SPARKLEHORSE Vivadixiesubmarinetransmissionplot (Plain Recordings) lp + 7" 16.98
Last list we reviewed album number two from spacey folky indie rock outfit Sparklehorse, the amazing Good Morning Spider, recently reissued on vinyl, so this week, we're jumping back a few years to their incredible debut, 1995's tongue twisting Vivadixiesubmarinetransmissionplot, which even now, 16 years later, sounds as good as it did the first time we heard it. Everything we wanted indie rock to be, this was it, jangly and crunchy and fuzzy, hushed and delicate and intimate, the songs striking the perfect balance between slow singing-right-in-your-ear intimacy, rockin' summer sing-a-longs, lush ballads, twangy 'No Depression' pop and experimental musical miniatures, all infused with impossible catchiness, heart wrenching vulnerability, all just desperately beautiful.
From the delicate, wistful opener "Homecoming Queen", the mood is set, the vocals, hushed and about to crack, the music, spare and simple, but strangely lush at the same time, and in headphones, you can hear all sorts of strange barely there sonic weirdness in the background, the whole record is like that, one thing on the surface, with a whole other world just beneath.
"Weird Sisters" brings in the drums, the jangly guitar, but it's still dark, a little dour, but so catchy and hooky, and heartfelt. The whole record is just one perfect chunk of indie pop after another, "Rainmaker" is a crunchy chunk of twangy fuzz pop, with strangely effected vocals and big pounding drums, "Spirit Ditch" is another crystalline bit of strummy folky shimmer, the vocals crooned right into your ear. And so it goes, the record shifting easily between soft focus ballads and rollicking blasts of crunchy fuzzy pop, "Hammering The Cramps" with its pulsing guitars, and irresistible chorus, "Most Beautiful Widow In Town" a spare bit of breathtaking countryish strum, "Heart Of Darkness" is another dreamy bit of gauzy twang flecked soft pop, wreathed in warm slippery lap steel, and still more gorgeous vocals, then of course there's THE HIT, which was a hit for a reason, it kills, heavy, crunchy, jangly, big distorted guitars, awesome melodies, a crazy catchy main hook, dark and intense and moody, but totally rocking, with a chorus that will lodge in your head like crazy, and of course the production is strange and layered and only makes the song so much more than just a blast of kick ass indie rock.
The whole album is rife with sad, beautiful, weird moments of spacey rural folk-rock, dreamy arrangements, distorted vocals, and slivers of feedback which all add to Sparklehorse's down-to-earth melancholy and make Vivadixiesubmarinetransmissionplot spontaneous, happy, sad, noisy, and quiet; like moments in life.
Like Good Morning Spider, absolutely essential for fans of Uncle Tupelo, Palace Brothers, Vic Chesnutt, Lambchop, Songs:Ohia, the Jayhawks, Neutral Milk Hotel and great pop in general.
This vinyl reissue includes a bonus 7-inch containing two bonus tracks: "Waiting For Nothing" and "Happy Place," plus a download card of the entire album.
MPEG Stream: "Homecoming Queen"
MPEG Stream: "Spirit Ditch"
MPEG Stream: "Hammering The Cramps"
MPEG Stream: "Heart Of Darkness"
MPEG Stream: "Someday I Will Treat You Good"

SPARKLEHORSE + FENNESZ In The Fishtank 15 (Konkurrent) cd 14.98
It seems like such a perfect match up, such a great idea, it's a wonder it didn't happen sooner. The gauzy murky dream folk of Sparklehorse, and the fuzzy pixelated hazescapes of Christian Fennesz, just imagine how great they would sound together, and you'd be right. Sparklehorse records already sound like they were produced by Fennesz, so if anything, this collaboration just pushes the sound even further. Apparently it was Fennesz' idea to get together with Mark Linkous aka Sparklehorse for an In The Fishtank session, a long running series that pairs likeminded musicians, gives them two days in a studio together and releases the result. And we have to say, as much as we love many of the Fishtank releases, this one might just be our favorite yet. And how could it not be, the whole session is a series of washed out melodies and barely there song fragments, of hushed dream pop, and spaced out chamber ambience, of drifting dronescapes and haunting cinematic shimmer.
Because the two conjure up such similar sonics, it's hard really to pick out who's doing what here, but that's not the point, the two meld into one, creating a gorgeous organic whole, softened notes, distant melodies, lush layered mysteries, guitars unwind lazily, Linkous' vocals are plaintive and keening, always on the verge of cracking, made even more poignant as they are suspended in clouds of minor key blur, and squalls of softly pixelated sound. Throw some headphones on, and suddenly it's like looking at this fuzzy ambient pop through a microscope, the vocals are looped and chopped and layered and turned inside out, not audible on the stereo, but up close, a kaleidoscope of colors and textures.
All of those bands who try to do that 'regular old pop made special by adding a little electronic glitch' need to bow down before these masters. Two days together and they're able to create something magical, that yes is a blend of folk and rock and electronics, but it's so much more, every facet is linked to every other, all of the elements are inexorably linked, seeping into the sounds around them, bleeding into each other, it's not just a pop song dipped in some computery glitch, the glitch here and the digital element is subtle and lush and as organic as any of the guitars or voices.
A few of the tracks get noisy and thick and corrosive and almost explosive here and there, but even then, that crunch and buzz is underpinned by swirling melodies, and lush hushed drones.
Such a beautiful beautiful record, hard to believe it was conjured up in only a matter of days. It makes us almost wish these two keep making music together, imagine what they could come up with given a week? A month? A year? Here's hoping...
MPEG Stream: "Music Box Of Snakes"
MPEG Stream: "Goodnight Sweetheart"
MPEG Stream: "If My Heart"

SPARKLEHORSE + FENNESZ In The Fishtank 15 (Konkurrent) lp 15.98
NOW ON VINYL!!
It seems like such a perfect match up, such a great idea, it's a wonder it didn't happen sooner. The gauzy murky dream folk of Sparklehorse, and the fuzzy pixelated hazescapes of Christian Fennesz, just imagine how great they would sound together, and you'd be right. Sparklehorse records already sound like they were produced by Fennesz, so if anything, this collaboration just pushes the sound even further. Apparently it was Fennesz' idea to get together with Mark Linkous aka Sparklehorse for an In The Fishtank session, a long running series that pairs likeminded musicians, gives them two days in a studio together and releases the result. And we have to say, as much as we love many of the Fishtank releases, this one might just be our favorite yet. And how could it not be, the whole session is a series of washed out melodies and barely there song fragments, of hushed dream pop, and spaced out chamber ambience, of drifting dronescapes and haunting cinematic shimmer.
Because the two conjure up such similar sonics, it's hard really to pick out who's doing what here, but that's not the point, the two meld into one, creating a gorgeous organic whole, softened notes, distant melodies, lush layered mysteries, guitars unwind lazily, Linkous' vocals are plaintive and keening, always on the verge of cracking, made even more poignant as they are suspended in clouds of minor key blur, and squalls of softly pixelated sound. Throw some headphones on, and suddenly it's like looking at this fuzzy ambient pop through a microscope, the vocals are looped and chopped and layered and turned inside out, not audible on the stereo, but up close, a kaleidoscope of colors and textures.
All of those bands who try to do that 'regular old pop made special by adding a little electronic glitch' need to bow down before these masters. Two days together and they're able to create something magical, that yes is a blend of folk and rock and electronics, but it's so much more, every facet is linked to every other, all of the elements are inexorably linked, seeping into the sounds around them, bleeding into each other, it's not just a pop song dipped in some computery glitch, the glitch here and the digital element is subtle and lush and as organic as any of the guitars or voices.
A few of the tracks get noisy and thick and corrosive and almost explosive here and there, but even then, that crunch and buzz is underpinned by swirling melodies, and lush hushed drones.
Such a beautiful beautiful record, hard to believe it was conjured up in only a matter of days. It makes us almost wish these two keep making music together, imagine what they could come up with given a week? A month? A year? Here's hoping...
MPEG Stream: "Music Box Of Snakes"
MPEG Stream: "Goodnight Sweetheart"
MPEG Stream: "If My Heart"

SPARKS A Woofer in Tweeter's Clothing (Wounded Bird) cd 14.98
Hot on the heels of Sparks latest effort, the wonderful Hello Young Lovers (reviewed two lists ago), we get these reissues of the first two Sparks albums, 1971's self-titled debut and A Woofer in Tweeter's Clothing from 1972. It's amazing to see the bookends of an topsy-turvy 35-year career and how full circle the sound has become. These records sound as unique as they must have 35 years ago, because of course they are new to us, having never heard any recording before 1973's proto-glam masterpiece Kimono My House. It's funny how after hearing these two records back-to-back, we've been hearing the Mael brothers sound in everything from the new Fiery Furnaces to Jennifer Gentle. Please don't make us decide which one is better because they are both so good!
The second album from Sparks is just as delightfully non-conventional and non-commercial as its predecessor. This time, Thaddeus James Lowe handles the production and there is an even more emphasized glam feel in the rhythm section. The theatrics are also more amped up, most noticeably in their bizarre cover of "Do Re Mi" from the Sound of Music and the Sea-Chanty rock of "Beaver O'Lundy". "Whippings and Apologies" closes the album with an anthem on the par of Bowie's "Queen Bitch" and Queen's "Seven Seas of Rhye". Awesome!
MPEG Stream: "Girl From Germany"
MPEG Stream: "Underground"
MPEG Stream: "Whippings and Apologies"

SPARKS Dick Around (In The Red) cd ep 10.98
We were quite smitten with Sparks' latest album Hello Young Lovers which came out earlier this year. Their over-the-top grand weirdo-orchestral-pop is just so hard to resist. While many of us were hoping we would get to see them live, they haven't really toured the states in a while. But this ep will tide us over for a little while, with 3 live tracks from a rare concert in LA recorded around the time they appeared on the TV show The Gilmore Girls along with Sonic Youth. This ep also includes two non-live tracks: a different version of "(Baby Baby) Can I Invade Your Country, and the album version of "Dick Around" - a glossy suitably bizarre oompa loompa operatic extravaganza. The cd ends with a radio interview hosted by Steve Jones of Sex Pistols fame. Also included are two videos, one for "Dick Around", the other for "Perfume"!!!
MPEG Stream: "(Baby Baby) Can I Invade Your Country (alt lyrics)"
MPEG Stream: "In The Future (live)"

SPARKS Dick Around (In The Red) 7" 4.50
We were quite smitten with Spark's latest album Hello Young Lovers which came out earlier this year. Their over-the-top grand weirdo-orchestral-pop is just so hard to resist. While many of us were hoping we would get to see them live, they haven't really toured the states in a while. This 7" has the great album track "Dick Around" - a glossy suitably bizarre oompa loompa operatic extravaganza - as well as a live track recorded in LA around the time they made a special appearance on the TV show The Gilmore Girls alongside Sonic Youth.

SPARKS Exotic Creatures Of The Deep (Lil Beethoven) cd 14.98
Wow! The Mael brothers have done it again. Who else, thirty-seven years into their career and 20+ records later, are making some of the most charged and vital music of their life? Pretty much no one except Sparks! Exotic Creatures comes hot on the heels of their summer residency in London where they spent the better part of a month playing EACH ONE of their records night after night in chronological order. The last night of those performances they unveiled this brand new record to the world and man how much we wish we could have been there. As Exotic Creatures Of The Deep deserves such a grand and staged presentation. But it's doing magical wonders through our speakers and headphones too.
Very much in line with their last two great records, Hello Young Lovers and Lil' Beethoven, this album feels like it's part of a truly remarkable trilogy of bombastic, orchestral, grandiose pop done so right.
If it's possible, this record seems even more flamboyant and fiery than past outings but in only the most glorious ways. It's also filled with some of the most beautiful pop melodies you will hear this year, songs with more twists and turns and surprises then most prog bands could dream of and an understanding of what crafting an album that works from start to finish is all about.
What makes Sparks so special is that beyond the tongue in cheek word play, clever titles, and wry sense of humor, is something always so honest, intense and individual in their music and vision. Songs with the ability to be both so self-deprecating yet totally triumphant. We urge you to spend lots of time with this record on your headphones or blasting it alone in your house, as it's when you really spend deep quality one-on-one time with this record that it really takes a hold of your senses and enters your life in such a striking way. Even though the album begins with the angelic singing of the words "I don't care if you love me, just as long as you like me" we can't help but still be so in LOVE with Sparks!
MPEG Stream: "I Cant Believe You Would Fall For All The Crap In This Song"
MPEG Stream: "(She Got Me) Pregnant"
MPEG Stream: "Lighten Up, Morrissey"

SPARKS Hello Young Lovers (In The Red) cd 13.98
Wow! 30+ years after their beginnings Sparks have made one of the best records of their career! Brothers Ron & Russell Mael are sometimes known best for their totally amazing moustaches and their Queen-like approach to symphonic pop with totally quirky leanings. Truth be told they formed a year before Queen in 1970 and actually had Queen as openers for many shows in their early years. In their 36 year existence they've been all over the map, being under appreciated and ahead of their time with their ubber smart art-pop, then going for disco gold with Giorgio Moroder in the late 70's, hitting the charts with The Go-Go's Jane Wiedlin in the early 80's and then...well then it seems like the world stopped noticing them. But they never really stopped and thats part of the beauty of Sparks. It's undeniable that what they do is so a part of them and all their quirky eccentristies might make some annoyed but they're so smart and too cool to even care. Their last release Lil' Beethoven was arguably one of their strongest in a decade but with Hello Young Lovers they've totally reignited their flame of totally infectious (we're talking infectious, like it will be in your head when you go to sleep when you wake up when you are on the bus when you are at work -- and this is something to worry about), totally ridiculous, totally over the top brilliant dorky super smart pop from men who remind us that men are still boys when all is said and done. From Devo to Nomeansno to current spazzy punkers you can feel the influence of Sparks in both sound and sentiment. Like a possesed house band in Willie Wonka's Chocolate Factory making their own brilliantly crazed multiple Bohemian Rhapsodys over and over and over for eternity. Underneath all the flamboyance and fireworks though you always get the sense that Sparks mean every single breath of it and that's what makes them so totally special. YEAH!
NB. we have to say also, if you're a fan of Steven Schultz and his many projects, you will DEFINITELY love this...
MPEG Stream: "Dick Around"
MPEG Stream: "Perfume"
MPEG Stream: "Metaphor"

SPARKS Hello Young Lovers (In The Red) lp 10.98
Now available on vinyl!!
Wow! 30+ years after their beginnings Sparks have made one of the best records of their career! Brothers Ron & Russell Mael are sometimes known best for their totally amazing moustaches and their Queen-like approach to symphonic pop with totally quirky leanings. Truth be told they formed a year before Queen in 1970 and actually had Queen as openers for many shows in their early years. In their 36 year existence they've been all over the map, being under appreciated and ahead of their time with their ubber smart art-pop, then going for disco gold with Giorgio Moroder in the late 70's, hitting the charts with The Go-Go's Jane Wiedlin in the early 80's and then...well then it seems like the world stopped noticing them. But they never really stopped and thats part of the beauty of Sparks. It's undeniable that what they do is so a part of them and all their quirky eccentristies might make some annoyed but they're so smart and too cool to even care. Their last release Lil' Beethoven was arguably one of their strongest in a decade but with Hello Young Lovers they've totally reignited their flame of totally infectious (we're talking infectious, like it will be in your head when you go to sleep when you wake up when you are on the bus when you are at work -- and this is something to worry about), totally ridiculous, totally over the top brilliant dorky super smart pop from men who remind us that men are still boys when all is said and done. From Devo to Nomeansno to current spazzy punkers you can feel the influence of Sparks in both sound and sentiment. Like a possesed house band in Willie Wonka's Chocolate Factory making their own brilliantly crazed multiple Bohemian Rhapsodys over and over and over for eternity. Underneath all the flamboyance and fireworks though you always get the sense that Sparks mean every single breath of it and that's what makes them so totally special. YEAH!
NB. we have to say also, if you're a fan of Steven Schultz and his many projects, you will DEFINITELY love this...
MPEG Stream: "Dick Around"
MPEG Stream: "Perfume"
MPEG Stream: "Metaphor"

SPARKS Kimono My House (Universal / Island) cd 16.98

SPARKS No. 1 In Heaven (Oasis / Repertoire) cd 14.98
No.1 In Heaven was a match made in pop genius heaven! The matching of the super smart snappy pop chops of Sparks with the golden electronic touch of Giorgio Moroder at the prime of his magical production prowess, FANTASTICO!!! The year was 1979 and disco was at its zenith and lots of very non-disco folks were jumping on the bandwagon with pretty bland and lame results. But the collaboration of Moroder's spaced out and fantastical production with Sparks sharp wit and knack for ultracatchy melodies was such a perfect match! With Sparks still punching out fast paced pop and Moroder adding an element of electronic spacey wonder to the mix, this is simply one of the best records in the extensive Sparks catalog. 25 years after its release and folks like Hot Chip and Of Montreal are getting the kids all worked up with their brand of super fun and smart dancey pop that can find it's roots right here on No.1 In Heaven. While this is not a new reissue we never realized it had been issued on cd so we had to jump at the chance of sharing this long time favorite with as many new ears as possible!
MPEG Stream: "La Dolce Vita"
MPEG Stream: "Tryouts For The Human Race"
MPEG Stream: "Beat The Clock"

SPARKS s/t (Wounded Bird) cd 14.98
Hot on the heels of Sparks latest effort, the wonderful Hello Young Lovers (reviewed two lists ago), we get these reissues of the first two Sparks albums, 1971's self-titled debut and A Woofer in Tweeter's Clothing from 1972. It's amazing to see the bookends of an topsy-turvy 35-year career and how full circle the sound has become. These records sound as unique as they must have 35 years ago, because of course they are new to us, having never heard any recording before 1973's proto-glam masterpiece Kimono My House. It's funny how after hearing these two records back-to-back, we've been hearing the Mael brothers sound in everything from the new Fiery Furnaces to Jennifer Gentle. Please don't make us decide which one is better because they are both so good!
Produced by Todd Rundgren (MeatLoaf, Badfinger and New York Dolls) for his Bearsville Record label imprint, this must be one of the strangest debut records of 1971. Apart from early Alice Cooper, we can't quite think of a record or band so out of left-field as this (check out Ron Mael on the cover looking like early Prince with a Hitler 'stache!). While the dominant sound coming out of LA at the time was either mellow singer-songwriters or country inflected roots rock, Sparks arrived on the scene with art-y bombast, campy falsetto vocals, and strange time changes straight out of musical theatre. Never quite fitting in the confines of glam, classic rock, or power pop, Sparks infectious blend of smart, satirical song-writing and vocal theatrics would take awhile to connect with mainstream audiences. However they definitely set the stage for the likes of Queen as well as, of course, almost all of New Wave!
MPEG Stream: "Wonder Girl"
MPEG Stream: "Biology 2"
MPEG Stream: "(No More) Mr. Nice Guys"

SPARKS Whomp That Sucker (Oasis) cd 22.00
Sparks are experiencing a much deserved surge in respect and attention lately after thirty seven years of crafting some of the most innovative, arousing and irreverent pop music ever. Much of their back catalog is being reissued so expect to see lots of their titles reviewed here in the months to come. We've already expressed our profound love for their first couple outings and their amazing Giorgio Moroder produced No.1 In Heaven remains an all time AQ favorite, and their last few outings have thrilled us with their over the top indulgence and pure pop genius.
Whomp That Sucker has always been one of their overlooked albums, their first record after parting ways with Giorgio Moroder, who gave the band a more dance/disco vibe on the two records that came before this one. This record found Sparks in full on new-wave overdrive reflecting the year it was recorded, 1981, yet like so much of their back catalog it really stands the test of time. Five different kinds of keyboards and synthesizers were used in making this record and the songs are filled with crazy catchy hooks and some of their most amusing lyrics with songs that sound like Devo channeling The Knack and 10cc.
With the recent flood of newer bands looking to the '80s for inspiration in their hip shaking sassy pop (Hot Chip, Of Montreal, Cut Copy, Tough Alliance, etc.) it's pretty awesome to go back to 1981 and hear how it's really done. So fun and additive!
MPEG Stream: "Tips For Teens"
MPEG Stream: "Upstairs"
MPEG Stream: "Wacky Women"

SPARO, FRANKIE Arena Hostile (Constellation) cd 7.98
Second release from this mysterious Canadian solo artist who goes by the pseudonym Frankie Sparo. A couple of years ago he made the move east from Victoria, BC to Montreal, PQ and into the welcoming arms of the Constellation label. Now don't swiftly lump him in with the rest of that label's stable of artists, he definitely stands apart, with the primary focus being on his hoarsely emotive voice. These are four raw, intimate whiskey-soaked songs of poetic broodings from one intensely lonely, world-weary and embittered gent. With A Silver Mt. Zion / GYBEmperor members providing the swells, hiss and crackle that intensify the mood, this performance was recorded on 2-track At KPRO radio in Amsterdam. Fans of Black Heart Procession and perhaps Vic Chesnutt, take note.
RealAudio clip: "The Night We Stayed In"

SPARO, FRANKIE My Red Scare (Constellation) cd 14.98
God Damn Their Various Side Projects!!! A new one by a Mr Frankie Sparo of Godspeed You Black Emperor. Mopey, slow over-saturated tunes. Sort of like Souled American, but without the elements that make Souled American charming.

SPARO, FRANKIE Welcome Crummy Mystics (Constellation) cd 14.98
The third release from Canadian singer/songwriter Frankie Sparo presents another collection of his weight-of-the-world-on-his-shoulders songs. Always seeming slightly unhinged and on the verge of emotional collapse, he sings each song as if clawing for his last shred of hope. His is a deeply anguished delivery - often to the point of crackly hoarse shouting or the most brittle whisper - which bear more than a passing resemblance to early Vic Chesnutt. On the songs featuring very spartan piano or guitar accompaniment, all is laid open with each word hanging in the air. However, this album marks some new developments in the realm of Mr. Sparo. One is the addition of an official second band member, N. Moss brings backing vocals and keyboards into the fold. Another is the full band (which surely includes a few GYBE friends) presence on a few songs contributing to a more expansive and dramatic, but no less intimate sound. Once again, recorded by Godspeed's Efrim.
RealAudio clip: "City As It Might Have Been"
RealAudio clip: "Hospitalville"

SPARROW s/t (Overcoat) cd 14.98
For months and months we kept on hearing rumblings about a new Zumpano album being "in the works" and "almost done", but what with Carl Newman so deeply ensconced in New Pornographer land... alas, it seems it just never got finished. Not ones to sit on their hands, the rest of AQ's favorite Z-band picked up and pursued other various projects. The band's namesake and drummer Jason Zumpano sat right down and penned a slew of his own songs - some solely piano compositions, some full band grand pop numbers. This is his album of the latter, and not unsurprisingly, what a delight it is! He more than ably handles all songwriting, vocal and keyboard duties, and is joined by his former Zumpano colleague Mike Ledwidge - on guitar as well as Scott Morgan (Loscil) on drums. Just as the case was with Mr. Newman and the NPs, expectations were high. It's pretty impossible not to draw comparisons to their former band. Fortunately so far it's all been in the most positive light, and Sparrow is no exception. Many songs here shine with the same stellar pop sensibilities as well as some other stylish details - standing solidly on their own merits. Take the second song "One Eye Closed" for instance, a spritely, dandy example driven just as much by a catchy chorus as by a piano line very reminiscent of ABBA's "Waterloo" of all things! Other songs draw nods to XTC and Squeeze too. Those are some big classic pop footsteps to follow, and yes, Jason Zumpano and co. more than hold their own, thank you!
MPEG Stream: "One Eye Closed"
MPEG Stream: "Don't Stand On Me"

SPARROW The Early Years (Absolutely Kosher) cd 12.98
Jason Zumpano (of the great but sadly defunct Canadian band... Zumpano) offers up his second Sparrow full length. Sure folks can't help but draw comparisons to his old bandmates' current mighty pop bands (New Pornographers and A.C. Newman), and yeah, there's the tell-tale Vancouver pianos, strings, horns and bright vocal harmonies, but Sparrow has a retro pop charm all its own. Sleepy-eyed, boyish and sweet.
MPEG Stream: "The Early Years"
MPEG Stream: "Late Last Night"

SPARROWS SWARM AND SING O'Shenandoah, Mighty Death Will Find Me (Magic Bullet) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

MPEG Stream: "Across Canyons / Canons"
MPEG Stream: "Father Death / Mother Nature"

SPARTA Porcelain (Geffen) cd 16.98
Sparta (aka the non-'fro ex-members of At The Drive In) offer up their second full length. Whereas their former bandmates Cedric Bixler and Omar Rodrigues have taken their band The Mars Volta into more prog/art rock territory, Sparta have chosen to stay in emo mode, tempering the ATDI punk angst and aggression into a more radio/MTV-friendly, near-anthemic sound. We noted though that oddly enough the lead vocals are often very similar to ex-ATDI singer Bixler as well as Fugazi's Ian MacKaye. Catchy, intelligent and creative, Porcelain is a solid follow-up to the equally well-received Wiretap Scars.
MPEG Stream: "Hiss The Villain"
MPEG Stream: "Travel By Bloodline"

SPAZZTIC BLURR s/t (Earache) cd 10.98
"Way beyond speed!! / Spazztic Blurr!!!! / There is no cure!! / For The Spazztic Blurr!! ... Let There Be Spazztic! -- Let there Be Blurr!"
Holy hell. We never thought that Earache would reissue this out of print record on cd! This 1988 LP of absurdist metal has been long sought after by Allan, 'cause he just loves the Spazztic Blurr song found on that classic Earache label "Grind Crusher" compilation. That song ("He-Nota-Home-Me-Marco") is found here along with 13 other examples of their brilliantly (?) mindless, stream of consciousness, dadaistic thrash songwriting. Ok, normally Allan doesn't approve of overtly silly joke bands. But these guys totally take their jokes into a shaggy dog realm of utter nonsequiturship. Lyrics about Burger King, boardgames, the Flintstones, the alphabet, hardcore punks and rappers...yes it's childish. But it's also 1988. And then there's the way they include descriptions of what's going on musically at each point in a song on the lyric sheet (some examples: "Distorted Guitar, Acoustic Guitar, Distorted Guitar, Acoustic Guitar...", "Total Speed Metal Ending", "Weird Effect", "Surf Part", "Isn't It Neat How This Songs Jumps Right In?"). They were probably a huge influence on John Zorn! Kinda like Dead Milkmen meets the Suicidal Tendencies, for fans of Ludichrist, Lawnmower Deth, S.O.D., 7000 Dying Rats, that sort of thing.
RealAudio clip: "He-Nota-Home"
RealAudio clip: "Def Metal"
RealAudio clip: "Mexicalli"

SPEAKERS, THE En El Maravilloso Mundo De Ingeson cd 16.98
We've had this cult Latin American psych reissue on and off (mostly off) for a few years now, and so since we just managed to score a dozen copies the other day we figured we'd relist it, for those of you who might not have gotten a chance to hear it (or hear about it) yet. Not sure when/if we'll be able to get more, so the usual 'act fast' warning applies!
Here's what we said about this before: Whoa, this is a strange disc, a reissue of some primo Columbian psych acid-rock pop weirdness circa 1968. Totally trippy and weird, starting with the wonderfully freaky cover drawing of the band, with the music being even freakier. Probably inspired by Sgt. Pepper's and buttloads of drugs. The Speakers (also known as Kris Kringle on an LP reissue of this, for some reason) play nice Spanish-language pop/beat music that's been totally messed with, coming closer to Nurse With Wound than the Mutantes (although if you can imagine all the ridiculous moments of studio-fuckery on the Mutantes cds crammed into one disc, this would be it). Completely odd and delightful! And who can forget that track sung in the bizarre squeaky baby voice...
Some additional interest might be stirred regarding this due to the fact that the band was recently profiled in issue 22 of Ugly Things magazine issue! We learned a few interesting things from that article, among them that The Speakers, at the time, were apparently quite popular in their home country. Who would have thunk? And, "En El Maravilloso Mundo De Ingeson" is explained -- Ingeson was the name of the studio where they were able to record for free at night, in return for putting Ingeson's name in the album title (The Speakers In The Marvelous World Of Ingeson)!
MPEG Stream: "Oda A La Gente Mediocre"
MPEG Stream: "Historia De Un Loto Que Florecio En Otono"

SPEAKERS, THE En El Maravilloso Mundo De Ingeson (SalgaelSol) cd+book 48.00
We've had this cult Latin American psych reissue on and off (mostly off) for a few years now, and so since we just managed to get this super deluxe oversized book edition, we figured we'd relist it, for those of you who might not have gotten a chance to hear it (or hear about it) yet. It's pricey, but the packaging is pretty over the top. And of course it's an amazing album.
The cd comes housed in a 7" sized sleeve, full color and on thick card stock. Inside is affixed a 20 page full color booklet, filled with photos and drawings, and tons and tons of liner notes (all in Spanish unfortunately), and affixed to the inside front cover is a little crunched up chicklet, a replica of the supposed LSD bubble gum that was included in the original album!! Awesome.
Here's what we said about this before:
Whoa, this is a strange disc, a reissue of some primo Columbian psych acid-rock pop weirdness circa 1968. Totally trippy and weird, starting with the wonderfully freaky cover drawing of the band, with the music being even freakier. Probably inspired by Sgt. Pepper's and buttloads of drugs. The Speakers (also known as Kris Kringle on an LP reissue of this, for some reason) play nice Spanish-language pop/beat music that's been totally messed with, coming closer to Nurse With Wound than the Mutantes (although if you can imagine all the ridiculous moments of studio-fuckery on the Mutantes cds crammed into one disc, this would be it). Completely odd and delightful! And who can forget that track sung in the bizarre squeaky baby voice...
Some additional interest might be stirred regarding this due to the fact that the band was recently profiled in issue 22 of Ugly Things magazine issue! We learned a few interesting things from that article, among them that The Speakers, at the time, were apparently quite popular in their home country. Who would have thunk? And, "En El Maravilloso Mundo De Ingeson" is explained -- Ingeson was the name of the studio where they were able to record for free at night, in return for putting Ingeson's name in the album title (The Speakers In The Marvelous World Of Ingeson)!
MPEG Stream: "Oda A La Gente Mediocre"
MPEG Stream: "Historia De Un Loto Que Florecio En Otono"

SPEAKING CANARIES, THEE Get Out Alive: The Last Type Story (Scat) cd 13.98
Remember that special summer themed in-between list we sent out at the beginning of June? We ordered in copies of this album just to be on it (in lieu of a Van Halen record, since we'd never reviewed VH) and we even mentioned it in the list intro, but then somehow left it off the actual list, whoops!! But since we have it, and it's now officially summer, we figured we'd relist it on this list, definitely a recommended ol' fave from a band that may have flown under a lot of folks' radar. Here's what we wrote about this when we first listed it back in 2003...
Wow, we were surprised and pleased to see the release of a new The(e) Speaking Canaries album! It's been quite a while since 1995's Songs For The Terrestrially Challenged, but they've still got it, in fact, this may be even better than we remembered 'em being. The Speaking Canaries, for those for whom 1995 is a blur, are a band from Pittsburgh featuring the talents of Don Caballero drummer Damon Che. Che plays drums on half the album, but the whole disc showcases his just-as-impressive ability with the electric guitar. His nimble, Eddie Van Halen styled guitar licks are distorted, yet cleanly chiming n' gorgeous. Yep, we said Eddie Van Halen. If you've never heard The Speaking Canaries before you're in for a surprise - Van Halen is an obvious, huge influence. And Damon even lets off some some jubilant David Lee Roth yelps. But, don't get the wrong idea, this is a melodic indie-pop record, not any sort of retro '80s hair metal throwback. The songs are somewhat complex and mathy (as you'd expect from a Don Cabber) but have pop hooks a la Foo Fighters. And these days, after after Trans Am and The Fucking Champs and so forth, the idea of heavy metal guitar heroes in an indie-rock context isn't so novel. It's just good music. Damon and company kick ass on this record, from the three-minute track one (with the excellent title "I Wear Glasses in the Most Brutal Sport Ever Invented") to the disc's hidden bonus track finale. Very recommended!
MPEG Stream: "Coffin Jitters"
MPEG Stream: "Song On A Record You Can't Get"

SPEAKING CANARIES, THEE Get Out Alive: The Last Type Story (Scat) lp 10.98
Remember that special summer themed in-between list we sent out at the beginning of June? We ordered in copies of this album just to be on it (in lieu of a Van Halen record, since we'd never reviewed VH) and we even mentioned it in the list intro, but then somehow left it off the actual list, whoops!! But since we have it, and it's now officially summer, we figured we'd relist it on this list, definitely a recommended ol' fave from a band that may have flown under a lot of folks' radar. Here's what we wrote about this when we first listed it back in 2003...
Wow, we were surprised and pleased to see the release of a new The(e) Speaking Canaries album! It's been quite a while since 1995's Songs For The Terrestrially Challenged, but they've still got it, in fact, this may be even better than we remembered 'em being. The Speaking Canaries, for those for whom 1995 is a blur, are a band from Pittsburgh featuring the talents of Don Caballero drummer Damon Che. Che plays drums on half the album, but the whole disc showcases his just-as-impressive ability with the electric guitar. His nimble, Eddie Van Halen styled guitar licks are distorted, yet cleanly chiming n' gorgeous. Yep, we said Eddie Van Halen. If you've never heard The Speaking Canaries before you're in for a surprise - Van Halen is an obvious, huge influence. And Damon even lets off some some jubilant David Lee Roth yelps. But, don't get the wrong idea, this is a melodic indie-pop record, not any sort of retro '80s hair metal throwback. The songs are somewhat complex and mathy (as you'd expect from a Don Cabber) but have pop hooks a la Foo Fighters. And these days, after after Trans Am and The Fucking Champs and so forth, the idea of heavy metal guitar heroes in an indie-rock context isn't so novel. It's just good music. Damon and company kick ass on this record, from the three-minute track one (with the excellent title "I Wear Glasses in the Most Brutal Sport Ever Invented") to the disc's hidden bonus track finale. Very recommended!
MPEG Stream: "Coffin Jitters"
MPEG Stream: "Song On A Record You Can't Get"

SPECIAL PILLOW Inside The Special Pillow (Zofko) cd 8.98
Oooh, inside this Special Pillow you'll find vocals and violins melting sweetly like paisley ice cream cones. Delightful! For close to a decade, Special Pillow have woven their swooning retro psych pop (and yet this is only their second album!). Let it be known however, they're by no means unwilling to amp it up, adding (just a little) garage crunch to their guitars and (just a little) snarl to their singing, and they'll do so at the drop of a hat. Such is the case with the third and fourth songs ("You Can Do It" and "Nothing Important"). If you dig the pretty, wide-eyed and mildly trippy side of '60s style pop psychedelia, cozy up to Special Pillow.
MPEG Stream: "You Can Do It (Just Don't Do It Wrong)"
MPEG Stream: "Nothing Important"

SPECK MOUNTAIN Summer Above (Burnt Brown Sounds) cd 12.98
This is the fine debut album from this Chicago based trio. Some may find the slightly druggy drone'n'twang of Summer Above reminiscent of the velvety languidness of Mazzy Star or Cat Power, but with the distinction that lead singer Marie-Claire Balabanian's drowsily emotive voice flits and floats in a higher register than Hope Sandoval or Chan Marshall. Makes it less of a downer, and more of a sweet, 'drift off on a lazy day' kind of listen.
MPEG Stream: "Summer Above"
MPEG Stream: "Chlorine Fields"

SPECTOR, PHIL Wall Of Sound: The Very Best Of Phil Spector (Phil Spector Records / Legacy) cd 13.98
It goes without saying that Phil Spector really stands (or stood) at the pinnacle of pop music and what it means to be a producer. His 'wall of sound' has influenced generations of amazing bands from the Beach Boys to Jesus & Mary Chain to Spiritualized to the Vivian Girls and beyond. It was actually hard to get so many of his great recordings on cd, unless you snagged the box set that came out years ago, so we're so psyched for this new release of some of his most memorable moments. Working with groups like The Crystals, The Ronettes, Darlene Love, Ike & Tina, and more, this collection shows off Spector's uncanny ability to create pop nuggets that have proven to be timeless and so endlessly addictive. While many of us who like to hang out in the fringes and more obscure realms of the music world, Phil Spector is a reminder of how amazing more mainstream pop music can be when in the hands of a musical genius.
While much of his personal life is depressing and distressing, he seems to be a part of a long tradition of deeply troubled music producers who were able to use music to channel the beauty inside of them that they had such a hard time doing in all other aspects of their life. With so many bands of the moment like Dum Dum Girls, The Raveonettes, Shannon & The Clams, and The Sandwitches taking so much from Spector's sound, it's perfect timing for these songs to be made available again.Ê
MPEG Stream: THE CRYSTALS "Then He Kissed Me"
MPEG Stream: IKE & TINA TURNER "River Deep, Mountain High"
MPEG Stream: THE RONETTES "Walkiing In The Rain"
MPEG Stream: DARLENE LOVE "A Fine, Fine Boy"

SPECTRAL INCURSION Anthology (Stormspell) 2cd 13.98
Talk about simultaneously awesome and obscure. Delving deep into '80s metal buried treasure, Stormspell's Days Of Yore division has come up with this double cd, rollercoaster ride of a reissue, that anyone into technical thrashing prog metal ought to utterly enjoy. It's from a Massachusetts band, Spectral Incursion, who never even released an album, just a bunch of demos and one ep. Way underground, mathy metallic music-making mania on display here, jawdropping and headbanging.
Unrestrained, raw and ripping stuff from young guys more concerned with coming up with cool new parts for their twisting, turning songs than in being popular. We're lovin' it. The jagged, splintered riffs and tricky time signatures multiply throughout these heavy, hectic compositions, with leads spiraling up alongside vocals that scream, soar, and roar. Each over the top track seems designed by/for the ADD afflicted, shooting off in a new direction every few seconds, yet not neglecting melody and a rock n' roll vibe. Intricate, eccentric, exhilarating - and we really like how the DIY-ness of this mitigates against any potential pretentiousness a la big time prog metal like Dream Theater. This really is some kids tossing their faves like Rush, Priest, Sabbath, Maiden, Slayer, and Fates Warning into a sharp-bladed blender on high. If you're a fan of such bands as Confessor, Atheist, Watchtower, Coroner, or Hellwitch, you should definitely check this out!
Disc one consists of demo tapes from 1988 and 1991, their four song ep from '88, and four tracks recorded in 2010 by the reunited band, doing old songs by pre-Spectral Incursion incarnation Graven Image, whose demos circa 1986-'87 occupy disc two, which also contains some video clips for your computer.
Super cool, constantly surprising, what this lacks in production polish they make up for in precision - and sheer insanity. As always, great to see a forgotten band this good (and gonzo) get their due. Complete with thick, slick cd booklet full of liner notes, lyrics, etc.
MPEG Stream: "The Other Side"
MPEG Stream: "Constant Velocity"
MPEG Stream: "Surgery"

SPECTRALS Bad Penny (Slumberland) cd 10.98
Slumberland looks to the UK once again to snag another awesome indie pop peddler. Spectrals excel in laid back, lazy day bittersweet pop. With a dazed and washed out guitar sound, and Louis Jones' swaying melodic vocals that sound so at ease while but also so assured. That voice is in an awesome place somewhere between Jens Leckman and Julian Casablanca, and the woozy instrumentation underneath serves as the perfect breezy driving force that propels the songs along at such a perfect pace. It makes sense that Spectrals were taken on the road by Girls, as this is pop that's as smart as it is passionate.
MPEG Stream: "Get A Grip"
MPEG Stream: "Luck Is There To Be Pushed"
MPEG Stream: "Many Happy Returns"

SPECTRALS Bad Penny (Slumberland) lp 14.98
Slumberland looks to the UK once again to snag another awesome indie pop peddler. Spectrals excel in laid back, lazy day bittersweet pop. With a dazed and washed out guitar sound, and Louis Jones' swaying melodic vocals that sound so at ease while but also so assured. That voice is in an awesome place somewhere between Jens Leckman and Julian Casablanca, and the woozy instrumentation underneath serves as the perfect breezy driving force that propels the songs along at such a perfect pace. It makes sense that Spectrals were taken on the road by Girls, as this is pop that's as smart as it is passionate.
MPEG Stream: "Get A Grip"
MPEG Stream: "Luck Is There To Be Pushed"
MPEG Stream: "Many Happy Returns"

SPECTRE FOLK Blackest Medicine Vol. 2 (Woodsist) 12" 14.98

SPECTRE FOLK Requiem For Ming Aralia (Three Lobed Recordings) cd 14.98
The sonic solar system surrounding Sunroof!, Double Leopards, Hototogisu and those who sail with them has been expanding like some free rock supernova lately. Not just multiple releases from the core members but new groups, new configurations of old groups and multiple releases by both. Hard to figure out how Bassett (Double Leopards, Hototogisu, GHQ, etc...), Bower (Sunroof!, Hototogisu, etc.) and friends manage. And manage with such a consistent level of quality. Now we have this, what seems to be the first proper full length from Spectre Folk, aka Pete Nolan of the Magik Markers, GHQ, Wooden Wand & The Vanishing Voice and Shackamaxon among others. As Spectre Folk, Nolan divides his energies between a drifty glimmering drone not unlike his sweetly noisy brethren (and sistren) in Hototogisu and Sunroof! with muted guitars that sway and swell, muted melodies that drift and swoon like barely visible ghosts and woodwinds that whir and drone dreamily, and a more 'traditional' folk, fingerpicked steel string guitar, sweet crooning vocals,a lilting otherworldly melancholia, wrapped in layer after layer of tape hiss, and instrument buzz and warm windlike whir. It's almost like listening to some sixties folk 7" on a broken old turntable that barely plays, lovely and so mysterious sounding. Features Spencer Yeh from Burning Star Core on one track and Marcia Bassett, Nolan's bandmate in GHQ, drew the cover. Nice!
MPEG Stream: "Tendrils Floating Fastly"
MPEG Stream: "Indianana"

SPECTRUM Forever Alien (Space Age) cd 15.98

SPECTRUM Geracao Bendita (Shadoks Music) cd 15.98
Spectrum always makes me realize that if music stopped being made today, we would never fail to keep on finding gems and hidden treasures from the past. There's just so much gorgeous music that has already been made that you could only listen to stuff from the past and still always be listening to greatness. I mean, that's what I'm feeling -- my top ten list from last year has four records in it made in '74 or earlier, and this Spectrum record is from 1971. (This band is also not related to the Sonic Boom / Spacemen 3 project of the same name just so you know.)
Second of all I have to say that for the entirety of 2003 so far I (Windy) have listened to this record more than any other. It rewards repeated listening. Next I have to say that this Spectrum album comes the closest, yes, even among Gal Costa, Caetano Velosos, Gilbert Gil, to conjuring up the sweet 'n gutsy psychedelic pop that Os Mutantes did so well. Yes, the soundtrack to Geracao Bendita is that good. Spectrum's got melodies as bittersweet, compulsively hummable and pure 'n simple as the Beatles (whose catalog the boys in Spectrum reputedly could replicate perfectly), jangly 12-string as flowery and metallic as the Byrds, singing dressed with long drawn out vowels and harmonies worthy of the Mamas and the Papas, acid guitar riffing strongly reminiscent of their faves Steppenwolf. The stellar arrangements just take it over the top, just like with Os Mutantes, where the emphasis is less on verse chorus verse and more on sections. You never know where it's going but with the first notes of the record, which sound so good, you just sorta trust 'em. All this from a band whose average age was 21, from the city of Nova Friburgo in the state of Rio, Brazil. A band who never performed this soundtrack live even! The film, a celebration of peace & love taking place in a hippie wonderland was banned upon its release in 1970 and the soundtrack died a similar death.
MPEG Stream: "Concerto do Pantano"
MPEG Stream: "Mother Nature"
MPEG Stream: "Quiabo's"

SPECTRUM War Sucks (Mind Expansion) cd ep 11.98
War Sucks is a four song ep from Sonic Boom's Spectrum, reliving more of the heyday of the hallowed Spacemen 3 project many moons ago, whose occasionally awesome hypno-space-rock psychedelia was equal parts druggy and punky. The title track is a cover of a Red Krayola tune, penned back in the day about Vietnam, although the sentiment rings as true today. The lyrical content of the song is a bit of an anomaly for Sonic Boom, who had previously pretty much sung of drugs if he weren't rehashing some old blues number; but this doesn't detract from the fuzzed-out buzz that harkens to that occasionally awesome period of Spacemen 3 (e.g. Taking Drugs To Make Music To Take Drugs To and Playing With Fire) in which the Stooges and 13th Floor Elevators were the godheads of the Spacemen 3 pantheon. And rightly so. Spectrum marches on with a Neu! inspired motorik tune in "Razzle Dazzle Mind" before offering another cover, Laurie Anderson's "Walking & Falling." The final track "Over and Over" is one of those Spectrum / Spacemen 3 tracks that could go on for 25 minutes, and it probably should given the brevity of this ep. Even so, this is pretty darn good, in fact.
MPEG Stream: "War Sucks"
MPEG Stream: "Razzle-Dazzle Mind"

SPEED, GLUE & SHINKI Eve (Phoenix) cd 17.98
The re-reissue-ance of a lot of crucial '70s Japanese psych rock documents continues apace, with this seminal stoner rock release now on cd (and lp) again via the Phoenix label. Originally released in the musically bountiful year of 1971, Eve was the debut from a psychedelic power trio that made no secret of their predilection for recreational pharmaceuticals, and preferences therefor. "Glue" was bassist Masayoshi Kabe's nickname, "Speed" that of singing drummer Joey Smith. Guitarist Shinki Chen (formerly of Food Brain, as was Kabe) lacks a nickname, so we dunno his drug of choice, but it's obvious he's really into Jimi Hendrix...
Obligatory citation of Julian Cope's Japrocksampler ranking: tied (with Flower Travellin' Band's Satori) for number ONE out of fifty!!! So, yeah, this is considered by some (including us) to be an essential - though we wouldn't personally rate on par with Satori, or for that matter ahead of Speed Glue & Shinki's own self-titled sophomore album, or some others on Cope's list, but it would be up there, nonetheless. 'Specially perfect when you're in the mood for some druggily spaced out, heavy cowbell knockin' acid blooze rawk splurge, laced with loping riffs and lackadaisical vocals, with titles that (of course) couldn't be any more overtly oriented towards the subject of gettin' high, such as "Mr. Walking Drugstore Man" and "Stoned Out Of My Mind"! But you, the listener, needn't be stoned, this music is head noddingly hypnotic all by itself, just turn it up and let yourself veg out to it, all the way through to the relaxing coda of the album's final
track, "Someday We'll All Fall Down", a quietly lovely, folky acoustic number with a doubtlessly prophetic title. Along the way, enjoy garagey rave-ups like "Ode To The Bad People" and lumbering blues blasters like "Big Headed Woman".
The seven tracks here are primal "proto-metal" (VERY proto) for fans of Blue Cheer, Blues Addicts, Moses, Modulo 1000, Human Instinct, Juan De La Cruz (the Filipino band with whom SG&S's drummer Joey Smith later played), Flied Egg (also reissued and reviewed this list), and others of that wasted, rock n' roll ilk from around the world.
Nicely packaged in a mini-LP style gatefold sleeve for the compact disc. Gatefold sleeve for the vinyl version too.
MPEG Stream: "Mr. Walking Drugstore Man"
MPEG Stream: "Stoned Out Of My Mind"
MPEG Stream: "Ode To The Bad People"

SPEED, GLUE & SHINKI Eve (Phoenix) lp 24.00
The re-reissue-ance of a lot of crucial '70s Japanese psych rock documents continues apace, with this seminal stoner rock release now on cd (and lp) again via the Phoenix label. Originally released in the musically bountiful year of 1971, Eve was the debut from a psychedelic power trio that made no secret of their predilection for recreational pharmaceuticals, and preferences therefor. "Glue" was bassist Masayoshi Kabe's nickname, "Speed" that of singing drummer Joey Smith. Guitarist Shinki Chen (formerly of Food Brain, as was Kabe) lacks a nickname, so we dunno his drug of choice, but it's obvious he's really into Jimi Hendrix...
Obligatory citation of Julian Cope's Japrocksampler ranking: tied (with Flower Travellin' Band's Satori) for number ONE out of fifty!!! So, yeah, this is considered by some (including us) to be an essential - though we wouldn't personally rate on par with Satori, or for that matter ahead of Speed Glue & Shinki's own self-titled sophomore album, or some others on Cope's list, but it would be up there, nonetheless. 'Specially perfect when you're in the mood for some druggily spaced out, heavy cowbell knockin' acid blooze rawk splurge, laced with loping riffs and lackadaisical vocals, with titles that (of course) couldn't be any more overtly oriented towards the subject of gettin' high, such as "Mr. Walking Drugstore Man" and "Stoned Out Of My Mind"! But you, the listener, needn't be stoned, this music is head noddingly hypnotic all by itself, just turn it up and let yourself veg out to it, all the way through to the relaxing coda of the album's final
track, "Someday We'll All Fall Down", a quietly lovely, folky acoustic number with a doubtlessly prophetic title. Along the way, enjoy garagey rave-ups like "Ode To The Bad People" and lumbering blues blasters like "Big Headed Woman".
The seven tracks here are primal "proto-metal" (VERY proto) for fans of Blue Cheer, Blues Addicts, Moses, Modulo 1000, Human Instinct, Juan De La Cruz (the Filipino band with whom SG&S's drummer Joey Smith later played), Flied Egg (also reissued and reviewed this list), and others of that wasted, rock n' roll ilk from around the world.
Nicely packaged in a mini-LP style gatefold sleeve for the compact disc. Gatefold sleeve for the vinyl version too.
MPEG Stream: "Mr. Walking Drugstore Man"
MPEG Stream: "Stoned Out Of My Mind"
MPEG Stream: "Ode To The Bad People"

SPEED, GLUE & SHINKI s/t (Made In Japan Records) cd 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Sniffin & Snortin (parts 1 and 2!), Run & Hide, Bad Woman, Don't Say No, Wanna Take You Home...sound good? Those are some of the song titles on this classic women-and-drugs obsessed dumbo-rock Japanese psych album. It stars guitar whiz and massive stoner Shinki Chen (also of Foodbrain and oodles of other obscure Japanese psych outfits), bassist Masayoshi Kabe (from Food Brain too), and singing drummer Joey 'Pepe' Smith -- a Vietnam vet whom you might know from the Filipino band Juan De La Cruz, whose album "Shake Your Brains" is one of the few that tops this for sheer truly stoned rock retardation (a good thing). Too bad we can't get those in anymore. But you'll hear at least one of their tunes on this, the second SG&S album, originally released as a double LP in 1972, which we happen to like even better than their 1971 LP "Eve" though Mr. Julian Cope made that one a "record of the month" on his website Head Heritage. Anyway we have this one, not that one.
Speed, Glue & Shinki, as you might imagine from their name, were a goddamn weird, messed up, completely wacked heavy psych/blues/prog band. So messed up that this time out, guest musicans wrote (and performed?) most of it! But it doesn't matter. And even when Joey plugs in a Moog synth to do a whole LP side devoted to the Sun, Planets, Life, Moon, and Angels, this never ever remotely gets pretentious and proggy (not that we don't like proggy). It just can't. Speed Glue & Shinki are primal, so primal, too primal. At least one track hints at the Stooges, some others Zeppelin, while the rest approximates a brain-damaged James Gang. Record collector types might recall the fancy, expensive Shadoks LP reissue that was available a couple years ago for about two seconds. We were enthralled with the lovely tiger cover art and the ridiculous rock and have been hoping ever since to bring in a cd version, and at last we tracked down a few copies that we had to order from Sweden, so act fast for your Speed, Glue & Shinki fix if you think you want it.
MPEG Stream: "Red Doll"
MPEG Stream: "Song For An Angel"
MPEG Stream: "Search For Love"

SPEER, D. CHARLES & THE HELIX After Hours (Sound@One) cd 13.98

SPELLS The Age of Backwards (K) cd ep 7.98
Check this out! Carrie Brownstein of Sleater-Kinney and Mary Timony of Helium put their clever heads together to whirl up their collaborative effort known as Spells. Sounds just as you'd expect, Carrie's smart pop prettiness and Mary's much more wizardly fantasy pop leanings. Includes a Who cover.

SPENCE, ALEXANDER "SKIP" Oar (Sundazed) cd 16.98

SPENCEY DUDE & THE DOODLES s/t (Robs House) 7" 4.98
More way fun & catchy garage pop from right here in San Francisco. Spencey Dude & The Doodles share a similar scrappy & carefree demeanor as folks like Nodzz, Hunx & His Punx, Younger Lovers, Nobunny, etc. Fun fun fun...

SPERRMULL s/t (Revisited / Brain) cd 21.00

SPIDER The Way To Bitter Lake (Storyboard) cd 14.98
This long time AQ favorite, formerly a cd-r, now finally available as a proper cd, with new improved artwork, but the same gorgeous gossamer beauty inside:
After listening to this disc, all we can say is Marissa Nadler and Joanna Newsom better watch their backs. If there is any justice in the world, the throngs of bearded and bead encrusted modern free folk freaks and forest maidens that make up the new weird underground will bow down before Jane Herships, the woman who is Spider. A softly strummed dreamy acoustic world of drifting shimmering loveliness. If Devendra Banhart is homecoming king at this year's forestfolk ball, well then Spider would absolutely have to be everyone's choice for queen. The Way To Bitter Lake is a blissful blend of Iron & Wine, Vashti Bunyan, Will Oldham, Cat Power, Edith Frost. Hushed vocals over lilting old timey folk, gorgeous and timeless melodies, spare arrangements, but so deftly arranged as to be more powerful than almost any of her contemporaries. There is definitely a serious Iron & Wine vibe going on, Herships sounds like Sam Beam's long lost twin sister. Even her turns of phrase and choice of melodies. The mind boggles at the possibility of those two making a record together. If either of them are reading this, for god's sake let's make it happen!!
Regardless, this is an absolute gem. Pastoral, and haunting, soft and shimmery, suffused with warm summer sunlight, a rambling record if there ever was one. Cool afternoon, bare feet, tall grass, clouds drifting lazily by, soft breezes, the smell of earth and leaves, wandering through a fuzzy folk dream. Absolutely gorgeous.
MPEG Stream: "The Clearing"
MPEG Stream: "Don't Be Afraid, I've Just Come To Say Goodbye, "The Ballad Of Clementine Jones""
MPEG Stream: "I Don't Know If She Had Any Teeth Because She Never Smiled"

SPIDER TRIO Live @ Rendezvous / Jewelbox Theatre (self-released) cd-r 9.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We've only got a couple of these; so we won't take too long in expounding upon the virtues of the Seattle heavy free-jazz ensemble The Spider Trio. Two of the members of the trio (Jeffrey Taylor and Dave Abramson) are current members of the ever entertaining / ever perplexing / ever compelling Climax Goldwn Twins, with the final member being saxophonist / painter Wally Shoup. Taylor quips that he may be the sole practitioner of a thing called "avant-garde free hillbilly guitar playing;" and yeah, his pseudo-Appalachian boogie deftly counterpoints Shoup's bleat and skronk while Abramson propels the ensemble with oblique fills and angular explosions of dynamic rhythm. Limited to 50 copies, each graced with a hand painted water color by Mr. Shoup.
MPEG Stream: "Track 2"
MPEG Stream: "Track 4"

SPIDERS High Society (Kemado) 7" 5.98
Another kick ass single from these Swedish hard rockers, this time on Kemado. Featuring members of both Witchcraft and Graveyard, Spiders kick up a serious sonic shitstorm, a super hooky heavy mix of classic rock, Southern rock and hard rock, the sound falling somewhere between the Hellacopters, Skynrd and Graveyard, but it's the vocals that really make Spiders stand out, even amongst the recent crop of female fronted hard rocking combos like Loon, Royal Thunder, Jex Thoth and all the rest.
The riffs are big, the guitars are heavy, grooves galore, hooks too, the A side is a total Southern rock throwback, but cranked up for modern more hard rocking tastes, there's even a bad ass double time psychedelic wah guitar freakout near the end. The B side is a bit more classic rock, with super dynamic stop/start riffage, and the vocals, already powerful, get super intense, pushed to the limit, all rough and raspy and threatening to crack at times. Just like the other 7" on Valley King (which we still have if you still need one), we can't stop listening to these jams over and over. And now more than ever, we're dying for a full length.
LIMITED TO 300 COPIES, each one hand numbered.

SPIDERS Nothing Like You / Long Gone (Valley King) 7" 8.98
From the same label that brought us the recent Carlton Melton Handling Snakes 7", comes this, one of two new 7"s from Spiders (the other is on Kemado), a new group featuring members of Graveyard and Witchcraft, and whose sound is a witchy hybrid of the two, but taking that sound in a distinctly garagey, more classic rock direction.
Fans of the recent crop of female fronted heavy combos, Loon, Royal Thunder, Jex Thoth, The Devil's Blood, Christian Mistress, Blood Ceremony and the like, should definitely check out Spiders. Definitely less metal than most of those, but no less heavy, Spiders whip up some seriously old school witchy hard rock, lots of extra percussion on the A side, along with crunchy guitars, and some awesome kick ass vocals, the vibe is HUGELY seventies, a little classic rock, a little Southern rock, the song shifts gears about halfway through, trading the slither and swagger for some double time rocking replete with lots of dynamic breakdowns and some seriously kick ass guitar leads.
The flipside is even less metallic, but cranks up the seventies Southern Rock vibe big time, a garagey groove, the riffs dangerously Skynryd (not a bad thing), a distinctly Jefferson Airplane feel too, but the song super rocking, super heavy, and those vocals, and the main hook just sealing the deal.
LIMITED TO 500 COPIES!! Each cover beautifully silkscreened, hand numbered, and signed by the cover artist, includes a sticker as well.

SPINANES Arches and Aisles (Sub Pop) cd 14.98
Now that Scott has left, Rebecca seeks out assistance from others including John McEntire of Tortoise. So it's not the stripped down sound that won her kudos with Manos here, but her grasp of incorporating a wider range of instruments that makes this album more musically successful than Strand.

SPINANES Strand (Sub Pop) cd 14.98