TAMARYN T shirt T shirt 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
We got in a limited number (five) of an exclusive Tamaryn tour t-shirt from their recent voyages with the Raveonettes! Featuring an outtake image from the cover shoot of The Waves, the shirt is screened on white cotton and won't be around for very long. Due to the limited nature of the shirt, it's ONLY available in size MEDIUM and we will NEVER have any more than we currently do, sorry petite and large people! Don't miss out, medium folks.

TAMARYN The Waves (Mexican Summer) cd 13.98
Sometimes a record can hit you in the face like a punch, other times the music can pierce you like a needle, sinking deep into a sensitive place without you even realizing it's still in your flesh. Tamaryn's debut album, The Waves, is like the latter. It's so light, pain and tension melt away while you listen, but also so sharp and brilliant, you can't get it out of your head. Strongly evoking the slowcore brilliance of My Bloody Valentine, the layered reverb on the guitars give the effect of distance while at the same time the dreamy vocals keep the listener close. A veteran of many outstanding bands (Vue, The Audience), Rex John Shelverton's guitar playing is tempered perfectly throughout the record, never seeking to override the vocals, filling in gaps and expanding outwards in huge planes of reverb wash. At times, like the song "Haze Interior," the atmosphere is hazy and slightly chilled, a frustrated plea for understanding from a loved one whose language you can't quite understand. The next song "Sandstone" builds from a punctuated guitar riff into a driving bass and drum beat that manages to make you nod your head while still leaving plenty of room in the mix for layers of vocals. If Beach House's Devotion and Mazzy Star's So Tonight That I Might See were to have some sort of precocious offspring, the result might very well be The Waves. Highly recommended.
MPEG Stream: "The Waves"
MPEG Stream: "Choirs of Winter"
MPEG Stream: "Haze Interior"

TAMARYN The Waves (Mexican Summer) lp 24.00
Now here on vinyl. Sorry, not cheap.
Sometimes a record can hit you in the face like a punch, other times the music can pierce you like a needle, sinking deep into a sensitive place without you even realizing it's still in your flesh. Tamaryn's debut album, The Waves, is like the latter. It's so light, pain and tension melt away while you listen, but also so sharp and brilliant, you can't get it out of your head. Strongly evoking the slowcore brilliance of My Bloody Valentine, the layered reverb on the guitars give the effect of distance while at the same time the dreamy vocals keep the listener close. A veteran of many outstanding bands (Vue, The Audience), Rex John Shelverton's guitar playing is tempered perfectly throughout the record, never seeking to override the vocals, filling in gaps and expanding outwards in huge planes of reverb wash. At times, like the song "Haze Interior," the atmosphere is hazy and slightly chilled, a frustrated plea for understading from a loved one whose language you can't quite understand. The next song "Sandstone" builds from a punctuated guitar riff into a driving bass and drum beat that manages to make you nod your head while still leaving plenty of room in the mix for layers of vocals. If Beach House's Devotion and Mazzy Star's So Tonight That I Might See were to have some sort of precocious offspring, the result might very well be The Waves. Highly recommended.
MPEG Stream: "The Waves"
MPEG Stream: "Choirs of Winter"
MPEG Stream: "Haze Interior"

TAMARYN Weather War (Hell Yes) 7" 8.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

TAMBURO, MIKE Beating of the Rewound Son (Music Fellowship) cd 14.98

TAMBURO, MIKE Dance Enis Dance (Barl Fire) cd-r 11.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Mike Tamburo is another in the burgeoning free folk cd-r underground who through no fault of his own has been overlooked on our weekly new arrivals list. We do our best, but it's pretty dang impossible to keep up with the hundreds of new releases every week, but now we've got the chance to introduce you to the amazing dark musical world of Mr. Tamburo.
Dance Enis Dance is a 32 minute piece for acoustic guitar, Tibetan bowls, chromatic harmonica, e-bowm slide, hammered dulcimer and effects. The result is a modern raga, an epic multi part piece, that could have just as easily been a series of songs, but they are all deftly woven together into the whole. The first part is a simple bit of Appalachian strum that is gradually smeared into a blurry, fuzzy ambience, an effulgent streak of slow shifting buzz. The second 'movement' is super subdued, a dark dark drift, with bells and chimes ringing out over a muted background of warm chords and steel string shimmer, eventually drifting off only to be replaced by a flurry of dulcimer notes, a dense cloud of tangled melody, which is eventually overtaken by thick slabs of crumbling guitar distortion, throbbing and pulsing. The last few minutes are a see-saw, veering back and forth between delicate steel string folk with dreamy slide guitar offering up haunting minor key melodies, to wild fervent strumming and back again, culminating in a strangely atonal bacchanalian psychedelic denouement. Really good stuff. We can't wait to hear more.
This cd-r is packaged in a full color sleeve with a huge insert, art on one side, liner notes (and a poignant tale) on the other.
LIMITED TO 100 COPIES!
MPEG Stream: "Dance Enis Dance (excerpt 1)"
MPEG Stream: "Dance Enis Dance (excerpt 2)"

TAMING THE OUTBACK 1986-1989 (Equation) cd 13.98
From the always amazing Equation Records, who in the past have brought us incredible records from groups like Fear Falls Burning, Bass Communion, Nadja, Landing, organum, R.Y.N., Troum, Ultrabunny, Apse and more, comes this comprehensive collection of everything ever record by late Eighties UK new wavers Taming The Outback.
Never heard of these guys? Nor had we, but listening to this now, it's a little surprising they didn't make a bigger splash, the label describes them sounding like Killing Joke and Echo & The Bunnymen, which is not that far off.
The sound is dark and jangly, the guitars reverbed and chiming, the bass thick and gloomy, and the vocals, a super anguished dramatic delivery that's a dead ringer for Ian McCulloch, and a perfect match for the group's angular downer pop. We also hear plenty of old U2, back before they became stadium rock whores, that sort of brooding urgency they once trafficked in, and that seems to be the thing with TTO, their sound is dark, and a little bit sinister, a gloomy vibe that makes their sound that much more compelling, especially now, with so many bands looking back to that era to cop their sound, but ultimately unable to conjure up the same sort of passion and pathos. And while this isn't some earth shaking lost treasure discovery, it is pretty damn great, and for anyone into Eighties post punk, or who digs the current crop of retro Eighties rockers, but would rather hear the real thing, then this will definitely hit the spot. And where on first listen we were thinking this was just okay, repeated and frequent listening has found this to be a definite grower, and definitely revealed Taming The Outback as something special indeed.
The normal cd version comes in a gorgeous oversized Stoughton mini lp sleeve style gatefold jacket, with a big booklet, jammed with liner notes, pictures, interviews, articles and more. LIMITED TO 385 COPIES. The super deluxe version includes the same fancy cd version, but also an original copy of the band's only 7", a miniature reproduction of the Alive & Kicking fanzine, a sticker, a two sided mini poster, 4 badges and a special card insert designed by Organum's David Jackman, all housed in a super swank embossed box. LIMITED TO 75 COPIES!!
MPEG Stream: "Fire & Smoke"
MPEG Stream: "Blue Heart"
MPEG Stream: "Eight-Hour King"
MPEG Stream: "The Outback Theme"

TAMING THE OUTBACK 1986-1989 (Equation) cd + 7" + fanzine + sticker + badges + box 21.00
From the always amazing Equation Records, who in the past have brought us incredible records from groups like Fear Falls Burning, Bass Communion, Nadja, Landing, organum, R.Y.N., Troum, Ultrabunny, Apse and more, comes this comprehensive collection of everything ever record by late Eighties UK new wavers Taming The Outback.
Never heard of these guys? Nor had we, but listening to this now, it's a little surprising they didn't make a bigger splash, the label describes them sounding like Killing Joke and Echo & The Bunnymen, which is not that far off.
The sound is dark and jangly, the guitars reverbed and chiming, the bass thick and gloomy, and the vocals, a super anguished dramatic delivery that's a dead ringer for Ian McCulloch, and a perfect match for the group's angular downer pop. We also hear plenty of old U2, back before they became stadium rock whores, that sort of brooding urgency they once trafficked in, and that seems to be the thing with TTO, their sound is dark, and a little bit sinister, a gloomy vibe that makes their sound that much more compelling, especially now, with so many bands looking back to that era to cop their sound, but ultimately unable to conjure up the same sort of passion and pathos. And while this isn't some earth shaking lost treasure discovery, it is pretty damn great, and for anyone into Eighties post punk, or who digs the current crop of retro Eighties rockers, but would rather hear the real thing, then this will definitely hit the spot. And where on first listen we were thinking this was just okay, repeated and frequent listening has found this to be a definite grower, and definitely revealed Taming The Outback as something special indeed.
The normal cd version comes in a gorgeous oversized Stoughton mini lp sleeve style gatefold jacket, with a big booklet, jammed with liner notes, pictures, interviews, articles and more. LIMITED TO 385 COPIES. The super deluxe version includes the same fancy cd version, but also an original copy of the band's only 7", a miniature reproduction of the Alive & Kicking fanzine, a sticker, a two sided mini poster, 4 badges and a special card insert designed by Organum's David Jackman, all housed in a super swank embossed box. LIMITED TO 75 COPIES!!
MPEG Stream: "Fire & Smoke"
MPEG Stream: "Blue Heart"
MPEG Stream: "Eight-Hour King"
MPEG Stream: "The Outback Theme"

TANAKH Ardent Fevers (Alien8 Recordings) cd 14.98
Drowsy Americana-laced Indie rock from Jesse Poe and his revolving set of collaborators, this time including Isobel Campbell on cello and backing vocals. Less improvised, and more song-oriented than on previous efforts, Poe's voice recalls early Badly Drawn Boy or even Leonard Cohen at times. Soft but dusty, this set is best served with whiskey and a little heartache.
MPEG Stream: "5 am"
MPEG Stream: "Hit the Ground"
MPEG Stream: "Restless Hands"

TANAKH Dieu Deuil (Alien8 Recordings) cd 14.98

TANAKH Saunders Hollow (Camera Obscura) cd 15.98
Wow, we've gotten in three releases this week that starkly contrast with the sunny warm weather we've been having. Seemingly residing in the chilled shadows of dense forests and ancient stone chambers are the latest albums from Tanakh, Rothko and XXL (the collaboration between Xiu Xiu and Larsen). Dark, expansive beauties, all of them!
Go on, defy the sun or tuck these away for a suitably overcast autumn or winter eve.
Now based in Florence, Italy, former Virginians Tanakh are a musical collective whose somber folk rock in many ways draws easy comparisons to Montreal's Godspeed You Black Emperor family, Angels Of Light and Larsen. This is their sister album to last year's Ardent Fevers. Actually Saunders Hollow was recorded prior to that release, and is distinguished by the introspective yearning vocals of Michele Poulos. Those vocals make this album even more of a counterpart to Ardent Fevers as that disc featured mainman Jesse Poe's deep, weary tones. The final instrumental number "Illusions Of Separation" is well worth the price of admission alone.
Fans of all of the abovementioned will surely find a kindred spirit in Tanakh.
MPEG Stream: "Ladybird"
MPEG Stream: "Longer Than Sorrow"
MPEG Stream: "Illusions Of Separation"

TANAKH Villa Claustrophobia (Alien8 Recordings) cd 14.98
Tanakh are a new quintet (led by Jesse Poe from Richmond, VA) that just may pique the interest of those who've enjoyed the recent works of Michael Gira / Angels Of Light, Godspeed You Black Emperor and Larsen. Creating mysterious and expansive music with a rich earthiness and spiritual resonance. The complex, droning tones emitted from the various acoustic, electric and handmade instruments at times suggest the multi-layered sounds of throat singers. The raw, folky male vocals bring to mind those of the aforementioned Gira and the ghostly female voices drift across the soundscapes. A particular highlight is their rendition of the song "Gently Johnny" from The Wicker Man film soundtrack. The list of Villa Claustrophobia personnel is an impressive one with guest appearances by members of Palace, The Dirty Three, Lofty Pillars, Cracker and Ravi Shankar's band. Recorded and mixed by Joh Morand (Sparklehorse, Labradford) and Brian Paulson (Royal Trux, Slint).
RealAudio clip: "Devil's Interval"
RealAudio clip: "Gently Johnny"
RealAudio clip: "Tells"
RealAudio clip: "Mashah"

TANGERINE AWKESTRA Aliens Took My Mom (Mulatta Records) cd 14.98
The folks that brought us the fantastic Thai Elephant Orchestra disc are also responsible for the release of this almost as unusual album -- avant-garde jazz music made by an orchestra of Brooklyn pre- and grade-schoolers! They are definitely more skilled than the elephants, so maybe comparisons are not appropriate. But as with that cd, you'd not necessarily guess that these aren't some out-there adult humans making this music. Certainly Sun Ra fans will see some parallels here, and not just 'cause of Tangerine Awkestra's penchant for track titles like "Spaceships on the Empire State Building" and "Volcanoes Explode at the Center of the Earth". These dozen or so young (ages 2 to 9) musicians have crafted their own multi-part composition (programme music, no less, about an alien invasion of the earth!) as well as tackling some Bach and Sonny Rollins (we prefer their own stuff, though). The instrumentation includes percussion (lots of drums!), piano, violin, recorder, and more...drums... making for lots of Alice Coltrane-meets-Amon-Duul-ish moments. Very cool, fun, fresh stuff -- play it for your avant-jazz snob friends and see if they can guess what ESP-label free jazzer is responsible (not)!
RealAudio clip: "The Aliens Blow Up Antartica"
RealAudio clip: "The Navy Bombs Them"
RealAudio clip: "Everything Is Soft"

TANGERINE DREAM Alpha Centauri (Castle / Sanctuary) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Tangerine Dream's second album from 1971. While it is a bit spacier and more synth-based than predecessor "Electronic Meditation", it's structurally much the same as the first, with lots of moody dark improv drones weaving and building into mad psychedelic rock jams. Mostly the change apparent here is that various synths and organs move to the fore while guitars, flute and drums hang out in the back, only dominating the sound in the loudest, rocking passages. This domestic reissue includes a bonus track, "Ultima Thule Part 1", an epic rocking single the group released in 1971. This one's also remastered, w/ slipcase, & liner notes from noted krauthead Julian Cope.
RealAudio clip: "Sunrise In The Third System"
RealAudio clip: "Ultima Thule Part 1"

TANGERINE DREAM Atem (Castle / Sanctuary) cd 14.98
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Armed with a Radio Shack's worth of new electronic toys, including the then new Mellotron, Tangerine Dream begins to sound a weensy bit closer to their eventual state of synthesizedness. But I stress the word "weensy" here, as Atem (1973) finds Tangerine Dream still well ensconced in the same psychedelic free-rock realm as their previous three albums (Electronic Meditation, Alpha Centauri, and Zeit). Bizzare vocal effects aside, a smattering of guitar and percussion are all that remain of the acoustic age of Tangerine Dream -- flute having been replaced by Edgar Froese's Mellotron replication of them. Along with Froese's new beast, the group's new artillery included a couple EMS VCS3 Synthesizers for Baumann and Franke. The resulting sound is even more atmospheric and whispy than ever. The title track, a twenty minute meandering opus, is perhaps the most similar to their earlier sound, with its pounding drums steadily increasing in volume and speed during the first part of the piece. But even there the percussion is no match for the enslaught of multiple organs and synthesizers with their ever building chords which drown out the drums before settling into a dark, ethereal soundscape. "Fauni-Gena" is almost like Tangerine Dream's take on Pink Floyd's "Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict", but heavier on the synths. The last track -- "Wahn" -- is probably the greatest anomaly in Tangerine Dream's ouvre, in which the trio practice their extended vocal techniques, laden with echo and accompanied by frenzied percussion and synths. This domestic reissue, like the others, comes remastered, with a slip case and liner-notes (though this time not by Julilan Cope, but by one Paul Russell.)
RealAudio clip: "Fauni-Gena"
RealAudio clip: "Wahn"

TANGERINE DREAM Electronic Meditation (Castle / Sanctuary) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
For those who still associate Tangerine Dream with sequencer dependent proto-nu-age music, here are a few domestic reissues of their crucial early albums which should dispel any further mistaken assumptions. Originally released in 1970, Tangerine Dream's first album "Electronic Meditation" is a totally way-out-there psychedelic tour de force featuring mainstay Edgar Froese, plus Klaus Schulze and Conrad Schnitzler -- kind of a krautrock supergroup though they didn't know it at the time! From improvised dark drones of amplified cello, electric guitar, flute, organ and drums to blasts of freak out noise to psychedelic fuzzed-out freak-out rock jams. Electronic Meditation is equal parts Algarnas Tradgrad and early Kraftwerk. Remastered, w/ slipcase, & liner notes from krauthead Julian Cope. Definitely a krautrock classic.
RealAudio clip: "Genesis"
RealAudio clip: "Ashes To Ashes"

TANGERINE DREAM Electronic Meditation (Earmark) lp 21.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Another in Earmark's awesome series of lp reissues, all in thick sleeves and on 180 gram virgin vinyl. Here's what we had to say about the cd reissue:
For those who still associate Tangerine Dream with sequencer dependent proto-nu-age music, here are a few domestic reissues of their crucial early albums which should dispel any further mistaken assumptions. Originally released in 1970, Tangerine Dream's first album "Electronic Meditation" is a totally way-out-there psychedelic tour de force featuring mainstay Edgar Froese, plus Klaus Schulze and Conrad Schnitzler -- kind of a krautrock supergroup though they didn't know it at the time! From improvised dark drones of amplified cello, electric guitar, flute, organ and drums to blasts of freak out noise to psychedelic fuzzed-out freak-out rock jams. Electronic Meditation is equal parts Algarnas Tradgrad and early Kraftwerk. Remastered, w/ slipcase, & liner notes from krauthead Julian Cope. Definitely a krautrock classic.

TANGERINE DREAM Ultima Thule: The Electronic Magic Of Tangerine Dream (Landmark) 2cd 9.98
Fewer things could bring more delight for us kraut and space prog heads than a 2cd anthology of Tangerine Dream rarities compiled by Edgar Froese, and for such an affordable price! Froese, the one mainstay of the band through 13 different lineups (the band including in their ranks at one time both Conrad Schnitzler and Klaus Schulze), has provided a compelling overview of the musical evolution of the band from their psychedelic roots to their later period as electronic film score stalwarts and everywhere in between.
The double disc set begins way back before TD, with their 1967 pre-incarnation 7" single as The Ones, a band more rooted in the sixties psychedelic rock of Jefferson Airplane and The Grateful Dead than the spacey sounds they embraced later on. But the real highlight of this set is the inclusion of TD's rare first 7" single from 1971, "Ultima Thule", an epic two part space rock excursion that begins in stratospheric Hawkwind territory in part one, but in part two takes a Magma like instrumental prog trajectory, that prefigures the minimal electronic direction the band would take through records like Electronic Meditation, Zeit and Alpha Centauri. The rest of disc one explores these sci-fi themed gaseous realms of gorgeous brooding ambience.
Disc two covers the bands' later, mostly early eighties output, which saw the band more as composers of action film music with a definte increase in rhythms and sequencers, but still with a spacey electronic edge. While John Carpenter may get all the credit as progenitor of all the latter day eighties arpeggiated synth worshippers like Jonas Reinhardt, Majeure, James Ferraro, and Umberto, Tangerine Dream was equally influential in this regard. A lot of the later period Tangerine Dream output can be sometimes cheesy, but the careful curation of this compilation shows there were also plenty of gems as well. This may prove to rethink the general attitude that TD had completely lost the plot, when they started turning to film score commissions, and rhythmic dance music in the eighties and nineties.
With one or two exceptions, most of this music here, as far as we can tell, has not been released on any of their major records, but there is little information to tell if these tracks ever saw proper release at all. So this is a very worthy exploration for the newly curious as well as for seasoned fans. Highly Recommended!!!!
MPEG Stream: "Ultima Thule (part 1)"
MPEG Stream: "Sunset in the Fifth System"
MPEG Stream: "Mysterious Semblance at the Strand of Nightmare"
MPEG Stream: "Exit To Heaven"
MPEG Stream: "Rare Bird"

TANGERINE DREAM Zeit (Castle / Sanctuary) cd 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Tangerine Dream's third album, originally released as a double LP in 1972. Zeit is probably the most subdued album of Tangerine Dream's early career. Apparently Edgar Froese canned bandmate Steve Schroyder after the release of Alpha Centauri, citing one too many "freak outs" which apparently rubbed the mellow Froese's fur the wrong direction (according to the liner notes here, Schroyder ended up joining the much more freak out friendly Ash Ra Temple upon his departure from Tangerine Dream.) Not surprisingly, Zeit is a much MELLOWER album than the band's previous two releases -- and even mellower than their fourth album, Atem. The album begins with the slowly morphing droning of a cello quartet, augmented by Froese on moog. It's probably the single most non-God Speed You Black Emperor recording that we get people asking "Is this God Speed You Black Emperor?" when we play it. It just goes to show how, almost thirty years after its initial release, Zeit still sounds fresh as the day it was recorded. Even the bubbling moog synth centered "Origin Of Supernatural Probabilities" has none of the cheesy proto-nuage trappings of Tangerine Dream's later works. Heavy on atmosphere and almost devoid of melody, the four album side songs that make up Zeit are some of the darkest -- and arguably, best -- material recorded by Tangerine Dream. And, like all the others in thise reissue series, this one comes remastered with a handsome slip cover and liner notes (which mostly consist of a blow by blow account of the album's contents that you can read along to as you listen and either agree, disagree, or agree to disagree with the author over their accuracy) by Paul Russell.
RealAudio clip: "Birth of Liquid Plejades"
RealAudio clip: "Nebulous Dawn"

TANGERINE DREAM SYNDICATE III Violins for III Stooges (Alchemy) cd 21.00
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Another in Alchemy's new Inner Mind Music series of spacey delights -- "Live at Alpha Centauri" it says on the inside. The Tangerine Dream Syndicate wears its influences proudly -- the band is made up of Tommy Conrad (cello, violin), Johnny Conrad (electronics, violin, voice), and DeeDee Conrad (bass, violin, voice). Yes, their names (and the album's title and the band name too) are a bit overt and silly but this is actually some really fine drone improv! Even though they'd like you to imagine that they're Tony Conrad's lost brothers, we suspect that beneath these assumed names you'd find some well-known Japanese underground noisicans. But they are indeed spiritual, musical brothers with the American violinist and his '60s Dream Syndicate colleagues, along with '70s German spacemeisters Tangerine Dream. It's a successful homage that makes for some mighty fine, late night drifting listening. It's just one track, nearly a full hour of high-end string drone, subsonic bass throb, and electronic swoosh. File in the "quite omnious yet strangely comforting" section of your cd collection.

TANGO SALOON s/t (Ipecac) cd 14.98

TANGORODRIM Justus Ex Fide Vivit (Southern Lord) cd 13.98
Lumbering, blasting, feedbacking, croaking, grunting. Tangorodrim's latest sounds like it was recorded by some unhappy, undead zombies who just crawled from the grave, after having been buried for years with electric guitars and beat up vinyl copies of old Celtic Frost and Mayhem albums packed in their coffins. This is their 4th album, and boy howdy is it a sick sounding unholy din indeed. Super raw, often dirgelike, and weird too -- check out these lyrics: "I am ready to carry that cross/But only if it's made of priest bones/Only if it weighted a ton of holly intestines/Red Magnet draws me near/May my way will not interfere with radiant snow plates". Uh, huh, what? And all this Christ-hating blackness flows from the lands of the Bible -- Tangorodrim are one of the rare Israeli black metal bands. As usual, the Southern Lord stoners know their quality cult black metal.
MPEG Stream: "When The Heirs Of The Horned Shamelessly Attack"
MPEG Stream: "Justus Ex Fide Vivit"

TANGORODRIM Those Who Unleashed (Aggressor Productions) cd 15.98
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TANGORODRIM Unholy And Unlimited (Southern Lord) cd 14.98
The first thing you'll probably notice about this record is that it's called Unholy And UNLIMITED, yet it is strangely indeed limited (to 1000, each copy numbered), says so right there on the back of the disc. But okay, so what? So maybe it's not actually unlimited, but it sure as hell is unholy!
Tangorodrim are from Israel and are self professed purveyors of "Antipriest Unholy Black Metal." So not only are they unholy, but they also have a thing against priests, although we just figured that unholy probably covered not being into priests as well. And if the huge Antipriest text on the back cover didn't send all you men of the cloth scurrying for cover, well have a gander at the song titles: "The Six In The Coffin (Not Including The Priest)", "Priestkiller", etc. So yeah, Tangorodrim do not like priests, and are not shy about it.
Unholy And Unlimited is record number three as far as we can tell from these hellhounds and is one seriously blasting buzzing pounding, furious as fuck unholy black racket! Wrest from Leviathan calls this sort of BM goat metal, lots of midtempos, really murky and simple and thrashy, with grunted howled vocals, not so much shrieks or demonic growls, more sort of freaked out wailing and howling. But most importantly, lots of grunts, and "uunnghh"s when the riffs kick in. That's the key to goat metal. Buzzy and thrashy and gloriously evil. We love it! If you're still not sure what it sounds like, just check out the dedication on the inside of the booklet: "In the beginning there was Hellhammer... Without form, and void... and Bathory and Darkthrone were there. And it was black metal - Unholy And Unlimited... And god saw that it was BAD..."
MPEG Stream: "Bestial Scent"
MPEG Stream: "The Six In The Coffin (Not Including The Priest)"

TANGORODRIM Unholy Metal Way (Aggressor Productions) cd 15.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.

TANI, NAOMI Modae No Heya (Tiliqua) cd 22.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Another release in Tiliqua's Erotic Oriental Sunshine series of Japanese erotic music from the sixties and seventies. We reviewed Kokotsu No Sekai from Japanese sexy action heroine Ike Reiko a few lists back, and now we have Modae No Heya from seventies bondage / S&M queen Naomi Tani, who recorded and released this album in 1979 to commemorate her withdrawal (ahem) from the world of porn.
And what better way to commemorate that sort of life change than with a record of Iroke Kayoyoku, a bastardized version of a more popular Asian music of the time, sexed up with chanteuse like crooning, and most important of all, an amazing array of moaning and groaning and cooing and giggling, as if in the throes of EXTREME passion.
Tani's take on Iroke Kayoyoku is similar to Reiko's (in fact it's not tough to imagine a sort of Eastern hit factory, churning out these discs, ready made for some sexy thing to croon and purr over...), a strange blend of easy listening soundtrack music and spaghetti Western themes, with lots of soaring strings and epic arrangements, sultry saxophones and twangy guitar, but unlike Reiko's disc, Modae No Heya is much more Asian sounding, with plenty of distinctly Asian instrumentation and Eastern melodies.
Anyone who has seen their fair share of Asian cinema and classic kung fu movies, will find the sound instantly recognizable. And for a record that is supposedly a vehicle for her sexy presence, Tani surprisingly spends a lot of time just hanging back and letting the music swoon and soar. But when she does take part, it's in a super intimate whisper in the ear, a playful purr with plenty of giggling and occasional bouts of passionate groaning.
Erotic and wild, moody and mysterious. And pretty darn bizarre. And of course, highly recommended for all fans of sounds both strange and sexy!
Packaged in a super deluxe Japanese miniature gatefold style cd sleeve, with a printed obi, saucy nude photos of Tani on the cover, and extensive liner notes in English and Japanese!
ULTRA LIMITED!!! Only 1300 copies pressed. Already almost sold out, so don't dawdle...
MPEG Stream: "1"
MPEG Stream: "2"
MPEG Stream: "3"

TAPE Luminarium (Hapna) cd 16.98
Some folks try really hard to create pretty sounds, but there are those special folks who just naturally have some preternatural ability to create majestic beauty without it ever sounding forced or contrived. The Swedish trio Tape are shining examples of just such a group, able to make lush and textured sounds that are as engaging as they are pleasing. After a couple recent reissues of older Tape recordings, we were really excited to find what their new record would sound like. And with the opener "Beams" we were greeted with what might be a contender for our favorite song of the year! A song that invites you in with warm swirling analog synths and takes you on such a dreamy ride that it feels like being on a tranquil slide up in the clouds as it takes delicious soft turns and dips through the sky. Luckily the rest of the record follows and flows with equal beauty and such a delicate touch. Tape really put to shame just about everyone else who try their hand at dreamy instrumental post-rock. Their songs aren't as simple as just being moody or melancholic instead they truly create their own world, one that glows with a cascading and illuminating vision. Highly recommended!
MPEG Stream: "Beams"
MPEG Stream: "Reperto"
MPEG Stream: "Mystery Mutiny"

TAPE Luminarium (Immune) lp 14.98
NOW AVAILABLE ON VINYL!!! Some folks try really hard to create pretty sounds, but there are those special folks who just naturally have some preternatural ability to create majestic beauty without it ever sounding forced or contrived. The Swedish trio Tape are shining examples of just such a group, able to make lush and textured sounds that are as engaging as they are pleasing. After a couple recent reissues of older Tape recordings, we were really excited to find what their new record would sound like. And with the opener "Beams" we were greeted with what might be a contender for our favorite song of the year! A song that invites you in with warm swirling analog synths and takes you on such a dreamy ride that it feels like being on a tranquil slide up in the clouds as it takes delicious soft turns and dips through the sky. Luckily the rest of the record follows and flows with equal beauty and such a delicate touch. Tape really put to shame just about everyone else who try their hand at dreamy instrumental post-rock. Their songs aren't as simple as just being moody or melancholic instead they truly create their own world, one that glows with a cascading and illuminating vision. Highly recommended!
MPEG Stream: "Beams"
MPEG Stream: "Reperto"
MPEG Stream: "Mystery Mutiny"

TAPE Milieu (Hapna) cd 16.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
For some reason the first album from this Swedish trio didn't excite us nearly this much -- we didn't even get around to reviewing it -- but this one is simply great, gorgeous. Theirs is a melodic yet abstract soundworld, very Jewelled Antler in approach, and very delicate. Field recordings + instruments in a calming, semi-improvised setting of simple song-sketches. Acoustic guitar, harmonium, trumpet, electronics, tapes... Hushed, droned, very pretty but not precious. A most pleasant half-hour indeed! From the Hapna label, who previously brought us Tape member Johan Berthling's marvelous drone collaboration with Oren Ambarchi, My Days Are Darker Than Your Nights. (Hapna is also the home to AQ-faves Sagor & Swing as well).
MPEG Stream: "Oak Player"
MPEG Stream: "Edisto"

TAPE Milieu Plus (Hapna) cd 17.98
Hapna has reissued the second album from the Swedish trio Tape, in a digipack with new artwork and four bonus tracks (hence the Plus in the title) from the original 2003 recording sessions. They've done the same with Tape's first album as well (now Opera Plus) but for some reason that disc didn't excite us nearly as much as Milieu did (though we should probably use this opportunity to revisit it and see if we feel differently now). Actually, we didn't even ever review Opera, yet were immediately taken with Milieu. It's simply great, gorgeous.
Theirs is a melodic yet abstract soundworld, very Jewelled Antler in approach, and very delicate. Field recordings + instruments in a calming, semi-improvised setting of simple song-sketches. Acoustic guitar, harmonium, trumpet, electronics, tapes... Hushed, droned, very pretty but not precious. A most pleasant half-hour (plus) indeed! From the Hapna label, who previously brought us Tape member Johan Berthling's marvelous drone collaboration with Oren Ambarchi, My Days Are Darker Than Your Nights. (Hapna is also the home to AQ-faves Sagor & Swing as well amongst many others, by this time hopefully you all have some Hapna in your house).
MPEG Stream: "Oak Player"
MPEG Stream: "Edisto"

TAPE Mort Aux Vaches (Staalplaat) cd 21.00

TAPE Opera Plus (Hapna) cd 17.98

TAPE Revelationes (Hapna) cd 16.98
We knew after their breathtaking collaboration with Bill Wells last year that Tape were really reaching a zenith in their career. With a back catalog rich with so many beautiful records, it's so nice to see them continue to reveal subtle shifts in their sound and sonic scope. Revelations flows with such melancholic grace. Instrumental songs that are filled with rich tones and warm melody, taking you to some perfect place, evoking that feeling of staring out the window on a long drive, late at night when there is nothing left to say to the person in the seat beside you.
Other bands that have tried to create a sound like this end up falling so short, coming off as nothing more then post rock band with more moody intentions, but lacking the means or depth to make something really substantial. Tape exist on a totally different level, absolute masters of their craft. Nothing ever feels forced or contrived in their songs. There is an integrity in their compositions that allows you to sway back and forth and get lost in swirls of musical memory and long lost images of other times and places... An utterly gorgeous record.
MPEG Stream: "Dust And Light"
MPEG Stream: "Gone Gone"
MPEG Stream: "Byhalia"

TAPE Revelationes (Immune) lp 16.98
Now we've also got enough of Immune's vinyl version to list, here's what we said about the cd on Hapna a couple weeks ago:
We knew after their breathtaking collaboration with Bill Wells last year that Tape were really reaching a zenith in their career. With a back catalog rich with so many beautiful records, it's so nice to see them continue to reveal subtle shifts in their sound and sonic scope. Revelations flows with such melancholic grace. Instrumental songs that are filled with rich tones and warm melody, taking you to some perfect place, evoking that feeling of staring out the window on a long drive, late at night when there is nothing left to say to the person in the seat beside you.
Other bands that have tried to create a sound like this end up falling so short, coming off as nothing more then post rock band with more moody intentions, but lacking the means or depth to make something really substantial. Tape exist on a totally different level, absolute masters of their craft. Nothing ever feels forced or contrived in their songs. There is an integrity in their compositions that allows you to sway back and forth and get lost in swirls of musical memory and long lost images of other times and places... An utterly gorgeous record.
MPEG Stream: "Dust And Light"
MPEG Stream: "Gone Gone"
MPEG Stream: "Byhalia"

TAPE Rideau (Hapna) cd 15.98

TAPE & BILL WELLS Fugue (Immune) 12" 16.98
Vinyl only release of an ultra dreamy collaboration between Swedish daydream instrumentalists Tape and the seemingly always collaborating Bill Wells, who has worked with a long list of bands we love including, The Pastels, Isobel Campbell, Maher Shalal Hash Baz, and loads more. The meeting of worlds between Tape and Wells is so perfect. Tape have long mastered the ability to create such lush and varied sounds yet maintain a lovely level of understatement. Wells does such a nice job of keeping his piano, Fender Rhodes and melodica as restrained as possible, perfectly blending with the gorgeous dreamlike accompaniment. The four songs on Fugue unravel with such sparse yet evocative and moving energy. Tapping into such longing feelings of melancholy and memory. Like some of our favorite classic Eno/Budd collaborations this is beyond perfect for those chilly mornings or rainy nights when all you want to do is stay inside and drift away into some sonic warmth. So nice!

TAPE OP MAGAZINE Issue No. 50 magazine 4.50
The ultimate studio nerd publication, that just so happens to be a pretty killer read whether you spend all day in front of a mixing board, trying to get thet perfect sound, or just in front of your speaker enjoying the perfect sounds somebody else found. This month an interview with guitar pioneer Les Paul, producer Phil Ramone, Robin Guthrie of the Cocteau Twins, an article on Sengalese hip hop and guerilla recording, interviews with a bunch of engineers we've never heard of, cd reviews, gear reviews and more!

TAPE OP MAGAZINE Issue No. 54 magazine 4.95

TAPE OP MAGAZINE Issue No. 58 magazine 4.50
Essential reading for recording nerds and studio gear whores, but surprisingly fun to read even for those of us not so well versed in patchbays and preamps.
This month: John Fry of the legendary Ardent Studios, Jody Stephens, also of Ardent studios but probably more well known for being the drummer in Big Star, a recording history of power pop legends the Posies, techno musician and producer Matthew Herbert, producer Terry Manning, exercises to help keep you alert and relaxed after way too many hours in the studio, a whole bunch of gear reviews (modulators, condensor mics, compressors, processors, limiters and a spacecoupler!), as well as a bunch of record reviews...
Cool.

TAPE OP MAGAZINE Issue No. 62 magazine 4.50
The magazine all about music recording (from an indie angle) returns with an other issue. In it, you can learn about what a "Music Integrated Kiosk Environment" is, read a bunch of gear reviews (and look at lots of ads for gear too), get tips about online recording/collaborating, and read interviews with both famed '60s producer Girgio Gomelsky (who talks about the Yardbirds) and bassist-turned-engineer Joey Vera of Armored Saint! Among other things.

TAPES 'N TAPES The Loon (Ibid Records) cd 14.98
In the last month or so we've been bombarded with folks walking in the store with one question at the tip of their tounges: "Do you have Tapes 'N Tapes?" Unfortunately the buzz has meant it was kinda tough to get copies of this in stock. The excitement and buzz around this band rivals past years' anticipation for Clap Your Hands Say Yeah and Broken Social Scene. Due to some big exposure on Myspace and a performance at the 2006 SXSW that got everyone talking. We're not averse to turning frowns upside down so now we finally have this in stock and those of you who've been craving this can get your fix. What you'll be fixing on is some off kilter catchy guitar rock with vocals that got us thinking lots about Conor Oberst of Bright Eyes. Think: the all out rocking moments of Bright Eyes, deep admiration for The Pixies and Modest Mouse and you can get a rough idea of what Tapes 'N Tapes is all about. Maybe not the most original new band to hit the scene but for sure they can get your head bouncing and your foot tapping. Ain't nothing wrong with that.
MPEG Stream: "Just Drums"
MPEG Stream: "Jakov's Suite"

TAPES 'N TAPES Walk It Off (XL) cd 13.98

TAPES 'N TAPES Walk It Off (XL) 2lp 15.98

TAPHEPHOBIA House Of Memories (NOTHingness) cd-r 8.00
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
**SALE **SALE* *SALE**
Three new sonic missives from the ether, from whatever mysterious alternate sonic universe the NOTHingness label exists in. A world of bleak emptiness, massive expanses of barren rumbling tundras, of glassy black surface sonic pools... Every disc dark and lovely, creepy and ominous, haunting and super intense. And of course outrageously limited...
This shadowy shimmer is the work of Taphephobia, a side project of the more well known dark ambient outfit Nothaunt, and actually treads somewhat similar sonic ground, but maybe even more abstract. The true audial essence of nothingness for sure, not so much dark ambience, as a mysterious series of soundscapes, of imagined field recordings, the sounds of strange goings on beneath the surface of the earth, massive slow moving machinery, a series of nearly abandoned mines populated by strange shuffling creatures and the occasional ghostly spirit. The clang and shudder of huge pieces of metal being moved across rock strewn plains, the hiss of steam and the grinding of gears, steeped in the shimmering reverb of bottomless pits and mile high caverns overhead, clank and clatter, spread out over strangely rhythmic backdrops, reverberating shimmers, huge pulsing thumps, a gorgeous hellish underworld industrial symphony of minimal lowercase crawl.Ê
LIMITED TO ONLY 111 COPIES!! Packaged in a slimline dvd style case with full color cover.
MPEG Stream: "Fibromyalgia"
MPEG Stream: "Machinery"
MPEG Stream: "Tired Of Living"

TAPIMAN s/t (Guerssen Records) cd 21.00
First things first: yes, this album IS every bit as cool as the cover looks, the cover being a photo of a pink skull! There's no relation to Glenn Donaldson's Pink Skulls cd-r label, of course, these guys thought of it first, way back in 1971!
So yeah, here's another vintage '71 gem for all of you into hard progressive bluesy psych rockin' action. Last list we had Japan's Strawberry Path, this time around, from the fertile underground of Franco's Spain, we've got the power trio Tapiman, which features the burning electric guitar heroics of one Max Sunyer, later of Spanish jazz rock outfit Iceberg. He'll definitely make hard rock guitar fans happy, though -- Tapiman is riffy, heavy rock, full of psychedelic poppiness.
The main riff of storming opener "Wrong World" is sorta "Sunshine Of Your Love" mixed with "Lord Of This World", and the track is full of energetic, impressive guitar soloing and wild vocals. Some subsequent songs are more gentle and moody, though you're never far from some wailin', cranked-up amplifier worship on this disc. It's a groover, and a grower, too, from a classy band who knew what the heck they were doing. For all of you who dig the obscure '70s sounds of stuff like Blues Creation, Buffalo, Eduardo Bort, and other things along those lines we've recommended before...
Newly remastered for this reissue, with four bonus tracks and detailed liner notes in both English and Spanish.
MPEG Stream: "Jenny"
MPEG Stream: "Gosseberry Park"

TAPIO, JORMA & TERJE ISUNGSET Aihki (Ektro) cd 14.98
BACK IN STOCK! While the name Jorma Tapio may not be familiar to you, the name Terje Isungset sure as heck should. He's the man responsible for the Igloo record, a past record of the week, recorded entirely on instruments made from ice. We've been selling that like CRAZY, when all of a sudden we got an email from Jussi (Circle, Pharaoh Overlord, etc.) letting us know that his label Ektro was releasing a brand new record by Isungset, teamed up with some guy names Tapio. We were of course intrigued, but had no idea what to expect. And had we actually expected something, we probably never would have guessed how weird and wonderful this record would be. No ice instruments sad to say, but armed with flutes, bells, voices, kantele, percussion, Jew's harp and lots and lots of drums, these two whip up a super wild and wooly, ultra dense blast of what we can only describe as tribal forest folk free jazz. Or something like that.
Free jazz is probably the closest comparison, the first few tracks are dense psychedelic percussive freak outs, lots of splattery spastic free jazz drumming all over the place, deep bowed bass, steel string zings, and super creepy strangled and howled vocalizations. Everything sounds very primal and tribal, thick swaths of rhythmic throb underpinned by shimmering washes of cymbal sizzle and warbly mumbled melodies. Isungset proves to be a pretty bad ass drummer, whipping up some seriously wild squalls of spastic skitter, and octopoidal crash and bang. The vocals grunt and chant, sort of yodel, and hoot and holler, very festive and just a little nuts sounding. When the drums recede a bit, the band sort of wonders through some ancient forest, fluttering flutes, simple subtle percussion, distant drones. A bit reminiscent of Avarus or Anaksimandros for sure. The 20+ minute centerpiece, the track "Selainin Tuli / Sacred Fire" lets the duo spread way out, and lay out an expansive tribal soundscape, like the earlier 'free jazz' tracks but stripped way down. Hints of No Neck Blues Band and Sunburned Hand definitely surface now and then, the track eventually building to a howling shrieking psych drone freakout before settling back to almost complete silence. then a gentle lilting smudge of soft flutes and abstract clatter. That smeared clatter sort of drifts into the next two songs, disembodied scrapes and creaks, random bits of percussion, thick washes of low end thrum, quite dark an lovely.
The final track is a flittering flutescape, a spare landscape of woodwinds and distant shimmer, which is soon joined by a buzzing Jew's harp, and the harp and flutes get all tangled up into a strangely propulsive groove, some sort of skeletal prog laced with primal psych rock primitivism and festive Renn Faire revelry, like stumbling into some clearing in the woods and finding some strange open air market, with a very strange duo performing before a crowd of rapt onlookers. Weird, but pretty darn cool as well. Finnish music obsessives need this no matter what. Lovers of that modern free folk new weird America thing might just find that this pushes all their buttons, and REALLY REALLY open minded jazz heads might also want to give this a try.
Highly recommended!
MPEG Stream: "Seita"
MPEG Stream: "Nocturnal Wind From The Lake"
MPEG Stream: "Alone In Public"

TAR BABIES Face the Music / Respect Your Nightmares (Lexicon Devil) cd 14.98

MPEG Stream: "Be Humble"
MPEG Stream: "Punch"
MPEG Stream: "The Word"
MPEG Stream: "Native Son"

TAR PET The Artist Revealed Is Taralie Dawn (Eclipse) lp 14.98
THIS IS CURRENTLY OUT OF PRINT OR OTHERWISE UNAVAILABLE TO US AT THE MOMENT, SO PLEASE DO NOT ORDER IT. SORRY.
Tar Pet is the solo project of Miss Taralie Dawn, who you might know as a member of the Spires That In The Sunset Rise, and Tar Pet does indeed sound quite a bit like her group proper. Old timey piano, recorded all scratchy in a wash of reverb like some dusty old 78, mournful flutes and damaged atonal guitar, creaking scraping steel strings, buzzing frets, and all sorts of hiss and static. A fuzzy blissful ambient dream world of fractured folk and bedroom recorded psychfolk nursery rhymes, with Dawn's creepy, almost spoken vocals, occasionally building to a Diamanda Galas like wail, but more often groaned and whispered, barely a croak. Truly haunting and intense. LIMITED TO 500 COPIES!

TARAB Surfacedrift (Naturestrip) cd 16.98
BACK IN STOCK!
Eamon Sprod (aka Tarab) is a name you don't come across everyday; and I (Jim) swear that I've heard something by this Australian sound artist somewhere along the way. While we could be remembering a track on some obscure Australian compilation, we are probably mistaken as Surfacedrift is his debut recording. Given the high quality of this record, we should have been listening to Sprod's work for many years along with all of those Hazard, Francisco Lopez, and Loren Chasse records that we constantly return to. This unfortunate lapse of memory could also be the result of wandering through Sprod's psychogeographic soundfields. Surfacedrift is a disorienting album, which implodes the perspectives of sound by amplifying the miniscule and softening the impact from environmental recordings. Sprod massages richly textured passages from crumpled leaves, spilled water, and tumbling rocks; he couples these haptic events with field recordings. As everything is so seemless, it's hard to tell if Sprod had actually recorded these rock garden symphonies out of doors (a la Blithe Sons), or if there's a fair amount of production work synthesizing the field recordings with the performative elements. A very impressive debut to say the least!
MPEG Stream: "Surface"
MPEG Stream: "Leaf"

TARAB Take All The Ships From The Harbour, And Sail Them Straight Into Hell (23five Incorporated) cd 14.98
With a huge clamorous slash of metal grinding against metal, Eamon Sprod (aka Tarab) introduces the aptly titled album Take All The Ships From The Harbour, And Sail Them Straight Into Hell. This Australian sound artist has in the past already deeply impressed us with his incredible albums of field recordings interspliced with found object manipulation. In previous recordings, Tarab has exhibited sleights of hand in turning the sounds of the dry scrub lands outside of Melbourne into watery, sinewy compositions with haunted ambience lurking throughout. Here, Tarab activates the resonance of abandoned spaces (including a handful of recordings made at Angel Island with all of its crumbling beauty housed here in the San Francisco Bay); and the watery details, which emerged as illusion before, are pronounced in an ominous rumble of surf, rain, and wind rattling the undercarriage of this album. An album of extreme dynamics, Take All The Ships evolves quite effortlessly from that opening metallic klang through a series of softened white noises culled from oceanic sources and cutting into a quiet passage of vacant spaces with sand and pebbles pushed slowly across the stereo's surface. Through these events, Tarab presents his album with a cinematic grandeur and an orchestral pacing, despite the fact that all of the sounds are derived from those field recordings and found objects. Aside from a few choice backwards masked tracks and the timbral emphasis of EQ, there's no apparent electronic manipulation in his sympathetic layering of sound. The details have all of the presence of the best sound ecologists (e.g. Chris Watson, Douglas Quin, Eric La Casa, etc.), and have been enhanced through the unveiling drama of Tarab's compositions. This is best noted in the album's concluding 15 minutes which gradually build out of a concoction of insect chorales, piles of tumbling sand, and corroded metal handrail being coaxed to emit a gong-like resonant drone. A series of ramped accumulations of sound are cut away to reveal a thicker set of reverberant drones and humid ambience which swell and grow more in keeping with those minimalists we love so much (Chalk, Coleclough, Svarte Greiner, Xela, Peter Wright, etc.). As infernal as the opening of the album is and as prophetic as the title is, this coda to Take All The Ships is uncannily beautiful, almost hallowed, and certainly imbued with melancholy. A damn great record!
MPEG Stream: "Excerpt 1"
MPEG Stream: "Excerpt 2"
MPEG Stream: "Excerpt 3"