DENT Stimmung (Magnetic) cd 14.98
Long beloved on cassette here at the store, this has been issued on Jonathan Segel's label. With an idiosyncratic singer and Jonathan's fiddle, this reminds me of a more mature and less self-conscious U.S. Saucer.

DENTISTS, THE Some People Are On The Pitch They Think It's All Over It Is Now (Rev-Ola) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

DENVER GENTLEMEN Introducing (Smooch) cd 10.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

MPEG Stream: "Mid-Day-Merry-Go-Round"
MPEG Stream: "The Blue Parrot"
MPEG Stream: "The Lord, He Speak To Me"

DENVER'S NECK, NATE Live (Rock Is Hell) 3 x 3"cd-r 15.98
Those of you who flipped for Denver's recent insane and insanely packaged No One Is Coming To Help You deluxe screen printed lp (we have a few left!!) will most definitely want to miss out on this ULTRA limited triple 3" cd-r set of live and not live recordings. The first two discs were recorded while Denver and his 'Neck were on tour with the Dirty Three. The third disc is new studio stuff. For those of you unfamiliar with Nate Denver, imagine, every band you liked in high school, every comic book you have ever read, every fantasy movie you've ever seen featuring either dragons or wizards or both, some skateboards, a lot of heavy metal, death metal to be specific, some beautiful folk songs, spikes, elves, banjos, Nintendos and anything else you remember fondly on your convoluted path to where you are NOW, all chopped up and blended into an impossibly catchy, goofy, funny, pretty, heavy, folk metal ultraviolent goofball spazz rock mess. Denver is insanely adept at squashing all manner of unlikely sounds into a single performance, or even a single song, and make it sound perfect. Pretty songs are only pretty on the surface, but are actually subtly violent and evil and hateful and miserable, howling chaotic blasts of pummeling noise are somehow happy and joyful, filled with flowers and clouds and sunshine. Which goes a long way to explainging the charm of Nate Denver's Neck. This world where metal and folk, dragons and elves co-exist peacefully, is fun and funny, ironic but not intentionally, wild and ridiculous, but ultimately, heartfelt and insanely well crafted. Schizophrenic for sure, but in a gloriously satisfyingly demented sort of way!
Packaged in a little paper bag sealed with a giant brad, containing as well three hand screened inserts on thick textured paper. Nice!
MPEG Stream: "Cough"
MPEG Stream: "Execution"
MPEG Stream: "Lunatic Of God's Creation"

DENVER'S NECK, NATE No One Is Coming To Help You (Rock Is Hell) lp 14.98
We are very afraid of what lurks inside the mind of Nate Denver's head. Let alone his neck. Because if the music that comes out of Nate Denver's mouth, and Nate Denver's band is any indication, then that head is stuffed to overflowing with a dizzying swirl of brain melting, ear bleeding, gut busting, genre smashing, musically dense, dreamily bouncy goofball ultraviolence. And we love it! As always, Denver and his Neck veer wildly from howled distorted vocals over shimmering black drones, to fey, jaunty warbly folk, to faux bluegrass, to geeky indie jangle, to full on death metal and back again. Even at its prettiest and most melodic, there's always a chance that everything will erupt into a squall of screeched vocals or howling feedback. And even when things do stay pretty and gentle, the mood is secretly anything but, with sweet lyrics about death and hell and destruction and mayhem and torture and chaos and brutality. Woah.
But holy fuck, the packaging! A one sided LP, silkscreened on the other to match the printed inner sleeve, making the label of the lp the mouth of a nude howling cartoon man. All wrapped in a thick cardboard sleeve, almost like a record mailer, with the liner notes and songtitles printed on the inside in big black scrawls with pink pictographs illustrating the songs, the outside, a garish image of a creepy white eyed naked hairy man, whose teeth and tongue fold into a flap (positioned not coincidentally right over his privates!) to keep the whole thing securely shut. So intense and super cool looking. Everyone who sees it utters something along the lines of "What the hell is that!!??" These were super limited so we were only able to get a dozen, and are not sure we can get more.

DENVER'S NECK, NATE Prepare To Die (Anchor And Hope) cd 10.98
Total Shutdown bass player/vocalist Nate Denver (who also does time as lead vocalist in Dig That Body Up, It's Alive) heads out on his own and heads in a decidedly less skronky (but no less strange) direction. Ostensibly a 'folk' record, there are elements of folk, quietly strummed guitar, hushed vocals, but any semblance to traditional folk ends there. Mix in some quirky keyboards, primitive drum machines, TV samples, vibes, a guest appearance from who I believe to be Rahzel of the Roots making an answering machine message for Nate, weird chipmunk background vocals, a drum machine/electric keyboard cover of Slayer's 'Raining Blood', some strange spoken word, ominous soundscapes, and a final track of ominous circus music set to a litany of folks giving the ol' what's up to Nate Denver: Kerry King from Slayer, Glen Benton From Deicide, Trey Azagthoth from Morbid Angel, Del, Jeru The Damaja, Black Thought, Mos Def, Masta Ace and more. Pretty fucking funny.
Think Robert Johnson, Sebadoh, Ween, Anton Maiden, the Folkways Box, Total Shutdown, Elliott Smith, Blind Lemon Jefferson, Bongwater, They Might Be Giants, Will Oldham and Slayer and you might get an idea of what's going on in Nate Denver's head. Or you might not. Real nice.
RealAudio clip: "Blood Guzzler"
RealAudio clip: "Raining Blood"
RealAudio clip: "God of Worms"
RealAudio clip: "Lovely Creatures"

DENVER'S NECK, NATE Swan Lake (Rock Is Hell) 10" 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We love Nate Denver. Not only is he just about the nicest guy we've ever met, he's also utterly batshit crazy, musically at least, the stuff he comes up with is totally baffling and brilliant, often goofy and puerile, but always hilarious and impossibly catchy, or punishingly heavy. He was the frontman in the short lived weirdo metal band Dig That Body Up It's Alive (which also featured John Dwyer from Thee Oh Sees), and he played with SF noise punks Total Shutdown, he's done hip hop, folk, he's obsessed with metal, and he's a paramedic. He's also a writer, and has published at least one book, which was hilarious and touching in equal measure.
So here we have the latest musical missive from Nate Denver and his musical Neck, and it's a doozy. We figured the elaborately photoshopped cover art was a put on, it looks like an old taped up and beat up thrift store lp of Swan Lake, the ballet music, but it says Nate Denver in the same font, and Rock is Hell too, it's gorgeous, but like we said, we figured it was a goof, we flipped it over, and there's the story of Swan Lake, told in Denver's bizarre and ridiculous style, so we still weren't really sure what the music would be like. And then whattayaknow? It's Denver, and an acoustic guitar, singing the story of Swan Lake, a single repeated chord progression for the whole of the side, with Denver's delicate croon, spinning the tale of Swan Lake. And weirdly it's a fantastic listen, mesmerizing, and crazy catchy, we couldn't stop, and even now we have little turns of phrase and bits of melody sticking in our head, but after all it is Nate Denver, so when it comes time for the ultimate battle between the protagonist and Boris Smith his archenemy, Boris' lines are delivered by a full on death metal band, grinding guitars, blasting drums and guttural gurgled vox, Denver easily flitting between the two, and we won't tell you how it ends, but you can probably figure it out.
The flipside, as far as we can tell, contains the ACTUAL ballet music from Swan Lake, presumably the music that was on the original record that came with the original cover, and it's of course beautiful, and bombastic, and bears pretty much no relation to Denver's version of the events.
So totally recommended, as is pretty much everything Denver plays or writes. Comes with an insert featuring some Nate Denver artwork, and is pressed on orange vinyl and is LIMITED TO 300 COPIES!!!

DEPARTMENT OF EAGLES Archive 2003-2006 (American Dust) cd 14.98
***Grizzly Bear Alert!!!***
Department Of Eagles has been going at it even before Daniel Rossen's voice would become so recognizable via his work in Grizzly Bear. In fact he started Department of Eagles before he even joined Grizzly Bear, and when you listen to DOE records you really do see the special ingredients that he brought to GB and which really helped bring that band to the next level on their last two records, Yellow House and Veckatimest. There is something so woozy, warm and haunting about his vocal delivery and songwriting. This is a collection of unreleased songs & sketches from 2003-2006 and shows both the very moody as well as catchy and poppy sides to Department Of Eagles. Stripped down to their core, these are songs that you could imagine augmented by a full orchestra, but what makes them cool is that they stand so strong on their own, with Rossen handling guitars, bass, banjo, drums, piano and cello all on his own, while his partner in crime Fred Nicolaus adds additional guitar and takes care of the drums. It might be a little while until there's a new Grizzly Bear album, but this collection will tide us over in the meantime. A must have for Grizzly Bear fans!
NOTE: The lp also comes with a cd version of the record.
MPEG Stream: "While We're Young"
MPEG Stream: "Brightest Minds"
MPEG Stream: "Practice Room Sketch 3"

DEPARTMENT OF EAGLES Archive 2003-2006 (American Dust) lp + cd 15.98
***Grizzly Bear Alert!!!***
Department Of Eagles has been going at it even before Daniel Rossen's voice would become so recognizable via his work in Grizzly Bear. In fact he started Department of Eagles before he even joined Grizzly Bear, and when you listen to DOE records you really do see the special ingredients that he brought to GB and which really helped bring that band to the next level on their last two records, Yellow House and Veckatimest. There is something so woozy, warm and haunting about his vocal delivery and songwriting. This is a collection of unreleased songs & sketches from 2003-2006 and shows both the very moody as well as catchy and poppy sides to Department Of Eagles. Stripped down to their core, these are songs that you could imagine augmented by a full orchestra, but what makes them cool is that they stand so strong on their own, with Rossen handling guitars, bass, banjo, drums, piano and cello all on his own, while his partner in crime Fred Nicolaus adds additional guitar and takes care of the drums. It might be a little while until there's a new Grizzly Bear album, but this collection will tide us over in the meantime. A must have for Grizzly Bear fans!
NOTE: The lp also comes with a cd version of the record.
MPEG Stream: "While We're Young"
MPEG Stream: "Brightest Minds"
MPEG Stream: "Practice Room Sketch 3"

DEPARTMENT OF EAGLES In Ear Park (4AD) cd 13.98
Grizzly Bear fans will immediately recognize the vocal stylings and elegant moodiness of Daniel Rossen who is one half of Department Of Eagles and who has been a major presence in Grizzly Bear for the last several years, joining the band in 2004 and helping make Yellow House their best record yet. Along with his Department Of Eagles bandmate Fred Nicolaus, the duo have released several records that somehow slipped between the cracks but luckily with the widespread popularity of Grizzly Bear and their recent signing to 4AD this will be their most widely heard releases yet. And it's a good thing too, because this is such a moving record. With arrangements that sound like a more somber adaptation of Van Dyke Parks signature style or what it might sound like if Sufjan Stevens covered the more bittersweet side of Vetiver or Wings. And with most of his Grizzly Bear bandmates on board, there's no denying that In Ear Park sounds a lot like a great Grizzly Bear record, if not a bit more focused and even more emotionally impacting. Most of these songs were written after Rossen's father passed away, and there is such an honest reflection and mournful tone to these songs. So nice.
MPEG Stream: "No One Does It"
MPEG Stream: "In Ear Park"

DEPARTMENT OF EAGLES In Ear Park (4AD) 2lp 16.98
Now on Vinyl! Grizzly Bear fans will immediately recognize the vocal stylings and elegant moodiness of Daniel Rossen who is one half of Department Of Eagles and who has been a major presence in Grizzly Bear for the last several years, joining the band in 2004 and helping make Yellow House their best record yet. Along with his Department Of Eagles bandmate Fred Nicolaus, the duo have released several records that somehow slipped between the cracks but luckily with the widespread popularity of Grizzly Bear and their recent signing to 4AD this will be their most widely heard releases yet. And it's a good thing too, because this is such a moving record. With arrangements that sound like a more somber adaptation of Van Dyke Parks signature style or what it might sound like if Sufjan Stevens covered the more bittersweet side of Vetiver or Wings. And with most of his Grizzly Bear bandmates on board, there's no denying that In Ear Park sounds a lot like a great Grizzly Bear record, if not a bit more focused and even more emotionally impacting. Most of these songs were written after Rossen's father passed away, and there is such an honest reflection and mournful tone to these songs. So nice.
MPEG Stream: "No One Does It"
MPEG Stream: "In Ear Park"

DEPARTMENT OF EAGLES The Cold Nose (American Dust) cd 14.98
Grizzly Bear fans, here's a reissue that might pique your interest! Department Of Eagles was the name of Dan Rossen's pre-Grizzly Bear duo, and this was their debut (originally released by Isota Records back in 2003). He along with Fred Nicolaus crafted The Cold Nose, a sprawling album that on occasion brings to mind the expansive musical patchwork of bands like Beta Band and Badly Drawn Boy. The songs languidly come into view, alternately locking into sun-dappled folksy melodies, nutty pop jigs and jazzy grooves for a stretch only to have an array of hazy samples and electronic squiggles tug it all apart. Nice! Includes four bonus tracks and new artwork!
MPEG Stream: "Noam Chomsky Spring Break 2002"
MPEG Stream: "The Piano In The Bathtub"

DEPECHE MODE Playing The Angel (Sire) cd 17.98
Depeche Mode are back, and they're poised to bring out the goth in ya! After some highly publicized tumultuous times on the part of lead singer Dave Gahan, it seems the group has regained some stability and creative flourishes. That said, Playing The Angel is still coming from a very very dark place. Martin Gore still expertly handles the bulk of the songwriting, but Playing The Angel is all about David Gahan's imposing downcast vocals. They're so impossibly burdened by the weight of the world. Sure makes for one big ol' morbid bummer of a listen... but in a good way. Now in their 25th year, they've produced an album that contains some of their best material since the good ol' days of Violator, Black Celebration and Music For The Masses. On Playing The Angel, they haven't rehashed, but rather refreshed their sound -- creating a work that's not only respectful of their analog synth-laden past (not to mention their longtime devoted fans) but also shows an openness to the present and future. Older and wiser, indeed. We were a bit taken aback though by the rather unflattering photographs of the band members on the cover. Hard living, indeed. Just the other day we saw an early photo of the band, and it was quite a shock to see each of the members' transformation from coiffed pretty boys into grimacing elders.
MPEG Stream: "A Pain That I'm Used To"
MPEG Stream: "Suffer Well"

DEPECHE MODE Sounds Of The Universe (Capitol) cd 17.98

DER BLUTHARSCH Live At The Monastery (Tesco) cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Ultra limited cd document of this 2005 live performance by Der Blutharsch, in Vienna in 2005 before a small audience of invited guests. Unlike the lush composed industrial soundscapes of DB records proper, these songs and versions are performed in a much more straight ahead apocalyptic folk style. Strummed acoustic guitar, wheezing accordion, simple percussion and dueling male / female vocals. Urgent and strident, powerful and emotional. Wild gypsy rhythms collide with simple moody ballads, dark and dreary epics are woven into expansive militaristic epics.
Packaged in a gorgeous, matte black, embossed digipak. And again, VERY LIMITED!!!
MPEG Stream: "One"
MPEG Stream: "Two"
MPEG Stream: "Three"

DER BLUTHARSCH The Philosopher's Stone (WKN) cd 25.00
The Philosopher's Stone marks the end the of ten long and productive years during which Der Blutharsch have unleashed their signature dark neo-folk upon the masses. Apocalyptic prophecies, mantras, and manifestos spewed forth from the hate-forged lips of Albin Julius, but even this must come to an end. Over the course of 8 tracks and nearly 56 minutes, long-time fans can't help but sit back and marvel at the gargantuan change between 1998's Der Sieg Des Lichtes Ist Des Lebens Heil! and the present release.
The band was considered highly innovative at its inception, but in retrospect it's easily classifiable as straight-forward neo-folk, albeit at its very finest. These days? Geez, I mean, we're hearing something like a blackened, post-industrial Loop or Jesus and Mary Chain. Or maybe even what the Birthday Party would've sounded like if they were a suicidal '70s psych group. Staccato dirges grab distorted basslines and ride them into droney psychedelia, underneath a sky of swirling guitar leads and brutal, haunting vocals. In a way, the album is heavily indebted to Death In June's old, old album The Guilty Have No Past, but on tons of heroin -- and probably a fistful of other downers and/or mood stabilizers. But through it all Julius's mantra could not be clearer. In fact, the back page of the booklet even reads in bold letters: "Uniforms are always changing, rock n' roll will stay forever." And if rock n' roll's main objective is to scare parents, or the majority of society in general, Der Blutharsch are definitely, definitely a rock band. Even though they sure as hell don't look like one. If you were to see them in the street, you'd probably try as hard as possible not to make eye contact, and maybe assume they were an extremely well-funded fascist militia of sorts. A dark and brooding, mysterious crew for sure...
The Philosopher's Stone is a fantastic cross-section of what Julius and crew are capable of producing, truly mood-altering, honestly fucked up music that completely transcends any traditional understanding of the way songs -- and albums -- work. Somewhere between a heathen liturgy and a well-produced personal catharsis, Der Blutharsch never fails to provide the listener with new experiences and forge new territory in a genre that tends to be cripplingly simplistic, predictable, and indulgent. Recommended.
As always, the packaging is incredible, the cd is in a miniature hardcover book style digipak, all glossy inks and subtle embossing, a big booklet, and super striking imagery. The lp too is extravagant, a similarly rendered glossy layout, but with a BONUS 7" with two tracks not on the cd, in a full color sleeve affixed to the inside of the gatefold.
MPEG Stream: "Philosopher's Stone IV"
MPEG Stream: "Philosopher's Stone VIII"

DER BLUTHARSCH The Philosopher's Stone (WKN) lp 39.00
The Philosopher's Stone marks the end the of ten long and productive years during which Der Blutharsch have unleashed their signature dark neo-folk upon the masses. Apocalyptic prophecies, mantras, and manifestos spewed forth from the hate-forged lips of Albin Julius, but even this must come to an end. Over the course of 8 tracks and nearly 56 minutes, long-time fans can't help but sit back and marvel at the gargantuan change between 1998's Der Sieg Des Lichtes Ist Des Lebens Heil! and the present release.
The band was considered highly innovative at its inception, but in retrospect it's easily classifiable as straight-forward neo-folk, albeit at its very finest. These days? Geez, I mean, we're hearing something like a blackened, post-industrial Loop or Jesus and Mary Chain. Or maybe even what the Birthday Party would've sounded like if they were a suicidal '70s psych group. Staccato dirges grab distorted basslines and ride them into droney psychedelia, underneath a sky of swirling guitar leads and brutal, haunting vocals. In a way, the album is heavily indebted to Death In June's old, old album The Guilty Have No Past, but on tons of heroin -- and probably a fistful of other downers and/or mood stabilizers. But through it all Julius's mantra could not be clearer. In fact, the back page of the booklet even reads in bold letters: "Uniforms are always changing, rock n' roll will stay forever." And if rock n' roll's main objective is to scare parents, or the majority of society in general, Der Blutharsch are definitely, definitely a rock band. Even though they sure as hell don't look like one. If you were to see them in the street, you'd probably try as hard as possible not to make eye contact, and maybe assume they were an extremely well-funded fascist militia of sorts. A Dark and brooding, mysterious crew for sure...
The Philosopher's Stone is a fantastic cross-section of what Julius and crew are capable of producing, truly mood-altering, honestly fucked up music that completely transcends any traditional understanding of the way songs -- and albums -- work. Somewhere between a heathen liturgy and a well-produced personal catharsis, Der Blutharsch never fails to provide the listener with new experiences and forge new territory in a genre that tends to be cripplingly simplistic, predictable, and indulgent. Recommended.
As always, the packaging is incredible, the cd is in a miniature hardcover book style digipak, all glossy inks and subtle embossing, a big booklet, and super striking imagery. The lp too is extravagant, a similarly rendered glossy layout, but with a BONUS 7" with two tracks not on the cd, in a full color sleeve affixed to the inside of the gatefold.
MPEG Stream: "Philosopher's Stone IV"
MPEG Stream: "Philosopher's Stone VIII"

DER BLUTHARSCH Time Is Thee Enemy! (Tesco) cd 17.98
Not sure why we've never listed any Der Blutharsch before. Especially considering they've been a favorite of ours for a long time. And in that whole militaristic folk / industrial scene, we much prefer Der Blutharsch (and MZ 412) over Death In June or Current 93 (at least if you ask Andee). As far as we can tell, this is DB's sixth full length and is as dark and hypnotic and intense as ever. Weaving together childrens choirs, maniacal growls, martial drumming, dark ambient drones, epic cinematic soundscapes, soaring strings, mumbled spoken word, pagan folk, found sounds, wartime propaganda soundbites, industrial rhythms, and apocalyptic / nihilistic lyrics. For those of you new to this stuff, imagine a renaissance faire, strolling minstrels the whole bit, but suddenly the sky starts to darken, shadows lengthen wrapping everything in inky blackness, the strolling minstrels slowly take on the appearance of demons, and the music loses its sunshine and cheer, becoming more and more ominous, major keys change to minor, bells toll, the men start chanting, invoking some unspeakable mystery, while the children's eyes turn black and they begin to sing as well, as if in some sort of trancelike state, the whole thing becoming less of a celebration and more some sort of ancient pagan ritual. Imagine Dead Can Dance with the vocalist from Rammstein, performing in the forest, covering the Comus record in its entirety, backed up by a military drum corps. Or imagine some impossible mixture of Current 93, Magnetic Fields, World War 2, In The Nursery, Ennio Morricone, a gypsy caravan, all the great black metal intros and all of those times you were lost and alone and afraid. It's that intense. And amazing. Allan actually thinks parts of this sound like a Hari Krishna version of Swedish drone folk outfit Parson Sound which they most definitely do at times. Time Is Thee Enemy is an epic and dark, cinematic journey through war and hell and the dark side of human nature. So recommended.
MPEG Stream: "Time Is Thee Ememy! Pt. IX"
MPEG Stream: "Time Is Thee Ememy! Pt. III"
MPEG Stream: "Time Is Thee Ememy! Pt. IV"
MPEG Stream: "Time Is Thee Ememy! Pt. V"

DER BLUTHARSCH Werkschau: 1997-2010 (Handmade Birds) 2lp 26.00
A sprawling and expansive career retrospective from seminal militaristic folk / post industrial / dark ambient outfit Der Blutharsch, whose sound, while ever shifting, has remained constant in its dark mesmer, each record, and every track, a miniature epic, harrowing and hypnotic journeys through war and hell and the dark side of human nature. Weaving together children's choirs, maniacal growls, martial drumming, dark ambient drones, epic cinematic soundscapes, soaring strings, mumbled spoken word, pagan folk, found sounds, wartime propaganda soundbites, industrial rhythms, and apocalyptic / nihilistic lyrics.
Imagine a renaissance faire, strolling minstrels the whole bit, but suddenly the sky starts to darken, shadows lengthen wrapping everything in inky blackness, the strolling minstrels slowly take on the appearance of demons, and the music loses its sunshine and cheer, becoming more and more ominous, major keys change to minor, bells toll, the men start chanting, invoking some unspeakable mystery, while the children's eyes turn black and they begin to sing as well, as if in some sort of trancelike state, the whole thing becoming less of a celebration and more some sort of ancient pagan ritual. DB take the apocalyptic folk of Death In June and fuse it to the Teutonic metallic stomp of Rammstein, wind it all up in the clattery industrial cabaret of Einsturzende Neubaten, before dousing it in the swampy fire and brimstone dirge of Sixteen Horsepower and the dramatic gothiness of Sisters Of Mercy or Bauhaus,.
Elsewhere the sound is even more dazzlingly disparate, a roiling sonic cauldron equal parts Dead Can Dance, Laibach, Comus, Current 93, Magnetic Fields, World War 2, In The Nursery, Ennio Morricone, a gypsy caravan, all the great black metal intros ever, all of those disparate elements deftly woven into something dark and delightfully dreary, creepy and sometimes truly haunting...
Der Blutharsch's music most definitely mutated and transformed over the years, the core sound still dark and droning, but the rock element much more noticeable, with a seemingly omnipresent churning low slung bass weaving a dense framework of rumbling low end, supporting doom laden soundscapes constructed from moaning cellos and martial snares, wartime sound samples and military speeches, pounding rhythms and dramatic Teutonic vocals, gypsy violin and distorted guitar. But even within this industrial doom rock framework, DB managed to inject all sorts of truly unexpected twists and turns, like some hellish take on a Morricone spaghetti western with little bits of blackened twang one moment, and like a lost track from some sixties girl group, albeit in this case, swathed in dark sonic swirls and all sorts of rhythmic interference, the next.
This later sound something like a blackened, post-industrial Loop or Jesus and Mary Chain. Or maybe even what the Birthday Party would've sounded like if they were a suicidal '70s psych group. Staccato dirges grab distorted basslines and ride them into droney psychedelia, underneath a sky of swirling guitar leads and brutal, and of course the apocalyptic prophecies, mantras, and manifestos spewed forth from the DB mastermind Albin Julius...
"Uniforms are always changing, rock n' roll will stay forever" is boldly emblazoned on a later DB release. And if rock n' roll's main objective is to scare parents, or the majority of society in general, Der Blutharsch are definitely a rock band. And really always were....
LIMITED TO 500 COPIES, on 180 gram vinyl, with hand numbered inserts, housed in black and red foil stamped jackets, odds are these could very well be the only copies we ever see...

DER BLUTHARSCH When Did Wonderland End? (Tesco) lp 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Final glorious missive from Austrian militaristic folk / post industrial / dark ambient outift Der Blutharsch. Ex members of The Moon Lay Hidden Beneath a Cloud and former collaborators with Death In June, DB carved out a truly unique and musically diverse niche in a genre rife with problematic politics and unoriginal ideas. The music of Der Blutharsch was and is a seemingly impossible mix, taking the apocalyptic folk of Death In June, the Teutonic metallic stomp of Rammstein, the clattery industrial caberet of Einsturzende Neubaten, the swampy fire and brimstone dirge of Sixteen Horsepower and the dramatic gothiness of Sisters Of Mercy or Bauhaus and crafting all of those disparate elements into something dark and delightfully dreary, creepy and sometimes truly harrowing. Their sound has gone from dark ambience to industrial clatter to dramatic doom, and have now arrived at a sound that is even more difficult to describe. We once wrote that the music of DB sounded like "Dead Can Dance with the vocalist from Rammstein, performing in the forest, covering the Comus record in its entirety, backed up by a military drum corps. Or some impossible mixt of Current 93, Magnetic Fields, World War 2, In The Nursery, Ennio Morricone, a gypsy caravan and every great black metal intro ever" and that still pretty much sums it up. BUT, somehow, for their last hurrah, they've managed to sound even more bizarre and unique and all over the map. The core sound is still dark and droning, but the rock element is much more noticeable this time around, with a seemingly omnipresent churning low slung bass weaving a dense framework of rumbling low end, supporting doom laden soundscapes constructed from moaning cellos and martial snares, wartime sound samples and military speeches, pounding rhythms and dramatic teutonic vocals, gypsy violin and distorted guitar. But even within this industrial doom rock framework, DB manage to inject all sorts of really unexpected twists and turns, one track sounds like some hellish take on a Morricone spaghetti western with little bits of blackened twang, and another even sounds like a lost track from some sixties girl group, albeit in this case, swathed in dark sonic swirls and all sorts of rhythmic interference. So amazing and strange and totally mesmerizing. It's sad to think this is the last we'll hear from Der Blutharsch.
Packaged in a gorgeous all black, letter pressed sleeve, with a little sprig of edelweiss in full color, black text on a black background. Quite striking.
MPEG Stream: "When Did Wonderland End? II"
MPEG Stream: "When Did Wonderland End? III"
MPEG Stream: "When Did Wonderland End? IV"

DER BLUTHARSCH When Did Wonderland End? (Tesco) cd + dvd 25.00
Another glorious missive from Austrian militaristic folk / post industrial / dark ambient outift Der Blutharsch. Ex members of The Moon Lay Hidden Beneath a Cloud and former collaborators with Death In June, DB carved out a truly unique and musically diverse niche in a genre rife with problematic politics and unoriginal ideas. The music of Der Blutharsch was and is a seemingly impossible mix, taking the apocalyptic folk of Death In June, the teutonic metallic stomp of Rammstein, the clattery industrial caberet of Einsturzende Neubaten, the swampy fire and brimstone dirge of Sixteen Horsepower and the dramatic gothiness of Sisters Of Mercy or Bauhaus and crafting all of those disparate elements into something dark and delightfully dreary, creepy and sometimes truly harrowing. Their sound has gone from dark ambience to industrial clatter to dramatic doom, and have now arrived at a sound that is even more difficult to describe. We once wrote that the music of DB sounded like "Dead Can Dance with the vocalist from Rammstein, performing in the forest, covering the Comus record in its entirety, backed up by a military drum corps. Or some impossible mixt of Current 93, Magnetic Fields, World War 2, In The Nursery, Ennio Morricone, a gypsy caravan and every great black metal intro ever" and that still pretty much sums it up. BUT, somehow, for their last hurrah, they've managed to sound even more bizarre and unique and all over the map. The core sound is still dark and droning, but the rock element is much more noticeable this time around, with a seemingly omnipresent churning low slung bass weaving a dense framework of rumbling low end, supporting doom laden soundscapes constructed from moaning cellos and martial snares, wartime sound samples and military speeches, pounding rhythms and dramatic teutonic vocals, gypsy violin and distorted guitar. But even within this industrial doom rock framework, DB manage to inject all sorts of really unexpected twists and turns, one track sounds like some hellish take on a Morricone spaghetti western with little bits of blackened twang, and another even sounds like a lost track from some sixties girl group, albeit in this case, swathed in dark sonic swirls and all sorts of rhythmic interference. So amazing and strange and totally mesmerizing. It's sad to think this is the last we'll hear from Der Blutharsch.
Packaged in a gorgeous all black, letter pressed digipak, in a black slipcover, with a little sprig of edelweiss in full color, black text on a black background. Quite striking. And for a limited time, there's also a second disc, a DVD with a really cool and creepy video for the track "So Bring Your Iron Rain Down Upon Me."
MPEG Stream: "When Did Wonderland End? II"
MPEG Stream: "When Did Wonderland End? III"
MPEG Stream: "When Did Wonderland End? IV"

DER PLAN Geri Reig (Atatak) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Seminal weirdness from Germany circa 1980. A head on collision between the Residents and Conny Plank. Like new wave no wave.

DER PLAN Geri Reig (Bureau B) cd 17.98
Now, reissued on compact disc (and vinyl too) by Bureau B!
Search back into the Aquarius archives, and you'll come across reviews of records that we loved with just a phrase or a sentence, giving a few choice references and adjectives. Oh, how the times have changed. Way back when, we summed up Der Plan's classic weirdo kraut new wave record with the following pithy statement: "A head on collision between the Residents and Conny Plank." Still very true to this day, although an expansion of that description is most definitely in order. Der Plan hailed from Dusseldorf, and Geri Reig was their first record, emerging in 1980 as a particularly bizarre version of the Neue Deutsche Welle (New German Wave) sound. It seemed that every single German punk and NDW band would twist and mutate some sickly sweet ballad into something monstrous and perverse. Even Neubauten did a cover of Serge Gainsbourg's "Je T'Aime" on their first record; but polkas, waltzes, and cabaret numbers seemed to the prime target for the venom, bile, and ill-thoughts of the youth from back in the day, and Der Plan had authored a good number of these cheeky tunes, with atonal blooping electronics, plinkety-plonk melodies, and disjointed scratchy vocalizations. As a result, the Residents are still an apt reference for most of Geri Reig, although perhaps the equally bizarre, although less known Die Todliche Doris should also be referenced as well. For all of Der Plan's weird disposition, they would also craft a percolatingly brilliant minimal wave track here and there, as heard in the man-machine sequencing on "Commerce Exterieur Mondial Sentimentale" and the future-shock arpeggiations of "Adrenalin Lasst Das Blut Kochen." A classic record from the NDW period, now available once again.
Now, along with the new cd versions, Bureau B has also done their own vinyl versions which we're also listing, superseding the recent (and now deleted?) Medical Records reissues.
MPEG Stream: "Adrenalin Lasst Das Blut Kochen"
MPEG Stream: "Geri Regi"
MPEG Stream: "Hans und Gabi"
MPEG Stream: "Commerce Exterieur Mondial Sentimental"

DER PLAN Geri Reig (Medical Records) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Search back into the Aquarius archives, and you'll come across reviews of records that we loved with just a phrase or a sentence, giving a few choice references and adjectives. Oh, how the times have changed. Way back when, we summed up Der Plan's classic weirdo kraut new wave record with the following pithy statement: "A head on collision between the Residents and Conny Plank." Still very true to this day, although an expansion of that description is most definitely in order. Der Plan hailed from Dusseldorf, and Geri Reig was their first record, emerging in 1980 as a particularly bizarre version of the Neue Deutsche Welle (New German Wave) sound. It seemed that every single German punk and NDW band would twist and mutate some sickly sweet ballad into something monstrous and perverse. Even Neubauten did a cover of Serge Gainsbourg's "Je T'Aime" on their first record; but polkas, waltzes, and cabaret numbers seemed to the prime target for the venom, bile, and ill-thoughts of the youth from back in the day, and Der Plan had authored a good number of these cheeky tunes, with atonal blooping electronics, plinkety-plonk melodies, and disjointed scratchy vocalizations. As a result, the Residents are still an apt reference for most of Geri Reig, although perhaps the equally bizarre, although less known Die Todliche Doris should also be referenced as well. For all of Der Plan's weird disposition, they would also craft a percolatingly brilliant minimal wave track here and there, as heard in the man-machine sequencing on "Commerce Exterieur Mondial Sentimentale" and the future-shock arpeggiations of "Adrenalin Lasst Das Blut Kochen." A classic record from the NDW period, now available once again thanks to the fine folks at Medical Records!
MPEG Stream: "Adrenalin Lasst Das Blut Kochen"
MPEG Stream: "Geri Regi"
MPEG Stream: "Hans und Gabi"
MPEG Stream: "Commerce Exterieur Mondial Sentimental"

DER PLAN Geri Reig (Bureau B) lp 17.98
Now, reissued on compact disc (and vinyl too) by Bureau B!
Search back into the Aquarius archives, and you'll come across reviews of records that we loved with just a phrase or a sentence, giving a few choice references and adjectives. Oh, how the times have changed. Way back when, we summed up Der Plan's classic weirdo kraut new wave record with the following pithy statement: "A head on collision between the Residents and Conny Plank." Still very true to this day, although an expansion of that description is most definitely in order. Der Plan hailed from Dusseldorf, and Geri Reig was their first record, emerging in 1980 as a particularly bizarre version of the Neue Deutsche Welle (New German Wave) sound. It seemed that every single German punk and NDW band would twist and mutate some sickly sweet ballad into something monstrous and perverse. Even Neubauten did a cover of Serge Gainsbourg's "Je T'Aime" on their first record; but polkas, waltzes, and cabaret numbers seemed to the prime target for the venom, bile, and ill-thoughts of the youth from back in the day, and Der Plan had authored a good number of these cheeky tunes, with atonal blooping electronics, plinkety-plonk melodies, and disjointed scratchy vocalizations. As a result, the Residents are still an apt reference for most of Geri Reig, although perhaps the equally bizarre, although less known Die Todliche Doris should also be referenced as well. For all of Der Plan's weird disposition, they would also craft a percolatingly brilliant minimal wave track here and there, as heard in the man-machine sequencing on "Commerce Exterieur Mondial Sentimentale" and the future-shock arpeggiations of "Adrenalin Lasst Das Blut Kochen." A classic record from the NDW period, now available once again.
Now, along with the new cd versions, Bureau B has also done their own vinyl versions which we're also listing, superseding the recent (and now deleted?) Medical Records reissues.
MPEG Stream: "Adrenalin Lasst Das Blut Kochen"
MPEG Stream: "Geri Regi"
MPEG Stream: "Hans und Gabi"
MPEG Stream: "Commerce Exterieur Mondial Sentimental"

DER PLAN Normalette Surprise (Bureau B) cd 17.98
Now, reissued on compact disc (and vinyl too) by Bureau B!
Album number two by Der Plan came out originally in 1981, and it follows the art-pop quirkiness of the band's Geri Reig album with a slightly more conventional approach to their Neue Deutsche Welle songs. Just slightly, though. For the most part, the overt references to the vernacular of Germanic pop music (waltzes, polka, cabaret, etc.) are dropped for more of a primitive electro sound, with plenty of clipped rhythms, flanging electronic sequences, mutant funk anti-grooviness, and occasional vocoder-treated vocals. Der Plan takes delight in rendering each and every sound in a deliberate staccato choppiness, with electronic and vocal melodies often in naked opposition to each other, while the rhythms are loose skeletons that hardly anybody could dance to. The album features 17 tracks, and many more ideas running through all of those cuts, mucking up the streamlined new wave surfaces within disjointed, Residents inspired asynchronicity, and there's even a couple of early plunderphonic experiments popping up, such as "Kleine Schlager Revue" which mashes up saccharine German pop ditties with a smutty sex-recording lifted from some porno flexi-disc, and the grimmer "Wat's Dat?" snipping bits of commercials and breathy exhortations and melding them onto teletype synth modulations.
Now, along with the new cd versions, Bureau B has also done their own vinyl versions which we're listing, superseding the recent (and now deleted?) Medical Records reissues.
MPEG Stream: "Leb Doch"
MPEG Stream: "Wat's Dat"
MPEG Stream: "Rot Grun Tot"

DER PLAN Normalette Surprise (Medical Records) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Album number two by Der Plan came out originally in 1981, and it follows the art-pop quirkiness of the band's Geri Reig album with a slightly more conventional approach to their Neue Deutsche Welle songs. Just slightly, though. For the most part, the overt references to the vernacular of Germanic pop music (waltzes, polka, cabaret, etc.) are dropped for more of a primitive electro sound, with plenty of clipped rhythms, flanging electronic sequences, mutant funk anti-grooviness, and occasional vocoder-treated vocals. Der Plan takes delight in rendering each and every sound in a deliberate staccato choppiness, with electronic and vocal melodies often in naked opposition to each other, while the rhythms are loose skeletons that hardly anybody could dance to. The album features 17 tracks, and many more ideas running through all of those cuts, mucking up the streamlined new wave surfaces within disjointed, Residents inspired asynchronicity, and there's even a couple of early plunderphonic experiments popping up, such as "Kleine Schlager Revue" which mashes up saccharine German pop ditties with a smutty sex-recording lifted from some porno flexi-disc, and the grimmer "Wat's Dat?" snipping bits of commercials and breathy exhortations and melding them onto teletype synth modulations. Like Geri Reig, Normalette Surprise is back in print on vinyl... but probably not for long, as Medical Records only released 550 of these!
MPEG Stream: "Leb Doch"
MPEG Stream: "Wat's Dat"
MPEG Stream: "Rot Grun Tot"

DER PLAN Normalette Surprise (Bureau B) lp 17.98
Now, reissued on compact disc (and vinyl too) by Bureau B!
Album number two by Der Plan came out originally in 1981, and it follows the art-pop quirkiness of the band's Geri Reig album with a slightly more conventional approach to their Neue Deutsche Welle songs. Just slightly, though. For the most part, the overt references to the vernacular of Germanic pop music (waltzes, polka, cabaret, etc.) are dropped for more of a primitive electro sound, with plenty of clipped rhythms, flanging electronic sequences, mutant funk anti-grooviness, and occasional vocoder-treated vocals. Der Plan takes delight in rendering each and every sound in a deliberate staccato choppiness, with electronic and vocal melodies often in naked opposition to each other, while the rhythms are loose skeletons that hardly anybody could dance to. The album features 17 tracks, and many more ideas running through all of those cuts, mucking up the streamlined new wave surfaces within disjointed, Residents inspired asynchronicity, and there's even a couple of early plunderphonic experiments popping up, such as "Kleine Schlager Revue" which mashes up saccharine German pop ditties with a smutty sex-recording lifted from some porno flexi-disc, and the grimmer "Wat's Dat?" snipping bits of commercials and breathy exhortations and melding them onto teletype synth modulations.
Now, along with the new cd versions, Bureau B has also done their own vinyl versions which we're listing, superseding the recent (and now deleted?) Medical Records reissues.
MPEG Stream: "Leb Doch"
MPEG Stream: "Wat's Dat"
MPEG Stream: "Rot Grun Tot"

DER TPK (TEENAGE PANZERKORPS) Harmful Emotions (Siltbreeze) lp 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
What's the connection between the seemingly defunct Jewelled Antler collective and the legendary Siltbreeze label? What do Teenage Panzer Corps and Der TPK have in common? More than you might think. Some might remember a couple killer cd-r's released on the Pink Skulls label, the sort of weirdo subsidiary of Jewelled Antler, by a band called Teenage Panzer Corps, featuring Bunker Wolf, Catholic Pat, Edmund Xavier and Boy True -- AKA various members of The Birdtree, The Knit Separates, Blithe Sons, Skygreen Leopards, Thuja and more...
The sound was distinctly unlike any of the Jewelled Antler stuff, raucous, droney, arty garagey punk rawk. Loud (or at least distorted), not too fast, and Teutonically snotty, referencing '80s downer artpunk (The Fall, Factory Records stuff I guess or maybe some of Savage Republic's tracks), and '60s garage with fuzz organ, as well as noise rock and krautrock. Noisy breaks, abrupt edits, and poppy grooves all tangled up into short sharp stabs aggro art punk, with clangy angular guitars, stumbling drums, lo-fi production and German vocals.
Well Der TPK is what the Panzer Corps are now calling themselves, and somehow they've wound up on Siltbreeze, which ends up being a pretty good fit. Some of the tracks are a little more drone-y and krauty, a bit more dubbed out, but still wild and noisy and punk as fuck. Not sure how much of this is actually new stuff, but at least a handful of tracks are taken from the now out of print cd-r's. Either way, this is essential stuff, fans of any of the aforementioned bands will definitely want to pick this up.
Packaged in plain white sleeves, with purposefully crappy paste on art, and probably pretty damn limited...

DER VENTILATOR s/t (Silbing Sex) 7"+cd 8.98
Didn't know too much about this Spanish combo, but the fact that they seemed to often be described as equal parts Kraftwerk and Arab On Radar definitely piqued our interest. And once we finally heard this latest 4 song blast of electro punk crunch, we'd probably add Black Bug to the equation, the same sort of urgent punked out riot grrly rrroooaaar. But instead of BB's synthpunk howl, the sound of DV is more garagey, a sort of punky Stoogesy groove, laced with bits of electronics and peppered with dueling boy girl vocals. The opening track here, "Kill D.I.Y Idols" is itself a killer, with fuzzy bass, programmed beats, caterwauled vocals, and a bad ass main riff, the tripped out FX and minimal electronics only adding some extra weirdness. In an odd way, it reminded us a little of Burzum, the same sort of lilting electronic melodies, but here wedded to some garage punk blast. Super dynamic, with some rad stop starts. "Potential H-Bomb" is more of the same, with a postpunk groove, some cool weirdly harmonized vox, some noisy chaotic guitars, and lots of fuzzed out synth blurt. "Scrawl" applies the same sonic approach to punk folk, acoustic guitar, simple drums, off key crooning, sassy female back up vox, and occasional feedback drenched squalls of noise. Finally "Lightning Field" gets back to the warped electro punk, with thick synth buzz under some frenetic programmed beats, some bloopy spaced out melodies, crunchy guitars swirls, the whole thing pretty spaced out and psychedelic, again laced with occasional blasts of in-the-red buzz and howl, everything wreathed in alien synths and fractured FX. So killer. A bit surprised these guys (and gal) aren't way more popular. Imagine it won't stay that way for long...
Super nice packaging, thick super striking black and white sleeve, with a full color printed insert, pressed on orange vinyl, and includes a cd version of the same music on the 7"!
MPEG Stream: "Kill D.I.Y. Idols"
MPEG Stream: "Lightning Field"

DESAPARECIDOS Read Music Speak Spanish (Saddle Creek) cd 14.98
Here is the full length from Mr. Bright Eyes Conor Oberst's emo pop band. We were given an EP's worth of Desaparecidos in late 2001 (which was quite promising), and now it's high time for a full dose. Far from the fragile, low-key, warbled sensitivities of B.E., this is much more fired up and feisty, but you can still hear hints that it's from the same songwriter's pen. Have to admit though I found this album kinda disappointing. The extreme side of emo-boy-ness with its almost-painful teen angst screamed vocals. Ending the second song is a recording of some dialogue that just sounded like some skate kids shooting the shit. Not great, but worth checking out.
RealAudio clip: "Manana"

DESAPARECIDOS The Happiest Place On Earth (Saddle Creek) cd ep 6.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
...is where you'll find these quavery-voiced emo boys -- namely one Conor Oberst (aka the leader of Bright Eyes). Hear them practically hollering the words to get their message to you. Driving drumbeat, crunchy guitars, springy melodic hooks sorta like a cross between Superchunk and Treepeople. This EP is just a hint of what's to come -- a full length debut in early 2002. On the label that's home to The Faint and yes, Bright Eyes.
RealAudio clip: "Happiest Place On Earth"

DESCENDENTS 'Merican (Fat Wreck Chords) cd ep 5.98
Milo is back where he belongs, fronting the mighty Descendents. 'Merican is a 4 track blast of that classic Descendents pop punk sound. A sound that has been borrowed by a million other bands and turned into boring MTV pap. There was just some sort of magic with the Descendents and while it may not be as magical 20 years down the line it's still pretty fun and catchy and great. Two tracks of hyper speed, in your face punk rock, and two tracks of that heart-on-your-sleeve, pop in punk's clothing that the Descendents do so well. Can't wait for the upcoming full length. If you've never heard the Descendents, get Milo Goes To College or Enjoy and you'll know what we're talking about.
MPEG Stream: "Here With Me"

DESCENDENTS All (SST) cd 14.98

DESCENDENTS Cool To Be You (Fat Wreck Chords) cd 13.98
Descendents are back! And they kick as much ass as ever! Being the huge-est Descendents fan, I (Andee) was pretty worried about a new Descendents record after 7 years of frontman Milo, teaching biochemistry and living a normal life, and the rest of the band releasing lots of mediocre pop punk as All. The recent ep teaser wasn't all that encouraging either. The sound was there, and Milo's voice was as great as ever. But it just didn't hit. But now that the full length is here, everything is perfect! Easily one of the tightest fiercest rhythm sections ever (obviously, with Bill Stevenson, ex-Black Flag on drums) backs up Stephen Egerton's weird weird guitar playing and Milo's awesome raspy vocals! Drummer Bill Stevenson usually did most of the songwriting, but here bassist Karl Alvarez and Milo do most of the writing and the results are surprisingly good, and surprisingly like classic (All / Enjoy era) Descendents! Great songs, catchy and kick ass, with lyrics about politics, being a nerd, and mostly love and girls. The song Mass Nerder is the best Descendents song in forever. NERD POWER! The best lyrics:

Don't got no biceps
Don't got no pecs
But I'll read you under the table
With my thick specs!
See I got these glasses
So they kick my ass
But I'll kick their asses
When I get to class

I got these glasses
So I can't wear shades
But I'll kick their asses
I'll get good grades

And the music is so cathcy and heavy. Had us wanting to jump around like crazy! And the song 'Merican is one of the best anti-American regime songs in quite a while. But of course, the bulk of the record is made up of those classic Descendents sad boy, minor key, lost love perfect pop punk nuggets! So good!
MPEG Stream: "Mass Nerder"
MPEG Stream: "'Merican"
MPEG Stream: "Nothing With You"

DESCENDENTS Cool To Be You (Fat Wreck Chords) lp 8.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Descendents are back! And they kick as much ass as ever! Being the huge-est Descendents fan, I (Andee) was pretty worried about a new Descendents record after 7 years of frontman Milo, teaching biochemistry and living a normal life, and the rest of the band releasing lots of mediocre pop punk as All. The recent ep teaser wasn't all that encouraging either. The sound was there, and Milo's voice was as great as ever. But it just didn't hit. But now that the full length is here, everything is perfect! Easily one of the tightest fiercest rhythm sections ever (obviously, with Bill Stevenson, ex-Black Flag on drums) backs up Stephen Egerton's weird weird guitar playing and Milo's awesome raspy vocals! Drummer Bill Stevenson usually did most of the songwriting, but here bassist Karl Alvarez and Milo do most of the writing and the results are surprisingly good, and surprisingly like classic (All / Enjoy era) Descendents! Great songs, catchy and kick ass, with lyrics about politics, being a nerd, and mostly love and girls. The song Mass Nerder is the best Descendents song in forever. NERD POWER! The best lyrics:

Don't got no biceps
Don't got no pecs
But I'll read you under the table
With my thick specs!
See I got these glasses
So they kick my ass
But I'll kick their asses
When I get to class

I got these glasses
So I can't wear shades
But I'll kick their asses
I'll get good grades

And the music is so cathcy and heavy. Had me wanting to jump around like crazy! And the song 'Merican is one of the best anti-American regime songs in quite a while. But of course, the bulk of the record is made up of those classic Descendents sad boy, minor key, lost love perfect pop punk nuggets! So good!
MPEG Stream: "Mass Nerder"
MPEG Stream: "'Merican"
MPEG Stream: "Nothing With You"

DESCENDENTS Milo Goes To College (SST) cd 14.98

DESCLOUX, LIZZY MERCIER Press Color (Ze Records) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

DESERT CITY SOUNDTRACK Contents Of Distraction (Deep Elm) cd 10.98

DESERT CITY SOUNDTRACK Perfect Addiction (Deep Elm) cd 14.98

DESERT OF TRAUN Part III: The Lilac Moon (Bruhtal Shocks Music) cd 10.98

DESIRE If I Can't Hold You Tonight (Italians Do It Better) 12" 9.98
Always an exciting day at AQ when a new slab of vinyl from Italians Do It Better comes our way. Earlier this year we got totally addicted to the debut full length from Desire, a record that was so spot on in its 80's sleek and sultry, late-night dance jams infused with a dark romantic aching yearning. With the intoxicating vocals of Megan Luise setting such a perfect tone for the impeccable production of Johnny Jewel (Glass Candy, Chromatics, etc.). So it's rad to get different versions of two of our favorite songs from the album. Side one gives us a totally lysergic slow burning stretched out version of "If I Can't Hold You Tonight" and then a completely stripped down minimal vocal version. Side two starts off with an instrumental version of their cover of "I Can Dream About You" followed by a goosebump inducing 8-track demo of the song that proves that Desire are not just about style and dancefloors, but that their music really does evoke such strong emotions. The 12" offers a much more minimal and slow burning side of Desire then the more over-the-top, all out 80's disco vibe of the full length. We're melting into this wax!

DESIRE II (Italians Do It Better) cd 13.98
Everything Johnny Jewel touches these days turns to sultry dancefloor gold. Whether it's Glass Candy, the Chromatics, or a handful of other groups on Italians Do It Better that have felt Jewel's magic touch, he has really been largely responsible for making IDIB a label to trust when it comes to sizzling, late night spaced out disco!
What sets Desire a little apart from other acts on Italians Do It Better is that it's much more of a full band effort, with an affection for analog synthesizers as well as strings, percussion, piano, and it's got an overall delivery that is much more warm and rich than some of the other similar sounding outfits on the label. Desire still have that icy-detached aesthetic that can be found in the sounds of Chromatics, but there is something a bit more personal sounding in the songs here. While most records in this genre tend to be filled with super immediate hooks that sometimes lose their staying power on repeated listens, this record is a serious grower. In fact on first listen we thought maybe this was going to be a bit of a let down, but we're so happy we gave it a few more spins, cuz we were eventually totally sucked into the moody, sultry stylings that Desire conjure up. Between this and the Nite Jewel record we gushed about recently, our late night coming down soundtrack is sounding better then ever. Feel the slow burn!
MPEG Stream: "Dans Mes Reves"
MPEG Stream: "Oxygene"
MPEG Stream: "Mirroir Mirroir"

DESIRE II (Italians Do It Better) lp 13.98
NOW ON VINYL!
Everything Johnny Jewel touches these days turns to sultry dancefloor gold. Whether it's Glass Candy, the Chromatics, or a handful of other groups on Italians Do It Better that have felt Jewel's magic touch, he has really been largely responsible for making IDIB a label to trust when it comes to sizzling, late night spaced out disco!
What sets Desire a little apart from other acts on Italians Do It Better is that it's much more of a full band effort, with an affection for analog synthesizers as well as strings, percussion, piano, and it's got an overall delivery that is much more warm and rich than some of the other similar sounding outfits on the label. Desire still have that icy-detached aesthetic that can be found in the sounds of Chromatics, but there is something a bit more personal sounding in the songs here. While most records in this genre tend to be filled with super immediate hooks that sometimes lose their staying power on repeated listens, this record is a serious grower. In fact on first listen we thought maybe this was going to be a bit of a let down, but we're so happy we gave it a few more spins, cuz we were eventually totally sucked into the moody, sultry stylings that Desire conjure up. Between this and the Nite Jewel record we gushed about recently, our late night coming down soundtrack is sounding better then ever. Feel the slow burn!
MPEG Stream: "Dans Mes Reves"
MPEG Stream: "Oxygene"
MPEG Stream: "Mirroir Mirroir"

DESOLATION WILDERNESS New Universe (K Records) cd 14.98
Hailing from Olympia, Washington, Desolation Wilderness create hazy dreampop that's the perfect twilight of summer soundtrack. With shimmering guitars, breezy vocals, infectious melodies swirled amongst the fog and haze, this record has been reminding us of so many bands we love, like Chapterhouse, Spiritualized, The Chills, 764 Hero, Galaxie 500, Sparklehorse, Ride, etc. While there is a definite shoegaze element to their sound, the songs also have a spark and punch to them. We also can't help but think of a very awesome and underrated '90s band from Los Angeles called Strictly Ballroom who similarly found enticing ways to evoke this kind of daydream nation. New Universe is one of those records that's perfect for so many occasions - the long ride home, the blissed out late night walk through the city, the lazy Sunday afternoon... Desolation Wilderness pleases on so many levels!
MPEG Stream: "Boardwalk Theme"
MPEG Stream: "Slow Fade"
MPEG Stream: "You Hold A Power Over Me"

DESOTO REDS Hanglide Thru Yer Window (Floating Man) cd 11.98
Those Desoto Reds sure have a knack for writing the sweet pop hooks and winking lyrical twists. Each tune comes with heaping servings of horns, organs, vocal harmonies... and fun! The first song "Allowed Loud" sounds like a cross between the themes from two incongruous TV shows (The Partridge Family and Crank Yankers). It's a playful pairing of punchy and perky pop. Whoa, is that enough 'p' words for ya?! Definitely for fans of those seemingly long-forgotten quirky early '90s college radio pop bands such as Too Much Joy (remember them?).
MPEG Stream: "Allowed Loud"
MPEG Stream: "My Affair With Julia Roberts"

DESPISE YOU / AGORAPHOBIC NOSEBLEED And On And On... (Relapse) cd 14.98
The return of grindlords Agoraphobic Nosebleed, here teamed up with fellow grinders Despise You, who offer up their first new material in a decade, although their sound has definitely not changed. Despise You traffic in furious, punishing hardcore heaviness, blurred buzzing riffs, wild thrashing drumming, dense super intricate arrangements, slipping from chug and churn to frantic blast, punk pound to mathy lurch, the songs short and sharp, cramming 18 songs into about 16 minutes, even tackling Fear's "I Don't Care About You", the boy/girl vocals (mostly boy) yelped and howled, the sound rough and raw, filthy and crusty, total fast core power violence style, definitely harkening back to the old school Pessimiser / Theologian / Slap A Ham sound of the nineties. Which we STILL love like crazy...
Agoraphobic Nosebleed counter with their own take on that sound, starting their half out with some downtuned doomed out sludge, the vocals a heavily effected guttural bellow, the sound grooving and slithery, a chugging churning almost Black Flag-ish bit of gnarled hardcore, it's not until the second song that the band explode in a frenzy of hypergrind, complete with dive bombing Slayer style leads, the sound thick and corrosive, the riffing insane and intense, super intricate and mathy, cramming tons of parts into super short blast of sonic fury, finishing off with another chunk of tangled doom flecked midtempo hardcore pound, that grinds and howls and creeps until it fades into a spaced out sprawl of psychedelic feedback and swirling distant drones. Killer.
MPEG Stream: DESPISE YOU "Bereft"
MPEG Stream: DESPISE YOU "Repeat Until You Fail"
MPEG Stream: DESPISE YOU "Roll Call"
MPEG Stream: AGORAPHOBIC NOSEBLEED "Half Dead"
MPEG Stream: AGORAPHOBIC NOSEBLEED "As Bad As It Is..."
MPEG Stream: AGORAPHOBIC NOSEBLEED "Miscommunication"

DESPISE YOU / AGORAPHOBIC NOSEBLEED And On And On... (Relapse) lp 16.98
The return of grindlords Agoraphobic Nosebleed, here teamed up with fellow grinders Despise You, who offer up their first new material in a decade, although their sound has definitely not changed. Despise You traffic in furious, punishing hardcore heaviness, blurred buzzing riffs, wild thrashing drumming, dense super intricate arrangements, slipping from chug and churn to frantic blast, punk pound to mathy lurch, the songs short and sharp, cramming 18 songs into about 16 minutes, even tackling Fear's "I Don't Care About You", the boy/girl vocals (mostly boy) yelped and howled, the sound rough and raw, filthy and crusty, total fast core power violence style, definitely harkening back to the old school Pessimiser / Theologian / Slap A Ham sound of the nineties. Which we STILL love like crazy...
Agoraphobic Nosebleed counter with their own take on that sound, starting their half out with some downtuned doomed out sludge, the vocals a heavily effected guttural bellow, the sound grooving and slithery, a chugging churning almost Black Flag-ish bit of gnarled hardcore, it's not until the second song that the band explode in a frenzy of hypergrind, complete with dive bombing Slayer style leads, the sound thick and corrosive, the riffing insane and intense, super intricate and mathy, cramming tons of parts into super short blast of sonic fury, finishing off with another chunk of tangled doom flecked midtempo hardcore pound, that grinds and howls and creeps until it fades into a spaced out sprawl of psychedelic feedback and swirling distant drones. Killer.
MPEG Stream: DESPISE YOU "Bereft"
MPEG Stream: DESPISE YOU "Repeat Until You Fail"
MPEG Stream: DESPISE YOU "Roll Call"
MPEG Stream: AGORAPHOBIC NOSEBLEED "Half Dead"
MPEG Stream: AGORAPHOBIC NOSEBLEED "As Bad As It Is..."
MPEG Stream: AGORAPHOBIC NOSEBLEED "Miscommunication"

DESTINY'S CHILD This Is The Remix (Sony) cd 17.98
Everyone knows (or should know) that with the apparent cessation of recording/performing by TLC (the R+B band EVERYONE liked, even my 'metalhead' housemate Josh loves 'Fanmail') that Destiny's Child is the only R+B group that really and truly matters. They look great. They sound great. Their songs are great. Catchy, funky, funny, with huge wicked beats and gorgeous vocal harmonies. And if you have MTV or go to clubs, you've probably been hearing all these crazy versions of Destiny's Child songs that weren't on the record when you got it home. This remix record solves that problem. While 'the remix record', in most cases has become less about offering a different and unique take on a song and more about self promotion and career advancement and ends up being ultimately pointless, this one is actually pretty cool, with some drastically different versions, from the hip hopped version of "Jumpin' Jumpin'" with rapping from Lil Bow Wow, Da Brat and Jermaine Dupri to the slow-jam blissed out Timbaland version of 'Say My Name'. Nice.
RealAudio clip: "Jumpin', Jumpin' (Remix extended version)(Featuring Jermaine Dupri, Da Brat and Lil Bow Wow)"
RealAudio clip: "Say My Name (Timbaland Remix)"

DESTRO 1 Start The Whole Mechanical Sequence (Radio Is Down) cd 11.98
What is Destro 1? Well, on an initial listen the general consensus around here was that it sounds like circa-'88 Seattle grunge fury (think Skin Yard or Soundgarden) filtered through the Olympia, WA punk scene. Loud. Raw. Vocal chords ripped to shreds. Let's put it this way, a bunch of emergency vehicles blazed by AQ with sirens screaming while this was playing and... it fit perfectly. Produced by Steve Albini, no less.