BAUHAUS Burning from the Inside (Beggars Banquet) cd 12.98

BAUHAUS Crackle (Beggars Banquet) 2lp 16.98

BAUHAUS Crackle (Beggars Banquet) 2lp 16.98

BAUHAUS Go Away White (BMI) cd 14.98

BAUHAUS Gotham (Metropolis) 2cd 21.00
Documenting these Goth superstars' recent live reunion tour, two discs worth. At first listen, one thing we can say is that this is surprisingly damn HEAVY. Yes, this includes "Bela Lugosi's Dead" amongst other black eyeliner hits. And, this has a new studio track too, their first in like 15 years, a cover of Dead Can Dance's "Severance".

BAUHAUS In The Flat Field (4AD) 2cd 21.00

BAUHAUS Mask (Beggar's Banquet) 2cd 26.00

BAUHAUS Shadow of Light / Archive (Beggars Banquet) dvd 15.98
Both Shadows of Light and Archive had been made available in the '80s as collections of Bauhaus' videos and live recordings; and now they've been compiled onto a single DVD for your viewing pleasure. Shadows of Light originally featured all of the videos Bauhaus made, including the particularly grotesque chiaroscuro of "Mask" as well as four live tunes recored in stark black & white at the Old Vic in London. Archive fills in the remainder of the live material shot at that Old Vic show, albeit framed by a curious vignette of a Victorian gentleman being pursued by a couple of no-good thugs. Nonetheless, Peter Murphy stands out as a vampish hybrid of David Bowie and Iggy Pop during these outstanding live versions of "The Passion Of Lovers," "Dark Entries," and "Stigmata Martyr." Essential for anybody bit by the '80s revival bug.

BAUHAUS The Sky Gone Out (4 Men With Beards) lp 16.98

BAUHAUS The Sky's Gone Out (Beggars Banquet) cd 12.98

BAXENDALE You Will Have Your Revenge (Le Grand Magistery) cd 15.98
A total meltdown between Stephin Merritt's Future Bible Heroes and Momus' melodramatic baroque-pop. Heavy duty dance beats with pouty Brit boy and candy-coated girl vocals. For fans of Pulp too.

BE GOOD TANYAS Hello Love (Nettwerk) cd 15.98
Oh how we adore those Be Good Tanyas! Their first two albums Chinatown and Blue Horse hold solid places in our hearts. Both albums came out ages ago, leaving us craving more for years! Primarily known stateside for far too long as Jolie Holland's former band, with the aptly titled Hello Love the Canadian country folk trio gracefully glide out of Holland's shadow and into their own rustic autumnal spotlight. That said, Holland does make a brief vocal appearance on the eighth track, their cover of Mississippi John Hurt's "Nobody Cares For Me". They also do wonderful versions of "A Thousand Tiny Pieces", a song by SF's dear Sean Hayes and "For The Turnstiles" by Neil Young. They're definite album highlights. Not so sure about their cover of Prince's "When Doves Cry" tho' which you'll find hidden at the end of the album. Oops, sorry to blow the surprise, but maybe they should've kept it hidden?!
An aside: Kinda burns our biscuits that an artist signed to Nettwerk Records (i.e, an international and pretty much 'major' label who could buy them the moon tenfold) is getting Canadian government funding grants while unsigned, empty pocketed independent candidates go empty handed. Geez, that just doesn't sit right.
But regardless, a super pretty twangy delight.
MPEG Stream: "Human Thing"
MPEG Stream: "For The Turnstiles"
MPEG Stream: "A Thousand Tiny Pieces"

BE YOUR OWN PET s/t (Ecstatic Peace / Universal) cd 11.98
Are you sad that the Yeah Yeah Yeah's seem to have gone all '80s pop? Still looking for that blistering loud, fast and fun rock sound with some strong commanding female vocals at its helm? Then Be Your Own Pet have got your fix for sure. Creating quite a buzz in the last couple years with their full throttle rock sound planted firmly in punk rock as well as in the garage. This definitely had us thinking a bit of the glory of The Gits, a young PJ Harvey doing Stooges covers, and yeah, the urgency of the YYY's on their first ep and full length. They've won the heart of Thurston Moore whose Ecstatic Peace has been putting out their records and this is one of those rare instances where the hype seems to make sense as this is some great rockin' fun.
MPEG Stream: "Bunk Trunk Skunk"
MPEG Stream: "Fill My Pill"

BEACH BOYS Friends / 20/20 (Capitol) cd 14.98
We've been enjoying quite a nice run of summer fever here in SF. Lots of outdoor adventures, picnics in the park, trips to the beach, fresh fruit to eat, naps with the windows open. So we thought while we've been indulging in all of summer's glory we would take the time to actually list one of our all time favorite Beach Boys records, even though its not a new reissue or anything. In fact it's two albums on one cd. While of course Pet Sounds always gets lauded as the Beach Boys' masterpiece, we think that Friends might be a contender for one of their greatest records as well. Every single track on Friends is pure pop perfection! You can hear the next several decades of smart pop music foreshadowed in the songs on Friends. "Busy Doin' Nothin" is like the sweet and quirky song Beck is still trying to make, "Little Bird" sounds like one of Yo La Tengo's most bittersweet numbers and the amazing instrumental "Diamond Head" with its reverb and ocean wave sounds provides the sonic blueprint for one of our favorite records of the last year, Panda Bear's Person Pitch. Not one clunker in the batch, Friends is truly one of the greatest pop records of all time!
While it would be worth it just for Friends, this two-for-one cd also contains 20/20, the Beach Boys' last album of the '60s. It's got a couple misses but wow are there some amazing musical moments to be found. You can definitely hear some bits and pieces that would end up as part of the soon-to-come masterpiece Smile, as well as some of the best songs Dennis Wilson wrote and sang for the band. It's also the album that features an uncredited (for obvious reasons) contribution from Charles Manson. He and Dennis Wilson had become friends before the Tate / LaBianca killings and as a gift he gave Dennis a song "Never Learn Not To Love" which was simply credited to Dennis after the Mason murders went down. The collection also includes 5 bonus tracks and really nice track by track commentaries in the liner notes.
The perfect music to make this an endless summer (as is, umm, well, probably the BB's Endless Summer too). If you don't have these Beach Boys albums we can't recommend these enough. Pop perfection!
MPEG Stream: "Friends"
MPEG Stream: "Diamond Head"
MPEG Stream: "I Went To Sleep"
MPEG Stream: "Never Learn Not To Love"

BEACH BOYS Pet Sounds (Capitol) cd 14.98

BEACH BOYS Smiley Smile / Wild Honey (Capitol) cd 14.98
Yes, the elusive (but not as elusive as Smile, the legendary unreleased/unfinished Brian Wilson masterpiece that this was released in the stead of) Smiley Smile album most notably contains the summertime anthem "Good Vibrations", but it's actually the second song entitled "Vegetables" that's worth the price of admission alone. An absurd ode to their absolute veggie love featuring some sonic embellishment - read: chewing - from none other than Paul McCartney. Add "She's Goin' Bald" to the equation and is there any question what mad pop scientists the Beach Boys were? We've never understood the fuss over Smile, what they actually released here was GREAT. Now, throw in another whole album, namely Wild Honey, plus six bonus tracks and woo-hooo... you need this!

BEACH BOYS The Pet Sounds Sessions (Capitol) 4cd box 57.00
The best record ever? The Beach Boys' best record? Can't stand "The Sloop John B."? This is the way to make up your mind. Any more versions of "Pet Sounds" and you'd die.

BEACH BOYS, THE Smile Sessions (Capitol) 2cd 37.00
The newly released, highly anticipated Smile Sessions are finally here and it's been an occasion for all sorts of debate and nerd-ery among us. First off, some of us have been obsessed with the record for years, having acquired various bootlegs, the recent Brian Wilson re-do, as well as tracing the seeds of the Smile sessions throughout the trajectory of the later Beach Boys records (which are some of our favorites). While our bootleg versions always had the main song cycle separated from the various shorter interludes and segues that connected them, the Brian Wilson re-do saw the potential of what could have been, yet it still felt like a cover version of what was supposed to be the real thing.
Now what the Smile Sessions tries to do, and for the most part succeeds in doing, is taking the blueprint Wilson made with the re-do and marrying the songs and interludes into a solid dazzling whole. The flow of what is understood as the proper album has never sounded better with the rich harmonic vocals, symphonic arrangements and beautifully antiquarian lyricism provided by Van Dyke Parks combined in elaborately layered arrays of epiphanal pop orchestration. It also adds a disc and a half of bonus material, session segments, and stereo mixes of various tracks and interludes left off the main album, which is where the debate among us begins. Scott appreciates the bonus material but really wishes (and this goes for most reissues with bonus material) that they isolated the whole of the album to one disc, so that you really get a sense of the proper album's completion. Starting multiple alternate versions of "Heroes and Villains" (whose lyrical motif is repeated in various forms throughout the record) shortly after "Good Vibrations" ends, mimics the sensation we imagine Brian Wilson probably felt in realizing he couldn't finish the project because it kept endlessly replaying in his head. Andee thinks that the bonus material is the real gold here and just wants to get the elaborate 5 cd/2lp/2x7" version just to geek out on endless takes of "Good Vibrations" and all the rehearsals and studio chatter (and he also thinks that Scott should just learn how to use the stop button on his cd player.). Allan doesn't understand the "lost record" appeal of it all. "What was wrong with Smiley Smile?" Oh, Allan.
We're sure plenty of folks will be having their own geeky debates. For instance, why isn't "Cool, Cool Water" included in the main song cycle like it was in the bootlegs, and in Brian Wilson's version (renamed and rewritten as "Blue Hawaii")? Instead it's relegated to the bonus material. But really that's all music geek piffle to be argued and discussed in some other forum. For the most part, the main album is put together quite faithfully to Wilson's vision and it sounds amazing!. We're used to the sometimes slightly abrupt transitions that have long become a part of the record's charm and the result is still quite incredible and kaleidoscopic. No matter our particular desires of how we would try to put this together, it's still quite a remarkable feat. We still wonder if Wilson finished and released this as it was meant to be in 1967, would we still care so much about it? That's for another debate. Still for those obsessed as we are or even for the newly curious this comes Highly Recommended!!!!!
The two cd version comes housed in a box with a 36 page booklet, liner notes by Brian Wilson, a 15" x 20" poster and a button!
While the 5cd+2lp+2x7" box comes housed in a 3D version of Frank Holmes illustrated storefront cover. 4 and a half discs of bonus material including a disc each of the "Heroes and Villains" and "Good Vibrations sessions alone. The 2lps have the album proper as well as a side of extra bonus material and two 7"s with the 2 parts of "Heroes and Villains" on one and "Vege-Tables" / "Surf's Up" on the other. Plus a 60 page case bound book, liner notes by Brian Wilson, Mike Love, Al Jardine and Bruce Johnston and a 24" x 36" poster. Wow!!!
MPEG Stream: "Cabin Essence"
MPEG Stream: "Surf's Up"
MPEG Stream: "Child Is The Father of The Man"
MPEG Stream: "The Elements: Fire (Mrs O'Leary's Cow)"
MPEG Stream: "Look (Song For Children)"
MPEG Stream: "Smile Backing Vocals Montage"
MPEG Stream: "Cool Cool Water (Version 2)"

BEACH BOYS, THE Smile Sessions (Capitol) 5cd+2lp+2x7" 169.00
The newly released, highly anticipated Smile Sessions are finally here and it's been an occasion for all sorts of debate and nerd-ery among us. First off, some of us have been obsessed with the record for years, having acquired various bootlegs, the recent Brian Wilson re-do, as well as tracing the seeds of the Smile sessions throughout the trajectory of the later Beach Boys records (which are some of our favorites). While our bootleg versions always had the main song cycle separated from the various shorter interludes and segues that connected them, the Brian Wilson re-do saw the potential of what could have been, yet it still felt like a cover version of what was supposed to be the real thing.
Now what the Smile Sessions tries to do, and for the most part succeeds in doing, is taking the blueprint Wilson made with the re-do and marrying the songs and interludes into a solid dazzling whole. The flow of what is understood as the proper album has never sounded better with the rich harmonic vocals, symphonic arrangements and beautifully antiquarian lyricism provided by Van Dyke Parks combined in elaborately layered arrays of epiphanal pop orchestration. It also adds a disc and a half of bonus material, session segments, and stereo mixes of various tracks and interludes left off the main album, which is where the debate among us begins. Scott appreciates the bonus material but really wishes (and this goes for most reissues with bonus material) that they isolated the whole of the album to one disc, so that you really get a sense of the proper album's completion. Starting multiple alternate versions of "Heroes and Villains" (whose lyrical motif is repeated in various forms throughout the record) shortly after "Good Vibrations" ends, mimics the sensation we imagine Brian Wilson probably felt in realizing he couldn't finish the project because it kept endlessly replaying in his head. Andee thinks that the bonus material is the real gold here and just wants to get the elaborate 5 cd/2lp/2x7" version just to geek out on endless takes of "Good Vibrations" and all the rehearsals and studio chatter (and he also thinks that Scott should just learn how to use the stop button on his cd player.). Allan doesn't understand the "lost record" appeal of it all. "What was wrong with Smiley Smile?" Oh, Allan.
We're sure plenty of folks will be having their own geeky debates. For instance, why isn't "Cool, Cool Water" included in the main song cycle like it was in the bootlegs, and in Brian Wilson's version (renamed and rewritten as "Blue Hawaii")? Instead it's relegated to the bonus material. But really that's all music geek piffle to be argued and discussed in some other forum. For the most part, the main album is put together quite faithfully to Wilson's vision and it sounds amazing!. We're used to the sometimes slightly abrupt transitions that have long become a part of the record's charm and the result is still quite incredible and kaleidoscopic. No matter our particular desires of how we would try to put this together, it's still quite a remarkable feat. We still wonder if Wilson finished and released this as it was meant to be in 1967, would we still care so much about it? That's for another debate. Still for those obsessed as we are or even for the newly curious this comes Highly Recommended!!!!!
The two cd version comes housed in a box with a 36 page booklet, liner notes by Brian Wilson, a 15" x 20" poster and a button!
While the 5cd+2lp+2x7" box comes housed in a 3D version of Frank Holmes illustrated storefront cover. 4 and a half discs of bonus material including a disc each of the "Heroes and Villains" and "Good Vibrations sessions alone. The 2lps have the album proper as well as a side of extra bonus material and two 7"s with the 2 parts of "Heroes and Villains" on one and "Vege-Tables" / "Surf's Up" on the other. Plus a 60 page case bound book, liner notes by Brian Wilson, Mike Love, Al Jardine and Bruce Johnston and a 24" x 36" poster. Wow!!!
MPEG Stream: "Cabin Essence"
MPEG Stream: "Surf's Up"
MPEG Stream: "Child Is The Father of The Man"
MPEG Stream: "The Elements: Fire (Mrs O'Leary's Cow)"
MPEG Stream: "Look (Song For Children)"
MPEG Stream: "Smile Backing Vocals Montage"
MPEG Stream: "Cool Cool Water (Version 2)"

BEACH BOYS, THE Smile Sessions (2lp Version) (Capitol) 2lp 29.00
Finally, In Stock On Double Vinyl!
The newly released, highly anticipated Smile Sessions are finally here and it's been an occasion for all sorts of debate and nerd-ery among us. First off, some of us have been obsessed with the record for years, having acquired various bootlegs, the recent Brian Wilson re-do, as well as tracing the seeds of the Smile sessions throughout the trajectory of the later Beach Boys records (which are some of our favorites). While our bootleg versions always had the main song cycle separated from the various shorter interludes and segues that connected them, the Brian Wilson re-do saw the potential of what could have been, yet it still felt like a cover version of what was supposed to be the real thing.
Now what the Smile Sessions tries to do, and for the most part succeeds in doing, is taking the blueprint Wilson made with the re-do and marrying the songs and interludes into a solid dazzling whole. On the vinyl version, the flow of what is understood as the proper album has never sounded better with the rich harmonic vocals, symphonic arrangements and beautifully antiquarian lyricism provided by Van Dyke Parks combined in elaborately layered arrays of epiphanal pop orchestration over the first three sides. The last side is a handful of selected stereo mixes and session excerpts, a really small taste of bonus material compared to the whole extra cd of the 2cd version and the 4 extra cds of the deluxe box set.
For the most part, the main album is put together quite faithfully to Wilson's vision and it sounds amazing!. We're used to the sometimes slightly abrupt transitions that have long become a part of the record's charm and the result is still quite incredible and kaleidoscopic. No matter our particular desires of how we would try to put this together (For instance, why isn't "Cool, Cool Water" included in the main song cycle like it was in the bootlegs, and in Brian Wilson's version, there renamed and rewritten as "Blue Hawaii"? Instead it's relegated to the bonus material on the cd versions!) , it's still quite a remarkable feat. We still wonder if Wilson finished and released this as it was meant to be in 1967, would we still care so much about it? Allan doesn't understand the "lost record" appeal of it all. "What was wrong with Smiley Smile?" Oh, Allan.
We're sure plenty of folks will be having their own geeky debates. Still for those obsessed as we are or even for the newly curious, this comes Highly Recommended!!!!!
MPEG Stream: "Cabin Essence"
MPEG Stream: "Surf's Up"
MPEG Stream: "Child Is The Father of The Man"
MPEG Stream: "The Elements: Fire (Mrs O'Leary's Cow)"
MPEG Stream: "Look (Song For Children)"

BEACH FOSSILS Face It / Distance (Captured Tracks) 7" 6.98
A new short and sweet batch of dreamy breezy jangle pop from Beach Fossils, and like their self-titled debut, the sound here is warm and lush, sweet and swirly, laid back and jangly, the guitars liquid and prismatic, the vocals lazy and drawled, all wrapped around propulsive super melodic basslines and simple skeletal drum machines, and while the sound is somewhat familiar, seeing as Beach Fossils are swimming in a pretty crowded sonic pool these days, Beach Fossils manage to easily transcend, their sound somehow special and truly unique, the songs so catchy, so ethereal and magically melodic, boy / girl vocal harmonies drifting over softly surfy Beach Boys reverby guitars and tangled tendrils of melody, the production impossibly lush, the A side so perfectly poppy, but then the B side swooping in to maybe be our favorite of the two. So good, fans of all things reverby and jangly, blissy and poppy, will dig big time.
MPEG Stream: "Face It"

BEACH FOSSILS s/t (Captured Tracks) cd 13.98
Sometimes the stars just align so perfectly. The first time we got to hear Beach Fossils it was a breezy and sunny afternoon. The front door was wide open, the wind gently blowing through the trees outside, and the songs we were hearing couldn't have provided a more perfect soundtrack. Beach Fossils is a one man band, and there definitely seem to be legions of those these days. But damn, if folks can keep creating songs as good as these alone in their bedrooms, then we say who needs a full band! Beach Fossils stands out from so much of the recent lo-fi indie garage pop, being not so much about feedback and distortion and low fidelity. Instead, it's the amazing songs on the record that grab your attention. Lazy day, dazed & glazed pop gems that remind us of a wonderful sound situated perfectly betwixt Kurt Vile and Pavement.
There is something so authentic and fresh sounding in Beach Fossils' music. It compels us to let go and immediately give in to the soft breezes that seem to accompany the soaring washed out melodies on display here. Major contender for pop record of the year perhaps, and without a doubt another PERFECT summer album!
MPEG Stream: "Sometimes"
MPEG Stream: "Youth"
MPEG Stream: "Lazy Day"

BEACH FOSSILS s/t (Captured Tracks) lp 16.98
Sometimes the stars just align so perfectly. The first time we got to hear Beach Fossils it was a breezy and sunny afternoon. The front door was wide open, the wind gently blowing through the trees outside, and the songs we were hearing couldn't have provided a more perfect soundtrack. Beach Fossils is a one man band, and there definitely seem to be legions of those these days. But damn, if folks can keep creating songs as good as these alone in their bedrooms, then we say who needs a full band! Beach Fossils stands out from so much of the recent lo-fi indie garage pop, being not so much about feedback and distortion and low fidelity. Instead, it's the amazing songs on the record that grab your attention. Lazy day, dazed & glazed pop gems that remind us of a wonderful sound situated perfectly betwixt Kurt Vile and Pavement.
There is something so authentic and fresh sounding in Beach Fossils' music. It compels us to let go and immediately give in to the soft breezes that seem to accompany the soaring washed out melodies on display here. Major contender for pop record of the year perhaps, and without a doubt another PERFECT summer album!
MPEG Stream: "Sometimes"
MPEG Stream: "Youth"
MPEG Stream: "Lazy Day"

BEACH FOSSILS What A Pleasure (Captured Tracks) cd 10.98
Beach Fossils are proving their great debut was no fluke. This eight song follow up actually ups the ante on their songwriting and introduces a more breezy, warm and '80s influenced sound. With spring officially here (even though it doesn't feel like it), we know that summer is just around the corner and we can't think of a record we're going to be more excited to be blasting all season long. These are the kind of songs for those drives to the beach with the windows down and the breeze and the sunshine. Reminding us a bit of some of our favorite mid '80s underground pop bands like Eleven Pond, and For Against with hints of the more languid moments of '90s indie rock, tapping into the same sort of sonic energy as the Pains Of Being Pure At Heart. We even start imagining Pavement doing covers of The Smiths. What A Pleasure is indeed such a pleasure to listen to, in the way that it's so instantly familiar sounding yet with a freshness and depth that make it so new and exciting, demonstrating once again that they really are one of the best pop bands around right now.
MPEG Stream: "What A Pleasure"
MPEG Stream: "Adversity"
MPEG Stream: "Distance"

BEACH FOSSILS What A Pleasure (Captured Tracks) lp 13.98
Beach Fossils are proving their great debut was no fluke. This eight song follow up actually ups the ante on their songwriting and introduces a more breezy, warm and '80s influenced sound. With spring officially here (even though it doesn't feel like it), we know that summer is just around the corner and we can't think of a record we're going to be more excited to be blasting all season long. These are the kind of songs for those drives to the beach with the windows down and the breeze and the sunshine. Reminding us a bit of some of our favorite mid '80s underground pop bands like Eleven Pond, and For Against with hints of the more languid moments of '90s indie rock, tapping into the same sort of sonic energy as the Pains Of Being Pure At Heart. We even start imagining Pavement doing covers of The Smiths. What A Pleasure is indeed such a pleasure to listen to, in the way that it's so instantly familiar sounding yet with a freshness and depth that make it so new and exciting, demonstrating once again that they really are one of the best pop bands around right now.
MPEG Stream: "What A Pleasure"
MPEG Stream: "Adversity"
MPEG Stream: "Distance"

BEACH HOUSE Devotion (Carpark) cd 14.98
Beach House's debut from a couple years ago won a special place in our hearts, so ever since we've been very anxious for this follow-up. We can't think of anyone these days who is doing warm and fuzzy melancholic pop better than Beach House.
Devotion flows perfectly from start to finish. It's the kind of record you want to play on repeat all day as you lay in bed with the one you love or lament the one you lost. These songs capture that gray soft line between longing and remembrance with a somber elegance that recalls Francoise Hardy's La Question and taps into the more subdued moments of Quixotic and White Magic. While many folks have taken a stab at Daniel Johnston songs in recent years, Beach House's version of "Some Things Last (A Long Time)" captures its devastating yet bittersweet heart. With hints of reverb, intoxicating vocal melodies and astute subtlety, Beach House has made an album that wraps you in a warm soft glow, as you bask in a golden breeze, totally hitting the spot and making every day feels like Sunday. So nice!
MPEG Stream: "Turtle Island"
MPEG Stream: "Home Again"

BEACH HOUSE Devotion (Carpark) lp 16.98
Finally! This sonic beauty is available on vinyl!
Beach House's debut from a couple years ago won a special place in our hearts, so ever since we've been very anxious for this follow-up. We can't think of anyone these days who is doing warm and fuzzy melancholic pop better than Beach House.
Devotion flows perfectly from start to finish. It's the kind of record you want to play on repeat all day as you lay in bed with the one you love or lament the one you lost. These songs capture that gray soft line between longing and remembrance with a somber elegance that recalls Francoise Hardy's La Question and taps into the more subdued moments of Quixotic and White Magic. While many folks have taken a stab at Daniel Johnston songs in recent years, Beach House's version of "Some Things Last (A Long Time)" captures its devastating yet bittersweet heart. With hints of reverb, intoxicating vocal melodies and astute subtlety, Beach House has made an album that wraps you in a warm soft glow, as you bask in a golden breeze, totally hitting the spot and making every day feels like Sunday. So nice!
MPEG Stream: "Turtle Island"
MPEG Stream: "Home Again"

BEACH HOUSE s/t (Carpark) cd 14.98
Wow! We haven't been this smitten with a debut release in quite a while. Didn't know much about this Baltimore duo but we do know, the second this record we laid ears on this the first time, we were immediately seduced by the glorious sounds within. Hazy, daydreaming pop with equal parts magic, mystery and dreamy darkness, all drenched in beautiful melodies and sincere sensuality. Kind of made us think of Broadcast taking a warm bubble bath with Coco Rosie. Lights out, candles burning, bubbles floating, reverb dripping. There is a timelessness in these songs that is so evocative, Warhol's factory, a summer twilight in Southern California in the '70s, an abandoned art studio in the UK. You can never quite put your finger on exactly where these songs are drawn from but in the end it's music truly unique and wonderful. A mysterious voice, a haunting presence and songs carry you off, eyes closed, to somewhere much more enchanting then wherever you really are. So nice!
MPEG Stream: "Tokyo Witch"
MPEG Stream: "Childhood"

BEACH HOUSE s/t (HeartBreakBeat) lp 16.98
ONCE MORE, NOW BACK IN PRINT ON VINYL! This fab debut from the now hugely popular Beach House has gone out of print on vinyl a couple times since it first came out a few years back. Now, at last, they've done a third (?) pressing. Here's what we said before:
Now available on vinyl for a limited time!
Wow! We haven't been this smitten with a debut release in quite a while. Didn't know much about this Baltimore duo but we do know, the second this record we laid ears on this the first time, we were immediately seduced by the glorious sounds within. Hazy, daydreaming pop with equal parts magic, mystery and dreamy darkness, all drenched in beautiful melodies and sincere sensuality. Kind of made us think of Broadcast taking a warm bubble bath with Coco Rosie. Lights out, candles burning, bubbles floating, reverb dripping. There is a timelessness in these songs that is so evocative, Warhol's factory, a summer twilight in Southern California in the '70s, an abandoned art studio in the UK. You can never quite put your finger on exactly where these songs are drawn from but in the end it's music truly unique and wonderful. A mysterious voice, a haunting presence and songs carry you off, eyes closed, to somewhere much more enchanting then wherever you really are. So nice!
MPEG Stream: "Tokyo Witch"
MPEG Stream: "Childhood"

BEACH HOUSE Teen Dream (Sub Pop) 2lp+dvd 17.98
Swoon....sigh....melt! That's all we want to do when we listen to the newest album by this Baltimore duo who we've been in love with since their debut ep from way back when. The follow up to their great full length Devotion, this is a record we and so many others have been highly anticipating and it's so nice to start the new year with an album that is already ruling our stereos and will no doubt end up on many of our year end favorite lists.
Teen Dream is quite simply, exquisite and elegant. The golden warmth and soft waves of comfort and longing BH are able to express through their songs makes them truly one of the most special bands around. There is a timelessness and sense of authenticity that rings so true within their songs. This is the music you put on when you've had your heart broken or you just discovered new love or when you are laying in bed with that special someone and its time to just bliss out, lost in a daze without saying a word. Teen Dream is the soundtrack for thinking of a close friend who is in a far away place, it's a sonic refuge, when you need somewhere safe to drift and daydream all of your troubles away.
We have a feeling that this record is about to get an avalanche of press and attention but it couldn't be more deserved. This is hands down one of the most majestic and moving records to come out in a very long time. Nothing feels forced, no songs are throwaways, start to finish Teen Dream sounds practically perfect, a classic that will no dubt remain a classic regardless of shifting sounds and tastes.
As an added bonus Teen Dream also comes with a dvd, containing a video for every single song on the album created by different directors. We haven't even gotten around to watching it yet cuz for now all we want to do is listen to the album over and over again, letting ourselves get lost in the glistening images it evokes in our own subconscious. Breathtaking!
MPEG Stream: "Norway"
MPEG Stream: "Used to Be"
MPEG Stream: "Better Times"

BEACH HOUSE Teen Dream (Sub Pop) cd+dvd 16.00
Swoon....sigh....melt! That's all we want to do when we listen to the newest album by this Baltimore duo who we've been in love with since their debut ep from way back when. The follow up to their great full length Devotion, this is a record we and so many others have been highly anticipating and it's so nice to start the new year with an album that is already ruling our stereos and will no doubt end up on many of our year end favorite lists.
Teen Dream is quite simply, exquisite and elegant. The golden warmth and soft waves of comfort and longing BH are able to express through their songs makes them truly one of the most special bands around. There is a timelessness and sense of authenticity that rings so true within their songs. This is the music you put on when you've had your heart broken or you just discovered new love or when you are laying in bed with that special someone and its time to just bliss out, lost in a daze without saying a word. Teen Dream is the soundtrack for thinking of a close friend who is in a far away place, it's a sonic refuge, when you need somewhere safe to drift and daydream all of your troubles away.
We have a feeling that this record is about to get an avalanche of press and attention but it couldn't be more deserved. This is hands down one of the most majestic and moving records to come out in a very long time. Nothing feels forced, no songs are throwaways, start to finish Teen Dream sounds practically perfect, a classic that will no doubt remain a classic regardless of shifting sounds and tastes.
As an added bonus Teen Dream also comes with a dvd, containing a video for every single song on the album created by different directors. We haven't even gotten around to watching it yet cuz for now all we want to do is listen to the album over and over again, letting ourselves get lost in the glistening images it evokes in our own subconscious. Breathtaking!
MPEG Stream: "Norway"
MPEG Stream: "Used to Be"
MPEG Stream: "Better Times"

BEACH HOUSE Zebra (Sub Pop) 12" 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

BEACH, MICHAEL Mountains + Valleys (Spectacular Commodity / Twin Lakes) cassette 7.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Latest from this SF by way of Australia (by way of SF again) singer/songwriter, and first with a newly formed band featuring members of Comets On Fire and the Castanets. The sound is all over the map, drifting from crunchy post punk, to woozy psychedelic drift, to countrified rust belt songsmithery, and several other stops in between.
Opener "Straight Spines" starts things off with a blast of low slung bass heavy post punk, definitely reminiscent of the Wipers, with a killer weird constantly shifting tempo, slowing down, then speeding right back up again, in a way the deftly makes that tempo shift an integral part of the song. Hooky and a little bit heavy, driving and catchy like crazy, and that tempo shift just kills us every time, so unexpected, but so cool.
Then there's "There Is No Edge Of The World To Run To", which sounds like some lost Uncle Tupelo outtake, Beach's vocals rough and warmly ragged, over some simple twang and strum, darkly emotive and intense, and when the drums come in, the song becomes a cool sort of droney countrified slowcore. There's also the drifty twangy shimmer of the title track, and the warm jangly balladic closer, "So Said The Bird", which broods and soars, underpinned by whirring organs, the deep crooned vox wreathed in the dusty twang of the guitars, and a blurred reverby patina. Beach peppers the record with brief experimental interludes as well, which range from noisy psychedelic freakouts to woozy late night drones. Gorgeous stuff for sure.
LIMITED TO 100 COPIES and already sold out and out of print. So these are the last ones we'll be able to get.
MPEG Stream: "Straight Spines"
MPEG Stream: "There Is No Edge Of The World To Run To"
MPEG Stream: "So Said The Bird"

BEACHES Eternal Sphere (Mexican Summer) lp 24.00
Another winner from Mexican Summer (who seem to traffic primarily in winners anyway), hot on the heels of recent Record Of The Week, Ghost Blonde by No Joy, comes this, the debut recording from Beaches, who despite their summery moniker, kick up a seriously distorted and blown out shoegaze spacerock racket.
Done just the way we like it. Massive guitars, huge hooky riffs, thick buzzing bass, pounding drums, the vocals barely there, buried in the mix, the songs mainly a single riff, locked tight, and repeated over and over, mesmerizing and cyclical and hypnotic, druggy and repetitive and totally psychedelic, occasionally slipping into some sort of chorus, and letting the vocals come to the fore, but even then they're panned strangely, coming from different speakers, still pretty low in the mix, only adding to the druggy psychedelic vibe.
Equal parts washed out jangle, churning riff heavy crush, hazy spaced out psychedelia, there are hooks, but they're buried under all the murk and swirl and howl with the vocals, this is total headtrip heart of the sun, drone heavy, buzz drenched space rock, but infused with a heart of shoegaze pop, which is what makes this sound so good. Absolutely a new favorite, and WAY recommended for anyone into space rock, drone pop, shoegaze or anything heavy and hazy, druggy and dreamy.
One complaint though: four songs, 45 rpm, $24?!?! C'mon, Mexican Summer, sure, the jackets are super thick and the vinyl is crazy heavy, but still seems sorta steep. Too bad it's so good, and we're actually thinking these 4 songs might just be worth $6 a pop. At least based on the fact that we've listened to them all about a million times already...

BEACHWOOD SPARKS Make The Cowboy Robots Cry (Sub Pop) cd ep 8.98
Lovely! Beachwood Sparks' third release, a half hour, six song EP, is pretty damn good. The band's sound is maturing and becoming so much more their own, whereas their first album's twang reminded me of the '60s country rock scene a la Byrds / Gram Parsons... Now Beachwood Sparks are sounding more like themselves than anyone else. The sweet pop tone is tinged with a glimmer of psychedelia. The vocals are just as plaintive as ever. Vocalist Mia Doi Tod guests on one track. If buzzwords like Court & Spark, Radar Brothers, Olivia Tremor Control mean anything to you, you need to check this ep out. Very nice.
Beautiful cover art by Jim Woodring!
RealAudio clip: "Drinkswater"
RealAudio clip: "Ghost Dance 1492"

BEACHWOOD SPARKS Once We Were Trees (Sup Pop) cd 14.98
Boy do Beachwood Sparks want to be the Byrds. From the psychedelic cover art to the super acid-drenched photo collage foldout poster, they're wearing their peace pendants and worn-in denim like they're conjuring the ghost of Gram Parsons. And hey, they do it really well. Recorded by Thom Monahan (Scud Mountain Boys), the music is syrupy sweet in a good way, without being fake or too pretentious -- it's genuine and rings true. There're chiming guitars that sound remarkably like Roger McGuinn's Rickenbacher 12-string, banjo workouts, male harmonies and a cheerful twang throughout. In a weird twist, Dinosaur Jr's J Mascis guests on two tracks, lending a subtly modern twist to the retro sound. Very Nice.
RealAudio clip: "Confusion is Nothing New"
RealAudio clip: "By Your Side"
RealAudio clip: "The Sun Surrounds Me"

BEACHWOOD SPARKS Once We Were Trees (Sup Pop) 2lp 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Boy do Beachwood Sparks want to be the Byrds. From the psychedelic cover art to the super acid-drenched photo collage foldout poster, they're wearing their peace pendants and worn-in denim like they're conjuring the ghost of Gram Parsons. And hey, they do it really well. Recorded by Thom Monahan (Scud Mountain Boys), the music is syrupy sweet in a good way, without being fake or too pretentious -- it's genuine and rings true. There're chiming guitars that sound remarkably like Roger McGuinn's Rickenbacher 12-string, banjo workouts, male harmonies and a cheerful twang throughout. In a weird twist, Dinosaur Jr's J Mascis guests on two tracks, lending a subtly modern twist to the retro sound. Very Nice.

BEACHWOOD SPARKS s/t (Sub Pop) cd 13.98
Beautiful! Two members of the lost great LA band Further here team up with a former Lilys guy to form Beachwood Sparks, the freshest breath of country/rock twang to reach these ears in many months. Supplementing the normal rock lineup with harmonica, organ, piano, and plenty ooh-sha-la-la backup croonings, the music combines the best of Gram Parsons, early Byrds, and the Elephant 6 bands such as the Olivia Temor Control and Apples in Stereo. Boy-girl harmonies, real honest to god songwriting chops, and excellent crystal clear production. Highly recommended!

BEAK Autoselfreplicationalism (Insignificant) cd 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
San Francisco band maybe comparable to Jesus Lizard -with saxophones- i.e. twisted rock in free jazz mode. Pretty good.

BEAK> s/t (Ipecac) cd 16.98
It's tough to ignore talk of a 'Portishead side project', and it's even tougher to imagine what that project might sound like. Thankfully no need to wonder, it's called Beak> (and yeah, that little beak shape is part of the name), and it's a trio fronted by Portishead mastermind Geoff Barrow, but don't be expecting Portishead 2, there are some similarities, but it's mostly tone and vibe, the music is something else entirely, more krautrock, minimal, space-y, hints of Stereolab (which is basically krautrock when you think about it). Recorded live, with no overdubs, the arrangements were created using edits, so one can imagine these guys jamming out on single parts, and then later chopping them up and assembling them into songs. Which helps explain why the sound of Beak> is so hypnotic and looped and cyclical sounding. Stereolab obviously, but also Circle, Cave, a definite hypnorock / krautrock thing going on. The drumming super simple and motorik, the bass driving the whole thing, and the synths offering up the melody, usually locking into whirling swirling loops over the top. The band get into long stretches of hushed almost nothing, whispery drifts of softly pulsing drone, but invariably the shift gears and launch into another loping hypnotic dubby rhythm, and with all this talk of rhythm, you can bet there are lots of moments that reminds us of This Heat, which is NEVER a bad thing. There are vocals too, but they're minimal, and are often in the background, wordless croons, adding just another layer of texture to the proceedings. Fourtet, Tortoise, Add N To (X), Fridge, Necks, even some of the modern spacerock stuff like Wooden Shjips, that sort of endlessly looping dronerock, Beak> would definitely hit the spot if you dig any or all of that.
This record is super addictive, we threw it on when it first came in, and we ended up listening to it 3 times in a row, and ever since, we find ourselves throwing it on all the time, which says a lot. Definitely a new fave!
MPEG Stream: "Backwell"
MPEG Stream: "Pill"
MPEG Stream: "Ham Green"

BEAK> s/t (Invada) 2lp 40.00
It's tough to ignore talk of a 'Portishead side project', and it's even tougher to imagine what that project might sound like. Thankfully no need to wonder, it's called Beak> (and yeah, that little beak shape is part of the name), and it's a trio fronted by Portishead mastermind Geoff Barrow, but don't be expecting Portishead 2, there are some similarities, but it's mostly tone and vibe, the music is something else entirely, more krautrock, minimal, space-y, hints of Stereolab (which is basically krautrock when you think about it). Recorded live, with no overdubs, the arrangements were created using edits, so one can imagine these guys jamming out on single parts, and then later chopping them up and assembling them into songs. Which helps explain why the sound of Beak> is so hypnotic and looped and cyclical sounding. Stereolab obviously, but also Circle, Cave, a definite hypnorock / krautrock thing going on. The drumming super simple and motorik, the bass driving the whole thing, and the synths offering up the melody, usually locking into whirling swirling loops over the top. The band get into long stretches of hushed almost nothing, whispery drifts of softly pulsing drone, but invariably the shift gears and launch into another loping hypnotic dubby rhythm, and with all this talk of rhythm, you can bet there are lots of moments that reminds us of This Heat, which is NEVER a bad thing. There are vocals too, but they're minimal, and are often in the background, wordless croons, adding just another layer of texture to the proceedings. Fourtet, Tortoise, Add N To (X), Fridge, Necks, even some of the modern spacerock stuff like Wooden Shjips, that sort of endlessly looping dronerock, Beak> would definitely hit the spot if you dig any or all of that.
MPEG Stream: "Backwell"
MPEG Stream: "Pill"
MPEG Stream: "Ham Green"

BEAN, JANET AND THE CONCERTINA WIRE Dragging Wonder Lake (Thrill Jockey) cd 14.98
Janet Bean formed the indie rock Eleventh Dream Day in Chicago oh so many years ago, then followed that great band with Freakwater, her country duo with Catherine Irwin -- their harmonies converted legions of fans to alternative country. Now, Bean has released an album under her own name, and it's really good. Barely any twang remains, which worried me at first, but instead she's presented us with a sort of singer-songwriter rock record, middle of the road but in the best way, as if she was inspired by Carole King, Bread, Nanci Griffith, etc. With backup singers crooning all gospel-like in the background, her voice's natural vibrato really shines. There's sweet lap steel, warm strummed guitar, and some awesome, smart piano playing sort of oblique notes that contrast with the sweetness instead of backing it up -- a nice touch. Recommended!
MPEG Stream: "The Purple Heart"
MPEG Stream: "My Little Brigadoon"

BEANS Crane Wars (Zum ) cd 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This is the third release from Vancouver, BC post rockers Beans (yeah, we still wish they had a different name, but what can you do?). The moody melodicism of "Crane Wars" continues the path set by last year's wonderful "Tired Snow" EP: melancholy and brittle, with so much to say, yet demonstrating so much restraint and hesitation rather than just blurting it all out. Obvious comparisons to the cinematic soundscapes of Godspeed You Black Emperor, Mogwai or Tarentel abound, and Beans also carry a post-rocky sound somewhat reminiscent of mid-period Gastr del Sol or A Minor Forest.
RealAudio clip: "Window Y Tower"
RealAudio clip: "Slow Recovery"

BEANS Crane Wars (Zum ) lp 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This is the third release from Vancouver, BC post rockers Beans (yeah, we still wish they had a different name, but what can you do?). The moody melodicism of "Crane Wars" continues the path set by last year's wonderful "Tired Snow" EP: melancholy and brittle, with so much to say, yet demonstrating so much restraint and hesitation rather than just blurting it all out. Obvious comparisons to the cinematic soundscapes of Godspeed You Black Emperor, Mogwai or Tarentel abound, and Beans also carry a post-rocky sound somewhat reminiscent of mid-period Gastr del Sol or A Minor Forest.

BEANS Inner Cosmosis (Foreverbad) cd 14.98
Ah, not to be confused with the other current artist by the same name (Beans of Antipop Consortium), this is indeed the wonderful experimental band from Vancouver. Released on their own label, Inner Cosmosis features a much more expansive and cohesive sound than their previous releases. This in itself is quite something to behold, as those three earlier cds (Portage on Zulu Records, Crane Wars and Tired Snow EP, both on Zum Records) were accomplished and quite enjoyable as they were. However, it seems they've moved away from their previous Godspeed/Mogwai leanings towards something more their own. Much like their Zum labelmates and pals Xiu Xiu, Beans incorporate homemade string and percussion instruments into the traditional band lineup. And along with a marimba, some tapeplayers, turntables and other electronics, they take you on an intriguing sonic journey. A very soothingly fluid and groovy hour plus (as the cd cover art tells, this is 63:19 long). Stretch out with Beans for a while. Of the seven tracks, all but one exceed six minutes in length. To top it all off, this impressive work was actually recorded live one rainy fall evening. So very nice!
MPEG Stream: "Sun"
MPEG Stream: "Absolute"

BEANS Tired Snow (Zum) cd ep 12.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The second release from this Vancouver, BC quintet (the first entitled "Portage" can be found on Zulu Records from their hometown). Six tracks totalling just under 40 minutes of moody melodiousness harking Mogwai, Godspeed You Black Emperor, but sparing us the propensity towards crescendos. Andee is convinced that the last track on this cd is actually an A Minor Forest cover. You be the judge.

BEANS, THE Bassplayer (Intr.version) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Although they've newly added a "The" to their band name (perhaps to distinguish themselves from Antipop Consortium's Beans), you might already be familiar with the string of fine, moody soundtrack-y / soundscape releases from this Vancouver experimental ensemble -- Crane Wars, Portage, Tired Snow, and Inner Cosmosis. A very lowkey group of artists, they've been quietly crafting their music since 1995. If you happen to be new to these Canadians though, any one of their cds including this one is a great place to start. Never limiting themselves to one style, mood nor tempo, The Beans are sometimes groovy, sometimes post-rock-y, sometimes airily atmospheric. Drawing from an array of electronic and acoustic sources -- cello drones, fuzzy percussion, a smattering of piano key strikes, wistful guitar string plucking, select loops and effects, fleeting spoken word, Bassplayer shows their more hushed and mesmerizing side, very much in a similar vein to Godspeed You Black Emperor! and Mogwai (to whom they're frequently compared). At once, both delicate and enveloping. Four tracks clocking in at just under forty five minutes. Beautifully packaged and released on Mitchell Akiyama's Intr.version label.
MPEG Stream: "May 6th Expires"
MPEG Stream: "Galuda"

BEASTIE BOYS Aglio e Olio (Grand Royal) cdep 8.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
8 songs. 11 minutes. Punk rock.

BEASTIE BOYS Awesome: I Fucking Shot That! (Lionsgate) dvd 28.00
This dvd features live footage of the Beastie Boys performing at Madison Square Gardens back in 2004. Most of it was shot by audience members using fifty DV and Hi-8 cameras! The editing style is pretty darn chaotic at times -- you're definitely not going to feel like you're at the show -- but that just adds to the frantic, tripped-out, tricked-out fun that is the Beasties, don't it?! Lots of silly extras including a cappella tracks, band commentary and a 'documentary' about director Nathaniel Hornblower (aka Adam Yauch) that guest stars David Cross. This is sure to be a fan pleaser... especially if you were one of the peeps handling one of the cameras... hence the title...d'oh!

BEASTIE BOYS Ill Communication (Remastered Edition) (Capital) 2lp 28.00
All these Beastie Boys reissues are reminding us just how damn good and timeless this stuff sounded and STILL sounds. With the utmost love and respect for classic hip-hop culture, the Beastie Boys managed to be pioneers as well, infusing elements of punk, rare groove, Latin music, and even Tuvan influences into their sound, resulting in this classic album, originally released in 1994.
In an age where bands seem to release a new record every few months, one of the strengths of the Beastie Boys, and no doubt a key component to their incredible sound, was that they've always given themselves ample time to really hash out and construct their records, with always at least a couple years in between releases. And that time and care definitely shows, the sound so layered and lush, so catchy and so totally unique. It had been ages since many of us had listened to Ill Communication but once we threw it on again we were all immediately transported back, to a time where this was all some of us listened to. Hearing it again with fresh ears, it still sounds fantastic, groundbreaking even. A rare example of a group with big time mainstream success but with their musical integrity fully intact.
The cd version of this comes with a bonus disc of remixes and a few live tracks. The vinyl version is a double lp, remastered and pressed on 180 gram vinyl.
MPEG Stream: "Root Down"
MPEG Stream: "Flute Loop"
MPEG Stream: "Shambala"