DEAD MOON Dead Moon Night / Thirteen Off My Hook (Music Maniac) cd 15.98

DEAD MOON Echoes Of The Past (Sub Pop) 2cd 14.98
Dead Moon are one of those bands that seems to be revered and loved by everyone who's ever heard them, but considering how long the band has been around, it's a little hard to believe just how few people that is. SO we're pretty psyched that Sub Pop decided it was time to rectify that. With a massive double disc collection, gathering up all kinds of rare and essential DM tracks.
Dead Moon seem like they've been around forever, and they sort of have. The band formed in 1987, so we're talking almost 20 years. And husband and wife band leaders Fred and Toody were BORN IN 1948!! AND GOT MARRIED IN 1967!! Twenty years before they even started the band that would continue rocking to this day. And they pretty much out-rock any garage rock outfit you can think of. Dead Moon are classic, lo-fi, fuzzed out, stripped down, blues drenched garage rock nirvana. The drums sound like garbage can lids recorded in a cave, the guitars go from scrabbly thick riffing to reverby surf rocky fuzz, to smokey blues moodiness. The songs tend to be super simple, sometimes skeletal, but the band have a serious knack for the hook and they just kick out the motherfucking jams. Fred's got a killer Bon Scott-like growl and Toody has a cool sixties girl group sort of shout, and along with drummer Andrew Loomis every track they whip up is a winner, going from sounding like kick ass classic rock, to fuzzy garage groove, to psychedelic lo-fi blues rock, to some rare lost AC/DC demo, all slathered in Stoogesy swagger and swinging Stones stomp.
MPEG Stream: "Graveyard"
MPEG Stream: "Evil Eye"
MPEG Stream: "Dead Moon Night"
MPEG Stream: "Kicked Out - Kicked In"
MPEG Stream: "Destination X"

DEAD MOON Trash & Burn (Empty) cd 12.98

DEAD MOON Trash & Burn (Empty) lp 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

DEAD RABBITS Sin-Eater (Over It Media) cd 14.98
Supposedly a more metal Lynrd Skynrd, Dead Rabbits (what an awesome name!) sound a bit more like a slightly Southern fried Pantera or Superjoint Ritual with a bit more twang. Pretty cool, nonetheless.

DEAD RAVEN CHOIR A Tree Inside The Wolves (Jewelled Antler) cd-r 9.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Weird-folk musician Smolken is from Poland, lives in Texas (to be closer to Jandek?), and records prolifically under the name Dead Raven Choir. Following up January's "Armoured Wolves", this is his second release on San Francisco's Jewelled Antler cd-r label, who must really love DRC since they usually only draw from their own Collective ranks for releases. According to Jewelled Antler's Glenn Donaldson, this was originally supposed to have been a collaborative project between DRC and Furisubi's Kris Lapke. But before Smolken got his tracks to Kris (or while he was waiting for Kris to complete them, perhaps?) he happened to send 'em to Glenn, who immediately persuaded Smolken to release them on Jewelled Antler just as they were, without any additions. The resultant spaciousness of the songs (a direction DRC was heading in anyway) really works well, and in the liner notes these silences are dedicated to Kris Lapke, so Glenn's story holds up. Harsh acoustic guitar strum, tangled melodic picking, droning strings, tape hiss, sudden voids of sound, and Smolken's dark, dramatic, accented vocals (lyrics this time all taken from Rainer Maria Rilke) -- it all makes for a stark and beautiful listen, the sparseness making every sound all the more portentious. It's (old-)country avant garde poetic stuff with a spooky black metal spirit, perfect for the campfires of your imagination. Smoken's voice is sometimes multitracked, spoken, whispering, and not quite as "difficult" as on some past releases, but every bit as eerie. Very nice.
MPEG Stream: "Comforting Of Elijah"
MPEG Stream: "Lunatics In The Garden ~ Dijon"

DEAD RAVEN CHOIR Lesbian Corpse Wolves (Brazos Valley Meat Authority) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Yet another Dead Raven Choir cd-r! And again incredibly limited. We actually got the last 8 copies and after they're gone, they're gone for good. This time around, Smolken, who is Dead Raven Choir, tackles the writings of Rainer Maria Rilke, composing a suitably somber folkscape around his weighty words. Jandek-ian guitar clatter, Appalachian folk, tenuous piano, dramatic almost operatic vocals, and creepy dark ambience all coalesce into nightmarish outsider-folk grimness. Two guest vocalists, one male and one female, handle most of the singing, while Smolken takes care of the rest (the rest being string bass, tenor banjo, guitar, piano and some singing). Dark and pretty, sad and somber, and really nice. Each cover is unique, with the top layer carefully singed to reveal the layer beneath, and each cd comes with a different beer label under the tray, which the liner notes explain quite simply: All beer consumption by Smolken!
MPEG Stream: "Funeral Monument of a Young Girl"
MPEG Stream: "Eranna To Sappho"

DEAD RAVEN CHOIR Their Feet Are the Foraging Ground For Wolves (Jewelled Antler) 3" cd-r 5.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The missing number 5 in the Jewelled Antler Library series of 3" cds turns out to be by Dead Raven Choir, the Texas-by-way-of-Poland based folk/improv one man project that the Jewelled Antler powers-that-be seem to be totally in love with of late -- this is their 3rd DRC release this year! As with his previous Jewelled Antler cd-rs, DRC here conjures up some eccentric vocal theatrics and sparse, haunted acoustic guitar playing, like some sort of Eastern European Jandek. And his black metal obsession with wolves continues in the title here as well. Scarily beautiful, with atmospheric piano and unknown other sounds providing a hissing soundscape for his vocal, all three tracks here featuring macabre poetry by Paul Verlaine.
MPEG Stream: "Night Scene"
MPEG Stream: "The Horn's Sound In The Wood"

DEAD RAVEN CHOIR Wine, Women And Wolves (Last Visible Dog) cd 12.98
Back in stock, and one of DRC's best:
Another transmission from the Dead Raven Choir, the work of a Polish ex-patriate Texan who calls himself Smolken. Followers will understand when we say that this falls into the sparse, dramatic folk half of his ouvre, rather than on the black metal noise folk side of things. Whispered, accented vox deliver the poetry of Rainer Maria Rilke, Hilaire Beloc, Charles Baudelaire, A.A. Milne and others over doleful strings and abstractly strummed guitar. Smolken seems to be a creepy, well-read Eastern-European version of Jandek, and he's a master of atmosphere, going totally over the top with minimal means. Every note played, and every hiss between notes, turns the blood colder. If an album could sound cursed, this is it.
Fans will of course pick this up, but if you haven't yet delved into Smolken's haunted sound-world, perhaps this is the one to try. For one thing, it's the man's first 'proper' cd after many cd-rs and tapes. And one of his best album titles too! The clincher, perhaps, is that aside from Smolken himself, the only other musician to appear on this recording is our friend, Jewelled Antler stalwart Glenn Donaldson (Thuja, Blithe Sons, Birdtree, Skygreen Leopards, etc.). Ever since, he's had a hollow look in his eyes and his beard seems paler and wispier... Or so we imagine.
MPEG Stream: "The Kings Of The World Are Growing Old"
MPEG Stream: "The Owls"

DEAD SCIENCE Bird Bones In The Bughouse (Absolutely Kosher) cd ep 8.98
Dead Science follow up their fine debut album Submariner with this considerably less drugged-out five song ep. Still very somber and edgily dramatic with a bit of a gypsy carnivalesque feel. They end the cd with a haunting cover of Terence Trent D'Arby's "Sign Your Name".
MPEG Stream: "Ossuary"
MPEG Stream: "Sign Your Name"

DEAD SCIENCE Frost Giant (Absolutely Kosher) cd 12.98
Eeep! Someone get Dead Science's lead vocalist Sam Mickens a cold flannel to cool his fevered brow. Breathless torment and angst spill forth from his lips as his strange nightmares carry over into his waking state. The fourth song is even titled "Sam Mickens' Dream"! If you like an ample dose o' drama in your musical selections, this new album from Dead Science might be your perfect cup o' downers. Much less psychedelic and post-rock leaning than Submariner, the Seattle, WA trio's last full length. Fans of Frog Eyes and Xiu Xiu should definitely check out Dead Science!
MPEG Stream: "Last Return"
MPEG Stream: "Lead To Gold In The Hour Of Chaos"

DEAD SCIENCE Submariner (Absolutely Kosher) cd 13.98
Dead Science craft subdued, trippy rock with the incense plumage of Zeppelin, some jazzy post-rock, and an ample dose of Radiohead. Each song smolders slowly with the slinking guitar and stand-up bass weaving themselves languidly around the lilting, murmurred male vocals. Customers have likened the voices to a drowsy/druggy hybrid between Robert Plant, Joe Pernice and Thom Yorke, leaning heavier on the latter as the album progresses. It's not until the second to last song "Tension At Pitch" that the band's glowing embers totally catch ablaze. Would probably fit quite nicely alongside Pleasure Forever and Black Heart Procession for a late evening's entertainment - very heavy on mood and high on drama.
MPEG Stream: "Unseeing Eye"
MPEG Stream: "Tension At Pitch"

DEAD SCIENCE Villainaire (Constellation) cd 15.98
If you have a penchant for arty pop that's filled with theatrical flourishes and hand-wringing croon-swoon emoting a la Antony & The Johnsons, Scott Walker, Xiu Xiu and Frog Eyes, then you should definitely chance a visit from Dead Science's latest affair Villainaire. Mind you, it is considerably more aggressive than any of those artists' music. It's a stormy shroud of a listen not for the faint of heart. Unquestionably it's the band's most composed and fully realized album to date. Menacingly jagged post-punk and forebodingly atmospheric post-rock thunderheads run headlong into a delirious whirlwind of orchestral string arrangements and free-jazz-ish skronk. Yes, you might think it to be a seemingly incongruous meeting of styles, but Dead Science's pervading shadowy dramatics brings them all together. With special guests Craig Wredren of Shudder To Think and Katrina Ford of Celebration.
MPEG Stream: "Throne Of Blood (The Jump Off)"
MPEG Stream: "Make Mine Marvel"

DEAD VOICES ON AIR Frankie Pett Presents The Happy Submarines, Playing The Music Of Dead Voices On Air (Invisible) cd 14.98
Mark Spybey (Zoviet France, Download, and innumerable collaborative projects) and friends -- among them some members of Legendary Pink Dots -- meld together their individual sonic imaginations, seemingly shatter the outcome, and piece it all back together again to bring you this long-titled, meticulously beautiful work. Constructed from recordings made in Canada, Cuba, and Germany (the latter by krautrocker Michael Rother of Neu!, Harmonia and Cluster). It was produced and engineered by Spybey along with the multi-talented Frank Vershuuren (LPD engineer) and Darryl Neudorf (who's worked with such divergent artists as Neko Case, Twilight Circus' Ryan Moore and the New Pornographers). At times, swirling and crystalline. At others, sputtering, heavy, and percussive.
RealAudio clip: "mknt37"
RealAudio clip: "Zeehond"

DEAD WEATHER, THE Horehound (Third Man / Warner) cd 16.98

DEADBOY & THE ELEPHANTMEN We Are Night Sky (Fat Possum) cd 13.98
There's quite a bit of tortured artist in the career of Deadboy's Dax Riggs. Even back in the nineties, fronting grind-glam-sludge lords Acid Bath, Riggs singlehandedly supplied the glam, a crooning superstar trudging through swamps of Eyehategod sludge and NOLA stoner doom groove. The combination was electric, ask anyone here how much we absolutely loved Acid Bath and their dark psychedelic tales of butterflies and codeine, death and broken hearts, told in haunting vignettes equal parts druggy acoustic dirge and crushing downtuned groove. It was only a matter of timee though before Riggs outgrew the confines of a metal band and thus was born the Agents Of Oblivion, a slow burning smoldering hard rock band, delivering intensely emotional ballads wrapped in thick guitars, incredible hooks, a sweetly psychedelic haze and Riggs' even more prominent velveety croon. Totally channelling the spirt of Bowie and Bolan, Riggs was a serpentine superstar, howling and cooing, above a thick rich web of warm groovy sound. But still, Dax Riggs Superstar remained an acquired taste, a completely underground phenomenon. The Agents splintered and Deadboy and The Elephantmen were born, the sound was nearly the same, some of the members too, as they self released another amazing record that sort of just disappeared. But now it's 2006 and Deadboy is reborn, as a two piece, the Elephantmen replaced by Riggs's girlfriend Tessie Brunet, and on Fat Possum of all labels, which makes absolutely no sense until you hear We Are Night Sky. The record starts off with a wild rock stomp, equal parts the White Stripes and labelmates the Black Keys, with Riggs' voice swooping all over the place over an impossibly hooky riff, and lots of strange start stop dynamics. At first we were a little bit bummed, this was NOT at all what we wanted from Riggs at all, but the more we listened, the more we got sucked in and now that track is an everyday play. The record definitely veers back into classic Riggs / Agents territory after that with delicate acoustic guitars, hushed vocals, Brunet's sweet harmonies in the background, each track a psychedelic swirl, all drifty and druggy and folky and oh so lovely. But before you know if, a fuzzed out riff kicks in and we're back to serious blown out bloooz rock territory, huge swaths of swaggering Stripes / Keys / Crows rock and rhythm and bluees, always with that distinct NOLA stoner groove, no matter how subtle, we can tell it's there, muted murky riffs explode above Tessie Brunet's simple solid drumming as her sweet understated background vocals balance Riggs all out histrionics. The whole record continues to sway back and forth dizzily, between Riggs' two distinct musical personalities, his big, foot stomping guitar flailing rock Hyde, and his druggy gentle folky strum Jeckyl, both equally appealing. Still dark and druggy and warped for sure, but just accessible enough to give all those hippy rockers into the Black Crowes and the Black Keys and all day festivals something a little bit weirder and a little bit harder to stick in their ears!
MPEG Stream: "Stop, I'm Already Dead"
MPEG Stream: "No Rainbow"
MPEG Stream: "How Long The Night Was"

DEADGUY Screaming With The Deadguy Quintet (Victory) cd 14.98
Truly heavy hardcore/metal. Andee, for one, believes that this band rules and/or kicks ass.

DEADGUY Screaming With The Deadguy Quintet (Victory) 10" 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Truly heavy hardcore/metal. Andee, for one, believes that this band rules and/or kicks ass.

DEADLY SNAKES, THE Porcella (In The Red) cd 13.98
The Deadly Snakes' Porcella rides the line between authenticity and irony like a mechanical bull. It's like the cover art...you've got some Van Gogh-like paint dabs in a lovely shade of sunrise pink, but flip to the back cover and hello, what's this? A severed pigs head! Scary! The pig/meat theme continues (hence, "Porcella") on the inside artwork as well.
Our first impression of this album was that these guys sound like they are playing their first gig in the coolest college bar in a 5-people-short-of-an-official-city town and ROCKIN' the place. We were all set to paint this band as as a slightly tipsy southern bar rock outfit (though they're from Toronto originally), but then on tracks four and five this late '60s jangle and pipes and a triumphant horn sneak in and things go sort-of Elephant 6-ish. The variety comes from the switch back and forth between a couple of different songwriters and vocalists, primarily Andre Ethier and Age of Danger (that's his name). The mix of
rambunctious, bluesy, modern cowboy boot rock and best-on-a-record-player pop is a little weird to get adjusted to, but these guys do bring something nice (meat, apparently) to the indie rock table.
MPEG Stream: "High Prices Going Down"

DEADSY Commencement (DreamWorks) cd 10.98
I think this one is going to have to be filed under 'guilty pleasure'. And if you're like me, that file just keeps getting bigger and bigger and bigger. First off, there's a few things were going to have to try and overlook. First the atrocious cover painting. Just lame. Bad paint by numbers or something. Ok, two, Deadsy is fronted by Elijah Blue, who you may know as CHER'S SON. Eeeek. And of course there's the blatantly top 40 gothy-retro-electro rock sound that can't help but remind us of Marilyn Manson and Orgy. That said, this record is still a retro rocking good time. Huge thick slabs of synths and moogs, with soaring keyboard melodies and rumbling distorted synthbass, vocoders and overly dramatic vocals and some pretty wicked songs. Their cover of Rush's 'Tom Sawyer' is funny for a minute but their cover of Sebadoh's 'Brand New Love' (the best song Sebadoh ever wrote) is practically perfect. I so want it to be a huge MTV hit, for Deadsy yeah, but especially for Sebadoh! They also do a pretty cool Gary Numan cover. I imagine you'll probably be seeing these gothy glam retro electro-rockers all over MTV soon so now's your last chance to enjoy this guilty pleasure before it's a REALLY, REALLY GUILTY pleasure!
RealAudio clip: "Brand New Love"
RealAudio clip: "The Key To Gramercy Park"
RealAudio clip: "Winners"
RealAudio clip: "Tom Sawyer"

DEADSY Phantasmagore (Immortal) cd 14.98

MPEG Stream: "Razor Love"
MPEG Stream: "Carrying Over"

DEADWOOD 8 19 (Cold Spring) cd 15.98
Back in stock!
Deadwood the group, existed long before the HBO series of the same name, but it some ways, they have a lot in common, mostly in the bleak, hopeless, windblown vibe that permeates them both. Featuring a member of Swedish black metal horde and long time AQ faves Blodulv, Deadwood offer up extended tracks of ultra creepy low end explorations, that run the gamut from abrasive power electronics, to slithering drone drenched black ambience. Fans of stuff like MZ412 and other purveyors of bleak abstract sounds will definitely dig this.
From thick squalls of white noise hiss, like rain on a metal barn roof, to super blown out Merzbowian hiss, almost black metal in its buzz and intensity, to crumbling landscapes of tape hiss and low end rumble, slowed down vocals, and mumbled scrape and shimmer, to strange murky tribalism, to skipping soundscapes of demonic vocals and ultra distorted slowed down beats, to decayed orchestral snippets chopped and looped into impossibly mesmerizing rhythms, a dark and damaged world of sound, though while at its heaviest could be the harshest, hissiest BM you've ever heard, spends most of its time crawling and lurching through slow motion fields of rumbling sound. Awesome.
MPEG Stream: "Antabus"
MPEG Stream: "Crushing On"

DEALERSHIP Action/Adventure (Turn) cd 11.98
Finally a breezy new album from these Bay Area noisepoppers! This is the follow-up to their TV Highway To The Stars album from a couple of years back, and happily they pick right up where they left off. That means more super catchy indie pop tunes. Hurrah! The album does have a couple of oddly uncharacteristic spots though... In the third song "World" it sounds like whomever is playing the piano is really drunk or somehow otherwise wonky. He/she seems to be rushing things and keeps hitting a sour note. Very strange. Oh, but that's just a minor blemish in the Action/Adventure flurry of Dealership goodness. On the third to last song in their string of fourteen pop treats, Dealership magically transform themselves into something resembling Magnetic Fields, complete with deep droll male vocals (sorta Stephin Merritt meets Phil Oakey of Human League) and suitably dour song title. Then they instantly revert back to what they do best, fuzzy power pop songs that never go outta style. Ah yes, those great male/female vocal harmonies and crunchy guitars that we know and love. Includes a soft'n'snuggly version of Sex Pistols' "Anarchy In The U.K." complete with sing song ba-ba-da's!
MPEG Stream: "Two Turns"
MPEG Stream: "I Don't Want Your Love"

DEALERSHIP TV Highway To The Stars (Keiki) cd 11.98
Comparisons to the wonderful, bright harmonies of the Posies, as well as Sloan and Velocity Girl immediately jump to mind. Bursts of fuzz-laden guitars. Perky boy/girl vocals that bounce along from English to Japanese to French and back again. If you're familiar with the annual San Francisco Noise-Pop music fest then you're probably already well aware of Dealership. They absolutely epitomize the warm'n'fuzzy sound and spirit of Noise-Pop! 14 super driving and catchy pop tunes.
RealAudio clip: "Tetsuo"

DEAN & BRITTA Back Numbers (Zoe) cd 16.98
On their lovely 2005 'debut' L'Avventura, Britta Phillips & Dean Wareham went by their full names, now that they're all 'established' (as if you weren't already, former Lord and Lady of Luna-ville!), they're on first name basis. Heck, it's the most natural thing to do because Back Numbers is so warm, welcoming and familiar. It's like meeting up again with an old friend. There's no awkward pauses in making this acquaintance, just pick right up where you last left off. An enveloping album of dulcet, downy pop as only Mr. Wareham can do, and we love it! The duo are joined once more by Sonic Boom for a little keyboard and guitar flourish, and producer Tony Visconti. Amid their original numbers they've included a smashing cover of Lee Hazlewood's "You Turned My Head Around" as well as Claudine Longet's "White Horses", Donovan's Teen Angel" and The Troggs' fantastic "Our Love Will Still Be There". Glorious.
MPEG Stream: "The Sun Is Still Sunny"
MPEG Stream: "You Turned My Head Around"

DEAR NORA We'll Have a Time (Magic Marker) cd 14.98
Portland, Oregon trio Dear Nora make very very pretty, but not sugary pop. Slightly wistful, bittersweet teen girl tunes with harmonies a-plenty like those of Heavenly or Rose Melberg. Recorded by the awesome Amy Linton of The Aislers Set in her basement (she also contributes some additional instrumentation)! One dozen dreamy heartbreakers.
RealAudio clip: "'Round And 'Round"
RealAudio clip: "Springtime Fall"

DEAR NORA / MATES OF STATE Split (Polyvinyl) 7" 3.98
Dear Nora is the moniker under which Ms Katy Davison performs her sweet lullaby tunes, and she's got the absolute perfect voice for it. Here it's just her and her 8-track in her kitchen doing a cover of Bob Dylan's "Girl From The North Country" (although when it started we could've sworn it was "Scarborough Fair"). On the flipside of this baby blue record are pop sweetheart twosome Mates Of State doing their version of Jackson Browne's "These Days". With Jason handling the lead vocals, it's given an almost John Denver-y feel. So there you have it - a lil' SF split 7" to give you the warmest of fuzzies.

DEARS, THE Gang Of Losers (Arts & Crafts) cd 16.98
It's been a while since we heard from these Montreal musicmakers. From the sounds of this new album, it sure seems like they've been polishing their chops, and sharpening their songwriting quills in the interim. This elegant Canadian band has actually been together for over a decade, but while other similarly art-pop minded Canadian indie groups (Broken Social Scene, Hidden Cameras, Arcade Fire to name just three) have been flooding the playing field both at home and abroad, Murray Lightburn and co. have taken their own sweet time -- releasing their debut album in 2000 and what is their third full length proper now six years later. The (typically Canadian self-deprecatingly titled) Gang Of Losers is considerably more accessible and straightforward than The Dears we remember. Each song is far less ornate and theatrical than those on either 2004's No Cities Left or 2000's End Of A Hollywood Bedtime Story. Nonetheless, the group's engaging pop dramatics continue to remind us of old Pulp. A good thing! Much like Jarvis Cocker, Lightburn has definitely got some great slightly tweaked yet lavish pop sensibilities of his own. One question tho': For the main melody in the ninth song "Whites Only Party" did the band borrow the "Perfume" descending piano line from the latest Sparks album? It's certainly a catchy lil' line in a catchy lil' tune... er, both of 'em! Heartily recommended for fans of all of the abovementioned artists, really!
Bonus: Included are three U.S. exclusive tracks ("The Highest", a demo version of "Whites Only Party", and an acoustic version of "There Goes My Outfit").
MPEG Stream: "Whites Only Party"
MPEG Stream: "There Goes My Outfit"

DEATH For The Whole World To See (Drag City) cd 14.98
Maybe you've heard the hype on this Detroit punk rock reissue already. And it's almost too good to be believed. Back in 1974, this trio of brothers, who are also all "brothers" in the African-American sense of the word, and who were fans of the likes of Black Sabbath and The Stooges and Alice Cooper and the MC5, started a band called DEATH, recording an album that was never released (apparently they refused to change their name to get a major label deal). Flash forward to the present. One of these dudes plays in a reggae band now, but his son is in a punk rock band. Dad's like, "hey son, did y'know I had a band like that when I was your age." And then pulls these dusty, 30-some year old master tapes out of the closet. Holy shit, dad!! The long lost Death album. And it IS killer. Not just proto-punk, but practically proto-hardcore. Hear for yourself. The suggestion that HR and the Bad Brains - or Black Flag for that matter - heard this stuff back in the day and were inspired by it (Death did release a 7" single in 1976) doesn't seem entirely implausible. Not sure how Death stayed unknown for so long. Apparently the brothers, finding that Death's brand of uncompromising, politically radical, high energy rock action wasn't getting them anywhere, moved in a more gospel (!) direction... so that was it for Death. Until now, with Drag City's at-long-last release of Death's 1975 album (well, mini-album, it's seven songs, just over 26 minutes).
Opener "Keep On Knocking" is a decent enough rocker, hinting at the MC5, the Rolling Stones and maybe early badass KISS but it's tame compared to the hyperactive glam slam of what follows - when track two "Rock-N-Roll Victim" comes on and kicks you in the nuts, repeatedly, you'll really realize how freaking punk Death were. Frantic guitars locked in with frenzied drumming, crazed vocals, handclaps (yeah!)... it's pretty darn smokin'. Smoking somethin' all right. They mellow things about a bit for "Let The World Turn", though just a bit. "You're A Prisoner" is another heavy rocker, and "Freakin Out" doesn't let up, its title no lie.
"Where Do We Go From Here???" and "Politicians In My Eyes" are the two remaining tracks on this disc, and the latter in particular is a fierce blend of soulful vocal expression and raging, distorted rockin' with a little bit of a funky vibe. Wow. Definitely in the vein of something like Crushed Butler, but from Detroit a few years later... or in the vein of the Damned, but from Detroit a few years earlier! So, yeah, believe the hype. And by the way, this destroys all that Black Rock Coalition stuff from the early '90s...
Drag City must have been *stoked* to get to put this out. We're sorta surprised there's no liner notes, though they do include handwritten lyrics. Also, fyi, this is available on vinyl but we could barely get any, maybe we'll get some more eventually since the couple copies we have at the moment will be gone in a wink...
MPEG Stream: "Rock-N-Roll Victim"
MPEG Stream: "You're A Prisoner"
MPEG Stream: "Politicians In My Eyes"

DEATH For The Whole World To See (Drag City) lp 16.98
FINALLY FINALLY FINALLY. This amazing record is available on vinyl, and today we have a handful in stock for long enough to list...
Maybe you've heard the hype on this Detroit punk rock reissue already. And it's almost too good to be believed. Back in 1974, this trio of brothers, who are also all "brothers" in the African-American sense of the word, and who were fans of the likes of Black Sabbath and The Stooges and Alice Cooper and the MC5, started a band called DEATH, recording an album that was never released (apparently they refused to change their name to get a major label deal). Flash forward to the present. One of these dudes plays in a reggae band now, but his son is in a punk rock band. Dad's like, "hey son, did y'know I had a band like that when I was your age." And then pulls these dusty, 30-some year old master tapes out of the closet. Holy shit, dad!! The long lost Death album. And it IS killer. Not just proto-punk, but practically proto-hardcore. Hear for yourself. The suggestion that HR and the Bad Brains - or Black Flag for that matter - heard this stuff back in the day and were inspired by it (Death did release a 7" single in 1976) doesn't seem entirely implausible. Not sure how Death stayed unknown for so long. Apparently the brothers, finding that Death's brand of uncompromising, politically radical, high energy rock action wasn't getting them anywhere, moved in a more gospel (!) direction... so that was it for Death. Until now, with Drag City's at-long-last release of Death's 1975 album (well, mini-album, it's seven songs, just over 26 minutes).
Opener "Keep On Knocking" is a decent enough rocker, hinting at the MC5, the Rolling Stones and maybe early badass KISS but it's tame compared to the hyperactive glam slam of what follows - when track two "Rock-N-Roll Victim" comes on and kicks you in the nuts, repeatedly, you'll really realize how freaking punk Death were. Frantic guitars locked in with frenzied drumming, crazed vocals, handclaps (yeah!)... it's pretty darn smokin'. Smoking somethin' all right. They mellow things about a bit for "Let The World Turn", though just a bit. "You're A Prisoner" is another heavy rocker, and "Freakin Out" doesn't let up, its title no lie.
"Where Do We Go From Here???" and "Politicians In My Eyes" are the two remaining tracks on this disc, and the latter in particular is a fierce blend of soulful vocal expression and raging, distorted rockin' with a little bit of a funky vibe. Wow. Definitely in the vein of something like Crushed Butler, but from Detroit a few years later... or in the vein of the Damned, but from Detroit a few years earlier! So, yeah, believe the hype. And by the way, this destroys all that Black Rock Coalition stuff from the early '90s...
Drag City must have been *stoked* to get to put this out. We're sorta surprised there's no liner notes, though they do include handwritten lyrics.
MPEG Stream: "Rock-N-Roll Victim"
MPEG Stream: "You're A Prisoner"
MPEG Stream: "Politicians In My Eyes"

DEATH BY CHOCOLATE Zap The World (Jetset) cd 14.98
The second album from the slyly witty and all too charming British lass Angie Tillett. Following up on her self titled debut on Mike Alway's If... label, as well as the wonderous Lollipop Train recording for the Mike Alway via Siesta imprint Reverie, Tillett treats us to more originals than covers this time 'round. The title track is actually a cover, and was also featured on the If... compilation "Songs For The Jet Set 2" a few years back. If you're unfamiliar with this clever girl's work, she has a fascination with children's stories and '60s psychedelia -- an odd combination, but really very similar considering both deal with loads of abstract imagination and bewilderment. In Tillet's world, with a dash of innocence, anything is possible. Ultra-retro British pop with charming voice-overs between songs make this seem like listening to a Brit teen variety tv show. Somewhat repetitive at times, though entertaining and fun.

DEATH CAB FOR CUTIE Drive Well, Sleep Carefully (Plexifilm) dvd 24.00

DEATH CAB FOR CUTIE Forbidden Love EP (Barsuk) cdep 9.98
For this ep the intricate downer-pop of AQ sales sensations Death Cab For Cutie takes on a preciousness more like the bittersweet songsmithery of Yo La Tengo on "Painful" than the indie-rock dynamism of Built To Spill, which characterized Death Cab's two previous records. Two tracks from "We Have The Facts and We're Voting Yes" appear in alternate forms, and the band also presents three new tracks.

DEATH CAB FOR CUTIE Narrow Stairs (Atlantic) cd 16.98
We can't think of a band who we've put on more mix tapes or listened to on more roadtrips than Death Cab For Cutie. When we need a break from obscure music obsession, it's really nice to have bands you can turn to when you just want songs that speak to your heart and those ever so simple yet universal emotions that all of us are filled with. Narrow Stairs finds DCFC in fine form. Sounding as crisp and charged as ever, the band has made the transition into their new major-label life quite effortlessly. We're pretty confident that this is the same kind of record they would have made at this point in their career even if they were still on Barsuk. "I Will Possess Your Heart" has become our new favorite DCFC song of the moment, we love how no vocals enter the song until about 5 minutes in, reeling you into their driving grasp and then of course Ben Gibbard's irresistible sincere and sensitive voice comes in to score the winning touchdown. Yikes, we just used a sports metaphor, but it's sort of fitting as there is something so wholesome and everyday about Death Cab's music. They have sort of become the Hall & Oates for folks with an indie sensibility. And it's kind of perfect that their new record comes out as we approach summer as their songs suit the season so well. The soundtrack to a summer fling, the aftertaste as that fling comes to an end, warm nights, the yearning, barbeques with friends you haven't seen in ages. Their topics and methods aren't weird or controversial at all, but their solid and honest delivery always hits the spot so dead on with hearts on sleeves and conviction intact.
MPEG Stream: "I Will Possess Your Heart"
MPEG Stream: "Your New Twin Sized Bed"
MPEG Stream: "No Sunlight"

DEATH CAB FOR CUTIE Plans (Atlantic) cd 17.98
Okay folks! Here it is, beloved indie pop band Death Cab For Cutie's major label debut! While we've already heard grumbles from a number of their ol' devoted fans about it, we implore you to give 'er a chance why don't ya? C'mon, the fact of the matter is that if you didn't know about their change of record label home, you probably wouldn't have your crosshairs zeroing in on this new album. It'd probably be welcomed with open arms and loving ears, just as every other Death Cab release before it has been. Having listened to it a few times already, we can say that, yes, it is a bit slicker than their past recordings, but heck, they've been heading in a more polished, restrained direction for some time now, haven't they? We're sure Atlantic has definitely afforded them more deluxe recording production accommodations and amenities, but the band has by no means abused nor flaunted them on Plans. Darker hues, more bittersweet than sweet. With Plans, Ben Gibbard and Co.'s charming heart-melting tendencies will surely be welcomed by an even broader audience, but will also continue to enchant their long-time devotees.
MPEG Stream: "I Will Follow You Into The Dark"
MPEG Stream: "What Sarah Said "

DEATH CAB FOR CUTIE Plans (Atlantic) 2lp 22.00
Okay all of you vinyl lovin' Death Cab For Cutie fans! Here it is, your beloved indie pop band's major label debut released as a double LP with an added bonus song that's NOT on the cd version!
While we've already heard grumbles from a number of their ol' devoted fans about their switch to Atlantic from Barsuk, we implore you to give 'er a chance why don't ya? C'mon, the fact of the matter is that if you didn't know about their change of record label home, you probably wouldn't have your crosshairs zeroing in on this new album. It'd probably be welcomed with open arms and loving ears, just as every other Death Cab release before it has been. Having listened to it a few times already, we can say that, yes, it is a bit slicker than their past recordings, but heck, they've been heading in a more polished, restrained direction for some time now, haven't they? We're sure Atlantic has definitely afforded them more deluxe recording production accommodations and amenities, but the band has by no means abused nor flaunted them on Plans. Darker hues, more bittersweet than sweet. With Plans, Ben Gibbard and Co.'s charming heart-melting tendencies will surely be welcomed by an even broader audience, but will also continue to enchant their long-time devotees.
MPEG Stream: "I Will Follow You Into The Dark"
MPEG Stream: "What Sarah Said "

DEATH CAB FOR CUTIE Something About Airplanes (Elsinor/Barsuk) cd 12.98
At the risk of slipping into hyperbole, which we try avoid at all costs (snicker...), this is hands down, one of the best (and possibly most overlooked - we almost missed it ourselves, gasp!) indie rock records ever. Landing somewhere between 'There's Nothing Wrong With Love' and 'Perfect From Now On', Death Cab craft a Built-to-Spill-ian universe, full of lazy sad pop, intricate compositions, jangly melodies, shifting structures, odd time signatures, and haunting cellos (and none of that solar malevolence that Doug Martsch and our very own Jim are so fond of.)
This record has been an unbelievable hit in the store. I don't think it's ever been played without at least one person buying it, sometimes 2 or 3!
RealAudio clip: "Bend to Squares"

DEATH CAB FOR CUTIE Something About Airplanes (Sonic Boom) lp 12.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
AVAILABLE AGAIN ON VINYL FOR A LIMITED TIME.
An all time AQ perfect pop favorite! Here's our brief yet concise review from way back in the 20th century before these guys had gotten HUGE:
At the risk of slipping into hyperbole, which we try avoid at all costs (snicker...), this is hands down, one of the best (and possibly most overlooked - we almost missed it ourselves, gasp!) indie rock records ever. Landing somewhere between 'There's Nothing Wrong With Love' and 'Perfect From Now On', Death Cab craft a Built-to-Spill-ian universe, full of lazy sad pop, intricate compositions, jangly melodies, shifting structures, odd time signatures, and haunting cellos. This record has been an unbelievable hit in the store. It's pretty much never ever been played without at least one person buying it, sometimes 2 or 3!

DEATH CAB FOR CUTIE The John Byrd E.P. (Barsuk) cd ep 7.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
So this it it we guess. Death Cab For Cutie's indie farewell. This here ep is their final release as a non-major label entity. Hard to believe how huge they've gotten, but it's not like they don't deserve it. Death Cab are easily one of the best indie pop bands around. This seven track ep is super dooper limited (in fact it's out of print already) and the label only made a bunch for their favorite stores, so we have 30 copies and that is it! The next Death Cab record you buy will be on Sony or something, and will probably be $17.98 and have a video in heavy rotation on MTV. So for now, just dig DCFC's spunky hooky emo pop, all a little rocked up since these tracks were all recorded live. Includes a cool tripped out, barely recognizable, almost Postal Service-y cover of Sebadoh's "Brand New Love". Cool cool cool!
MPEG Stream: "Brand New Love (Live)"
MPEG Stream: "Photobooth (Live)"

DEATH CAB FOR CUTIE The Photo Album (Barsuk) cd 14.98
It's with a heavy heart that I bring you this report of the new Death Cab For Cutie record. I've listened to it several times now in the hopes that, like the last two albums, it would grow on me. Sadly, rather than grow, it has shrunk upon me like a pair of high water pants so that now my crotch... well, you get the idea. No, it's just that with the exception of a few songs it's really quite un-inspired, devoid of hooks and generally a big disappointment from the great northern hope. But I'm going to leave it at that and give you some samples to listen to so that you can judge for yourself, because Death Cab is still very near and dear to our hearts here at Aquarius.
RealAudio clip: "We Laugh Indoors"
RealAudio clip: "Blacking Out the Friction"
RealAudio clip: "Styrofoam Plates"

DEATH CAB FOR CUTIE The Photo Album (Barsuk) lp 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
It's with a heavy heart that I bring you this report of the new Death Cab For Cutie record. I've listened to it several times now in the hopes that, like the last two albums, it would grow on me. Sadly, rather than grow, it has shrunk upon me like a pair of high water pants so that now my crotch... well, you get the idea. No, it's just that with the exception of a few songs it's really quite un-inspired, devoid of hooks and generally a big disappointment from the great northern hope. But I'm going to leave it at that and give you some samples to listen to so that you can judge for yourself, because Death Cab is still very near and dear to our hearts here at Aquarius.
RealAudio clip: "We Laugh Indoors"
RealAudio clip: "Blacking Out the Friction"
RealAudio clip: "Styrofoam Plates"

DEATH CAB FOR CUTIE The Stability EP (Barsuk) cd ep 8.98
At the beginning of their still short career, Death Cab For Cutie earned more than a few very favorable comparisons to Built To Spill, in crafting an effortlessly complex sound of major-chord pop hooks wrapped around indie-rock dynamisms. Yet, Death Cab has clearly felt uncomfortable with the role of heir apparent to the Built To Spill throne; thus, the band has been distancing themselves from what made their first two records so awesome. "The Stability EP" is indicative of where Death Cab wants to take their sound, having reinvented themselves within the preciousness and slower tempos of Low and Yo La Tengo's "Painful." It's certainly a pleasant sound, but one that is a little disappointing considering their earlier achievements. Originally, this EP had accompanied the limited edition version of "Photo Album;" but now, gets a proper release complete with the cover of Bjork's "All Is Full Of Love."
RealAudio clip: "20th Century Towers"
RealAudio clip: "All Is Full Of Love"

DEATH CAB FOR CUTIE Transatlanticism (Barsuk) cd 14.98
We knew they still had it in them, and Transatlanticism prooves it. After a two year recording hiatus (not including the b-sides / demos release You Can Play These Songs With Chords) while singer Benjamin Gibbard stretched his wings with Dntel's Jimmy Tamborello in their Postal Service project, Death Cab For Cutie returns with a full length that not only does not disappoint, but possibly even surpasses their excellent sophmore effort We Have the Facts... album of three years ago. While they will probably always be compared to Built To Spill (circa Perfect From Now On or even Keep It Like A Secret) Gibbard et al. have undoubtably come into their own. Along with all the great hooks and beautiful melodies we've come to expect from Death Cab, the group has gotten progressively more crafty with their sound, utilizing electronic elements (never overshadowing the songs themselves) and, though it may not seem like much, piano. The latter is really something that suits their sound well. DCFC always have had this nack for pensive and heart rending melodies and there's really nothing better to sink them into your skin than some rich, full chords on a piano. Though it's used sparingly here, they could risk bringing it out more on further recordings, IMHO. The album's title track is a perfect example. The song's epic 8 minute length, beginning with a slow repeated chord progression on the ivories, builds steadily, sucking you into its world and leaving you feeling lonely in its absense when the final chords drift off into oblivion. So so nice.
MPEG Stream: "The Sound of Settling"
MPEG Stream: "Tiny Vessels"

DEATH CAB FOR CUTIE Transatlanticism (Sonic Boom) 2lp 23.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Now available as a fancy double lp on 180 gram vinyl. VERY LIMITED.
We knew they still had it in them, and Transatlanticism prooves it. After a two year recording hiatus (not including the b-sides / demos release You Can Play These Songs With Chords) while singer Benjamin Gibbard stretched his wings with Dntel's Jimmy Tamborello in their Postal Service project, Death Cab For Cutie returns with a full length that not only does not disappoint, but possibly even surpasses their excellent sophmore effort We Have the Facts... album of three years ago. While they will probably always be compared to Built To Spill (circa Perfect From Now On or even Keep It Like A Secret) Gibbard et al. have undoubtably come into their own. Along with all the great hooks and beautiful melodies we've come to expect from Death Cab, the group has gotten progressively more crafty with their sound, utilizing electronic elements (never overshadowing the songs themselves) and, though it may not seem like much, piano. The latter is really something that suits their sound well. DCFC always have had this nack for pensive and heart rending melodies and there's really nothing better to sink them into your skin than some rich, full chords on a piano. Though it's used sparingly here, they could risk bringing it out more on further recordings, IMHO. The album's title track is a perfect example. The song's epic 8 minute length, beginning with a slow repeated chord progression on the ivories, builds steadily, sucking you into its world and leaving you feeling lonely in its absense when the final chords drift off into oblivion. So so nice.
MPEG Stream: "The Sound of Settling"
MPEG Stream: "Tiny Vessels"

DEATH CAB FOR CUTIE We Have The Facts, And We're Voting Yes (Barsuk) cd 11.98
Death Cab For Cutie's debut album "Something About Airplanes" emerged early last year from the mire of mediocre indie-rock as a breath of fresh air (after Andee found it in the dollar bin at Amoeba). These Northwesterners had crafted a near perfect Built-to-Spill-ian alternate universe where Built To Spill didn't make the major label jump, and continued to labor over their excessive orchestrations of melodic jangle-pop, intricate arrangements, and odd time signatures within the limitations of indie-rock recording budgets. Death Cab's second album "We Have The Facts, And We've Voting Yes" represents a maturation of their band, as they have clearly recognized that while it worked for one album, they can't ape Built To Spill for the rest of their recording career. As a whole, "We Have The Facts" is sounding less like Built To Spill, but it seems as though their venturing tentatively into an unknown space for them. The pace of Death Cab has slowed down to embrace a preciousness of songwriting with much quieter arrangements. All of the songs really do want to explode out of the delicate even sensitive moods into a major-chord pop hook, but the restrains have been set in place. "For What Reason" and "Company Calls" are as close as Death Cab comes to releasing that indie-pop sensibility loose, but it doesn't quite happen. It may be the critical kiss of death to say that this is an album that grows on you, but Death Cab's second release isn't going out of its way to bite you like its predecessor.

DEATH CAB FOR CUTIE You Can Play These Songs With Chords (Barsuk) cd 13.98
If there's one thing you can't criticize Death Cab For Cutie for it's their cover layout and design. Always with the nice die cuts and embossings. Top notch all the way. And this new (old) collection is no exception -- the front cover resembling an oversize slide with a picture of downtown Bellingham, Washington (hometown for Death Cab) taken sometime in the late sixties maybe. Andee pointed out that this concept was originally used by his old band A Minor Forest for their Flemish Altruism LP (not for the CD at the time, as the label had claimed it would be too expensive) and was done at the same place . Fortunately, it's not only the cover in which to be excited about with this release. Though not necessarily "new" tracks, they are -- with the exception of one track that sounds like a bad Soul Coughing demo -- all great and 9 of them have never been released previously (well, 3 of them were on a demo tape.) The first 8 tracks on this disc were originally released as a demo tape in 1997 (under the same name as this collection), 5 of them were re-recorded for their debut album Something About Airplanes. Of the remaining 10 tracks -- recorded between 1995 and 2002) -- only 4 were ever released (on the Forbidden Love ep and a 7") and were likewise alternate versions. The remaining 6 tracks are all previously un-released and includes a cover of Morrissey's "This Charming Man." Heads up to Death Cab fans who may have been disappointed by the Photo Album release, this one may be your antidote!
RealAudio clip: "That's Incentive"
RealAudio clip: "This Charming Man"

DEATH CHEETAH s/t (Celibate Celebrity) 3" cd-r 9.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Death Cheetah is probably a name new to you, it was to us, the man behind Death Cheetah though you might know as the guy who painted that bad ass pile of skulls album cover for the recent AmocomA record on tUMULt, he also contributed to the short lived Matter tape of the month series we reviewed a while back, but this super limited 3" is the first recording from the curiously named one man band, a teaser for an upcoming full length, but it's doubtful that could possibly be as cool as these. LIMITED TO 20 COPIES, of which we got ALL 20, each one hand painted, every single one super striking and unique, just like the music inside.
Three tracks, the first one is some sort of brooding Bohren like crawl, all skittery brushed drums and deep rumbling low end, ominous hushed vocals, little muted flurries of soft focus keyboard, a blissed out nightmarish creep, slithery and shimmery and dark dark dark, almost jazzy, but more in a Necks sort of way, some seriously deeeeep slowcore minimalism, that builds to more of a downtempo plod near the end.
The second track is totally different, stuttery dubbed out drums, dubstep style fuzzed out synth bass rumbles, shouted distorted vocals, a woozy post punk dubby groove, flecked with shards of reverb drenched guitar, streaks of synthesizer, it sounds like some lost eighties DIY deathfunk jam, but a bit more freaked out and abstract. The closing track veers more toward the minimalism of the opener, spare bits of guitar flutter, jazzy skittery drums, flickers of flute, acoustic guitar, tons of space, a slow slow late night drift, abstract and dreamy, smoke-y and gauzy and so so nice.
Hard to get a handle on just what Death Cheetah is all about, three tracks, three different directions, but we like them all, and in some strange way they do all link together, and flow, and when taken with the meticulously hand painted covers, this is a gorgeous piece of outsider soundart, and one that won't be around for long, grab one of these quick or steel yourself for a long wait for the full length...
MPEG Stream: "Cloning Device"
MPEG Stream: "The Book That Bit Me"

DEATH CUBE K Disembodied (Ion) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Second album of "ambient" music from avant speed guitar weirdo Buckethead (rearrange those letters) and constant pal Bill Laswell.

DEATH DOMAIN Ethidium Bromide / Programmed Cell Death (Dark Entries) 7" 6.98
Dark Entries has only a couple of releases under their belt, but the aesthetic of the label is firmly dictated by those releases: darkened post-punk electronics and dour new wave. Obscure reissues seems to be the focus for Dark Entries, but then there is Death Domain, a contemporary one-man band out of Baltimore, who might as well have been releasing work in Belgium circa 1983. The two tracks here fall between two somewhat obscure sounds -- Kas Product (who you might recall doing the title track to the So Young But So Cold compilation of French coldwave from the '80s) and Leather Nun (in particular the Slow Death single recorded for Industrial Records way back when). Death Domain have the aggro rhythms of Kas Product cranked through the most primitive of drum machines, and the life-support system synths that Leather Nun provided for that one single. All together, it's pretty damn good. Yeah, Cold Cave again rears their oh so influential of late head here, but think Cremations, not Love Comes Close.
Limited to 500 copies, with glow-in-the-dark silkscreened covers!
MPEG Stream: "Ethidium Bromide"
MPEG Stream: "Programmed Cell Death"

DEATH FROM ABOVE 1979 Romance Bloody Romance: Remixes & B-Sides (Vice) cd 14.98
Remixes and b-sides!