YUASA, JOJI Obscure Tape Music Of Japan: Volume 1 (Omega Point) cd 23.00

YUASA, JOJI Obscure Tape Music Of Japan: Volume 4 (Omega Point) cd 23.00

YUCK s/t (Fat Possum) cd 13.98
Hard to believe these guys (and gals) are British, cuz the music they make is pretty much a dead ringer for nineties college/indie rock. Which is not a complaint at all, that's a sound we love and miss like crazy, and most of the bands who try it, can sometimes capture the sound, but rarely have the songs to go with it, but Yuck, who are indeed British, and also crazy young, have both, from the keening Mark Linkous (Sparklehorse) like vocals, to the super distorted leads a la Dinosaur Jr., to the lo-fi ramshackle sound and impossibly hooky melodies of old Pavement, all woven into something new and simultaneously not that new at all.
"Georgia" here is their big hit, and it's easy to see why, a sort of Swirlies style bit of shoegazey indie pop jangle drift, the guitars warm and fuzzy, the female vox all reverby and murky, the sound distorted and lo-fi, plenty of tambourine, and bop bop boy background vocals, jangly and hooky and so catchy, a total summer jam if there ever was one. But folks who think maybe Yuck were a one trick pony / one hit wonder are in for a serious surprise, as the record opens with a song we think is even better than "Georgia", with its fuzzed out Dinosaur guitars, and melancholy melodies, not to mention some killer super melodic leads. There's also a low slung bass heavy verse, the vocals laid back and slackery, backed up by spidery guitars, and then the chorus, a gorgeously hook filled explosion of slightly twangy sunshiney fuzz pop bliss. "The Wall" is just as good, casting the current garage rock sound of folks like Thee Oh Sees and Ty Segall as something much more early nineties college rock, and "Shook Down" is all sun dapped soft focus jangle pop, with acoustic guitars, heartfelt vox and chiming melodies.
The rest of the record plays out much like you'd expect, from the strummy almost Brit pop sounding "Suicide Policeman" to the buzzy distorto pop of "Holing Out", from the moody, hazy almost Mazzy Star sounding "Suck" to the distorto dirge pop of "Rubber", it may play out like a flashback to the good old days, but Yuck definitely make that sound all their own, somehow creating something fresh and new, from a sound we can never get tired of.
So good!
MPEG Stream: "Get Away"
MPEG Stream: "The Wall"
MPEG Stream: "Shook Down"

YUCK s/t (Fat Possum) lp 14.98
Hard to believe these guys (and gals) are British, cuz the music they make is pretty much a dead ringer for nineties college/indie rock. Which is not a complaint at all, that's a sound we love and miss like crazy, and most of the bands who try it, can sometimes capture the sound, but rarely have the songs to go with it, but Yuck, who are indeed British, and also crazy young, have both, from the keening Mark Linkous (Sparklehorse) like vocals, to the super distorted leads a la Dinosaur Jr., to the lo-fi ramshackle sound and impossibly hooky melodies of old Pavement, all woven into something new and simultaneously not that new at all.
"Georgia" was their big hit, and it's easy to see why, a sort of Swirlies style bit of shoegazey indie pop jangle drift, the guitars warm and fuzzy, the female vox all reverby and murky, the sound distorted and lo-fi, plenty of tambourine, and bop bop boy background vocals, jangly and hooky and so catchy, a total summer jam if there ever was one. But folks who though maybe Yuck were a one trick pony / one hit wonder are in for a serious surprise, as the record opens with a song we thing is even better than "Georgia", with it's fuzzed out Dinosaur guitars, and melancholy melodies, not to mention some killer super melodic leads. There's also a low slung bass heavy verse, the vocals laid back and slackery, backed up by spidery guitars, and then the chorus, a gorgeously hook filled explosion of slightly twangy sunshiney fuzz pop bliss. "The Wall" is just as good, casting the current garage rock sound of folks like Thee Oh Sees and Ty Segall as something much more early nineties college rock, and "Shook Down" is all sun dapped soft focus jangle pop, with acoustic guitars, heartfelt vox and chiming melodies.
The rest of the record plays out much like you'd expect, from the strummy almost Brit pop sounding "Suicide Policeman" to the buzzy distorto pop of "Holing Out", from the moody, hazy almost Mazzy Star sounding "Suck" to the distorto dirge pop of "Rubber", it may play out like a flashback to the good old days, but Yuck definitely make that sound all their own, somehow creating something fresh and new, from a sound we can never get tired of.
So good!
MPEG Stream: "Get Away"
MPEG Stream: "The Wall"
MPEG Stream: "Shook Down"

YUKMOUTH Thug Lord: The New Testament (Rap A Lot) cd 17.98

YUKMOUTH United Ghettos Of America (Rap A Lot) cd 17.98

YUKMOUTH United Ghettos Of America Vol. 2 (Rap-A-Lot) cd 15.98

YUME BITSU giant surface music falling to earth like jewels from the sky (BaDaBing!) cd 12.98
Minimal, spaced-out bliss/drone/mope rock heavy on the ambient side, for fans of Jessamine and the like. On Ben Goldberg's dependable BaDaBing imprint.

YUME BITSU s/t (K Records) cd 14.98
Over an hour of music from this Portland, OR quartet that just might float you off into outer space or at least get you airborne. Drifting and spacious guitars waft along with quietly percolating arpeggiated pulses and are met by high pitched male vocals that made me think of Wayne Coyne of the Flaming Lips. Actually overall Yume Bitsu echo a lower-fi, less intricate or expansive 'Lips, and lean more heavily on the gentle psych-space rock side of things along with the likes of Windy and Carl or Landing. Admirers of the latter two groups are probably already familiar with this group, and if they're not they certainly should be. This more than calming foursome includes Adam Forkner of Surface of Eceon and Jason Anderson also of Wolf Colonel. Listen with headphones right before sleepytime!
RealAudio clip: "track 1"

YURA YURA TEIKOKU na.ma.shi.bi.re.na.ma.me.ma.i (Mesh-Key) cd 11.98
This modern Japanese psychedelic pop band has been around forever (like, 15 years now at least), having recorded for underground labels like Captain Trip and PSF before making the jump to (in Japan) major-label status, we think. Over here of course they're still fairly unknown, but NYC label Mesh-Key is doing their best to change that, by issuing this 2003 live recording in the States (actually, the cd itself appears to be the actual Japanese release, but with an extra paper obi sleeve printed up by Mesh-Key added on to provide some English-language context). Over an hour long, the show documented here should definitely give prospective Yura Yura Teikoku fans a decent sampling of the band's charms, from the ghostly to the garagey, from chaotic crashing rockers to Velvets inspired, gentle poppiness. There's definitely enough in the way of intense Rallize-like distorto guitar on here to please those into YYT's colleagues LSD-March and Up-Tight (as on the track "Penetration" that starts off all "Twist And Shout" before they burn up their amps in a firestorm of guitar noise).
For those who follow the Tokyo psych scene, we should mention that Yura Yura Teikoku features one of the members of The Stars, and that Michio Kurihara (Ghost/White Heaven/The Stars) often guests on their records, though we don't know if he's on here or not...but he IS quoted in a blurb on the obi calling Yura Yura Teikoku "the greatest band in the world"!!
Limited to 700 copies, presumably because that's how many left-over cds from the Japanese cd pressing Mesh-Key was able to buy up? Limited vinyl also due soon from Mesh-Key.
MPEG Stream: "Penetration"
MPEG Stream: "Became A Star"

YURO, TIMI The Voice That Got Away Volume Two (RPM) cd 16.98
Reviewing this cd is bittersweet. Sadly this album's title states the truth, Timo Yuro passed away a few years ago, making her cherished recordings all the more so. Although it takes on many different tones and moods, her unbelievably powerful voice is unmistakable. Despite its title, this collection captures it perfectly in all of its glory. If you like '60s girl group pop, r&b and soul, you're probably already very familiar with Ms Yuro.
Note: this release is not new. It somehow slipped by us when it was first released back in '96, but we heartily tip our hat to dear Marc Cappelle of American Music Club for bringing to our attention recently!

YVES / SON / ACE Parade Of Thought / Can't Sleep (Night People) lp 14.98
The strangely monickered Yves/Son/Ace is in fact a solo project from one of the members of gothic post punk new wavers Factums, who we dig big time, and Parade Of Thought / Can't Sleep totally pushes all the same buttons, and if anything is just more abstract and out there, taking the same elements employed to create the gloom pop of Factums but here pulls them apart, recontextualizes them, tangles them all up, worrying less about songs, and more about texture and mood, resulting in a super weird bit of gothy synthy drift.
Long whirring drones, overlap creepy minor key melodies, primitive drum machines bleep and bloop, vocals awash in delay and reverb hover ghostlike amidst the proceedings, the various elements sometimes seem to coalesce into proper songs, but just as soon splinter into spectral fragments, imagine your favorite cold wave band composing the soundtrack for a Victorian haunted house, or for some super abstract arthouse horror film, and this might be what it would sound like.
Super abstract and druggy, these song fragments seem to crumble to pieces, those pieces drifting and joining up with other pieces to make a new brief 'song', before the whole process repeats itself, horns bleat, rhythms stutter, synths whir and wheeze, vocals croon and yelp, effects swirl and swoop, what's not to love!?
Super cool packaging, clear vinyl, housed alongside a black on purple silkscreened sleeve, and like the other Night People records, probably pretty dang limited...

YVES / SON / ACE Unsung (Kill Shaman) 7" 6.98
Latest single from this Factums side project, and like their previous 12", the sound of Yves / Son / Ace is worlds removed from the Factums mothership, and while the sound here can maybe be loosely described as garage rock, the six songs here are all over the map, and even the ones that DO sound like the garage rock you're familiar with, Y/S/A manages to fuck it up big time. The opener is a dirgey murky slab of primitive outsider garage pop, driven by a simple skeletal rhythm and goofy sing-song vocals, while the next track quickly devolves into something darkly Jandek-ian, a damaged detuned folk, shambolic and on the verge of collapse, but then the sound lurches dramatically into a super blown out, noisy reverb drenched guitar heavy garage punk pound. From there things seem to get even further out, first some tripped out lo-fi new wave-y creep, which blossoms into a sort of deranged almost industrial sounding sci-fi surf rock before finally finishing off in a blaze of chaotic angular noise rock garage blooze. Definitely recommended for folks who like their garage rock/pop with a healthy dose of outsider WTF.

YYRKOON Occult Medicine (Osmose) cd 11.98