V/A Deutsche Elektronische Musik: Experimental German Rock & Electronic Music 1972-83 - Volume 1 (Soul Jazz) 2lp 24.00
Leave it to the fine folks at the Soul Jazz Label to bring us a stellar Krautrock compilation that is as heavy on obscurities as it is on classics. Don't let the fact that the Neu!, Faust and Amon Duul tracks will probably be familiar to the most casual krautrock listener, or that pretty much all the classic bands in the canon (save for Kraftwerk and Klaus Schulze) are represented, deter you from this well-researched and beautifully sequenced compilation. Why? Well, because this compilation does a great job of showcasing the many diverse facets of the music that defined krautrock: Kosmishe electronica, hippie commune folk, moterik rhythms, proggy jazz-funk and lysergic cinemagraphic soundscapes. There are plenty of rareties from bands we've barely heard of such as Between, E.M.A.K., Michael Bundt, and Ibliss, as well as bands and artists we love like Kollectiv (aka Kollektiv), Conrad Schnitzler, Deuter and Gila that perhaps casual fans may not know much about. Plus many of the more well known groups are represented by less well known tracks or later periods. The Can tracks, for example. "Aspectacle" and "I Want More" are from later records, while the great Tangerine Dream track "No Man's Land" is from an early eighties record, a less seminal period for most classic Krautrock, but one filled with plenty of amazing discoveries for those brave enough to wade through some crud. Thankfully SouL Jazz did that work for us! Here is the full listing of bands for this volume: Can, Between, Harmonia (2 tracks) Gila, Kollectiv, Michael Bundt, E.M.A.K., Popol Vuh, Conrad Schnitzler, La Dusseldorf, Faust, and Neu!.
Comes with a full color booklet showcasing the history of the bands and music. Perfect for both newbies and longtime fans! Awesome!
MPEG Stream: BETWEEN "Devotion"
MPEG Stream: KOLLECTIV "Rambo Zambo"
MPEG Stream: MICHAEL BUNDT "La Chasse Aux Microbes"
MPEG Stream: CONRAD SCHNITZLER "Auf Dem Schwarzen Canal"

V/A Deutsche Elektronische Musik: Experimental German Rock & Electronic Music 1972-83 - Volume 2 (Soul Jazz) 2lp 24.00
Leave it to the fine folks at the Soul Jazz Label to bring us a stellar Krautrock compilation that is as heavy on obscurities as it is on classics. Don't let the fact that the Neu!, Faust and Amon Duul tracks will probably be familiar to the most casual krautrock listener, or that pretty much all the classic bands in the canon (save for Kraftwerk and Klaus Schulze) are represented, deter you from this well-researched and beautifully sequenced compilation. Why? Well, because this compilation does a great job of showcasing the many diverse facets of the music that defined krautrock: Kosmishe electronica, hippie commune folk, moterik rhythms, proggy jazz-funk and lysergic cinemagraphic soundscapes. There are plenty of rareties from bands we've barely heard of such as Between, E.M.A.K., Michael Bundt, and Ibliss, as well as bands and artists we love like Kollectiv (aka Kollektiv), Conrad Schnitzler, Deuter and Gila that perhaps casual fans may not know much about. Plus many of the more well known groups are represented by less well known tracks or later periods. The Can tracks, for example. "Aspectacle" and "I Want More" are from later records, while the great Tangerine Dream track "No Man's Land" is from an early eighties record, a less seminal period for most classic Krautrock, but one filled with plenty of amazing discoveries for those brave enough to wade through some crud. Thankfully SouL Jazz did that work for us! Here is the full listing of bands for this volume: Can, Popol Vuh, Cluster, Ibliss, Moebius, Roedelius, Amon Duul II (2 tracks) Ash Ra Tempel, Tangerine Dream, and Deuter.
Comes with a full color booklet showcasing the history of the bands and music. Perfect for both newbies and longtime fans! Awesome!
MPEG Stream: IBLISS "High Life"
MPEG Stream: TANGERINE DREAM "No Man's Land"
MPEG Stream: ASH RA TEMPEL "Daydream"

V/A Electric Losers 2 cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
"The Story of Volkslied Into Krautrock Goes On"...yes, the third and fourth volumes of the previously vinyl-only "Pre-Kraut Pandaemonium" series are compiled onto cd. 29 tracks of crazee German '60s beat music.

V/A Electrick Loosers: The Story of Volkslied Into Krautrock cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE, SO PLEASE DO NOT ORDER IT. SORRY.
The cd edition of the"Pre-Kraut Pandaemonium" lps vol. 1 & 2, crazy German beat music from the late 60's, before the punks went cosmic, the same scene that spawned the Monks (who appeared on a later edition in the Pre-Kraut Pandaemonium series). Cryptic liner notes indicate that there's indeed some pre-Can (then called Inner Space), pre-Amon Duul etc. musicians on here.

V/A Golden Age: Eurock, A History of European Progressive Music (Eurock) cd-rom 22.00
Where to begin with a review of a cd-rom that includes over 1,500 articles and reviews? Well, this is what I can tell you upon first examination of this disc, but many many hours could be spent exploring the material to be found here. Basically, this is an cross-platform (Mac and PC) cd-rom archive of every issue of Archie Patterson's Eurock fanzine, from 1973 to today, 45 issues worth. Eurock, as you might guess, specializes in European progressive rock sounds (although you'll also find coverage of scenes in Japan, Mexico, and other non-European places). Beginning in '73, it was initially focused on the contemporary krautrock scene (with features on Can, Amon Duul, Tangerine Dream in issue #1!), but as you browse through the issues you'll find stuff on Magma, Kraftwerk, RIO, Guru Guru, and then soon you'll be reading about Franco Battiato, Nektar, Lars Hollmer...it's endless. The Wire review of this of course bagged on the exclusion of much UK prog-rock (as if you'd rather read about Gentle Giant than Le Orme), but Patterson could hardly go back in a time machine and add stuff to the old issues of his zine -- what they wrote then is what you get now, and that's the beauty of it, the sense of "being there", of discovery, and all that...I almost wish that the magazine had been archived PDF fashion, so that you could actually see the original page layout and funky fonts. At least there's a gallery of cover art (unfortunately not viewable at full-size), for fans of the '70 underground press aesthetic.
Oh, and there's some bonus video material as well, an Urban Sax concert (sorry, haven't investigated that yet...) and a cut each from Amon Dull II ("Eye-Shaking King", goddamn!) and Popul Vuh from German TV. Very cool! Oh, and then the regular audio portion of this cd is some inoffensive New Agey symphonic music from one Hiro Kawahara, which might have its uses when trying to relax after several hours of computer-screen staring eyestrain that this cd-rom will surely cause. A fantastic item for folks interested in this sort of stuff (you know who you are)!

V/A Homage To Neu! (Cleopatra) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Krautrock legends get their props with this comp, featuring Michael Rother (ex-Neu!), James Plotkin, Autechre, Legendary Pink Dots, Dead Voices On Air, and others...but no Stereolab! What?

V/A In-Kraut Vol.3 (Marina) lp 19.98
Achtung! Last chance to get with the In-Kraut, if you haven't already! This excellent series' third (and, sadly, final) volume offers up another twenty tracks of rare, super groovy dancefloor filling fodder from West Germany, circa 1967 to 1974, all of it pretty amazing and also amusing, in that it's generally waaay over the top and ultra-kitschy. In fact some of these tracks are so ridiculous, sooo deliberately go-go ga-ga "psychedelic" and "hip" and "groovy" that it's almost like they're parodies of these sort of swingin' sixties sounds, a la Austin Powers - who if he were German, would be getting down to exactly these sorts of swinging tunes.
If you're already an In-Kraut initiate you know what to expect: a mix of instrumentals and vocal numbers (speaking of vocal numbers, "Butterflies Never Cry" by Georgees is INSANE, utterly out of hand) done by big band-ish combos looking to wow the hipster denizens of Deutschland's discotheques back in the day. Which means this stuff is delightfully dated and far out at once, with fuzzy acid rock guitars slipped in alongside the funky beats, jazzy, zazzy horns, and lush orchestral maneuvers.
Other than the Peter Thomas Sound Orchestra (whose "World Is Gone" is almost as disturbing as it is gleefully goofy and groovy) we don't really recognize too many of the artists here, except a few who also appeared on previous In-Kraut installments, most are totally unknown to us, yet awesome, which is a reason to buy a compilation like this. Some names: Daisy Clan, The Rainbow Orchestra, Inga, Ambros Seelos, Rolf Kuhn, Certain Lions & Tigers, Adam & Eve, Acid, Heinz Kiessling, The German Top Five, Memphis Black, Karl Schiller... and a bunch more. Just a few of the highlights include the Beatles composition "A Hard Day's Night" as performed by Katja Ebstein (which could have been a standout on that recent Easy Beatles collection), and a quite, uh, horny rendition of Led Zep's "Whole Lotta Love" done by Dieter Zimmermann (and band), in the tradition of the Deep Purple cover that appeared on vol. 2.
From pop-rock covers to original soundtrack themes, there's plenty of shuffling grooves and slinky instrumentals (Acid's "Hipguard" would thrill Christine 23 Onna) to make this the perfect lava-lamp / mirror-ball crossover collection. Ja, vol. 3 is as strong the first two, highly recommended. You can't listen to this and NOT be having fun!
And as usual with these In-Kraut comps, the cd booklet is packed with graphics and text pertaining to each track. It's quite clear that the compilers know their stuff!
MPEG Stream: DIETER ZIMMERMANN "Whole Lotta Love"
MPEG Stream: GEORGEES "Butterflies Never Cry"
MPEG Stream: ACID "Hipguard"

V/A Kraut! Demons! Kraut! (BK) cd 17.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE, SO PLEASE DO NOT ORDER IT. SORRY.
Subtitled "German Psychedelic Underground 1968-1974." From the purveyors of the "Pre-Kraut Pandaemonium" lps and the "Electric Loosers" cds, this collection moves a few years ahead from the 60's German beat groups of those comps to full-on cosmic krautrock rarities. There's an unreleased early Can track on here ("Kama Sutra), also the likes of Exmagma, Electric Sandwich, Limbus 4, and many others--all very obscure and very psychedelic!!

V/A Musique Non Stop: A Tribute To Kraftwerk (EMI, Japan) cd 26.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Japanese artists cover their favorite Kraftwerk tunes. Participants include Melt Banana, Zeni Geva, Buffalo Daughter and a bunch of others we're not familiar with, but who seem to be part of the Japanese avant-pop electronica scene. The whole thing is great, absolutely recommended.

V/A Psych Bites Volume Two (Past & Present ) cd 17.98
The psych rock maven appropriately known as The Psychomaniac is back with another killer comp, one of the best we've heard from his comp-happy label in fact. Super groovy, super fuzzy, super psychedelic!! First off, though, you might be wondering, what happened to Psych Bites Volume One? Why start with the second volume in the series? Well there indeed is a Volume One, and it's probably very cool, but we haven't had a chance to check it out yet. Also that one's entirely devoted to Australian bands, so this new, geographically unfettered volume isn't precisely a sequel to the first. We'd like to review vol.1 too, but for the moment prefer to direct your attention to this disc, which has SO MUCH GOOD STUFF on it, it's kinda ridiculous. Stuff that, when you hear it, you'll be wondering, why haven't I heard this before? (Maybe you have, we knew a few of these tracks, but there's twenty of 'em here, so not to worry.) Recorded circa 1968-1974, with 1970 most heavily represented, and from all over the world, England, Germany (West -and- East), Holland, USA, Quebec, all the way to Nigeria, the unifying factor being only that these tracks are obscure classics to the max. And full of fuzz, let's not forget.
Let's touch on a few of the many highlights. The disc begins with a band with the bizarre name of Zappatta Schmidt, doing a horn-fueled, sweat-soaked, funky-drummed groover called "Someone In The Crowd" that's like if Otis Redding showed up on that old Chains and Black Exhaust comp... badass! That's followed by "Tomorrow Night", performed by the hopefully-named Chartbusters, more ye olde "hairy funk" with jamming organ, which might sound familiar though 'cause it's an Atomic Rooster cover, and a good one. We can't skip Spencer Mac's "Blues Up In Downtown", which keeps the party goin'. And that's followed by Milwaukee's Motown signings the Messengers telling us what it's like "In The Jungle"... good grief, we're mentioning ALL the tracks so far. Well, here's a few further highlights, though it's hard to choose, as you can see...
Gotta mention the kuriously monikered Kannibal Komix (aka Die Anderen) who offer up their klassic "Neurotic Reaction", which sounds like a cross between something by The Count Five and The Sweet, part freakbeat, part proto-glam, all unhinged and awesome. Heard it before on another comp or two, but always kool to hear it again. Another one we already knew was Ofo The Black Company's Afro-funk fuzz bomb "Allah Wakkbar" from '72 (a standout on the Love's A Real Thing comp from Luaka Bop, and also heard on Afrostrut's Nigeria 70 collection). But what's neat is that the almost as freaky flipside to that single, "Beautiful Daddy", is also included here too, new to us! (This disc also includes more Afro-rock from London-based Danta.) Madeline Chartrand's mesmeric "Ani-Kuni" we know we've heard somewhere before, as well, but can't remember where, so glad to have it here. Tranced out Native American chant meets space age psych, with some electric sitar thrown in for good measure. A treasure.
What else? There's the swinging sixties freakouts of Blackbirds 2000's "Let's Do It Together" and Janie's "Psycho", the latter being the sort of get everyone in the studio and get high and see what funny things wind up on the tape party that Kim Fowley was partial to, too. Oh, and this disc also provides a healthy dose of krautrockers: Frumpy, Krokodil, Orange Peel, and the prae-kraut pandaemonium of The Rattles. All good stuff. And the cd booklet provides notes on everything, plus full color graphix.
So, if you have been digging the comps done by the B-Music crew, or Psychic Circle, or similar various artists international fuzz-psych collections like Obsession, Neurotic Reaction, Cherrystone's Rocks, the best of those Electric Asylum comps (also put together by ol' Psychomaniac), etc., etc. then this is for you!
MPEG Stream: ZAPPATTA SCHMIDT "Someone In The Crowd"
MPEG Stream: KANNIBAL KOMIX "Neurotic Reaction"
MPEG Stream: MADELEINE CHARTRAND "Ani-Kuni"

V/A The World Of Krautrock (XYZ) 2cd 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE, SO PLEASE DO NOT ORDER IT. SORRY.
Bargain price import double cd sampler of some pretty cool, cosmic 70's German rock. You get two hours worth of the likes of Popol Vuh, Guru Guru, Birth Control, Witthuser & Westrupp, Holderlin and many more (obscure) bands. It's got a way cheesy cover, but it's also great deal.

V/A Unknown Deutschland: The Krautrock Archive Volume 2 (Virgin) cd 13.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE, SO PLEASE DO NOT ORDER IT. SORRY.
Volume 2 features The Nazgul, Temple, Golem, Cozmic Corridors.

VALENTINE, MATT / ERIKA ELDER / ALEX NIELSON / MOSES JIGGS s/t (Qbico) lp 25.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
The Tower Recordings' Matt Valentine teams up with some of his freedrone pals for a disc of lengthy, blissed out ur-drones and psychedelic ragas. Subtle, slow burning melodies, and buzzing steel string hum are woven into dense swirling drug psych ambience. Various bits of percussion are sprinkled like glitter throughout, sparkling like distant stars amidst the thick whir of bombinating guitars, and fuzzy stringed buzz. From fiery and fierce to drifting and barely there, this is indeed a divine disc of mesmer,
And holy crap is it super trippy to watch this picture disc spin, the colors and shapes, the perfect visual representation of the mind melting sounds within!

VAMPIRES OF DARTMOORE, THE Dracula's Music Cabinet (B-Music / Finders Keepers) cd 15.98
It's pretty obvious why the folks at B-music (like DJs Andy Votel and Dom Thomas) dig these particular collectible exploito obscurities so much, and why they're so excited to be reissuing 'em in their new "Germanic Miner" series dedicated to "krautsider music"! What could be more B-musical than these two faux soundtracks concocted in the late sixties by a couple of creative German producers, operating at the weird, wacked out intersection of kitschy library music and freaky krautrock? One's a slice of slinky, sorta-scary "horrotica", the other a spaced out sci-fi fest for the Barbarella set. Both are delirious, demented party-pleasers.
The Vampires Of Dartmoore and their Dracula's Music Cabinet conjures a sexy frightmare of hip swinging, bloodsucking sounds. "Mord Im Ohio Express (Murder In The Ohio Express)" seems kinda surfy, but mostly this is about groovy porno lounge music, with smoky horns and jazzy percussion, interwoven with screams and creepy sound effects, moaning and groaning, dogs barking and something going boing boing boing... It's a very NON-academic application of musique concrete technique, noises worked into the songs, such as the rumbling explosions that punctuate "Eine Handvoll Nitro (A Handful Of Nitro)". The mix is fairly chaotic, stuff fading in and out, levels up and down. If this WAS a movie soundtrack, it would have been a pretty crazy movie. Tracks reference Hitchcock, Dr. Caligari, and Frankenstein's monster. And sex. Definitely sex.
Equally bizarre, if less R-rated, is the Science Fiction Dance Party. Again, it's groovy, jazzy, sometimes fuzzy "instro-hipster" style stuff, laced with loads of goofy outer space sound effects and rocketship radio drama theatrics. It sounds like music for a cocktail party and/or acid test on the bridge of the Starship Enterprise. You can imagine Robbie the Robot getting down to this. Distorted alien and/or computer voices abound, song titles include "Visitors Of A.D. 2022", "The Whistling Astronaut", and "Hit Parade In The Light Year 25" (which doesn't even make sense, don't they know that light years are a measure of distance?). As well as whistling, there's some screams here too, as spacemen are presumably being zapped with rayguns, but the music remains jaunty. Even the song "Death Rays Out Of The Universe" is inexplicably upbeat. So, it's all very silly, but a lot of fun.
Both albums feature bonus tracks (2 previously unreleased "Petting Party" jams on Vampires, 4 extra tracks on Science Fiction that come back to earth to delve into disco and Eastern exotica instead). The slipcased cds of these are now domestic releases (we waited instead of getting the expensive imports) but the LP versions remain imports.
MPEG Stream: "Crime And Horror"
MPEG Stream: "Mord Im Ohio Express (Murder In The Ohio Express)"
MPEG Stream: "Tanz Der Vampires (Dance Of The Vampires)"

VAMPIRES OF DARTMOORE, THE Dracula's Music Cabinet (Finders Keepers) lp 27.00
Also available on (import only) vinyl!
It's pretty obvious why the folks at B-music (like DJs Andy Votel and Dom Thomas) dig these particular collectible exploito obscurities so much, and why they're so excited to be reissuing 'em in their new "Germanic Miner" series dedicated to "krautsider music"! What could be more B-musical than these two faux soundtracks concocted in the late sixties by a couple of creative German producers, operating at the weird, wacked out intersection of kitschy library music and freaky krautrock? One's a slice of slinky, sorta-scary "horrotica", the other a spaced out sci-fi fest for the Barbarella set. Both are delirious, demented party-pleasers.
The Vampires Of Dartmoore and their Dracula's Music Cabinet conjures a sexy frightmare of hip swinging, bloodsucking sounds. "Mord Im Ohio Express (Murder In The Ohio Express)" seems kinda surfy, but mostly this is about groovy porno lounge music, with smoky horns and jazzy percussion, interwoven with screams and creepy sound effects, moaning and groaning, dogs barking and something going boing boing boing... It's a very NON-academic application of musique concrete technique, noises worked into the songs, such as the rumbling explosions that punctuate "Eine Handvoll Nitro (A Handful Of Nitro)". The mix is fairly chaotic, stuff fading in and out, levels up and down. If this WAS a movie soundtrack, it would have been a pretty crazy movie. Tracks reference Hitchcock, Dr. Caligari, and Frankenstein's monster. And sex. Definitely sex.
Equally bizarre, if less R-rated, is the Science Fiction Dance Party. Again, it's groovy, jazzy, sometimes fuzzy "instro-hipster" style stuff, laced with loads of goofy outer space sound effects and rocketship radio drama theatrics. It sounds like music for a cocktail party and/or acid test on the bridge of the Starship Enterprise. You can imagine Robbie the Robot getting down to this. Distorted alien and/or computer voices abound, song titles include "Visitors Of A.D. 2022", "The Whistling Astronaut", and "Hit Parade In The Light Year 25" (which doesn't even make sense, don't they know that light years are a measure of distance?). As well as whistling, there's some screams here too, as spacemen are presumably being zapped with rayguns, but the music remains jaunty. Even the song "Death Rays Out Of The Universe" is inexplicably upbeat. So, it's all very silly, but a lot of fun.
Both albums feature bonus tracks (2 previously unreleased "Petting Party" jams on Vampires, 4 extra tracks on Science Fiction that come back to earth to delve into disco and Eastern exotica instead). The slipcased cds of these are now domestic releases (we waited instead of getting the expensive imports) but the LP versions remain imports.
MPEG Stream: "Crime And Horror"
MPEG Stream: "Mord Im Ohio Express (Murder In The Ohio Express)"
MPEG Stream: "Tanz Der Vampires (Dance Of The Vampires)"

VARGHKOGHARGASMAL Drowned In Lakes (tUMULt) cd 11.98
Varghkoghargasmal. When we first discovered this German one man band, it was via a cassette, with a black and white photocopied cover, a washed out image of some wintry forest landscape, accompanied by the legend 'wooden metal'. Needless to say we were totally intrigued, only to discover, that there wasn't anything really that metal about it, or wooden even. Not sure if 'wooden' referred to the trees, or to acoustic guitars, but none of that mattered once we head the music inside. A twisted confusional mix of slowed down Dick Dale style surf riffage, stumbling drums, haunting melodies, warbly organs, all wrapped around a simple motorik almost krautrock groove. We had no idea what to call it, or really even what to think, other than being totally smitten, transfixed and ensorcelled. Definitely ensorcelled.
So here we have the brand new album from Avenger, the man solely responsible for Varghkoghargasmal, and if anything, it's even more haunting and mysterious, more creepy and strange, and somehow way more beautiful.
It's a difficult sound to explain, the guitars are clean, but are often still playing in a black metal style, frantic riffing or rapid picking, but just as often the guitars are spidery and minor key, unfurling lugubrious tendrils of creepy twang, or reverbed shimmer. The vocals are minimal, a hushed whisper here and there, a Viking style chant during one song, but it's mostly left to the music, which is incredibly evocative, it's like some sort of acoustic black metal, mixed with slowed down surf rock, dark languorous krautrock, and a distinct Morricone vibe as well. And then there are the drums, which by design or by happenstance, are a definite sonic focal point, as they are WAY up in the mix, and they are all over the place, the fills are chaotic, the rhythms stumble and stutter, but in their imperfections lie a truly unique sort of emotion and feeling not found in most music. The drums anchor everything, locking into foresty krautrock grooves, sputtering into dense little tumbling squalls, the prefect framework for Avenger's rickety moonlit jams.
Most of the songs creep and crawl, sometimes behind a curtain of rainfall, the sound of the forest spirits, flickering firelight, fireflies lighting up the canopy overhead, pianos pick out mournful melodies, the drums, lurching along, a perfectly imperfect accompaniment, organs wheeze, synths whir, steel strings twang, the whole thing so impossibly transcendent, effortlessly evoking ancient atmospheres and deep emotions. When the band lock into a more rocking groove, and the rhythm builds into something propulsive, the guitars stretch out into long streaks of buzzing melodies, the organ plays along like some old time music box, and the sound transforms before your ears and transports you to some truly mysterious otherworld.
There are some black metal references for sure, mostly the ambient bits of Burzum, and some of the riffing recalls suicidal black metal, albeit played with no distortion and more melancholy really than miserable, some of the more frenzied parts even sound like Iron Maiden played on acoustic guitars, and sometimes the guitars manage to sound like banjos, but still the creepiest and prettiest moments occur when the sound winds down into something much more minimal and muted, letting the keyboards weave fluttery melodies, over whirring drones and spare guitar melodies, only occasionally flecked with little flurries of haphazard drumming.
One of the few records that we can unequivocally describe as being utterly unlike anything else you will ever hear! Hauntingly beautiful, beautifully bizarre, and WAY WAY recommended.
MPEG Stream: "Autumn Rain"
MPEG Stream: "Far Away From The Earth..."
MPEG Stream: "...Near The Stars"
MPEG Stream: "Listen To The Wind"

VIOLENCE FOG / JERUSALEM SWF-Sessions Vol. 6 (Long Hair) cd 17.98
First off, Violence Fog is Allan's new favorite band name ever (sorry, Dirty Lust). As soon as he (me, I) saw it listed in one of our supplier's catalogs, I had to order it. Plus, the description said that it had flutes on it, so I knew that Andee would probably want one too. This split release between Violence Fog and Jerusalem brings together two previously unreleased, minor gems of early '70s krautrock prog/psych. Both bands are heavy jammin' outfits, not remotely "metal" (kinda laid-back in fact) but not wimps either (despite the flutes). Yes, that's flutes in the plural -- Violence Fog has *two* of 'em. (No flutes for Jerusalem but they're good anyways.) Both bands are your basic trippy hippies doing what they do (did) best...head music, man.
RealAudio clip: VIOLENCE FOG "New One"
RealAudio clip: JERUSALEM "Moon's New Way"

VIOLENCE FOG / JERUSALEM SWF-Sessions Vol. 6 (Long Hair) cd 17.98
First off, Violence Fog is Allan's new favorite band name ever (sorry, Dirty Lust). As soon as he (me, I) saw it listed in one of our supplier's catalogs, I had to order it. Plus, the description said that it had flutes on it, so I knew that Andee would probably want one too. This split release between Violence Fog and Jerusalem brings together two previously unreleased, minor gems of early '70s krautrock prog/psych. Both bands are heavy jammin' outfits, not remotely "metal" (kinda laid-back in fact) but not wimps either (despite the flutes). Yes, that's flutes in the plural -- Violence Fog has *two* of 'em. (No flutes for Jerusalem but they're good anyways.) Both bands are your basic trippy hippies doing what they do (did) best...head music, man.
RealAudio clip: VIOLENCE FOG "New One"
RealAudio clip: JERUSALEM "Moon's New Way"

WABI SABI (A-Musik) cd 16.98
German producer Markus Schmickler -- who was responsible for that great Tortoise-beating Pluramon record on Mille Plateaux a little while ago, the one with the cameo from Can's Jaki Liebezeit -- turns his talents to full-on abstract drone electronica with Wabi Sabi. Forced Exposure's Jimmy Johnson calls it "...a staggering sounding, beautifully packaged and simply significant contemporary electronic album..."

WEED s/t (Revisited / Phillips) cd 17.98
Obscure, awesome 1971 krautrock proto-metal reissued! And they're called Weed. Need we say more? As always, we will say more, 'cause we've got to mention that the heavy electric organ bombast on this album is cranked out by none other than Ken Hensley of Uriah Heep fame, over in Germany on vacation or something. He appears here under the fairly transparent pseudonym of "Ken Lesley"! Having mentioned that, we realize we should probably review some actual Uriah Heep albums on our site one of these days, but this did just get reissued so we're writing about it now. (Sooner or later we will write up some Heep, but suffice to say that their first five albums RULE, circa '70-'73, though they go downhill pretty steeply after that. If you dig Deep Purple and haven't checked out the early Heep, you should.)
Anyway, back to Weed. Thanks to Hensley/Lesley, they DO sound a bit like Uriah Heep, especially on the killer opener "Sweet Morning Light". Despite (sarcastic?) lyrics about "sun shining bright, on everything in sight" and other seemingly positive things, the singer's depressed delivery and the downer dirginess of the heavy, groovy music creates a much darker, doomier mood! It's kinda brilliant, that contrast. Elsewhere, this album features the more mellow, melancholic acoustic balladry of "Loney Ship", one blues rocker, "Slowin' Down", and several other sorts of organ-ornate melodic kraut prog jams. It ends with another heavy highlight, the song "Weed" itself, the album's longest track at 7:14. And it's an instrumental. With a crunching, exceedingly Sabbathy main riff, or is it Led Zep? Kicks ass anyways. For the first and last tracks alone, this disc is something anyone interested in proto-doom should hear.
Also, Weed should get some sort of award as one of the earliest overt "stoner rock" bands ever, just based on their name, right? Them and Leaf Hound.
MPEG Stream: "Sweet Morning Light"
MPEG Stream: "My Dream"

WEGMULLER, WALTER Tarot (Spalax) 2cd 32.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
This 1973 krautrock rarity was reissued a few years ago as a deluxe box set complete with reproductions of the Tarot cards designed by German gypsy painter Walter Wegmuller. That uber-expensive deluxe version quickly went out of print, and now we have a nicely presented double cd set of the same music, minus the cards. The 21 tracks on here are, however, dedicated to the Major Arcana of the Tarot deck. Whether you're into the mysticism of this or not, its the trippy "kosmiche" krautrock music that makes this worthy of purchase. Wegmuller (with producer Rolf-Ulrich Kaiser) directed an all-star cast of German underground musicians including Manuel Gottsching, Walter Westrupp, and Dieter Dirks in creating a sometimes maniacal, sometimes zoned-out krautrock classic. It really is similar to early Ash Ra Tempel, Brainticket, or the Cosmic Jokers (indeed, the cast of musicians pretty much IS the Cosmic Jokers). Wild, weird stuff that wanders from electronic soundscapes with portentous voice-overs to acid guitar freakouts to mellow flute-led folk jams... Every track/card is different. If you can tolerate some of the hippy excesses (and the talking), this has much to offer. We can imagine that the Current 93/NWW folks must have been really into this!
RealAudio clip: "Die Hohepriesterin"
RealAudio clip: "Der Hohepriester"

WIND Seasons (Long Hair) cd 27.00
We couldn't remember why, exactly, must have read about it sometime long ago in a krautrock reference book, like the Crack In The Cosmic Egg perhaps, but we knew that as fans of early HEAVY '70s stuff - psych, prog, krautrock, proto-metal, what have you - that apparently the German band Wind's 1971 debut Seasons was one to watch out for. Well, it finally just got reissued via the Long Hair label (who have recently brought us several kraut-prog winners from Cannabis India, Mammut, and Et Cetera, amongst others) and so, already curious about it, we ordered a copy of it in...
First impression, before we even put it on, from looking at the photo on the back: damn, for a krautrock band, these guys have some seriously impressive, huge Afros!!! So, a lot of expectation/anticipation/long hair to live up to. And as it turns out, Wind don't blow it (sorry). This album is fine indeed. It hits our "heavy" buttons but also has enough melodic and groove appeal that some of the folks here at AQ who, y'know, don't spend time memorizing stuff out of krautrock reference books or obsessing about 1971 were into it too! So, we ordered some more, and here's our review...
Wind were a five piece: guitar, organ, bass, drums, the singer sometimes busting out flute (yes!) and harmonica. With the organ, they're in the "heavy progressive" mode of a lot of other early krautROCK bands, sounding as much like Deep Purple as they do Can. Both of which are cool by us, and the DO sound like both sometimes. Another once-popular krautrock band they remind us of is Birth Control (who we love, but sadly have never reviewed, relevant reissues seem scarce right now). So that means lots of thumping organ and fuzzy guitar riffs, which do indeed pound forth, especially on opener "What Do We Do Now", and later on the even heavier "Dear Little Friend", but even those songs have their shades of light as well as dark. Wind featured raw sounds and tight playing, on this record definitely conveying an impassioned feeling, in part due to the singer's often gruff, sandpapery voice, that at his toughest makes us think of Nazareth's Dan McCafferty, though at times he can be quite smooth and soulful. His harmonica blowin' on the 16 minute album-closer "Red Morningbird" gives that song an evocative Ennio Morricone / Spaghetti Western vibe, also sounding a lot like one of Can's Soundtracks tracks, and this album might be worth the price of admission alone just for that epic track. Certainly kraut-fans of Birth Control, Murphy Blend, Dies Irae, Gift, early Out Of Focus, will need to hear Wind's Seasons, and like we said it has also been catching the ears of even those here who aren't the biggest prog and proto-metal fiends.
Liner notes in German and English tell us that prior to the release of this album, the members of Wind were involved in recording an exploito-psych LP by "Corporal Gander's Fire Dog Brigade", and did an ill-fated, six-month tour of Vietnam (where there was a war going on, you may recall). But they survived all that to release this debut and another (much softer, we're told) album in '72, calling it a day not long after, having bad luck selling records despite good reviews and success on stage, having played clubs and festivals with the likes of Can, Family, East Of Eden, Pink Floyd and others.
MPEG Stream: "What Do We Do Now"
MPEG Stream: "Red Morningbird"

WIND Seasons (Long Hair) lp 33.00
We couldn't remember why, exactly, must have read about it sometime long ago in a krautrock reference book, like the Crack In The Cosmic Egg perhaps, but we knew that as fans of early HEAVY '70s stuff - psych, prog, krautrock, proto-metal, what have you - that apparently the German band Wind's 1971 debut Seasons was one to watch out for. Well, it finally just got reissued via the Long Hair label (who have recently brought us several kraut-prog winners from Cannabis India, Mammut, and Et Cetera, amongst others) and so, already curious about it, we ordered a copy of it in...
First impression, before we even put it on, from looking at the photo on the back: damn, for a krautrock band, these guys have some seriously impressive, huge Afros!!! So, a lot of expectation/anticipation/long hair to live up to. And as it turns out, Wind don't blow it (sorry). This album is fine indeed. It hits our "heavy" buttons but also has enough melodic and groove appeal that some of the folks here at AQ who, y'know, don't spend time memorizing stuff out of krautrock reference books or obsessing about 1971 were into it too! So, we ordered some more, and here's our review...
Wind were a five piece: guitar, organ, bass, drums, the singer sometimes busting out flute (yes!) and harmonica. With the organ, they're in the "heavy progressive" mode of a lot of other early krautROCK bands, sounding as much like Deep Purple as they do Can. Both of which are cool by us, and the DO sound like both sometimes. Another once-popular krautrock band they remind us of is Birth Control (who we love, but sadly have never reviewed, relevant reissues seem scarce right now). So that means lots of thumping organ and fuzzy guitar riffs, which do indeed pound forth, especially on opener "What Do We Do Now", and later on the even heavier "Dear Little Friend", but even those songs have their shades of light as well as dark. Wind featured raw sounds and tight playing, on this record definitely conveying an impassioned feeling, in part due to the singer's often gruff, sandpapery voice, that at his toughest makes us think of Nazareth's Dan McCafferty, though at times he can be quite smooth and soulful. His harmonica blowin' on the 16 minute album-closer "Red Morningbird" gives that song an evocative Ennio Morricone / Spaghetti Western vibe, also sounding a lot like one of Can's Soundtracks tracks, and this album might be worth the price of admission alone just for that epic track. Certainly kraut-fans of Birth Control, Murphy Blend, Dies Irae, Gift, early Out Of Focus, will need to hear Wind's Seasons, and like we said it has also been catching the ears of even those here who aren't the biggest prog and proto-metal fiends.
Liner notes in German and English tell us that prior to the release of this album, the members of Wind were involved in recording an exploito-psych LP by "Corporal Gander's Fire Dog Brigade", and did an ill-fated, six-month tour of Vietnam (where there was a war going on, you may recall). But they survived all that to release this debut and another (much softer, we're told) album in '72, calling it a day not long after, having bad luck selling records despite good reviews and success on stage, having played clubs and festivals with the likes of Can, Family, East Of Eden, Pink Floyd and others.
MPEG Stream: "What Do We Do Now"
MPEG Stream: "Red Morningbird"

WOODEN SHJIPS Vol. 2 (Sick Thirst) cd 14.98
Few bands around these parts are received with such a fanatical devotion as local heroes Wooden Shjips. Everything they touch turns to gold, and when the band puts out a single, you'd better hop on that shit PRONTO, or else you miss out... until the band graciously collects everything in one essential package. Vol. 2 puts together their most recent, already out of print singles, and like everything on Vol. 1, these songs are just as good, sometimes even BETTER than what you get on their proper full lengths. More than likely most of you probably haven't been able to obtain these songs, so what you get here is as follows: the Sub Pop 7", side 1 of the "Vampire Blues" European tour 7", a live track from yet another Euro tour 7" with the Heads, the Contact 12" on Mexican Summer, and a live track from a Yeti magazine sampler. Everyone of these songs is absolutely amazing and will no doubt bring on tears of joy.
The Sub Pop 7" kicks off with the awesome "Loose Lips", a song that would shoot off way beyond the clouds if the rhythm section didn't keep things perfectly grounded like it does. The song swirls about in classic Shjips fashion with a nice melodic organ lead driving things forward and awesome submerged vocals. Next up is "Start To Dreaming", proving once again that a Wooden Shjips B-side is nothing to be taken lightly. It's by far one of the band's most beautiful songs, starting life with a slow but steady bassline and a mournful guitar lead before the pace picks up and pretty much knocks you out with its unbelievable beauty. Goddamn.
The band's cover of Neil Young's "Vampire Blues" is next, an upbeat rocker reconfigured perfectly for the Shjips' psychedelic approach. "Death's Not Your Friend" is from the split 7" with the Heads, and the band proves they can deliver in a live setting. The song is super rhythmic and dense as hell, a total joy to listen to for both long car rides through god knows where OR solitary walks in the woods, take your pick.
"Contact" is a Shjips styled cover of a Serge Gainsbourg song, and it moves along at a steady midtempo groove. The song is anchored by a hypnotic bassline, allowing the submerged wah guitar and French sung vocals to do their thing. Side 2 features "I Hear The Vibrations" in its superior form, the "E-Z Version". The song first appeared in a truncated version on the Vampire Blues single, which was wisely left off in favor of this take. Maybe you recall that we put it all out on the table in our original review and pretty much declared this to be the band's best song to date, a claim we still stand by. It's the kind of song that would go on forever if we had our way.
The album closes with another live tune, "Outta My Head", from the Yeti sampler. The burly bass/guitar attack is impossible to ignore while the simple drumming incorporates a jangly tambourine into its nonstop pound. The organ spits out awesome hazy melodies as the guitar blissfully distorts all over the place, and it's a great way to end the album, making you want to see these guys level some small club.
So yeah, this is not at all a hard sell, we probably didn't even have to bother with a review, but we love this band so much that we just felt like throwing in our two cents. For everyone who missed out the first time along, this is a no brainer. And if you've been living under a rock, Vol. 2 also serves as a highly worthy introduction to one of our fine city's flagshjip bands.
MPEG Stream: "Loose Lips"
MPEG Stream: "Vampire Blues"
MPEG Stream: "I Hear The Vibrations (E-Z Version)"

WOODEN SHJIPS Vol. 2 (Sick Thirst) lp 14.98
Few bands around these parts are received with such a fanatical devotion as local heroes Wooden Shjips. Everything they touch turns to gold, and when the band puts out a single, you'd better hop on that shit PRONTO, or else you miss out... until the band graciously collects everything in one essential package. Vol. 2 puts together their most recent, already out of print singles, and like everything on Vol. 1, these songs are just as good, sometimes even BETTER than what you get on their proper full lengths. More than likely most of you probably haven't been able to obtain these songs, so what you get here is as follows: the Sub Pop 7", side 1 of the "Vampire Blues" European tour 7", a live track from yet another Euro tour 7" with the Heads, the Contact 12" on Mexican Summer, and a live track from a Yeti magazine sampler. Everyone of these songs is absolutely amazing and will no doubt bring on tears of joy.
The Sub Pop 7" kicks off with the awesome "Loose Lips", a song that would shoot off way beyond the clouds if the rhythm section didn't keep things perfectly grounded like it does. The song swirls about in classic Shjips fashion with a nice melodic organ lead driving things forward and awesome submerged vocals. Next up is "Start To Dreaming", proving once again that a Wooden Shjips B-side is nothing to be taken lightly. It's by far one of the band's most beautiful songs, starting life with a slow but steady bassline and a mournful guitar lead before the pace picks up and pretty much knocks you out with its unbelievable beauty. Goddamn.
The band's cover of Neil Young's "Vampire Blues" is next, an upbeat rocker reconfigured perfectly for the Shjips' psychedelic approach. "Death's Not Your Friend" is from the split 7" with the Heads, and the band proves they can deliver in a live setting. The song is super rhythmic and dense as hell, a total joy to listen to for both long car rides through god knows where OR solitary walks in the woods, take your pick.
"Contact" is a Shjips styled cover of a Serge Gainsbourg song, and it moves along at a steady midtempo groove. The song is anchored by a hypnotic bassline, allowing the submerged wah guitar and French sung vocals to do their thing. Side 2 features "I Hear The Vibrations" in its superior form, the "E-Z Version". The song first appeared in a truncated version on the Vampire Blues single, which was wisely left off in favor of this take. Maybe you recall that we put it all out on the table in our original review and pretty much declared this to be the band's best song to date, a claim we still stand by. It's the kind of song that would go on forever if we had our way.
The album closes with another live tune, "Outta My Head", from the Yeti sampler. The burly bass/guitar attack is impossible to ignore while the simple drumming incorporates a jangly tambourine into its nonstop pound. The organ spits out awesome hazy melodies as the guitar blissfully distorts all over the place, and it's a great way to end the album, making you want to see these guys level some small club.
So yeah, this is not at all a hard sell, we probably didn't even have to bother with a review, but we love this band so much that we just felt like throwing in our two cents. For everyone who missed out the first time along, this is a no brainer. And if you've been living under a rock, Vol. 2 also serves as a highly worthy introduction to one of our fine city's flagshjip bands.
MPEG Stream: "Loose Lips"
MPEG Stream: "Vampire Blues"
MPEG Stream: "I Hear The Vibrations (E-Z Version)"

WORKSHOP Yog Sothoth (Sonig) cd 14.98

WORKSHOP Es Liebt Dich Und Korperlichkeit Ein Ausgerflippter (Blue Chopsticks) cd 14.98
"Krautfolk" is what Workshop's music has been called. You're intrigued, aren't ya? Me too. While I haven't heard Workshop's supposed four other albums, this one piqued my attention immediately. It's simply the combination of elements that keeps this album fresh. First there's the German vocals -- so light and cheerful, a delight after getting so tired of the Teutonic ice diva vocals one often hears -- and then there's rapidly strummed guitar coupled with whimsical piano, which is nice but really fresh when playing against the vocals, and *then* you hear sitar and a general acid folk vibe permeating the entire album, which lends yet another whole level to the sounds your brain is processing. Add to that the most exquisite chord changes (especially in the first song "Fur wen?"), some synth / electronics action, a shambolic tone that reminds me of Os Mutantes, and you have a non-formulaic, surprise good listen. Recommended (even if there are a few duds in the middle of the record, and the cover art is yucky).
In Europe this record was released on Mouse on Mars' label Sonig, and here it sees light via David Grubbs' Blue Chopsticks imprint. Yay.
RealAudio clip: "Fur wen?"
RealAudio clip: "Scheusalstage"
RealAudio clip: "Erfullung"

XHOL Hau-RUK (Garden Of Delights) cd 21.00

XHOL Motherfuckers GMBH & CO KG (Wah Wah) lp 29.00

XHOL CARAVAN Mother Fuckers GMBH cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

YATHA SIDHRA A Meditation Mass (Revisited / Brain) cd 21.00
We blew through these last time, and only now got more, but who knows how long this batch will last...
Holy shit!!! This has to be our krautrock (re)discovery of the year. Definitely contender for krautrock reissue of the year!! We have been listening to this NONSTOP since it came in. We had heard OF Yatha Sidhra, a German group whose only record, A Meditation Mass, was released in 1974, but until now we had never actually heard it. Apparently the record was massive flop which is utterly shocking hearing this now. Everything we could want in a krautrock record, loooong tracks, simple tribal percussion, flute all over the place, simple effected guitar, crooned almost chantlike vocals, squalls of totally heavy super distorted freaked out psychedelia, wild drumming, tons of effects, as well as long stretches of tranquil drift and fluttery folky shimmer.
The opening movement of the Mass begins with all manner of rumbles and drones, before it slips into a lilting laid back groove, all soft guitar curlicues, spare percussion, warm languid bass, and flittering flute, the track drifts lazily, occasionally erupting into ultra brief psychedelic blowouts, the flute howling, a cacophony of frenzied drumming, only to settle right back into the mellow drift. The second movement is a little more active, the drums more propulsive, piano draped over deep dubby bass, and the flute fired up and swooping wildly, jazzy but still pretty krautrocky.
The third movement is probably our favorite, clocking in at 12 minutes, the song starts out by returning to the opening groove, loping bass, fluttery flute, spare guitar, the drums a bit more aggressive, some angular guitar solos, all wrapped up in tripped out FX, eventually the song shifts into a more upbeat shuffle, the drums getting wilder and more chaotic, the guitar going nuts, spitting out psych leads all over the place, until the band locks into a serious blowout, the guitar white hot, the drums freaking out, the bass swooping back and forth, everything doused in so many effects the whole track seems to crumple and crumble under the weight, flanger and phaser and echo have everything totally tripped out and druggy, the drums and flute engage in a wild battle, a free jazz krautrock psychedelic frenzy, before finally simmering down, and slipping into a super soft lazy lope, the flute floating over a deep bass and minimal drum workout, finishing off with another drum vs. flute freakout, everything again dripping with echo and delay, as of the whole band was slipping deeper and deeper, moving further and further away.
The final movement, revisits the opening, the band slip smoothly back into that original groove, the guitars way more effected, the drums a bit more tribal, the flute still drifting above it all, the whole band locked into a totally dreamy, blissed out krautdrone drift, with the instruments dropping out one by one, eventually leaving just the guitar, wreathed in effects to shimmer and finally fade out.
So freaking amazing. Boggles the mind that these guys, and this record aren't spoken of in hushed reverence and worshipped along with Can and Faust and all the other krautrock legends. Hopefully that will change with this reissue, and even if it doesn't, at least we know how mysterious and magical A Meditation Mass really is...
Packaged in a super spare digipak, with a big book of liner notes (in English and German) and a bunch of photos.
MPEG Stream: "Part 1"
MPEG Stream: "Part 3"

YOU Electric Day (Bureau B) cd 17.98
Ok, we figured it was about time we made YOU the Record Of The Week, after all, you've been such a loyal customer for such a long time, haven't you, so it seems like it would be a nice gesture...hahaha. No, the band is called You, and they're our latest krautrock love affair. When we got an advance copy of this disc a few weeks ago, we were immediately intrigued, just by the awesome cover art (is that a cosmic tuning fork?), brilliant basic band name, and also by the band photo (long haired guy in shades, new wavey dude in even bigger shades, stoned looking guy with 'stache) that struck us as looking so much like a hip new band from here and now (like, say, the Jonas Reinhardt fellas, with a Ripley from Wooden Shjips clone in there too) but upon closer inspection, we found it was indeed a reissue, brought to us by the excellent German label Bureau-B, known for their krautrock archaeology (Cluster/Moebius/Roedelius stuff especially) as well as for putting out newer albums from the scene, including the latest Kreidler.
Originally released in 1979, Electric Day was the first album from You (their other one, 1983's Time Code, has also been reissued, and is really just about as great, you'll find it highlighted elsewhere on this list - we came close to making 'em both Records Of The Week). On Electric Day, You consisted of synth mavens Udo Hanten and Albin Meskes along with guitarist Uli Weber and, on drums, under the alias Lhan Gopal for some reason, Harald Grosskopf (a name you might know if only 'cause his own, concurrently recorded Synthesist album was recently reissued on vinyl and highlighted here not long ago). Grosskopf had played drums with Klaus Schulze, and was in Manuel Gottsching's Ashra band at the time. Producer Conny Plank hooked him up with Hanten and Meskes, and we can hear here that they all got along famously, being "Berlin School" mates as it were.
Together on You's debut, this cosmic quartet unleashed much glorious spaced out, spooked out, futuro-zone synth shiver, with psych guitar tripping, electronic pulsations, and Grosskopf's tight percussion, no pussyfooting about it! Seriously, they really do sound quite a bit like Jonas Reinhardt (or rather, the other way around), and could also easily have been the template for a lot of other current bands we love doing the kosmic kraut/John Carpenter-y electronic rock thing, like Zombi, Majeure and Maserati, most definitely! So it's not just for completist krautrock collector types that we recommend this album, nope. And did you catch our Fripp/Eno reference? Others to cite in the "recommended if you like" realm: Heldon, Cloudland Canyon, Michael Rother, Sensations Fix, Moebius & Beerbohm, the previously mentioned Ashra, etc.
All instrumental ('cause in space no one can hear you scream), You's Electric Day begins with the title track, a busy burbling rhythm soon washed over with waves and waves of electronics, while remaining upbeat and snazzily sizzling. The 2nd track, the moodier "Magooba", gets darker and more intense, letting rip with zips and zaps and plenty of freaky guitar. Then the focus shifts back to the shuffling machine rhythms on "Son Of A True Star". That's followed by the two-part "Sequential Spectrums" which sees You setting the controls for deep dark outer space, drifting in shimmering, fizzing electronic ambience, having a bit of a Tangerine Dream, before the almost twelve minute long "Slow Go", the original album's penultimate track, kinda sums up all that came before into one epic journey, the beats tingling propulsively, waves of synth-sound building and building, in one big ecstatic celebration of "this kind of thing" for sure. But don't get too smiley and relaxed, 'cause You have a nervous-making finale in store, the jumpy, uber-distorted "Zero-Eighty-Four" being an active, sinister, suspenseful closer to the album proper...nice! And then, if you get the cd, that's followed by 4 bonus tracks (not on the vinyl, which is 180 gram however), totalling another 33 minutes of music! "E-Night" is blissful, but ultimately pretty heavy. "H.Rays Identity" features some strange sampled chanting amidst its electronic excess, while "Hallucination Engine" is sorta proto-ambient techno. And then "Yousless" sounds like it was written by/for R2D2 the Star Wars droid! All are quite worthwhile, and the whole disc is super solid stuff, making us wonder why we'd never heard about You before (that's why we love this job, the buried treasure out there seems endless, wow). This has gotta be the best unknown-to-us krautrock reissue since Riechmann's Wunderbar (also from Bureau B), at least.
There's really no other way for us to wind up this review other than saying, You rule!!
MPEG Stream: "Electric Day"
MPEG Stream: "Magooba"
MPEG Stream: "Slow Go"
MPEG Stream: "Zero-Eighty-Four "

YOU Electric Day (Bureau B) lp 17.98
Ok, we figured it was about time we made YOU the Record Of The Week, after all, you've been such a loyal customer for such a long time, haven't you, so it seems like it would be a nice gesture...hahaha. No, the band is called You, and they're our latest krautrock love affair. When we got an advance copy of this disc a few weeks ago, we were immediately intrigued, just by the awesome cover art (is that a cosmic tuning fork?), brilliant basic band name, and also by the band photo (long haired guy in shades, new wavey dude in even bigger shades, stoned looking guy with 'stache) that struck us as looking so much like a hip new band from here and now (like, say, the Jonas Reinhardt fellas, with a Ripley from Wooden Shjips clone in there too) but upon closer inspection, we found it was indeed a reissue, brought to us by the excellent German label Bureau-B, known for their krautrock archaeology (Cluster/Moebius/Roedelius stuff especially) as well as for putting out newer albums from the scene, including the latest Kreidler.
Originally released in 1979, Electric Day was the first album from You (their other one, 1983's Time Code, has also been reissued, and is really just about as great, you'll find it highlighted elsewhere on this list - we came close to making 'em both Records Of The Week). On Electric Day, You consisted of synth mavens Udo Hanten and Albin Meskes along with guitarist Uli Weber and, on drums, under the alias Lhan Gopal for some reason, Harald Grosskopf (a name you might know if only 'cause his own, concurrently recorded Synthesist album was recently reissued on vinyl and highlighted here not long ago). Grosskopf had played drums with Klaus Schulze, and was in Manuel Gottsching's Ashra band at the time. Producer Conny Plank hooked him up with Hanten and Meskes, and we can hear here that they all got along famously, being "Berlin School" mates as it were.
Together on You's debut, this cosmic quartet unleashed much glorious spaced out, spooked out, futuro-zone synth shiver, with psych guitar tripping, electronic pulsations, and Grosskopf's tight percussion, no pussyfooting about it! Seriously, they really do sound quite a bit like Jonas Reinhardt (or rather, the other way around), and could also easily have been the template for a lot of other current bands we love doing the kosmic kraut/John Carpenter-y electronic rock thing, like Zombi, Majeure and Maserati, most definitely! So it's not just for completist krautrock collector types that we recommend this album, nope. And did you catch our Fripp/Eno reference? Others to cite in the "recommended if you like" realm: Heldon, Cloudland Canyon, Michael Rother, Sensations Fix, Moebius & Beerbohm, the previously mentioned Ashra, etc.
All instrumental ('cause in space no one can hear you scream), You's Electric Day begins with the title track, a busy burbling rhythm soon washed over with waves and waves of electronics, while remaining upbeat and snazzily sizzling. The 2nd track, the moodier "Magooba", gets darker and more intense, letting rip with zips and zaps and plenty of freaky guitar. Then the focus shifts back to the shuffling machine rhythms on "Son Of A True Star". That's followed by the two-part "Sequential Spectrums" which sees You setting the controls for deep dark outer space, drifting in shimmering, fizzing electronic ambience, having a bit of a Tangerine Dream, before the almost twelve minute long "Slow Go", the original album's penultimate track, kinda sums up all that came before into one epic journey, the beats tingling propulsively, waves of synth-sound building and building, in one big ecstatic celebration of "this kind of thing" for sure. But don't get too smiley and relaxed, 'cause You have a nervous-making finale in store, the jumpy, uber-distorted "Zero-Eighty-Four" being an active, sinister, suspenseful closer to the album proper...nice! And then, if you get the cd, that's followed by 4 bonus tracks (not on the vinyl, which is 180 gram however), totalling another 33 minutes of music! "E-Night" is blissful, but ultimately pretty heavy. "H.Rays Identity" features some strange sampled chanting amidst its electronic excess, while "Hallucination Engine" is sorta proto-ambient techno. And then "Yousless" sounds like it was written by/for R2D2 the Star Wars droid! All are quite worthwhile, and the whole disc is super solid stuff, making us wonder why we'd never heard about You before (that's why we love this job, the buried treasure out there seems endless, wow). This has gotta be the best unknown-to-us krautrock reissue since Riechmann's Wunderbar (also from Bureau B), at least.
There's really no other way for us to wind up this review other than saying, You rule!!

YOU Time Code (Bureau B) cd 17.98
Ok, we'll assume you already just read our Record Of The Week review of You's newly reissued Electric Day album. That was this instrumental "Berlin School" of krautrock band's 1979 debut, followed up further into the Eighties by Time Code from '83. Great stuff, we like this one a lot too, you should get 'em both. And we're not just excited about these 'cause we're keen on obscure krautrock reissues (though we are). If You were a new band we'd be all over 'em too! And they really could be mistaken for a new, current band, as we alluded to in our Electric Day review. Where that one really really sounded like local fave SF synth groovers (and krautrock enthusiasts, of course) Jonas Reinhardt in their propulsive live formation, this one is even more electronic and atmospheric, some moments more like Oneohtrix Point Never, Emeralds, and Arp, to cite some other modern comparisons. That's 'cause by '83, You had parted ways with guitarist Uli Weber and drummer Harald Grosskopf, and slimmed down to the founding synths and sequencers core duo of Udo Hanten and Albin Meskes. So it's even a bit more retro-futuristically Eighties computery/mechanical, with percolating robot rhythms and shimmering synths and some extra sci-fi bleepage... but, it's really not all THAT different than their earlier incarnation, Hanten and Meske's machines doing a fine job of filling in for the humans no longer in the band. There's nine tracks here (or 11 if you get the compact disc, it's got two excellent bonus cuts, about an extra 10 minutes), nicely varied, some songs more pretty and placid, others droning further into deep space than before. They can be quite melodic, for instance "Future/Past" is one of those lovely lovelies that makes us think of our favorite Cluster jams (with sequencer patterns calculated to send you into a blissed out trance, getting into proto-Aphex Twin territory). And then they also bring the John Carpenter style suspense film disco grooves on the likes of "Live Line", too. So, like Electric Day, super recommended!
You will like You, if you are at all like us.
MPEG Stream: "Future-Past"
MPEG Stream: "Deep Range"
MPEG Stream: "Live Line"

YOU Time Code (Bureau B) lp 17.98
Ok, we'll assume you already just read our Record Of The Week review of You's newly reissued Electric Day album. That was this instrumental "Berlin School" of krautrock band's 1979 debut, followed up further into the Eighties by Time Code from '83. Great stuff, we like this one a lot too, you should get 'em both. And we're not just excited about these 'cause we're keen on obscure krautrock reissues (though we are). If You were a new band we'd be all over 'em too! And they really could be mistaken for a new, current band, as we alluded to in our Electric Day review. Where that one really really sounded like local fave SF synth groovers (and krautrock enthusiasts, of course) Jonas Reinhardt in their propulsive live formation, this one is even more electronic and atmospheric, some moments more like Oneohtrix Point Never, Emeralds, and Arp, to cite some other modern comparisons. That's 'cause by '83, You had parted ways with guitarist Uli Weber and drummer Harald Grosskopf, and slimmed down to the founding synths and sequencers core duo of Udo Hanten and Albin Meskes. So it's even a bit more retro-futuristically Eighties computery/mechanical, with percolating robot rhythms and shimmering synths and some extra sci-fi bleepage... but, it's really not all THAT different than their earlier incarnation, Hanten and Meske's machines doing a fine job of filling in for the humans no longer in the band. There's nine tracks here (or 11 if you get the compact disc, it's got two excellent bonus cuts, about an extra 10 minutes), nicely varied, some songs more pretty and placid, others droning further into deep space than before. They can be quite melodic, for instance "Future/Past" is one of those lovely lovelies that makes us think of our favorite Cluster jams (with sequencer patterns calculated to send you into a blissed out trance, getting into proto-Aphex Twin territory). And then they also bring the John Carpenter style suspense film disco grooves on the likes of "Live Line", too. So, like Electric Day, super recommended!
You will like You, if you are at all like us.
MPEG Stream: "Future-Past"
MPEG Stream: "Deep Range"
MPEG Stream: "Live Line"

ZIPPO ZETTERLINK s/t (Psycho-Path) cd 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Back in stock at last! Compact disc reish of a 1971 private press LP from Krautrock obscurity Zippo Zetterlink, who play wacked-out, damaged hippy blooze rawk like the they thought their kraut contemporaries Ash Ra Tempel, Guru Guru, and even German Oak were too, uh, polished and tight...yup this sure is raw, loose, "crude and demented" (according to the Crack In The Cosmic Egg authorities, and we must concur). The album starts off with the side-long "Zippo Zetterlink In The Poor Sun At Sunday Night In The BLOW UP" (at least, I *think* that's the title...who knows!). Twenty minutes of broken-down electric blues acid excess, the band a wrong-track train(wreck) chugging along at 15mph, spewing a black/purple/yellow cloud of steam and smoke with a sweet musty smell. Following that, four more tracks, equally jagged, meandering, and messed-up. Mainly this melts rather than fries, if that makes any sense to you. There's some comic relief from ZZ's drug-induced instrumental claustrophobia in the form of some actually decipherable bogus blues vocals at one point, and a sample of a news report on Beethoven's birthday that surfaces in the last track. Maybe just maybe these guys thought they sounded like Cream, but if so they were insane (or more like, way too high) 'cuz this is the sort of blues rock that closer in spirit to Michael Yonkers or Keiji Haino than Eric Clapton that's for sure! This is sure gonna sound *wrong* to most folks, but that's where you come in, the discerning kraut/acid/psych fan who just wants the worst (wurst?) 'cuz the best won't do, or already did.
MPEG Stream: "track 2"
MPEG Stream: "track 5"

ZWEISTEIN Trip / Flip Out / Meditation (Captain Trip) 3cd 88.00
Legendary lost krautrock treasure (so obscure that NONE of the krautrock obsessives here had even heard of it) originally released as a triple lp in 1970 and lost to the ages not long after. We weren't sure what to expect really, but the second we laid eyes on this, we knew it had to be good. The original elaborate mirror sleeve has been reproduced as a triple cd quadruple minigatefold, all the art metallic and reflective, the cover textured and trippy with a little eye-like mirror right in the center. Inside, lyrics, acid drenched landscapes populated by plastic toy animals, and song titles like "In - a) Beginning b) Analysis Of True c) To Hear Inside d) A Very Simple Song" and "Out - a) Misty Tour b) Water Sound c) Television d) Organ Dreams (A Very Simple Song)"... crazy long titles, but then the songs are crazy long as well, all in the twenty minute range, three cds, an hour and forty six minutes...
But don't be expecting that typical propulsive, motorik groove, nope, this is way on the other end of the spectrum, with one foot in the sort of drifty, abstract new age drift of groups like Tangerine Dream and Popol Vuh, but with the other foot squarely in some other dimension entirely. A world of damaged, freaked out crumbling soundscapes, dense black holes of outer space FX, stumbling deconstructed folk and a lo-fi orchestra of tape experiments and druggy noisemaking.Ê
The tracks are so long that it's hard to describe them individually, as each track is a series of parts, 10, 20, more, it's all like one huge twisting squirming living thing, changing shapes constantly, blurry and indistinct one second, sharp and crystalline the next, long stretches of hiss and thud and clatter, peppered with gorgeous little pockets of lilting fuzzy folk, only to be pulled apart moments later into shards of angular sound and chunks of smeared melody. The whole record is like navigating a wandering stream through some underground cavern, whirlpools of sound andÊabstract swirls everywhere, the listener floating dreamily as the sonic landscape subtly shifts and shimmers in the background. Random bits of echoey percussion underpinÊmysterious voices, singing, and chanting and groaning, long stretches of conversation and bits of found sound,Êchaotic squalls of caveman percussion all tangled up withÊdetuned spaceship guitar, loads ofÊmicrophone rattle and tape hiss, but the majority of the record is made up of abstract clouds of sound that drift and shift and subtly change over the course of minutes, the sounds of jets, running water, warbly organs, reverbed wheezes, voices chopped up and blurred into fuzzy streaks, dense clouds of crowd sounds, tape speed shifts and chipmunk like vocals, sweeping industrial soundscapes, children playing, backwards loops, everything dusted with a thick layer of FX.Ê
Trip - Flip Out - Meditation is almost less music, and more some massive sonic experiment, a travelogue in sound, a crazy freaked out drug trip, captured and carved into wax, at once totally epic and ambitious, but at the same time totally primitive and childlike. Sure it's German and from the seventies, but this is a record that might appeal less to straight krautrock fans, and more to lovers of all things strange and wonderful and all fans of damaged outsider musical weirdness.ÊÊ
MPEG Stream: "Out"
MPEG Stream: "Point"