ended up being Jeanette Landray, who was the girlfriend of The Banshees drummer Budgie. While her vocals kind of work, it's always been the kind of record that you always pictured with Smith's vintage vocals throughout. And this reissue makes that dream come true as the bonus disc is filled with demo versions on which Smith sings those very song making this reissue even more essential. Robert Smith in 1983 singing with Severin from The Banshees playing, what more could you want?
MPEG Stream: "Like An Animal (Vocal Demo)"
MPEG Stream: "A Blues In Drag (Alt Vocal Demo)"
MPEG Stream: "Sex Eye Make Up"

GLUCIFER Tender Is The Savage (Sub Pop) 2cd 12.98
Swedish shit-kickin' gasoline-fueled rock action, a la slightly-better known peers The Hellacopters. Biff Malibu (yep, they all have dumb pseudonyms) does his singing in a kinda Danzig kinda way, but the music is more like Motor City 70's proto-punk via grunge city. Bonus disc with video and some other songs.

album cover GNAW This Face (Conspiracy) cd 16.98
Thee extreme / experimental / industrial metal scene has a potential new ruler here, with the doomic and disturbing debut of Gnaw. If you put this disc in your computer's iTunes, you'll see some joker has categorized their genre as "children's music". Ha, don't think so! Unless you want your kids to grow up to be like Alan Dubin, of OLD/Khanate infamy, who provides the blood curdling vokills here, ranging from throat-shredding yowls to creepy stage whispers. He's joined by former members of doomlords Burning Witch, psychfolk weirdos Enos Slaughter and cold, early '80s NYC post-punk Factory Records band Ike Yard (!) for this new project, which seems to take up where Dubin's previous bands left off, but in a direction much more deviant & eccentric.
The claustrophobic chaos of track one, "Haven Vault", ought to determine pretty quick if this is for you or not. Imagine a sped-up Khanate struggling through a windstorm, Dubin bawling wretchedly amidst the buzzing murk and the splatter of improv percussion... then distant, pretty piano notes fade in eerily, one by one... it's like Khanate meets Hazard meets Supersilent, in a nightmare. Extreme indeed, and all right with us! That leads to the next track, one that's calmer and more song-like, yet perhaps even more sinister-sounding, with Dubin's negative vibe lyrics more intelligible, everything backed by a springy-sprongy electronic rhythm. More of a tribal drumming pattern is exhibited on the deep rumble of the third song.
Each track seems to delve further and further into weirdness and woe, with drone and distortion and feedback given free range of the album. The jittery percussion effects a trance-like vibe at times, perhaps allowing Dubin's words deeper, subliminal access to your subconscious (uh oh). But as big fans of both OLD and Khanate, we're all for it, glad to now have Gnaw to push those same buttons, along with other ones we hadn't expected, like the way the singing on "Watcher" sounds almost like Eugene from Oxbow. Or how it sounds like maybe Dubin & Co. have been into some dubstep lately. Or how Gnaw's crunching head nodding heaviness is cracked like Humpty D. Yep, if you like some strange surprises in your grim glitchtronic avant-metal music, and moreover enjoy the varied vokill stylings of Mr. Dubin, you'll want Gnaw's Your Face at your place.
The Conspiracy label has released this on cd (digipack) and of course LIMITED EDITION gatefold vinyl of various colors (we've got any color you want, as long as it's black). They had to leave 2 tracks off the vinyl version, but it does come with a free mp3 download card so you can get the entire album on your computer.
MPEG Stream: "Haven Vault"
MPEG Stream: "Vacant"
MPEG Stream: "Shard"

album cover GNAW This Face (Conspiracy) lp 15.98
Thee extreme / experimental / industrial metal scene has a potential new ruler here, with the doomic and disturbing debut of Gnaw. If you put this disc in your computer's iTunes, you'll see some joker has categorized their genre as "children's music". Ha, don't think so! Unless you want your kids to grow up to be like Alan Dubin, of OLD/Khanate infamy, who provides the blood curdling vokills here, ranging from throat-shredding yowls to creepy stage whispers. He's joined by former members of doomlords Burning Witch, psychfolk weirdos Enos Slaughter and cold, early '80s NYC post-punk Factory Records band Ike Yard (!) for this new project, which seems to take up where Dubin's previous bands left off, but in a direction much more deviant & eccentric.
The claustrophobic chaos of track one, "Haven Vault", ought to determine pretty quick if this is for you or not. Imagine a sped-up Khanate struggling through a windstorm, Dubin bawling wretchedly amidst the buzzing murk and the splatter of improv percussion... then distant, pretty piano notes fade in eerily, one by one... it's like Khanate meets Hazard meets Supersilent, in a nightmare. Extreme indeed, and all right with us! That leads to the next track, one that's calmer and more song-like, yet perhaps even more sinister-sounding, with Dubin's negative vibe lyrics more intelligible, everything backed by a springy-sprongy electronic rhythm. More of a tribal drumming pattern is exhibited on the deep rumble of the third song.
Each track seems to delve further and further into weirdness and woe, with drone and distortion and feedback given free range of the album. The jittery percussion effects a trance-like vibe at times, perhaps allowing Dubin's words deeper, subliminal access to your subconscious (uh oh). But as big fans of both OLD and Khanate, we're all for it, glad to now have Gnaw to push those same buttons, along with other ones we hadn't expected, like the way the singing on "Watcher" sounds almost like Eugene from Oxbow. Or how it sounds like maybe Dubin & Co. have been into some dubstep lately. Or how Gnaw's crunching head nodding heaviness is cracked like Humpty D. Yep, if you like some strange surprises in your grim glitchtronic avant-metal music, and moreover enjoy the varied vokill stylings of Mr. Dubin, you'll want Gnaw's Your Face at your place.
The Conspiracy label has released this on cd (digipack) and of course LIMITED EDITION gatefold vinyl of various colors (we've got any color you want, as long as it's black). They had to leave 2 tracks off the vinyl version, but it does come with a free mp3 download card so you can get the entire album on your computer.
MPEG Stream: "Haven Vault"
MPEG Stream: "Vacant"
MPEG Stream: "Shard"

album cover GNIDROLOG In Spite Of Harry's Toe-Nail (Lady Eleanore) cd 22.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Just got a handful of this obscure prog cd reissue so we thought we'd list it. Definitely one for anyone who's dug previous AQ prog recommendations. Actually the UK's Gnidrolog kinda combine a lot of our favorite over-the-top prog moves into one elpee. You'll hear some Magma, some Van Der Graaf...King Crimson, Jethro Tull, Shub Niggurath, Osanna...even some Comus. It's crazed and hectic and bombastic, with zany Zappa'd mathematical rock n' roll raveups (complete with harp blowin'), fitted out in extreme prog fashion with cello, sax, oboe, piano, and flute. (Let's not forget the flute!! that's where the Comus and Tull comparisions come in.) From pretty, rustic folk song to unhinged dramatic vocalizations to doomy rock chords and even some super-skronky guitar noise, this 1972 LP was definitely *out there* as far as progressive rock goes. In Spite Of Harry's Toe-Nail was their debut, but this cd version includes as bonus tracks alternate versions of two from their second album Lady Lake, including the epic Wishbone Ash-ish "I Could Never Be A Soldier".
MPEG Stream: "Long Live Man Dead"
MPEG Stream: "Snails"

GNIDROLOG In Spite Of Harry's Toe-Nail / Lady Lake (BGO Records) cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Two Gnidrolog albums on one disc!

GNIDROLOG Lady Lake (Si-Wan) cd 22.00

album cover GNOD The Crystal Pagoda (Sonic Meditations) cassette 5.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
You can often tell a lot about a band by the other bands they share splits with. And considering the fact that Gnod have done split time with both psychedelic space rockers White Hills, and space psych doomlords Bong, it's pretty much a no brainer. And the fact that these guys can pretty much hold their own with both says it all. And actually, the sound of Gnod does fall somewhere right between Bong and White Hills, beginning super murky and minimal, doomy and slow, the guitars abstract and space-y, fluttery flutes laced over whirring low end, the sound builds quickly to something seriously explosive, the drums pounding, lots of bagpipe like horns offering up more layers of drones, mumbled vox, distortion and noise and effects piling up until the rhythmic almost krautlike groove is buried beneath a heaving churning pile of constantly shifting and swirling sound. Pretty stellar for sure.
The second track here, another 20 minute space doom jam, is much less expansive, instead, it's a solid chunk of hypno space rock, the drums and bass locked tight, weird vocals drift in and out, swirls of space-y FX swoop down from above, the surrounding ambience is ever changing, but the rhythm keeps the song grounded, a head nodding, drug addled non-stop mesmerizing groooooove, lysergic and psychedelic but pretty stripped down compared to that opening salvo. Good stuff for sure. Anyone into the current crop of space rock explorers (like Expo 70, too, whose limited edition cassette/cd-r label put this out) will no doubt dig this BIG TIME.
MPEG Stream: "The Crystal Pagoda"
MPEG Stream: "Tony's First Disco"

album cover GNOD The Crystal Pagoda (Sonic Meditations) cd-r 5.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
You can often tell a lot about a band by the other bands they share splits with. And considering the fact that Gnod have done split time with both psychedelic space rockers White Hills, and space psych doomlords Bong, it's pretty much a no brainer. And the fact that these guys can pretty much hold their own with both says it all. And actually, the sound of Gnod does fall somewhere right between Bong and White Hills, beginning super murky and minimal, doomy and slow, the guitars abstract and space-y, fluttery flutes laced over whirring low end, the sound builds quickly to something seriously explosive, the drums pounding, lots of bagpipe like horns offering up more layers of drones, mumbled vox, distortion and noise and effects piling up until the rhythmic almost krautlike groove is buried beneath a heaving churning pile of constantly shifting and swirling sound. Pretty stellar for sure.
The second track here, another 20 minute space doom jam, is much less expansive, instead, it's a solid chunk of hypno space rock, the drums and bass locked tight, weird vocals drift in and out, swirls of space-y FX swoop down from above, the surrounding ambience is ever changing, but the rhythm keeps the song grounded, a head nodding, drug addled non-stop mesmerizing groooooove, lysergic and psychedelic but pretty stripped down compared to that opening salvo. Good stuff for sure. Anyone into the current crop of space rock explorers (like Expo 70, too, whose limited edition cassette/cd-r label put this out) will no doubt dig this BIG TIME.
MPEG Stream: "The Crystal Pagoda"
MPEG Stream: "Tony's First Disco"

album cover GO BACK SNOWBALL Calling Zero (Fading Captain) cd 15.98
Besides being yet another in the seemingly ceaseless stream of Robert Pollard's Fading Captain Series recording projects, the most notable thing about Go Back Snowball is the warm, glowing presence of Superchunk's Mac MacCaughan. Yup, this is a collaboration between these two tireless, great musical minds. Mr. MacCaughan wrote and performed all of the music, while Mr. Pollard wrote and performed all of the vocals. Imagine what it could possibly sound like and I'll bet you'd not be far off the mark.
RealAudio clip: "Red Hot Halos"
RealAudio clip: "Throat of Throats"

album cover GO FIND, THE Miami (Morr Music) cd 15.98
Belgium's The Go Find craft atmospheric electronic laced pop rock propelled by a driving robotic beat and warmed by mainman Dieter Sermeus' sensitive male vocals. The ten songs on their debut album Miami alternately bring to mind the sounds of The Notwist, Postal Service and New Order or perhaps a more laidback version of The Faint. This new member of the Morr Music clan is settling in quite comfortably with his labelmates Lali Puna, Ms John Soda, Styrofoam et al.
MPEG Stream: "Over The Edge"
MPEG Stream: "Summer Quest"

album cover GO GO GALAXION Great Attractor (Hectochrome) cd 9.98
This new SF band's debut is quite immediately reminiscent of the dreamy, swirling late '90s Brit rock bands like Spiritualized or The Church - all shimmering, spacy guitars with soft shoegazer male lead vocals. But Go Go Galaxion set themselves apart from those groups with an ever-present upbeat mood that's propelled along by some considerably West Coast sunny bouncy tempos and warm vocal harmonies - maybe placing them more in line with polished pop bands like Beulah or the Posies in that regard. Nice.
RealAudio clip: "Breathe"
RealAudio clip: "Living Space"

album cover GO TEAM, THE Proof Of Youth (Sub Pop) cd 14.98
Whoa, what a change of direction! Rather than chewin' on pink bubblegum, The Go Team's new album might have you gnawin' on a shank of beef jerky... or some other more manly snack. The jubilant youthful glee of their 2004 debut album Thunder, Lightning, Strike has been replaced by uncharacteristic ballsy thumpin' beats and macho vocals... and Chuck D. Yes, you heard us correctly. Chuck D makes a cameo appearance on this album -- sort of like what he did on Sonic Youth's "Kool Thing" (but nowhere near as kool). We're not sure what to think of this turn of events. To be honest, it kinda harshed our giddy anticipation. Harumph.
MPEG Stream: "Grip Like A Vice"
MPEG Stream: "The Wrath Of Marcie"

album cover GO TEAM, THE Proof Of Youth (Sub Pop) lp 14.98
Whoa, what a change of direction! Rather than chewin' on pink bubblegum, The Go Team's new album might have you gnawin' on a shank of beef jerky... or some other more manly snack. The jubilant youthful glee of their 2004 debut album Thunder, Lightning, Strike has been replaced by uncharacteristic ballsy thumpin' beats and macho vocals... and Chuck D. Yes, you heard us correctly. Chuck D makes a cameo appearance on this album -- sort of like what he did on Sonic Youth's "Kool Thing" (but nowhere near as kool). We're not sure what to think of this turn of events. To be honest, it kinda harshed our giddy anticipation. Harumph.
MPEG Stream: "Grip Like A Vice"
MPEG Stream: "The Wrath Of Marcie"

album cover GO! TEAM, THE Thunder, Lightning, Strike (Memphis Industries / Columbia) cd 13.98
Heads up people! It's a surging candy-coated fountain of perky, ultra funky euro pop sweeping up everyone in its path! When we played it the other day, she had three customers ask about it in quick succession. Pretty darn irresistible, The Go! Team cook up lots of hyper-energetic, ass-slappin', toe-shakin' party jams! Sorta like a bubbly, brightly-hued blend of Bis and Stereototal. Sometimes you think your listening to a '60s spy movie soundtrack (particularly for a scene involving a car chase by the beach), while other times you'd swear you've stumbled upon a groovy pyjama-party-a-go-go. Something that's this jam-packed with rompin' good thrills'n'chills has just gotta be... highly recommended!!!
MPEG Stream: "Panther Dash"
MPEG Stream: "Ladyflash "

album cover GO! TEAM, THE Thunder, Lightning, Strike (Memphis Industries) lp 14.98
NOW ON VINYL!!!!
Heads up people! It's a surging candy-coated fountain of perky, ultra funky euro pop sweeping up everyone in its path! When we played it the other day, we had three customers ask about it in quick succession. Pretty darn irresistible, The Go! Team cook up lots of hyper-energetic, ass-slappin', toe-shakin' party jams! Sorta like a bubbly, brightly-hued blend of Bis and Stereototal. Sometimes you think your listening to a '60s spy movie soundtrack (particularly for a scene involving a car chase by the beach), while other times you'd swear you've stumbled upon a groovy pyjama-party-a-go-go. Something that's this jam-packed with rompin' good thrills'n'chills has just gotta be... highly recommended!!!
MPEG Stream: "Panther Dash"
MPEG Stream: "Ladyflash "

GO, THE Whatcha Doin' (Sub Pop) cd 12.98
Revivalist 70's glam rock for fans of The Stooges or New York Dolls. On Sub Pop.

album cover GO-BETWEENS Oceans Apart (Yep Roc) cd 14.98
It's been five years since Robert Forster and Grant McLennan reformed their beloved band, and with their latest full length Oceans Apart they show no signs of stopping. Their music is as great as ever. If you really need proof, you need only give this album a spin next to the recently re-issued early Go-Betweens classics such as 16 Lovers Lane. Although the two gents' songwriting and singing styles have always been quite different from one another (and great on their own when in solo mode), when combined the chemistry is pure pop magic. They sing from and to both the heart and mind, penning some of the most sincere, articulate and romantic pop songs around. Who else could fit Dostoyevsky's name in their lyrics? Well, maybe Robyn Hitchcock, who might be the one artist closest to them in style, depth, wit and charm. The Go-Betweens' records including this one are something you can always rely on to offer light to your darker times and places.
Note: the first pressing of this cd includes a bonus disc of six songs recorded live at the Barbican in London last year.
MPEG Stream: "No Reason To Cry"
MPEG Stream: "Darlinghurst Nights"

album cover GO-BETWEENS, THE 16 Lovers Lane (Jetset) 2cd 21.00
It's time for much revelry, Go-Betweens fans! Jetset Records has reissued another batch of Go-Betweens albums on cd. This time it's three of the band's finest, most beloved works -- 16 Lovers Lane, Tallulah, and Liberty Belle And The Black Diamond Express. Perhaps it's time for you to replace your well-worn copies of these totally classic albums?! Each comes with a bonus disc overflowing with a variety of rarities and videos. Such a treat for pop music lovers! And if you've somehow yet to experience the refined splendor of the Go-Betweens music, now is the time to get with the program! Seriously folks, this band was (and is) graced with not just one, but two of the most formidable songwriting forces around, Robert Forster and Grant McLennan. Consistently head and shoulders above their comtemporaries, their unmistakable and unforgettable songs speak to both the heart and the mind, and we'd venture to say that 1988's 16 Lovers Lane does so the best of them all. It's the album they released just prior to disbanding for a decade (they reformed in '99), and they 'ended' things on a glowingly resonant high note. It's quite possibly their best work of their career (and a particular favorite of Andee's). This reissue includes videos for "Streets Of Your Town" (two versions) and "Was There Anything I Could Do?" plus ten stellar bonus tracks. Not to be missed. Sooo recommended.
MPEG Stream: "Love Goes On!"
MPEG Stream: "Wait Until June"

album cover GO-BETWEENS, THE Before Hollywood (Circus/Jetset) 2cd 19.98
For almost a quarter of a decade, the Go-Betweens have been crafting some of the most sparkling pop songs. The songwriting duo of Robert Forster and Grant McLennan are responsible for innumerable understated, hook-filled beauties, each of them bearing the unmistakable Go-Betweens sound. So, if you're new to this great group, where do you start? Well, their most recent effort "The Friends Of Rachel Worth" (which featured the addition of Sam and Janet of Quasi to the line-up) was an absolutely glorious album, but with the recent reissues of their earlier albums... geez, the decision making's tough! Nonetheless, whichever album you choose will surely mark your entry into the rather sizeable and devout membership of Go-Betweens admirers.
Before Hollywood was their sophomore release. So very composed, confident, gentle and gentlemanly, they make songwriting seem easy. Some prime examples? The classic pop tunes "That Way" and "Cattle And Cane"... worth the price of admission alone. And voila, on the bonus disc you also get the video for the latter!
RealAudio clip: "Cattle And Cane"
RealAudio clip: "That Way"

GO-BETWEENS, THE Bright Yellow, Bright Orange (Jetset) cd 15.98
From the first note to the very last, the follow-up to The Friends Of Rachel Worth (and to the celebrated reissues of their first three albums) is quite simply more glorious, intelligent pop of the highest grade from this Australian group. Always comfortingly familiar, yet also very fresh and vibrant. Robert Forster and Grant McLennan create the finest of pop songs that are ever sweet, lush and sentimental, but never overly so. What more can be said? Legions of Go-Betweens fans already know, and those who've yet to discover them should get the lead out, goshdarnit!
MPEG Stream: "Caroline & I"
MPEG Stream: "Old Mexico"

album cover GO-BETWEENS, THE Liberty Belle And The Black Diamond Express (Jetset) 2cd 21.00
It's time for much revelry, Go-Betweens fans! Jetset Records has reissued another batch of Go-Betweens albums on cd. This time it's three of the band's finest, most beloved works -- 16 Lovers Lane, Tallulah, and Liberty Belle And The Black Diamond Express. Perhaps it's time for you to replace your well-worn copies of these totally classic albums?! Each comes with a bonus disc overflowing with a variety of rarities and videos. Such a treat for pop music lovers! And if you've somehow yet to experience the refined splendor of the Go-Betweens music, now is the time to get with the program! Seriously folks, this band was (and is) graced with not just one, but two of the most formidable songwriting forces around, Robert Forster and Grant McLennan. Consistently head and shoulders above their comtemporaries, their unmistakable and unforgettable songs speak to both the heart and the mind.
You need look no further than the third song "The Wrong Road" from 1986's Libery Belle And The Black Diamond Express with its sweeping strings and yearning vocals, as well as the steady guitar strum canter and understated yet dreamy backing vocals of the fourth song "To Reach Me". Beautiful!
This reissue includes videos for "Spring Rain" and "Head Full Of Steam" plus eleven bonus tracks (many of them early and alternate versions). Hurrah!
MPEG Stream: "The Wrong Road"
MPEG Stream: "To Reach Me"

album cover GO-BETWEENS, THE Spring Hill Fair (Circus/Jetset) 2cd 19.98
For almost a quarter of a decade, the Go-Betweens have been crafting some of the most sparkling pop songs. The songwriting duo of Robert Forster and Grant McLennan are responsible for innumerable understated, hook-filled beauties. Each of them bearing the unmistakable Go-Betweens sound. So, if you're new to this great group, where do you start? Their most recent effort "The Friends Of Rachel Worth" (which featured the addition of Sam and Janet of Quasi to the line-up) was an absolutely glorious album, but with the recent reissues of their earlier albums... geez, the decision making's tough! Nonetheless, whichever album you choose will surely mark your entry into the rather sizeable and devout membership of Go-Betweens admirers.
For the record, Spring Hill Fair was the third album by these Australian pop geniuses. Underrated and often overlooked, but sooo good! It was recorded in 1984 and features amazing, intelligent lyrics and uniquely beautiful guitar pop instrumentation.
RealAudio clip: "Bachelor Kisses"
RealAudio clip: "You've Never Lived"
RealAudio clip: "Part Company"

album cover GO-BETWEENS, THE Tallulah (Jetset) 2cd 21.00
It's time for much revelry, Go-Betweens fans! Jetset Records has reissued another batch of Go-Betweens albums on cd. This time it's three of the band's finest, most beloved works -- 16 Lovers Lane, Tallulah, and Liberty Belle And The Black Diamond Express. Perhaps it's time for you to replace your well-worn copies of these totally classic albums?! Each comes with a bonus disc overflowing with a variety of rarities and videos. Such a treat for pop music lovers! And if you've somehow yet to experience the refined splendor of the Go-Betweens music, now is the time to get with the program! Seriously folks, this band was (and is) graced with not just one, but two of the most formidable songwriting forces around, Robert Forster and Grant McLennan. Consistently head and shoulders above their comtemporaries, their unmistakable and unforgettable songs speak to both the heart and the mind.
Tallulah, their fifth album originally released back in 1987, arguably runs a close second to 16 Lovers Lane for the band's 'best album' award. A sweet blend of guitar crunch and lushness.
This reissue includes videos for "Right Here" and "Bye Bye Pride" plus ten bonus tracks (many of them early and alternate versions). Hurrah!
MPEG Stream: "Right Here"
MPEG Stream: "A Little Romance"

album cover GO-BETWEENS, THE That Striped Sunlight Sound (Yep Roc) dvd + cd 25.00
It's a downright pleasure to hear (and see) the enthusiasm this band still has for their music and their fans (really, so much more than many artists these days can even seem to muster a fraction of!). They've been making wonderful music individually and as a group for over a quarter of a century! Nowhere is it currently more on display than on this live Go-Betweens dvd/cd set! The dvd features a fantastic performance of theirs in Brisbane last August as well as a batch of stories as told by band leaders Grant McLennan and Robert Forster themselves the day after. As an added convenience, the cd features a 70 minute long audio recording of the show. needless to say, an awesome fan pleaser! Hats off to the Go-Betweens!
MPEG Stream: "Finding You (live)"
MPEG Stream: "The Clock (live)"

GO-BETWEENS, THE The Friends Of Rachel Worth (Jetset) cd 14.98
Upon the very first play of this cd in AQ, three (!) customers' ears immediately pricked up, then all three customers chimed in unison "new Go-Betweens?" And their ears were treated to a wonderful listening delight. On this album the Go-Betweens line-up consists of Grant McLennan, Robert Forster, Adele Pickvance, and Quasi's multi-talented Janet Weiss and Sam Coombes. Also contributing their musical talents are Carrie Brownstein and Corin Tucker (of Sleater-Kinney) as well as Brent Arnold and Jen Chorowhas. And a few others... Sure to please old Go-Betweens fans and certain to make them quite a few new ones as well. Beautiful, lush and earthy.
RealAudio clip: "The Clock"

album cover GO-GO'S God Bless The Go-Go's (Universal) cd 16.98
Looking so fresh and bright, Jane, Charlotte, Kathy, Gina and Belinda return with a full new album after a series of peeks and teasers. Their wonderful go-girl harmonies and super hook pop melodies are all splendidly intact. Billie Joe from Green Day guests on a song.

album cover GOAT WITCH Live At Cumbersome Records - Oct. 30th 2005 (We Empty Rooms) cd 13.98
After digging heavily on Australian doom merchants Fire Witch, we discovered the less heavy and more sprawling and post rocky Goat Witch, featuring some of the same members, whose Blind record was a huge hit around these parts.
So now we have another Goat Witch disc, called Live At Cumbersome Records, which appropriately enough was recorded live, and features an expanded line up of two drummers, three bass players and one guitarist, which includes ALL the members of Fire Witch as well as a bunch of other Aussie noisemakers.
Like Blind, this disc shrugs of much of the doom, treading into more Godspeed like waters, long sprawling slow building epics, where the drums offer up textures and filigree as often as actual beats. You think with three basses this would be a bloody sludgefest, but instead, the basses are subtle, woven into a shifting latticework of low end, allowing the guitar to drift and ring out, riffs floating above the thick swirling swells. Eventually the drums do kick in, but not in a crushing doom way, instead, the sound gets even more mathy and post rocky, the drums hyperkinetic, the guitars slippery and slithery, suddenly it's some krautrock spacerock hypno jam, relentless and hypnotic, eventually breaking down into some seriously dreamy drift, shifting streaks of guitars, muted tribal drumming, moody and smoldering, slow burning and ominous, thick cymbal swells, culminating in a tripped out mathy outro, all effected guitars throbbing basses. And that's just the opening 42 minute salvo.
The second track is almost like a dubbed out version of the first. Beginning with bits of scraped guitar, abstract bass drift, bursts of chaotic drum splatter, long stretches of near ambient shuffle, sometimes coalescing into almost Morricone sounding grooves, or tripped out mathy minimalism, getting pretty heavy toward the end, but not so much metal as thick swaths of spaced out psychrock, fluttering feedback, grinding bass lines, stuttering rhythms, finishing off with a brief burst of furious ultra tight riff rock, before stumbling to a halt.
Two tracks, 72 minutes. Heavy, dark, mathy, krauty, spacey. Folks who are gonna love this know who they are. You dig White Hills, Monster Magnet, Godspeed, Circle, Necks? Metallic post rock? Ambient drone doom? Mathy psychedelic krautrock? Yeah, we thought so...
Packaged in a cool mini DVD style sleeve, full color artwork and a full color insert.
MPEG Stream: "Untitled 1"
MPEG Stream: "Untitled 2"

GOAT WITCH Naked (We Empty Rooms) cd 13.98

GOBLIN Buio Omega (OST) (Cinevox) cd 16.98

album cover GOBLIN Contamination (OST) (Cinevox) cd 17.98
This is the soundtrack for 1980 Italian movie Contamination directed by Luigi Cozzi. To heighten the tension in the gory scenes and to capture the mood of pure panic towards the end, the director called on the Italian prog mayhem masters, Goblin. You can tell this soundtrack was written in the '80s. There are some out and out Miami Vice / Hill Street Blues sounding riffs. Embarrassing most of the time but a horror soundtrack nonetheless. Jim's friend said it sounded like music that would be playing at a hardware trade show.
RealAudio clip: "Connexion"
RealAudio clip: "Bikini Island"

album cover GOBLIN Nonhosonno (OST) (Pick Up) cd 18.98
After 22 years Dario Argento and Goblin reunited for this 2000 thriller. The music is as you might expect very Goblinesqe. Despite the technological breakthroughs that have occured since Goblin worked with Argento on such great films as Deep Red, not much has changed in the Goblin camp, with their signature sound intact: mysterious, melodic, dark and scary and proggy.
RealAudio clip: "Endless Love"
RealAudio clip: "Arpeggio-End Title Theme"
RealAudio clip: "The Rabbit"

album cover GOBLIN Patrick (OST) (Cinevox) cd 16.98
The soundtrack for Patrick, a Richard Franklin Film from 1978 (he did Psycho 2 and a few other un-notables) featuring the kings of horror soundtrack prog, Goblin! The film sounds great: a comatose patient named Patrick uses his psychokinetic powers to terrorize the staff of the hospital in which he is confined and there's supposed to be a creepy fucked up ending. The promotional teaser was "Patrick is nearly dead and still he's killing". And while I'm now all psyched to see the film, the soundtrack is sadly Goblin at their worst, which is too bad 'cos Goblin are the *best* at what they do, but this is way later in their career (the eighties); the sound is funky, wanky and cheesy and not really all that scary. Far from the spinechilling eerie prog we've come to expect.
RealAudio clip: "Transmute"
RealAudio clip: "Snip Snap"

album cover GOBLIN Phenomena (OST) (Cinevox) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Known in the USA as "Creepers", starring Donald Pleasence, written and directed by horror master Dario Argento. This edition features alternate versions of songs *not* used in the film. While the original soundtrack LP of 1985 was a blend of Goblin songs with rock tracks from various other artists, this new disc can be considered the instrumental sequel to that work -- all tracks composed and performed by Goblin, with the addition of 4 movie takes and 11 unissued tracks. The cd starts with a Halloweenesqe riff with far away female vocals. Slowly it evolves into crazy wanking guitar and hectic drums. This soundtrack is eerie and suspenseful, just like the film. A great example of Italian prog rock soundtrack geniuses Goblin.
RealAudio clip: "Phenomena"
RealAudio clip: "Jennifer"
RealAudio clip: "The Wind ("Insects" - Film Versions suite 2)"

GOBLIN Profondo Rosso (Cinevox) lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Spooky '70s Italian prog rockers Goblin are known for their soundtracks to many famous Dario Argento horror films. Here's one of the best, newly reissued on lp. Deep red indeed. Includes the tracks "Death Dies", "Mad Puppet", and "School At Night" among others.

GOBLIN Profondo Rosso (OST) (Cinevox) cd 24.00
Distributed and better known in the USA as "Deep Red", this is the wonderful soundtrack to the beautifully photographed Dario Argento classic. Twenty eight tracks total, this expanded edition features all of Goblin's contributions to the film as well as Giorgio Gaslini's chilling score.

GOBLIN Roller (Cinevox) cd 27.00

GOBLIN Suspiria (OST) (Cinevox) cd 27.00
This is an older release which we've never listed, due to problems with keeping it in stock. However recently this label has improved its distribution situation, so here we go: Not as beautifully packaged as the recent Dagored LP repress, this cd features those same tracks from Goblin's classic horror-film soundtrack, plus four bonus cuts not featured elsewhere. If you're going to buy one Goblin record, make it this one! If you're going to buy two, however, the Profondo Rosso soundtrack is equally wonderful! Essential!

GOBLIN The Best of Goblin Vol.1 (Cinevox) 2cd 17.98
Everyone's favorite Italian horror-film soundtrack rock band Goblin gets a handsome "best of" treatment on this import double cd. The first disc is the "best of" portion, concentrating on the Goblin's spooky prog-funk contributions to the '70s gore-thriler classics of Dario Argento (with tracks like "Profundo Rosso", "Death Dies", "Tenebre", "Suspiria", "Mad Puppet"...) that will be familiar to fans of the films and/or the band. Now maybe you already have Goblin cds with those tracks (if not, you should, or get this!) but even then true fans will be intrigued by disc two, a live Goblin concert recording from 1979, never before released. The sound quality is ok, and the music of course is great -- and even features a lot of vocals, something normally absent from Goblin's better known soundtrack material!

GOBLIN Zombi (OST) (Cinevox) cd 16.98
This is the 20th Anniversary Special Edition cd from the Lucio Fulci (Argento produced) classic ZOMBI! Features six bonus tracks not featured on the original release...whoops, we screwed up with this description. One of our favorite customers, Jordan Perry, happened to catch our mistake, so we thought we'd just put his whole email about it up here to clarify matters:
"...you list the Goblin soundtrack "Zombi" as being
directed by Fulci. But it's not. And it's a complicated story, so please, bear with me. "Zombi" is actually Argento's Italian cut of
Romero's "Dawn of the Dead." Argento was the producer of the film, and for it's release in Italy, he chose the film to be edited in slightly
different ways than Romero had. Goblin composed a soundtrack, but from my understanding, Romero didn't much like it and only used it sparingly in his cut of the film. Argento, however, I'm guessing used more of Goblin's music in his version, perhaps explaining why this soundtrack is called "Zombi" instead of the much better-known title "Dawn of the Dead." But then there's Fulci's zombie film too, which was called (in Italy) "Zombi 2," likely an attempt to cash in on the success of
Romero's/Argento's film by claiming itself a sequel. For its American release though, it was simply called "Zombie." The chance for
confusion here then is obvious: Fulci's American title is only one letter different from Romero's/Argento's Italian title. Most important in all of this though is that Goblin did NOT compose the soundtrack to Fulci's film. Rather, that was Fulci-regular Fabio Frizzi (The Beyond, City of the Living Dead, Manhattan Baby), and IT is an amazing soundtrack, far better I think than Goblin's for their zombie film, particularly Frizzi's chilling main theme that got me so into horror
soundtracks in the first place (this was about four months ago, and now I've got over 30 horror soundtracks in my collection). And I've been
spending heaps of time renting horror movies of late, that is why I have all these facts down pat. And if you've only heard the soundtrack to Suspiria and not seen the movie, I most highly recommend you do see it. Of the fifteen or so horror movies I have seen in this past month's spree, Suspiria still easily ranks at the top (due in large part to the brilliant Goblin soundtrack for it). So... yeah. Do what you wish with this information."
Thanks Jordan, for all the interesting info. Sorry for our misinformation!

album cover GOBLIN COCK Bagged And Boarded (Absolutely Kosher) cd 12.98
By now you must realize we're total suckers for a ridiculous band name. Bathtub Shitter, Fuck, I'm Dead, Lurker Of Chalice, Goat Thrower, we could go one and on. But when faced with a band name like Goblin Cock. Well as far as we're concerned we're pretty much sold already. Then incorporate some classic fantasy art depicting a goblin, seated upon a throne, surrounded by fire, with his lengthy member protruding from his voluminous robes, like a sleeping serpent (and while we're at it, why not put a huge gold hoop through the tip?!), and then add some band photos, cloaked in mist, the band members be-robed skeletons, all crowded around and cradling a glowing metal skull. Okay, enough already! We love it. Well the surprising thing here, is that this is not in fact some crazy metal band, or some troop of weird metal ironists, no Goblin Cock is actually the latest group masterminded by Mr. Rob Crow, who you may know better as a member of Pinback, or Thingy, or Heavy Vegetable. And while this was purported to be Rob Crow's metal record (Heavy Metal Vegetable?), it's not all that far removed from the complex and off kilter pop we've come to expect. The guitars are definitely heavier, lots of distorted chug, and there's all sorts of metallic pounding drummage and plenty of very 'metal' moments, but the songs are still catchy, ridiculously so sometimes, and Rob's voice is killer as always, every song a twisted snarl of buzzing guitars, rich harmonies, strange arrangements and hooks galore, albeit wrapped snugly in leather and denim and spikes and blackened hoods! Probably not metal enough to get Goblin Cock a slot on Ozzfest, but just heavy enough to supply your indie rock collection with a much needed dose of heavy metal thunder. Sort of. And if you're not sold already, check this out:
http://www.wormwoodfilms.com/movies/goblin_cock_2.mpg
MPEG Stream: "Stumped"
MPEG Stream: "The Crusher"
MPEG Stream: "Ichiro's Dilemma"
MPEG Stream: "The Revenge Of Snufalufagus"

album cover GOBLIN COCK Bagged And Boarded (Absolutely Kosher) picture disc lp 9.98
By now you must realize we're total suckers for a ridiculous band name. Bathtub Shitter, Fuck, I'm Dead, Lurker Of Chalice, Goat Thrower, we could go one and on. But when faced with a band name like Goblin Cock. Well as far as we're concerned we're pretty much sold already. Then incorporate some classic fantasy art depicting a goblin, seated upon a throne, surrounded by fire, with his lengthy member protruding from his voluminous robes, like a sleeping serpent (and while we're at it, why not put a huge gold hoop through the tip?!), and then add some band photos, cloaked in mist, the band members be-robed skeletons, all crowded around and cradling a glowing metal skull. Okay, enough already! We love it. Well the surprising thing here, is that this is not in fact some crazy metal band, or some troop of weird metal ironists, no Goblin Cock is actually the latest group masterminded by Mr. Rob Crow, who you may know better as a member of Pinback, or Thingy, or Heavy Vegetable. And while this was purported to be Rob Crow's metal record (Heavy Metal Vegetable?), it's not all that far removed from the complex and off kilter pop we've come to expect. The guitars are definitely heavier, lots of distorted chug, and there's all sorts of metallic pounding drummage and plenty of very 'metal' moments, but the songs are still catchy, ridiculously so sometimes, and Rob's voice is killer as always, every song a twisted snarl of buzzing guitars, rich harmonies, strange arrangements and hooks galore, albeit wrapped snugly in leather and denim and spikes and blackened hoods! Probably not metal enough to get Goblin Cock a slot on Ozzfest, but just heavy enough to supply your indie rock collection with a much needed dose of heavy metal thunder. Sort of. And if you're not sold already, check this out:
http://www.wormwoodfilms.com/movies/goblin_cock_2.mpg
MPEG Stream: "Stumped"
MPEG Stream: "The Crusher"
MPEG Stream: "Ichiro's Dilemma"
MPEG Stream: "The Revenge Of Snufalufagus"

album cover GOBLIN COCK Come With Me If You Want To (Robcore Records) cd 14.98

album cover GOBLIN COCK Come With Me If You Want To (Robcore Records) lp 14.98

album cover GOD s/t (Afterburn) 2cd 21.00
Not to be confused with '90s Pathological Records heavies God, THIS God were from Australia, and in the eighties, these teenagers kicked up a serious ruckus, a ramshackle rambunctious grinding guitar heavy punk rock equal parts Stooges, KISS, the Replacements, the Ramones, the riffs crunchy and fuzzy, the drums wild and loose, the vocals a buried bark here, a deep Nick Cave-ish croon there, the songs KILLER, heavy and hooky and melodic, the vibe snarly and snarky and pissed off, just listen to "Gunk" and you'll be sold, a seriously hard and heavy blast of punky pop, churning riffs giving way to some sweet melodies and some bad ass guitar leads, and that's just the first track, from there on out, it's non stop rock. Big riffs, big hooks, fuzzy and distorted, trashy and ramshackle, occasionally dipping into something a bit more restrained, more melodic, but it's never long until the next burst of adrenalized crunch and pound. This is definitely some primal rock energy, essential listening for all worshippers of THE RIFF.
Super nice packaging, their complete recordings on two discs, all remastered, including singles, and rare covers (KISS and the Stooges!), as well as a recording of their final gig in 1989, also includes a big ol' booklet of liner notes and photos.
MPEG Stream: "Gunk"
MPEG Stream: "Headin' For The Id"
MPEG Stream: "Golly Wolly Golly Wolly Hoo Ha"
MPEG Stream: "Sook"
MPEG Stream: "Snake Charmer"

GOD IS MY CO-PILOT Get Busy (Atavistic) cd 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Newest from these always-fun NYC queer-positive artskronk rockers.

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